Photography and the arts essays on nineteenth-century practices and debates
Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including academics, critics, c...
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London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Visual Arts
2020
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264 | 1 | |a London ; New York ; Oxford ; New Delhi ; Sydney |b Bloomsbury Visual Arts |c 2020 | |
300 | |a xvii, 230 Seiten |b Illustrationen |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including academics, critics, curators, collectors, dealers and conservators. All of this cultural activity consolidates an artistic practice and critical discourse of photography that distinguishes what is increasingly termed 'art photography' from its commercial, scientific and amateur guises. But this long-awaited recognition of photography as high art brings new challenges. How will photography's newly privileged place in the art world affect how the history of creative photography is written? Modernist claims for the medium as having an aesthetic often turned on precedents from painting. Postmodernism challenged a cultural hierarchy organized around painting. Nineteenth-century photographs move between the symbolic spaces of the gallery wall and the archive: de-contextualised for art and re-contextualised for history. But what of the contemporary writings, images, and practices that negotiated an aesthetic status for 'the photographic'? 'Photography and the Arts' revisits practices both celebrated and elided by the modernist and postmodernist grand narratives of art and photographic history in order to open up new critical spaces. Written by leading scholars in the fields of photography, art and literature, the essays examine the metaphorical as well as the material exchanges between photography and the fine, graphic, reproductive and sculptural arts. | |
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653 | 0 | |a Art and photography / History / 19th century | |
653 | 0 | |a Art and photography | |
653 | 0 | |a Photography | |
653 | 4 | |a 1800-1899 | |
653 | 6 | |a History | |
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689 | 0 | 2 | |a Geschichte 1830-1900 |A z |
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Datensatz im Suchindex
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adam_text | PHOTOGRAPHY AND THE ARTS
ESSAYS ON NINETEENTH-CENTURY PRACTICES
AND DEBATES
EDITED
BY
JULIET HACKING AND JOANNE LUKITSH
BLOOMSBURY
VISUAL
ARTS
LO:-IDON
YY
NEW
YORK
YY
OXFORD
YY
NEW
DELHI
YY SYD:-IEY
ILLUSTRATIONS
CONTRIBUTORS
ACKNOWLEDGEMENTS
CONTENTS
INTRODUCTION
JULIET
HACKING
AND
JOANNE
LUKITSH
PART ONE: THE ARTS
OF
REPRODUCTION
1 A BUG FOR PHOTOGRAPHY? HIPPOLYTE FIZEAU S PHOTOGRAPHIC ENGRAVING
AND
OTHER
MEDIA
OF
REPRODUCTION
STEPHEN
C.
PINSON
2 CASTING HISTORY: THE ROLE
OF
PHOTOGRAPHY
AND
PLASTER CASTING IN
THE
CREATION
OF
A COLONIAL ARCHIVE
SARAH
VICTORIA TURNER
3 MODERNIZING THE VICTORIAN: READING THE PHOTOGRAPHS
OF
JULIA MARGARET
VII
XV
XVIII
17
19
33
CAMERON
1886-1914
JOANNE
LUKITSH
47
PART TWO: PHOTOGRAPHY
AND
AESTHETICS
61
4 THE PHOTOGRAPHIC AND
THE
PICTURESQUE: THE AESTHETIC AND CHEMICAL
FOUNDATIONS
OF
LOUIS DESIRE BLANQUART-EVRARD S ACTIVITIES
HERTA
WOLF
63
5 PICTURESQUE CONFLICT: PHOTOGRAPHY AND
THE
AESTHETICS
OF
VIOLENCE
IN
THE
NINETEENTH-CENTURY BRITISH EMPIRE
SEAN
ROBERT
WILLCOCK
6 SUN-STRUCK: ELIZABETH RIGBY (EASTLAKE)
AND
THE
SUN S EARNEST GAZE
IN
85
CALOTYPES BY HILL AND ADAMSON
LINDSAY SMITH
99
7 CARLYLE LIKE A ROUGH BLOCK
OF
