Representing Russia's orient from ethnography to art song
Unveiling Tradition : Oriental "Others" in Nineteenth-Century Russian (Folk)Song Collections -- Building Images of the "Other:" Russian Musical Ethnographies on Inorodtsy -- Aryanism and Asianism in the Quest for the Russian Identity -- Alexander Aliab'ev, Decembrism, and Ru...
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| 100 | 1 | |a Issiyeva, Adalyat |d ca. 20./21. Jh. |e Verfasser |0 (DE-588)1226303196 |4 aut | |
| 245 | 1 | 0 | |a Representing Russia's orient |b from ethnography to art song |c by Adalyat Issiyeva |
| 264 | 1 | |a New York |b Oxford University Press |c [2021] | |
| 300 | |a XXI, 406 Seiten |b Illustrationen, Karten, Notenbeispiele | ||
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| 337 | |b n |2 rdamedia | ||
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| 490 | 0 | |a AMS studies in music series | |
| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a Unveiling Tradition : Oriental "Others" in Nineteenth-Century Russian (Folk)Song Collections -- Building Images of the "Other:" Russian Musical Ethnographies on Inorodtsy -- Aryanism and Asianism in the Quest for the Russian Identity -- Alexander Aliab'ev, Decembrism, and Russian Orient -- Balakirev, his Orient, and the Five -- Ethnographic Concerts at the Service of Empire | |
| 520 | 3 | |a "This book examines the musical ramifications of Russian nineteenth-century expansion to the east and south and explores the formation and development of Russian musical discourse on Russia's own Orient. It traces the transition from music ethnography to art songs and discusses how various aspects of (music) ethnographies, folksong collections, music theories, and visual representations of Russia's ethnic minorities, or inorodtsy, shaped Russian composers' perception and musical representation of Russia's oriental "others." Situated on the periphery, minority peoples not only defined the geographical boundaries of the empire, its culture, and its music, but also defined the boundaries of Russianness itself. Extensively illustrated with music examples, archival material, and images from long-forgotten Russian sources, this book investigates historical, cultural, and musical elements which contributed to the formation and creation of Russia's imperial identity. It delineates musical elements that have been adopted to characterize Russians' own national hybridity. Three case studies-well-known leader of the Mighty Five Milii Balakirev, lesser known Alexander Aliab'ev, and the late-nineteenth-century composers affiliated with the Music-Ethnography Committee-demonstrate how and why, despite the overwhelming number of pejorative images and descriptions of inorodtsy, these composers decided to "forget" their social and political differences and sometimes "confused" and combined diverse minorities' identities with that of the "self." The analysis of the arrangements of folksongs of Russia's eastern and southern minorities reveals the trajectory of musical treatment from denigration and "othering" to embracing peoples from all provinces of the empire" | |
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| 653 | 0 | |a Music / Russia / 19th century / History and criticism | |
| 653 | 0 | |a Music / Russia / 20th century / History and criticism | |
| 653 | 0 | |a Folk songs / Russia / 19th century / History and criticism | |
| 653 | 0 | |a Orientalism in music / History | |
| 653 | 0 | |a Orientalism / Russia / History | |
| 653 | 0 | |a Ethnology / Russia / History | |
