Out Takes Essays on Queer Theory and Film

This collection brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism. While the "politics of representation" has been the focus of much previous gay and lesbian film criticism, the contributors to Out Takes employ...

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1. Verfasser: Hanson, Ellis (VerfasserIn)
Weitere Verfasser: Alexander, Doty (MitwirkendeR), Amy, Villarejo (MitwirkendeR), Bonnie, Burns (MitwirkendeR), D. A., Miller (MitwirkendeR), Ellis, Hanson (MitwirkendeR), Eric, Savoy (MitwirkendeR), Jean, Walton (MitwirkendeR), Jim, Ellis (MitwirkendeR), Lee, Edelman (MitwirkendeR), Matthew, Tinkcom (MitwirkendeR), Michelle, Elleray (MitwirkendeR), Steven, Cohan (MitwirkendeR)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Durham Duke University Press [1999]
Schriftenreihe:Series Q
Schlagworte:
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Datensatz im Suchindex

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spelling Hanson, Ellis Verfasser aut
Out Takes Essays on Queer Theory and Film Ellis Hanson
Durham Duke University Press [1999]
© 1999
1 online resource (376 pages) 55 b&w photographs
txt rdacontent
c rdamedia
cr rdacarrier
Series Q
Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
This collection brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism. While the "politics of representation" has been the focus of much previous gay and lesbian film criticism, the contributors to Out Takes employ the approaches of queer theory to move beyond conventional readings and to reexamine aspects of the cinematic gaze in relation to queer desire and spectatorship.The essays examine a wide array of films, including Calamity Jane, Rear Window, The Hunger, Heavenly Creatures, and Bound , and discuss such figures as Doris Day, Elizabeth Taylor, and Alfred Hitchcock. Divided into three sections, the first part reconsiders the construction of masculinity and male homoerotic desire-especially with respect to the role of women-in classic cinema of the 1940s and 1950s. The second section offers a deconstructive consideration of lesbian film spectatorship and lesbian representation. Part three looks at the historical trajectory of independent queer cinema, including works by H.D., Kenneth Anger, and Derek Jarman.By exploring new approaches to the study of sexuality in film, Out Takes will be useful to scholars in gay and lesbian studies, queer theory, and cinema studies.Contributors. Bonnie Burns, Steven Cohan, Alexander Doty, Lee Edelman, Michelle Elleray, Jim Ellis, Ellis Hanson, D. A. Miller, Eric Savoy, Matthew Tinkcom, Amy Villarejo, Jean Walton
In English
SOCIAL SCIENCE / LGBT Studies / Lesbian Studies bisacsh
Alexander, Doty ctb
Amy, Villarejo ctb
Bonnie, Burns ctb
D. A., Miller ctb
Ellis, Hanson ctb
Eric, Savoy ctb
Jean, Walton ctb
Jim, Ellis ctb
Lee, Edelman ctb
Matthew, Tinkcom ctb
Michelle, Elleray ctb
Steven, Cohan ctb
https://doi.org/10.1515/9780822379157 Verlag URL des Erstveröffentlichers Volltext
spellingShingle Hanson, Ellis
Out Takes Essays on Queer Theory and Film
SOCIAL SCIENCE / LGBT Studies / Lesbian Studies bisacsh
title Out Takes Essays on Queer Theory and Film
title_auth Out Takes Essays on Queer Theory and Film
title_exact_search Out Takes Essays on Queer Theory and Film
title_full Out Takes Essays on Queer Theory and Film Ellis Hanson
title_fullStr Out Takes Essays on Queer Theory and Film Ellis Hanson
title_full_unstemmed Out Takes Essays on Queer Theory and Film Ellis Hanson
title_short Out Takes
title_sort out takes essays on queer theory and film
title_sub Essays on Queer Theory and Film
topic SOCIAL SCIENCE / LGBT Studies / Lesbian Studies bisacsh
topic_facet SOCIAL SCIENCE / LGBT Studies / Lesbian Studies
url https://doi.org/10.1515/9780822379157
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