Canonic repertories and the French musical press Lully to Wagner
"This long-awaited book by a leading historian of European music life offers a fresh reading of concert and operatic life by showing how certain musical works in eighteenth- and nineteenth-century France came to be considered "canonic": that is, admirable and worthy of being taken as...
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| Format: | Buch |
| Sprache: | English |
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Rochester, NY
University of Rochester Press
[2021]
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| Schriftenreihe: | Eastman studies in music
177 |
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| Online-Zugang: | Inhaltsverzeichnis |
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| 490 | 1 | |a Eastman studies in music |v 177 | |
| 505 | 8 | |a The Domestic versus the Foreign in Eighteenth-century Paris and London -- Elements of canon Formation at the Concert Spirituel / Beverly Wilcox -- To Praise or to criticize? The evolution of music criticism in eighteenth-century France -- Haydn in the press during the 1780s : How did a Canon Arise? -- Parallel canons at the Opéra and the Comédie-Française at the end of the Ancien Régime -- Negotiating repertory, public demand, and les progrès de la musique at the Paris Opéra, 1815-1830 -- Tracing the evolution of le vieux répertoire at the Opéra-Comique in the nineteenth century -- Richard Wagner, concert life, and musical canon in Paris, 1860-1914 | |
| 520 | 3 | |a "This long-awaited book by a leading historian of European music life offers a fresh reading of concert and operatic life by showing how certain musical works in eighteenth- and nineteenth-century France came to be considered "canonic": that is, admirable and worthy of being taken as models. In a series of interlinked essays, William Weber draws particular attention to the ways in which such reputations could shift in different eras and circumstances. The first chapter outlines how such a surge of reputation came about for Jean-Baptiste Lully after his death in 1687, followed a century later by one for the operas of Christoph-Willibald Gluck and Niccolò Piccinni. Next, Beverly Wilcox contributes a crucial chapter exploring how a canon of sacred works evolved at the Concert Spirituel between 1725 and 1790. Subsequent chapters detail the rise of an "incipient canon" for Joseph Haydn's music in the 1780s; a new operatic canon centered on works of Gioachino Rossini and Giacomo Meyerbeer; a century-long canonic repertory at the theater of the Opéra-Comique; and, between 1860 and 1914, frequent concert performances of excerpts from Wagner's operas, sometimes along with excerpts from Meyerbeer's. Throughout, Weber and Wilcox demonstrate how the French musical press reflected musical taste, and also shaped it, across two centuries"-- | |
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Datensatz im Suchindex
| _version_ | 1804182471081721856 |
|---|---|
| adam_text | Contents 1 2 3 4 5 6 7 8 Acknowledgments vii List of Illustrations ix Introduction 1 The Domestic versus the Foreign in Eighteenth-Century Paris and London Elements of Canon Formation at the Concert Spirituel (Beverly Wilcox) To Praise or to Criticize? The Evolution of Music Criticism in Eighteenth-Century France Haydn in the Press during the 1780s: How Did a Canon Arise? Parallel Canons at the Opéra and the Comédie-Française at the End of the Ancien Régime Negotiating Canonic Repertory and les progrès de և musique at the Paris Opéra, 1815—1830 The Evolution of le vieux répertoire at the Opéra-Comique in the Nineteenth Century Richard Wagner, Concert Life, and Musical Canon in Paris, 1860-1914 228 An Afterword 267 Bibliography 271 Index 301 16 37 73 102 128 164 202
|
| adam_txt |
Contents 1 2 3 4 5 6 7 8 Acknowledgments vii List of Illustrations ix Introduction 1 The Domestic versus the Foreign in Eighteenth-Century Paris and London Elements of Canon Formation at the Concert Spirituel (Beverly Wilcox) To Praise or to Criticize? The Evolution of Music Criticism in Eighteenth-Century France Haydn in the Press during the 1780s: How Did a Canon Arise? Parallel Canons at the Opéra and the Comédie-Française at the End of the Ancien Régime Negotiating Canonic Repertory and les progrès de և musique at the Paris Opéra, 1815—1830 The Evolution of le vieux répertoire at the Opéra-Comique in the Nineteenth Century Richard Wagner, Concert Life, and Musical Canon in Paris, 1860-1914 228 An Afterword 267 Bibliography 271 Index 301 16 37 73 102 128 164 202 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Weber, William 1940- Wilcox, Beverly ca. 20./21. Jh |
| author_GND | (DE-588)134152905 (DE-588)1047327430 |
| author_facet | Weber, William 1940- Wilcox, Beverly ca. 20./21. Jh |
| author_role | aut aut |
| author_sort | Weber, William 1940- |
| author_variant | w w ww b w bw |
| building | Verbundindex |
| bvnumber | BV047295221 |
| classification_rvk | LQ 82200 LR 54171 |
| contents | The Domestic versus the Foreign in Eighteenth-century Paris and London -- Elements of canon Formation at the Concert Spirituel / Beverly Wilcox -- To Praise or to criticize? The evolution of music criticism in eighteenth-century France -- Haydn in the press during the 1780s : How did a Canon Arise? -- Parallel canons at the Opéra and the Comédie-Française at the end of the Ancien Régime -- Negotiating repertory, public demand, and les progrès de la musique at the Paris Opéra, 1815-1830 -- Tracing the evolution of le vieux répertoire at the Opéra-Comique in the nineteenth century -- Richard Wagner, concert life, and musical canon in Paris, 1860-1914 |
| ctrlnum | (OCoLC)1250473729 (DE-599)BVBBV047295221 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1687-1914 gnd |
| era_facet | Geschichte 1687-1914 |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T17:21:37Z |
| indexdate | 2024-07-10T09:08:04Z |
| institution | BVB |