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Datensatz im Suchindex
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| adam_text | CONTENTS List of Illustrations List of Musical Examples Acknowledgments Note on Dates and Transliteration ix xiii xvii xxi Introduction i PART I 1 2 3 Unveiling Tradition: Oriental “Others” in Nineteenth-Century Russian (Folk) Song Collections Building Images of the “Other”: Russian Music Ethnographies on Inorodtsy Aryanism and Asianism in the Quest for Russian Identity 19 47 91 PART II 4 Alexander Aliab’ev, Decembrism, and Russia’s Orient 5 Milii Balakirev, His Orient, and the Mighty Five 6 Ethnographic Concerts in the Service of Empire In Place of a Conclusion 127 159 209 Appendix 1: Collections of Bylinas and Folk, Soldier, and Children’s Songs Appendix 2: Programs of the Ethnographic Concerts in Moscow Notes Bibliography Index 263 269 vii 255 275 361 393
BIBLIOGRAPHY Primary Sources Archival Sources Aliab’ev, Alexander. Eskizy, nabroski. Fund 40, item 6a, 6b. Manuscript score in Alexander Aliab’ev Collection, Department of Documents and Personal Archives. Glinka National Museum Consortium of Musical Culture. Glière, Reinhold. Tri taranchinskie pesni. Fund 133, item 129. Manuscript score in Muzykal’no-Etnograficheskaia Komissiia Collection, Department of Documents and Personal Archives. Glinka National Museum Consortium of Musical Culture. Eichhorn, August. Otdeľnye zametki I, II. Fund 340, item 1500. Manuscript in Viktor Beliaev Collection, Department of Documents and Personal Archives. Glinka National Museum Consortium of Musical Culture. Eichhorn, August. Raznye obraztsy pesen i pr. Fund 340, item 143. Manuscript in Viktor Beliaev Collection, Department of Documents and Personal Archives. Glinka National Museum Consortium of Musical Culture. Eichhorn, August. Lieder und Gesänge der Volker. St. Petersburg, 1888. Manuscript in Fund 340, item 1497.Viktor Beliaev Collection, Department of Documents and Personal Archives. Glinka National Museum Consortium of Musical Culture. Periodicals and Newspapers Artist. Teatral’nyi, muzykal’nyi і khudozhestvennyi zhumal (1889-95) Aziatskii muzykal’nyi zhumal (1816-18) Etnograficheskii sborník IRGO (1853-64) Ethnographicheskoe obozrenie (EO) (1898-1917) Illiustratsiia (1864-1917) Izvestiia Kazanskogo Obshchestva Arkheologii, Istorii і Etnographii (IKOAIE) (1878-1917) Maiak (1840-1917) Moskovskie vedomosti (1890-1900) Moskovsku telegraf (1825-34) Muzyka i zhizn (1908-19) Muzykaľnoe
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INDEX Note: Tables and figures are indicated by t and ƒ following the page number introduction to, 12,16,129—130, Abramychev, Nikolai Ivanovich, 43-45,104 Academy of Science, 53, 242, 296Ո24. See aho Imperial Academy of Science Adler, Guido, 107 Aesopian language, 133, 324Ո29 Agrenev-Slavianskii, Dmitrit, 250—251, 135-137 “Kabardian Song,” 145-148,147/ transcriptions, 138-139,138/, 145 All-Russian Ethnographic Exhibition (1867), 54-55, П5, 220-221, 344Ո7 All-Russian Exhibition in Nizhnii Novgorod (1896), 56, 58,212, 221 Andreev, Vasilit Vasil’evich, 250-251, 355Ո131.355Ո132, 356Ш33 Aivazian, Hovhannes (Ivan Aivazovskii), 144-145 256Ш35, 256Ո13Ճ Aksakov, Ivan, 34, 282Ո54 Alexander I,Tsar, 60,74,132 Alexander II,Tsar, 24, 42, 99, 131-132, Arabic culture, 117,177 Arabic modes, 97-98, 313Ո41 Arabic music, 101,116,117,127,128,129, 289Ո79, 323Ш5 Alexander III,Tsar, 45, 81,95, 99 Alexander the Great, 81 Aliab’ev, Alexander Ammalat-Bek, 134,152 art songs of, 140Í-141Í, 142-158 attitude toward/approach