Can't slow down how 1984 became pop's blockbuster year
The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hiphop, indie rock, and club scenes Everybody knows the hits of 1984-pop music's greatest year. From "Thriller" to "Purple Rain," "Girls Just Want to Have Fun" to &q...
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| Format: | Buch |
| Sprache: | English |
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New York, NY
Hachette Books
2020
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| Ausgabe: | First edition |
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| 520 | 3 | |a The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hiphop, indie rock, and club scenes Everybody knows the hits of 1984-pop music's greatest year. From "Thriller" to "Purple Rain," "Girls Just Want to Have Fun" to "Like a Virgin," "Hello" to "Against All Odds," "Sister Christian" to "Love Is a Battlefield," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," they continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves-until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid trip to a thrilling, turbulent time when pop was remaking itself, and the culture at large, one hit at a time. Let's go crazy! | |
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Datensatz im Suchindex
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| adam_text | CONTENTS INTRODUCTION vü J WPLJ-FM, NEW YORK CITY, August 7, 1983 1 SUPREME COURT, WASHINGTON, DC, January 17, 1984 15 g NEWSWEEK: BRITAIN ROCKS AMERICA—AGAIN,” January 23,1984 24 (Į- SUNSET STRIP, HOLLYWOOD, February 25,1984 42 5՜ SHRINE AUDITORIUM, LOS ANGELES, February 28,1984 63 £ CASTRO THEATRE, SAN FRANCISCO, April 24,1984 92 Հ֊ ISLAND RECORDS, LONDON, May 8,1984 108 ğ THE 13TH ANNUAL INTERNATIONAL COUNTRY MUSIC FAN FAIR, NASHVILLE, June 4-Ю, 1984 118 ûj WPIX CHANNEL 11, NEW YORK CITY, June 29,1984 128 JIp ARROWHEAD STADIUM, KANSAS CITY, MISSOURI, July 6, 1984 150 JJ. MANN’S CHINESE THEATRE, HOLLYWOOD, July 26, 1984 168 MATTER NO. 9, CHICAGO, ILLINOIS, July-August 1984 188 V
CONTENTS VI Jg NEW MUSIC SEMINAR, NEW YORK CITY, August 6-8, 1984 209 յհ֊ MEMORIAL COLISEUM, LOS ANGELES, August 12, 1984 228 Jff- RADIO CITY MUSIC HALL, NEW YORK CITY, September 14,1984 244 Jį/у CIVIC ARENA, PITTSBURGH, September 21,1984 266 ¿ý֊ EMI RECORDS, NEW YORK CITY, November 13, 1984 285 SARM STUDIOS, LONDON, November 25, 1984 306 ¿ή WESTWOOD ONE, CULVER CITY, CALIFORNIA, April 20, 1985 328 WEMBLEY STADIUM, LONDON, AND JFK STADIUM, PHILADELPHIA, July 13,1985 346 ACKNOWLEDGMENTS 373 NOTES 375 INDEX 447
|
| adam_txt |
CONTENTS INTRODUCTION vü J WPLJ-FM, NEW YORK CITY, August 7, 1983 1 SUPREME COURT, WASHINGTON, DC, January 17, 1984 15 g NEWSWEEK: "BRITAIN ROCKS AMERICA—AGAIN,” January 23,1984 24 (Į- SUNSET STRIP, HOLLYWOOD, February 25,1984 42 5՜ SHRINE AUDITORIUM, LOS ANGELES, February 28,1984 63 £ CASTRO THEATRE, SAN FRANCISCO, April 24,1984 92 Հ֊ ISLAND RECORDS, LONDON, May 8,1984 108 ğ THE 13TH ANNUAL INTERNATIONAL COUNTRY MUSIC FAN FAIR, NASHVILLE, June 4-Ю, 1984 118 ûj WPIX CHANNEL 11, NEW YORK CITY, June 29,1984 128 JIp ARROWHEAD STADIUM, KANSAS CITY, MISSOURI, July 6, 1984 150 JJ. MANN’S CHINESE THEATRE, HOLLYWOOD, July 26, 1984 168 MATTER NO. 9, CHICAGO, ILLINOIS, July-August 1984 188 V
CONTENTS VI Jg NEW MUSIC SEMINAR, NEW YORK CITY, August 6-8, 1984 209 յհ֊ MEMORIAL COLISEUM, LOS ANGELES, August 12, 1984 228 Jff- RADIO CITY MUSIC HALL, NEW YORK CITY, September 14,1984 244 Jį/у CIVIC ARENA, PITTSBURGH, September 21,1984 266 ¿ý֊ EMI RECORDS, NEW YORK CITY, November 13, 1984 285 SARM STUDIOS, LONDON, November 25, 1984 306 ¿ή WESTWOOD ONE, CULVER CITY, CALIFORNIA, April 20, 1985 328 WEMBLEY STADIUM, LONDON, AND JFK STADIUM, PHILADELPHIA, July 13,1985 346 ACKNOWLEDGMENTS 373 NOTES 375 INDEX 447 |
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| spelling | Matos, Michaelangelo Verfasser (DE-588)1074892526 aut Can't slow down how 1984 became pop's blockbuster year Michaelangelo Matos Cannot slow down How 1984 became pop's blockbuster year First edition New York, NY Hachette Books 2020 xi, 468 Seiten, 16 ungezhählte Seiten Tafeln Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hiphop, indie rock, and club scenes Everybody knows the hits of 1984-pop music's greatest year. From "Thriller" to "Purple Rain," "Girls Just Want to Have Fun" to "Like a Virgin," "Hello" to "Against All Odds," "Sister Christian" to "Love Is a Battlefield," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," they continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves-until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid trip to a thrilling, turbulent time when pop was remaking itself, and the culture at large, one hit at a time. Let's go crazy! Geschichte 1984 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Popular music / 1981-1990 / History and criticism Nineteen eighty-four, A.D. Popular music 1981-1990 Criticism, interpretation, etc USA (DE-588)4078704-7 g Großbritannien (DE-588)4022153-2 g Popmusik (DE-588)4046781-8 s Geschichte 1984 z DE-604 Erscheint auch als Online-Ausgabe 978-0-306-90335-9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032574626&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Matos, Michaelangelo Can't slow down how 1984 became pop's blockbuster year Popmusik (DE-588)4046781-8 gnd |
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| title | Can't slow down how 1984 became pop's blockbuster year |
| title_alt | Cannot slow down How 1984 became pop's blockbuster year |
| title_auth | Can't slow down how 1984 became pop's blockbuster year |
| title_exact_search | Can't slow down how 1984 became pop's blockbuster year |
| title_exact_search_txtP | Can't slow down how 1984 became pop's blockbuster year |
| title_full | Can't slow down how 1984 became pop's blockbuster year Michaelangelo Matos |
| title_fullStr | Can't slow down how 1984 became pop's blockbuster year Michaelangelo Matos |
| title_full_unstemmed | Can't slow down how 1984 became pop's blockbuster year Michaelangelo Matos |
| title_short | Can't slow down |
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