| isbn | 9781648250163 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032698487 |
| oclc_num | 1250473729 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | x, 317 Seiten Illustrationen |
| psigel | BSB_NED_20210716 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | University of Rochester Press |
| record_format | marc |
| series | Eastman studies in music |
| series2 | Eastman studies in music |
| spelling | Weber, William 1940- Verfasser (DE-588)134152905 aut Canonic repertories and the French musical press Lully to Wagner William Weber, with Beverly Wilcox Rochester, NY University of Rochester Press [2021] ©2021 Woodbridge, Suffolk Boydell & Brewer Limited 2021 x, 317 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Eastman studies in music 177 The Domestic versus the Foreign in Eighteenth-century Paris and London -- Elements of canon Formation at the Concert Spirituel / Beverly Wilcox -- To Praise or to criticize? The evolution of music criticism in eighteenth-century France -- Haydn in the press during the 1780s : How did a Canon Arise? -- Parallel canons at the Opéra and the Comédie-Française at the end of the Ancien Régime -- Negotiating repertory, public demand, and les progrès de la musique at the Paris Opéra, 1815-1830 -- Tracing the evolution of le vieux répertoire at the Opéra-Comique in the nineteenth century -- Richard Wagner, concert life, and musical canon in Paris, 1860-1914 "This long-awaited book by a leading historian of European music life offers a fresh reading of concert and operatic life by showing how certain musical works in eighteenth- and nineteenth-century France came to be considered "canonic": that is, admirable and worthy of being taken as models. In a series of interlinked essays, William Weber draws particular attention to the ways in which such reputations could shift in different eras and circumstances. The first chapter outlines how such a surge of reputation came about for Jean-Baptiste Lully after his death in 1687, followed a century later by one for the operas of Christoph-Willibald Gluck and Niccolò Piccinni. Next, Beverly Wilcox contributes a crucial chapter exploring how a canon of sacred works evolved at the Concert Spirituel between 1725 and 1790. Subsequent chapters detail the rise of an "incipient canon" for Joseph Haydn's music in the 1780s; a new operatic canon centered on works of Gioachino Rossini and Giacomo Meyerbeer; a century-long canonic repertory at the theater of the Opéra-Comique; and, between 1860 and 1914, frequent concert performances of excerpts from Wagner's operas, sometimes along with excerpts from Meyerbeer's. Throughout, Weber and Wilcox demonstrate how the French musical press reflected musical taste, and also shaped it, across two centuries"-- Geschichte 1687-1914 gnd rswk-swf Kanon (DE-588)4131583-2 gnd rswk-swf Musikkritik (DE-588)4139777-0 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Musical canon / France / History Musical criticism / France / History Music / France / History and criticism Opera / France Music Musical canon Musical criticism Opera France Criticism, interpretation, etc History Frankreich (DE-588)4018145-5 g Oper (DE-588)4043582-9 s Aufführung (DE-588)4143388-9 s Musikleben (DE-588)4075128-4 s Kanon (DE-588)4131583-2 s Musikkritik (DE-588)4139777-0 s Geschichte 1687-1914 z DE-604 Wilcox, Beverly ca. 20./21. Jh. Verfasser (DE-588)1047327430 aut Erscheint auch als Online-Ausgabe, ebk. 978-1-80010-329-0 Eastman studies in music 177 (DE-604)BV010127859 177 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032698487&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Weber, William 1940- Wilcox, Beverly ca. 20./21. Jh Canonic repertories and the French musical press Lully to Wagner Eastman studies in music The Domestic versus the Foreign in Eighteenth-century Paris and London -- Elements of canon Formation at the Concert Spirituel / Beverly Wilcox -- To Praise or to criticize? The evolution of music criticism in eighteenth-century France -- Haydn in the press during the 1780s : How did a Canon Arise? -- Parallel canons at the Opéra and the Comédie-Française at the end of the Ancien Régime -- Negotiating repertory, public demand, and les progrès de la musique at the Paris Opéra, 1815-1830 -- Tracing the evolution of le vieux répertoire at the Opéra-Comique in the nineteenth century -- Richard Wagner, concert life, and musical canon in Paris, 1860-1914 Kanon (DE-588)4131583-2 gnd Musikkritik (DE-588)4139777-0 gnd Aufführung (DE-588)4143388-9 gnd Musikleben (DE-588)4075128-4 gnd Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)4131583-2 (DE-588)4139777-0 (DE-588)4143388-9 (DE-588)4075128-4 (DE-588)4043582-9 (DE-588)4018145-5 |
| title | Canonic repertories and the French musical press Lully to Wagner |
| title_auth | Canonic repertories and the French musical press Lully to Wagner |
| title_exact_search | Canonic repertories and the French musical press Lully to Wagner |
| title_exact_search_txtP | Canonic repertories and the French musical press Lully to Wagner |
| title_full | Canonic repertories and the French musical press Lully to Wagner William Weber, with Beverly Wilcox |
| title_fullStr | Canonic repertories and the French musical press Lully to Wagner William Weber, with Beverly Wilcox |
| title_full_unstemmed | Canonic repertories and the French musical press Lully to Wagner William Weber, with Beverly Wilcox |
| title_short | Canonic repertories and the French musical press |
| title_sort | canonic repertories and the french musical press lully to wagner |
| title_sub | Lully to Wagner |
| topic | Kanon (DE-588)4131583-2 gnd Musikkritik (DE-588)4139777-0 gnd Aufführung (DE-588)4143388-9 gnd Musikleben (DE-588)4075128-4 gnd Oper (DE-588)4043582-9 gnd |
| topic_facet | Kanon Musikkritik Aufführung Musikleben Oper Frankreich |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032698487&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV010127859 |
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