Men without Women Masculinity and Revolution in Russian Fiction, 1917-1929
In Men without Women Eliot Borenstein examines the literature of the early Soviet period to shed new light on the iconic Russian concept of comradeship. By analyzing a variety of Russian writers who span the ideological spectrum, Borenstein provides an illuminating reading of the construction of mas...
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| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) | ||
| 520 | |a In Men without Women Eliot Borenstein examines the literature of the early Soviet period to shed new light on the iconic Russian concept of comradeship. By analyzing a variety of Russian writers who span the ideological spectrum, Borenstein provides an illuminating reading of the construction of masculinity in Soviet culture. In each example he identifies the replacement of blood ties with ideology and the creation of a social order in which the family has been supplanted by the collective.In such works as Red Cavalry by Isaac Babel, Envy by Yuri Olesha, and Chevengur by Andrei Platonov women are either absent or transformed into bodiless abstractions. Their absence, claims Borenstein, reflects the masculine values that are hallmarks of the post-revolutionary era: production rather than reproduction, participation in history rather than domestic ahistoricity, heavy industry, construction, and struggle. He identifies in this literature groups of "men without women" replacing the family, even while the metaphor of family is used as an organizing feature of their recurring revolutionary missions. With the passage of time, these characters' relationships-just as those in the Soviet culture of the time-begin to resemble the family structure that was originally rejected and destroyed, with one important exception: the new "families" had no place for women. According to Borenstein, this masculinist myth found its most congenial audience during the early period of communism, but its hostility to women and family ties could not survive into the Stalinist era when women, home, and family were no longer seen as antithetical to socialism.Drawing on the theory and writings of Levi-Strauss, Girard, Sedgwick, and others, Men Without Women will be of interest to students and scholars of Slavic literature and history as well as specialists in literary theory and gender studies | ||
| 546 | |a In English | ||
| 650 | 7 | |a LITERARY CRITICISM / Russian & Former Soviet Union |2 bisacsh | |
| 650 | 4 | |a Man-woman relationships in literature | |
| 650 | 4 | |a Masculinity in literature | |
| 650 | 4 | |a Men in literature | |
| 650 | 4 | |a Russian fiction |y 20th century |x History and criticism | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Borenstein, Eliot 1966- |
| author_GND | (DE-588)124807747 |
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| author_sort | Borenstein, Eliot 1966- |
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| dewey-full | 891.73/4209352041 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 891 - East Indo-European and Celtic literatures |
| dewey-raw | 891.73/4209352041 |
| dewey-search | 891.73/4209352041 |
| dewey-sort | 3891.73 104209352041 |
| dewey-tens | 890 - Literatures of other languages |
| discipline | Slavistik |
| doi_str_mv | 10.1515/9780822379904 |
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| illustrated | Not Illustrated |
| indexdate | 2024-12-24T08:36:57Z |
| institution | BVB |
| isbn | 9780822379904 |
| language | English |
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| spelling | Borenstein, Eliot 1966- Verfasser (DE-588)124807747 aut Men without Women Masculinity and Revolution in Russian Fiction, 1917-1929 Eliot Borenstein Durham Duke University Press [2001] © 2001 1 online resource (368 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) In Men without Women Eliot Borenstein examines the literature of the early Soviet period to shed new light on the iconic Russian concept of comradeship. By analyzing a variety of Russian writers who span the ideological spectrum, Borenstein provides an illuminating reading of the construction of masculinity in Soviet culture. In each example he identifies the replacement of blood ties with ideology and the creation of a social order in which the family has been supplanted by the collective.In such works as Red Cavalry by Isaac Babel, Envy by Yuri Olesha, and Chevengur by Andrei Platonov women are either absent or transformed into bodiless abstractions. Their absence, claims Borenstein, reflects the masculine values that are hallmarks of the post-revolutionary era: production rather than reproduction, participation in history rather than domestic ahistoricity, heavy industry, construction, and struggle. He identifies in this literature groups of "men without women" replacing the family, even while the metaphor of family is used as an organizing feature of their recurring revolutionary missions. With the passage of time, these characters' relationships-just as those in the Soviet culture of the time-begin to resemble the family structure that was originally rejected and destroyed, with one important exception: the new "families" had no place for women. According to Borenstein, this masculinist myth found its most congenial audience during the early period of communism, but its hostility to women and family ties could not survive into the Stalinist era when women, home, and family were no longer seen as antithetical to socialism.Drawing on the theory and writings of Levi-Strauss, Girard, Sedgwick, and others, Men Without Women will be of interest to students and scholars of Slavic literature and history as well as specialists in literary theory and gender studies In English LITERARY CRITICISM / Russian & Former Soviet Union bisacsh Man-woman relationships in literature Masculinity in literature Men in literature Russian fiction 20th century History and criticism https://doi.org/10.1515/9780822379904 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Borenstein, Eliot 1966- Men without Women Masculinity and Revolution in Russian Fiction, 1917-1929 LITERARY CRITICISM / Russian & Former Soviet Union bisacsh Man-woman relationships in literature Masculinity in literature Men in literature Russian fiction 20th century History and criticism |
| title | Men without Women Masculinity and Revolution in Russian Fiction, 1917-1929 |
| title_auth | Men without Women Masculinity and Revolution in Russian Fiction, 1917-1929 |
| title_exact_search | Men without Women Masculinity and Revolution in Russian Fiction, 1917-1929 |
| title_full | Men without Women Masculinity and Revolution in Russian Fiction, 1917-1929 Eliot Borenstein |
| title_fullStr | Men without Women Masculinity and Revolution in Russian Fiction, 1917-1929 Eliot Borenstein |
| title_full_unstemmed | Men without Women Masculinity and Revolution in Russian Fiction, 1917-1929 Eliot Borenstein |
| title_short | Men without Women |
| title_sort | men without women masculinity and revolution in russian fiction 1917 1929 |
| title_sub | Masculinity and Revolution in Russian Fiction, 1917-1929 |
| topic | LITERARY CRITICISM / Russian & Former Soviet Union bisacsh Man-woman relationships in literature Masculinity in literature Men in literature Russian fiction 20th century History and criticism |
| topic_facet | LITERARY CRITICISM / Russian & Former Soviet Union Man-woman relationships in literature Masculinity in literature Men in literature Russian fiction 20th century History and criticism |
| url | https://doi.org/10.1515/9780822379904 |
| work_keys_str_mv | AT borensteineliot menwithoutwomenmasculinityandrevolutioninrussianfiction19171929 |