on/view of inorodtsy/music, 130,153 “Cherkes” (A Circassian), 150-152,15of “Circassian Song,” 142-144,I44f Decembrist literature, 129-134,135-158, 328Ո86 ethnographic experience, 137-142 “Georgian Song” (“Plachet deva gor”/ The Mountain Maiden Cries), I54-I55, IS4-I57, і5б/ incorporation of folk tunes by, 161, 261, 326ՈՃ0 144,177-178,204 Arabic musical instruments, 97, 312Ո36 Arabic poetry and prose, 127-128 Arabic songs, tunes, or melodies, 192,196, 205, 249/, 343Ո175 Arakishvili (Arakchiev), Dmitrii, 58, 178,179f 229, ՅՅ7Ո89 Aristocracy, aristocratic society or circles,
16,132,136,155,178, 322Ո2Տ Arnol’d, Iurii, 247—249 artistic character in folk songs, 212-213,215 artistic truth, i6o֊i6i, 174,180,198, ЗЗОпб art songs. See also Aliab’ev; Balakirev; Cui; Dargomyzhsky; Glazunov; Liadov; Liapunov; Rimsky-Korsakov; Rubinstein, Anton 393
394 INDEX· art songs (cont.) Genishta, Iosif, 13 introduction to, 13,15,16 Maurer, Ludwig Wilhelm, 13 Odoevskii,Vladimir, 13 pedal points in, 195, 201, 233, 330Ո5 Aryan culture, 15, 95,103,126, 242 modes and scales, 106—109, 316Ո76 music or musical system, 103, 108, 113, 316Ո76 pentatonic structure, 15,96,103—106, 108,113, 311П23, 312Ո30, 316Ո76 people, tribes, race, civilization, 15, 81, 93, 95, 98, 108, 126, 241, 279Ո26, 311Ո23, 315Ո76 Russian cultural affiliation with Aryans, 95—103 Aryanism, 15, 58, 63, 89, ill, 241, 246, 261, 282Ո52, 309Ո4, 310П12 introduction to, 91—92 overview of, 92—94 Russian theories of, 103—126 Asaf’ev, Boris, 257,259-260 Asian identity, 91,93, 275Ո5 inorodtsy, 12,118, 201, 351Ո82 melody, tunes, folk songs, 12, 58, 70, 79, 240, 303M22, 327Ո66 music, 5, 16, 58, 79, 86, 96, 99, 106, 109, no, 246, 347ՈՅՅ musical instruments, 15, 56—57, 92, 99-100,109-no, 126,298Ո58 (see abo musical instruments) nomadic tribes, 19, 27, 59—63, 79-80, 117, 125, 215, 300Ո74 Russian influence on Asian music, 237-240,23 Sf Asian culture, 14,15, 16, 51, 92, 94, 96, 99,100,106,107, 109, no, 124,126, 142, 219, 239, 240, 260, 302Ш04, 311П22 Asian folk song transcriptions, 57, 58, 62, 65, 67, 70, 74-81, no, 130,139, 145/ 161,167-168,173-178,180, 181,192-194,196,198,199/j 203, 204, 218, 220,223,232, 235, 242, 25Յ, 259· See aho Aliab’ev; Balakirev; Eichhorn; Klenovskii Arakishvili (Arakchiev), Dmitrii, 177-178 Dobrovol’skii, Ivan, 70, 72-74 Ethnographic Concerts (1893-1911) by MEK, 220-223,235,253, 259 introduction to, 12-13 Ippolitov-Ivanov, Mikhail, 168,176-177, 180
Koreshchenko, Arsemi, 177,180 Levshin, Aleksei, 59-63, 6ļf 68—69 Middendorff, Alexander, 63-66, 69 OLEAE and, 57-58, 251, 298Ո58, 344Ո9 Rittikh, Alexander, 66—70 Taranchi songs and, 242 Asian MusicJournal, 70-89, 73f 7Sf~l6f Asianism, 58, 63, 86, 87,91-94, H3, 231, 246, 282Ո52. See ako Aryanism assimilation as forced integration, 37,134 imperialistic attitudes of, 66 of inorodtsy music, 67—70, 102—103, 207, 239-240, 302Ш04, 35ІП92 methods of, 6, 49—50, 102, 303Ш06 policy of, 17, 239 process of, 99 religious assimilation, 35ІП82 sociocultural “rebirth” as, 239—240 Astrakhan, 70-72, 131,136,168, 303Ш23, 304Ш25 Astrakhan Khanate, 20, 70 attitude toward inorodtsy, 2, 5,10,14, 16—17, 21, 50, 92,94. See aho attitude in Balakirev; Eichhorn; Famintsyn; Levshin; Maslov; Middendorff; Petukhov; Rittikh; Sokal’skii