MICHAEL ANGELO S : THINKING PHOTOGRAPHY
THROUGH
SCULPTURE IN JULIA MARGARET CAMERON S PORTRAITS
PATRIZIA
DI
BELLO
111
PART THREE: PHOTOGRAPHY
AND
PAINTING
123
8 ART, REPRODUCTION AND REPORTAGE: ROGER FENTON S CRIMEAN
PHOTOGRAPHS
SOPHIE
GORDON
9 IMPRESSIONISM
IN
PHOTOGRAPHY
HOPE
KINGSLEY
125
139
VI
CONTENTS
PART FOUR: ARTISTIC PHOTOGRAPHY
10
THE POETICAL TALENTS
OF
OUR
ARTISTS : AMERICAN NARRATIVE
DAGUERREOTYPES
DIANE
WAGGONER
11
RADICALLY VICIOUS : HENRY PEACH ROBINSON, ALFRED HENRY WALL AND THE
153
155
CRITICAL RECEPTION
OF
COMPOSITION PHOTOGRAPHY, 1859-63
JULIET HACKING
175
12
FROM STUDIES FROM NATURE TO STUDIES FOR PAINTING : JULIA MARGARET
CAMERON IN THE SOUTH KENSINGTON MUSEUM
MARTA
WEISS
BIBLIOGRAPHY
INDEX
191
208
221
|
adam_txt |
PHOTOGRAPHY AND THE ARTS
ESSAYS ON NINETEENTH-CENTURY PRACTICES
AND DEBATES
EDITED
BY
JULIET HACKING AND JOANNE LUKITSH
BLOOMSBURY
VISUAL
ARTS
LO:-IDON
YY
NEW
YORK
YY
OXFORD
YY
NEW
DELHI
YY SYD:-IEY
ILLUSTRATIONS
CONTRIBUTORS
ACKNOWLEDGEMENTS
CONTENTS
INTRODUCTION
JULIET
HACKING
AND
JOANNE
LUKITSH
PART ONE: THE ARTS
OF
REPRODUCTION
1 A BUG FOR PHOTOGRAPHY? HIPPOLYTE FIZEAU'S PHOTOGRAPHIC ENGRAVING
AND
OTHER
MEDIA
OF
REPRODUCTION
STEPHEN
C.
PINSON
2 CASTING HISTORY: THE ROLE
OF
PHOTOGRAPHY
AND
PLASTER CASTING IN
THE
CREATION
OF
A COLONIAL ARCHIVE
SARAH
VICTORIA TURNER
3 MODERNIZING THE VICTORIAN: READING THE PHOTOGRAPHS
OF
JULIA MARGARET
VII
XV
XVIII
17
19
33
CAMERON
1886-1914
JOANNE
LUKITSH
47
PART TWO: PHOTOGRAPHY
AND
AESTHETICS
61
4 THE PHOTOGRAPHIC AND
THE
PICTURESQUE: THE AESTHETIC AND CHEMICAL
FOUNDATIONS
OF
LOUIS DESIRE BLANQUART-EVRARD'S ACTIVITIES
HERTA
WOLF
63
5 PICTURESQUE CONFLICT: PHOTOGRAPHY AND
THE
AESTHETICS
OF
VIOLENCE
IN
THE
NINETEENTH-CENTURY BRITISH EMPIRE
SEAN
ROBERT
WILLCOCK
6 SUN-STRUCK: ELIZABETH RIGBY (EASTLAKE)
AND
THE
SUN'S 'EARNEST GAZE'
IN
85
CALOTYPES BY HILL AND ADAMSON
LINDSAY SMITH
99
7 'CARLYLE LIKE A ROUGH BLOCK
OF
MICHAEL ANGELO'S': THINKING PHOTOGRAPHY
THROUGH
SCULPTURE IN JULIA MARGARET CAMERON'S PORTRAITS
PATRIZIA
DI
BELLO
111
PART THREE: PHOTOGRAPHY
AND
PAINTING
123
8 ART, REPRODUCTION AND REPORTAGE: ROGER FENTON'S CRIMEAN
PHOTOGRAPHS
SOPHIE
GORDON
9 IMPRESSIONISM
IN
PHOTOGRAPHY
HOPE
KINGSLEY
125
139
VI
CONTENTS
PART FOUR: ARTISTIC PHOTOGRAPHY
10
'THE POETICAL TALENTS
OF
OUR
ARTISTS': AMERICAN NARRATIVE
DAGUERREOTYPES
DIANE
WAGGONER
11
'RADICALLY VICIOUS': HENRY PEACH ROBINSON, ALFRED HENRY WALL AND THE
153
155
CRITICAL RECEPTION
OF
COMPOSITION PHOTOGRAPHY, 1859-63
JULIET HACKING
175
12
FROM 'STUDIES FROM NATURE' TO 'STUDIES FOR PAINTING': JULIA MARGARET
CAMERON IN THE SOUTH KENSINGTON MUSEUM
MARTA
WEISS
BIBLIOGRAPHY
INDEX
191
208
221 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author2 | Hacking, Juliet ca. 20. Jh Lukitsh, Joanne |
author2_role | edt edt |
author2_variant | j h jh j l jl |
author_GND | (DE-588)102833348X (DE-588)1057338842 |
author_facet | Hacking, Juliet ca. 20. Jh Lukitsh, Joanne |
building | Verbundindex |
bvnumber | BV047121859 |
classification_rvk | AP 94300 |
ctrlnum | (OCoLC)1241682495 (DE-599)BVBBV047121859 |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
era | Geschichte 1830-1900 gnd |
era_facet | Geschichte 1830-1900 |
format | Book |
