A critical companion to Stanley Kubrick
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham ; Boulder ; New York ; London
Lexington Books
[2020]
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| Schriftenreihe: | Critical companion to contemporary directors
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgments ix Introduction Elsa Colomboni 1 Part I: Bending Genres 1 Mental Landscapes and Subdued Bodies in Killer ’s Kiss Vincent Jaunas ■ 2 Burning Down the House in Kubrick’s The Shining Anne-Marie Paquet-Deyris 3 Kubrick’s Gangster Ąrtistry: Contradiction and Hybridity in The Killing Carol Donelan 4 Adapting Lolita: Hybridizing and Subverting Genre Conventions Gilles Menegaldo 5 History by Candlelight: How Stanley Kubrick Revolutionized Depictions of the Past on Film Sean O’Reilly 6 Intertextuality, Distortion, and Echoes of World War II in Stanley Kubrick’s War Films Guillaume Mouleux Part II: Master of Chaos and Transgression 7 The Philosophy of War in Dr. Strangelove Jerold J Abrams vii 21 23 37 51 65 79 93 109 111
viii Contents 8 Stanley Kubrick and the Cinema of Chaos: The Theater of War William Gombash 9 Joker’s Ideological Becoming: The Limits of Irony in Full Metal Jacket James R Britton 10 “Violence Is a Very Horrible Thing”: Brechtian Alienation Effect in Kubrick’s A Clockwork Orange Madison Mae Williams 11 Reading Reality in A Clockwork Orange: Film Censorship, Metalepsis, and “Media Effects” Rachel Cole 12 Through a Glass, Darkly: The Slow Rise of Women in Barry Lyndon, The Shining, and Eyes Wide Shut Elsa Colomboni 123 Part III: The Visionary Auteur 13 Kirk Douglas and Stanley Kubrick: Reconsidering a Creative and Business Partnership James Fenwick 14 Auteur versus Author: Kubrick’s Relationship with Literary Writers Annie Nissen 15 “May I Have the Password?”: Heterotopic Space in Eyes Wide Shut Carl Sweeney 16 The Spectacle of Time, (Slow) Motion, and Stillness in the Films of Stanley Kubrick Paul Johnson 17 2001: A Space Odyssey·. Kubrick’s Allegory of Melancholia Maurizia Natali 18 The Everlasting Moment: Enchantment and Myth in A.l. and 2001: A Space Odyssey Joshua Sikora 193 137 151 165 179 195 207 221 235 249 263 Index 277 About the Contributors 281
Contents Acknowledgments ix Introduction Elsa Colomboni 1 Part I: Bending Genres 1 Mental Landscapes and Subdued Bodies in Killer ’s Kiss Vincent Jaunas ■ 2 Burning Down the House in Kubrick’s The Shining Anne-Marie Paquet-Deyris 3 Kubrick’s Gangster Ąrtistry: Contradiction and Hybridity in The Killing Carol Donelan 4 Adapting Lolita: Hybridizing and Subverting Genre Conventions Gilles Menegaldo 5 History by Candlelight: How Stanley Kubrick Revolutionized Depictions of the Past on Film Sean O’Reilly 6 Intertextuality, Distortion, and Echoes of World War II in Stanley Kubrick’s War Films Guillaume Mouleux Part II: Master of Chaos and Transgression 7 The Philosophy of War in Dr. Strangelove Jerold J Abrams vii 21 23 37 51 65 79 93 109 111
viii Contents 8 Stanley Kubrick and the Cinema of Chaos: The Theater of War William Gombash 9 Joker’s Ideological Becoming: The Limits of Irony in Full Metal Jacket James R Britton 10 “Violence Is a Very Horrible Thing”: Brechtian Alienation Effect in Kubrick’s A Clockwork Orange Madison Mae Williams 11 Reading Reality in A Clockwork Orange: Film Censorship, Metalepsis, and “Media Effects” Rachel Cole 12 Through a Glass, Darkly: The Slow Rise of Women in Barry Lyndon, The Shining, and Eyes Wide Shut Elsa Colomboni 123 Part III: The Visionary Auteur 13 Kirk Douglas and Stanley Kubrick: Reconsidering a Creative and Business Partnership James Fenwick 14 Auteur versus Author: Kubrick’s Relationship with Literary Writers Annie Nissen 15 “May I Have the Password?”: Heterotopic Space in Eyes Wide Shut Carl Sweeney 16 The Spectacle of Time, (Slow) Motion, and Stillness in the Films of Stanley Kubrick Paul Johnson 17 2001: A Space Odyssey·. Kubrick’s Allegory of Melancholia Maurizia Natali 18 The Everlasting Moment: Enchantment and Myth in A.l. and 2001: A Space Odyssey Joshua Sikora 193 137 151 165 179 195 207 221 235 249 263 Index 277 About the Contributors 281
A (Kitleni Companion to Stanley Kubrick otters a thorough and detailed stude ot the films ot the legendan- director. Labeled a recluse, a provocateur, and a perfectionist. Kubrick revolutionized filmmaking, from the use ot music in film, narrative pacing, and structure, to depictions ot war and violence. An unparalleled visionarv, his work continues to influence contemporan՜ cinema and casual culture. This book delves into the complexities ot his work and ex amine-; the great varictv ot topics and the multiple interpretations that his films inspire. The eighteen chapters in this book use a wide range of methodologies and explore new՜ trends ot research in film studies, providing a serio ot unique and novel perspectives on all ot Kubrick s thirteen feature films, trom Ecar ami Desire (TTdl to Eves ІГиіе Shut (1999), as well as his work on AA. Artificial Intelligence ( Steven Spielberg, 2001). Jerold J. Abrams, James R. Britton, Rachel Cole, EKa Colombani, Carol Donelan, James Fenwick, William Combash, Vincent Jaunas, Paul Johnson, Cilles Menegaldo, Guillaume Mouleux, Maurizia Natali, Annie Nissen, Sean O’Reillv, Anne-Marie Paquet-Devris, Joshua Sikora, Carl Sweenev, Madison Mae Williams
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| illustrated | Not Illustrated |
| indexdate | 2024-12-24T08:35:31Z |
| institution | BVB |
| isbn | 9781793613769 9781793613783 |
| language | English |
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| publisher | Lexington Books |
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| series2 | Critical companion to contemporary directors |
| spellingShingle | A critical companion to Stanley Kubrick Kubrick, Stanley 1928-1999 (DE-588)11856739X gnd |
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| title | A critical companion to Stanley Kubrick |
| title_auth | A critical companion to Stanley Kubrick |
| title_exact_search | A critical companion to Stanley Kubrick |
| title_full | A critical companion to Stanley Kubrick edited by Elsa Colombani |
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