INDEX authenticity, 134,176-181,197,220,229,246, 251,253,346Ո33,355Ш23,356Ш43 autocracy/autocratic power, 25, 34, 94, nó, 129,132-133 Badmaev, Petr, 93—94 Bakunin, Mikhail, 42 Balakirev, Milii, 11 art songs, 169-188,169-192,182-188, 18Sf, 186/, 187/, 341П14З attitude toward/approach on/view of inorodtsy/music, 169,-180, 181,188 Caucasian themes in music, 164—167, 166f 188-192,189^-191/, 331MI Georgian musical language, 181, 337Ո98 “Gruzinskaia Pesnia” (Georgian Song), 173-182, 17 J, 176f 178/, 179/ influence on Borodin, Alexander, 202-207 influence on Musorgsky, Modest, 198— 202, 341Ш44, 341П147 influence on Rimsky-Korsakov, 192198, 333n44 inorodtsy music and, 163—169,261 introduction to, ii, 159-163 blarney, 165 “Pesnia Selima” (Selim’s Song), 169173,171f 172f 173f Rus, 209, 269 Russian Orient in art songs of, 169-192 “Son,” 184-188,185^18 6f transcriptions, 167-169,169-192,174— 176,175/, 176/, I92֊i94,193f I94/ 199f 203, 339Ш2І Balmont, Konstantin, 94 Bartol’d,Vasilii, 53 Bashkirs/Bashkir music/tunes, 58, 73,128, 139,141,153,204,223, 224,227, 233, 234ƒ 235, 239-40, 255, 271, 27Յ, 274, 344Ո7, 348Ո46, 355 Batu Khan, 22, 145 Beliaev, Mitrofan, 195, 256 BeHnsky,Vissarion, 23,24 Belyi, Andrei, 94 Bestuzhev-Marlinsky, Alexander, 128,133, 136, 323Ո19 Ammalat-Bek, 129,134,137,140t, 289Ո75 imperialism and, 323Ո19 “Kabardian Song,” 140í, 145,148 Bizet, Georges “Adieux de l’hôtesse arabe,” 247—249, 249/ Blaramberg, Pavel Ivanovich, 209,210, 343ոշ Blok, Alexander, 94 Bobrovskii, Mikhail, 128 Bogdanov, Anatolii Petrovich, 115 Borodin, Alexander Ambskaia Melodiia (Arab Melody), 204
“Iaroslavna’s Lament” from Prince Igor, 205-206, 206f interest in music ethnography, 204—205 “Song of the Polovtsian Maiden” from Prince Igor, 214-215, 215f Borozdin, Nikolai, 171, 335Ո62 Bourgault-Ducoudray, Louis-Albert, 168, 174, 209, 331Ш1, 333Ո48 bourgeois culture, 25, 257 Brusilovskii, Evgenii Grigor’evich, 258, 359Ո21 Buddhism, 93-94,241, 310Ո12 Bulgarian songs and melodies, 30, 38,98, 209, 213, 269,271, 272, 345Ш7 bylinas (epic songs), 22-29, 95, 231, 251, 256,287Ո58 byt, defined, 52,116, 260 Catherine the Great (Catherine II), 20, 66,130, 228, 305M38 Catholic Church/civilization, 27,103, 282Ո55 395
39Ó INDEX Caucasian music/melodies/themes/folk songs, 13,16,45, 58, 72,138,143,145, 149,161,167,171,181,188, 252, Cui, César, 13,159,.165,193, 236 cultural representations, 2,6,9,14, 46. See also Russia’s imperial identity 272-274, 331ШІ, 333Ո48 Caucasian War (1817-64), 2,11-12,16, 23, 34,129-130 Central Asian instruments, 56-57, 78, 85f 100, loif, no, 320Ш29 Chaliapin, Feodor, 44,252 Changing-Background Variations or “GHnka Variations,” 207,239 “chant” melody/music, 41, 253 Cheremis sóngs/music/melodies, 41f, 43-45,67, 225t, 252, 272, շցշուշօ, 293Ո123 Chernyshevskii, Nikolai, 170, 334Ո61 children’s songs, 13, 22, 36-43, 40^41/ 46,99 Chouquet, Gustav, 100,116 Christianization of Kiev (988-989), 22 Christianowitsch, Alexander, 189í, 204-205, 205ƒ, 313Ո36 Chromaticism/chromatic passages/ chromatization of diatonic notes, 98, 99,140t, 141t, 171,177,182,197, 218, 220, 227,239 Chulkov, Mikhail, 23 church modes of European music, 96 Chuvash music/melodies/songs/tunes, 67,181,204, 209,214, 225í, 252, 270, 271, 302Ш04, 306Ո143, 344Ո3 Circassian music/songs /melodies, 71, 137, 142,143, 144, 149, 2251, 272, 274 Circassians, 131,133,134,140,152,164-167, 240 civility notion (grazhdanstvennost), 7—8, d’Alheim, Maria Olenina, 252 Danilevskii, Nikolai, 94 Danilov, Kirsha, 23-24,26-29 Collection ofAndent Russian Poems, 23 Dargomyzhsky, Alexander, 13,180,193, 282Ո50 Dashkov Ethnographic Museum, 114-115, 125 Decembrism, defined, 132,133,158 Decembrist revolt, 16,130-135, 324ո20, 324Ո24 Decembrists/Decembrist Orient Aliab’ev, Alexander, 135-158 introduction to, 16, 53 in music,