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spelling | Photography and the arts essays on nineteenth-century practices and debates edited by Juliet Hacking and Joanne Lukitsh London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Visual Arts 2020 xvii, 230 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including academics, critics, curators, collectors, dealers and conservators. All of this cultural activity consolidates an artistic practice and critical discourse of photography that distinguishes what is increasingly termed 'art photography' from its commercial, scientific and amateur guises. But this long-awaited recognition of photography as high art brings new challenges. How will photography's newly privileged place in the art world affect how the history of creative photography is written? Modernist claims for the medium as having an aesthetic often turned on precedents from painting. Postmodernism challenged a cultural hierarchy organized around painting. Nineteenth-century photographs move between the symbolic spaces of the gallery wall and the archive: de-contextualised for art and re-contextualised for history. But what of the contemporary writings, images, and practices that negotiated an aesthetic status for 'the photographic'? 'Photography and the Arts' revisits practices both celebrated and elided by the modernist and postmodernist grand narratives of art and photographic history in order to open up new critical spaces. Written by leading scholars in the fields of photography, art and literature, the essays examine the metaphorical as well as the material exchanges between photography and the fine, graphic, reproductive and sculptural arts. Geschichte 1830-1900 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Photography / History / 19th century Art and photography / History / 19th century Art and photography Photography 1800-1899 History (DE-588)1071861417 Konferenzschrift 06.2016 London gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunst (DE-588)4114333-4 s Fotografie (DE-588)4045895-7 s Geschichte 1830-1900 z DE-604 Hacking, Juliet ca. 20. Jh. (DE-588)102833348X edt Lukitsh, Joanne (DE-588)1057338842 edt Erscheint auch als Online-Ausgabe 978-1-3500-4856-0 (DE-604)BV047061267 Erscheint auch als Online-Ausgabe 978-1-3500-4854-6 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032528151&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Photography and the arts essays on nineteenth-century practices and debates Kunst (DE-588)4114333-4 gnd Fotografie (DE-588)4045895-7 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4045895-7 (DE-588)1071861417 (DE-588)4143413-4 |
title | Photography and the arts essays on nineteenth-century practices and debates |
title_auth | Photography and the arts essays on nineteenth-century practices and debates |
title_exact_search | Photography and the arts essays on nineteenth-century practices and debates |
title_exact_search_txtP | Photography and the arts essays on nineteenth-century practices and debates |
title_full | Photography and the arts essays on nineteenth-century practices and debates edited by Juliet Hacking and Joanne Lukitsh |
title_fullStr | Photography and the arts essays on nineteenth-century practices and debates edited by Juliet Hacking and Joanne Lukitsh |
title_full_unstemmed | Photography and the arts essays on nineteenth-century practices and debates edited by Juliet Hacking and Joanne Lukitsh |
title_short | Photography and the arts |
title_sort | photography and the arts essays on nineteenth century practices and debates |
title_sub | essays on nineteenth-century practices and debates |
topic | Kunst (DE-588)4114333-4 gnd Fotografie (DE-588)4045895-7 gnd |
topic_facet | Kunst Fotografie Konferenzschrift 06.2016 London Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032528151&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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