135-158,170-171 Russian Orient discourse, 128,129-130 de Gobineau, Arthur, 15 Delvig, Anton, 132, 325Ո48, 326Ո56 Derzhavin, Gavrila, 183 de Sismondi, Simon, 127,128 developmentalism concept, 60,70,103, no diffusionism, 96,108-109 Dobrovol’skii, Ivan, 70, 72-74 Dohna, Mania Ivanovna, 251 Donskoi, Dmitrii, 20 Dordji, Agvan Lobsang, 93-94 Dorian mode, 176—178, 2251-231,245—246, Յ49Ո56 Dostoyevsky, Fyodor, 1, 5, 34, 94 Du Ryer, André, 127 Dzbanovskii, Alexander, 45 Collection of School Songs, 36 241, 352Ш03 colonial encounters, 7,9, 77, 275112 comparative musicology studies, 107 Congress of Berlin (1878), 15,93, in, 113 Cossack Hetmanate, 31-32 Crimean War (1853-56), 2,21,24, 29-33, 35, 57 early-nineteenth-century Russian Orientalism, 11-16, 70-76, 127—130, 132, 135, 158 Eastern Turkestan, 235, 241, 242, 294Ո6, 352Ш03, 35ЗП105 East-West binary opposition, 8, 21—22
INDEX Eichhorn, August, 14, 59 attitude toward/approach on/view of inorodtsy/music, 79, 84 ethnography on nomads, 79, 80, 84 ethnography on sedentary peoples, 80, 81-85 identity and religious differences of, 86, 308Ո174 “Kokandian Military Parade March,” 82, 82/ life in Russian Turkestan, 77—79, 87—89 military music/orchestra on, 81-84, 307Ш68 “Soldier’s Military Training March,” 82-83, 82f transcriptions, 78-81, 82/ 8qf Emancipation Reform, 24-25, 35, 300Ո70 EO (Etnograficheskoye obozreniye) journal, 57, 210, 218-219 epic songs. See bylinas ethnic distinction (plemennaia individual’nost), 228, 348Ո45 ethnic minorities. See inorodtsy ethnic stereotyping/prejudice, 13, 46, no, 158 Ethnographic Concerts (1893-1911) by MEK arrangements by Klenovskii, Nikolai, 209, 212-220 commercialization of, 249—254 context and structure, 210-211 introduction to, 17,209-210 programs of, 209-210,251-253,269-274 reactions to, 219-220, 356Ո143 social response to, 220-223, 222/, 224i—225 t, 226/ Taranchi songs and, 242 ethnographies/ethnographers. See music ethnography; oriental “other” in Russian music ethnographies European Enlightenment, 60—61 European Orientalism, 11,129,160-161 exhibitions, oriental “other” in, 54, 55f 57 extinction of ethnic minorities/musical cultures, 58, 69, 211, 260· famine (1854-55 and 1859), 24 Famintsyn, Alexander analysis of inorodtsy songs, 105-107 Aryan and Asian provenance of Russian musical scales, 100,103—113, loţf, 105f 106f uif, 112f 113ƒ attitude toward/approach on/view of inorodtsy/music, 105,107 background on, 15, 314Ո59 Children’s Songbook, 36 Domra і
skhodnye ei instrumenty russkogo naroda (The Domra and Related Musical Instruments of the Russian People), 103,109-110 Drevniaia indo-kitaiskaia gamma vAzii і Evrope (The Ancient HinduChinese Scale in Asia and Europe), 103,104f 107-109 Fedchenko, Aleksei, 56 Fétis, François-Joseph, ioo-ioi, 108 Hűtőire générale de la musique depuis les temps les plus anciens jusqu’à nos jours, 101 Findeizen, Nikolai Fedorovich, 56-59 5-tone scale, 106. See also pentatonic structure/scale Florinskii,Vasilii, 94 folk songs/folk song arrangements. See Russian folk songs French Orientalists/Orientalism, 127—128, 160 Galland, Antoine, 127 Genishta, Iosif, 13, 326Ո61 geopolitical dilemma, 1-5, 48, 304Ш25, З57Ш50 Georgian music/songs/tunes, 155,164, 173,181, 220,270-273, 274, 337Ո97 Georgians, 38,131,135,164,168,214,229, 240, 252 397
398 INDEX Gilyaks/Gilyak music, 64-Ճ6 Glazunov, Alexander, 13, 44,180 Glière, Reinhold, 17, 242 “Guby tvoi-sakhar, podruzhka,” 246-247, 248/ “Nozgutìi” (Tender), 243-246,244/j 246f Taranchi songs, 355Ш28 GUnka, Fedor, 32,133,136 Glinka, Mikhail, 39, 40/) 41-42 Georgian songs, 155 “Ne poi, krasavitsa, pri mne” (Do Not Sing for Me Thy Song of Georgia), 39, 4°f 41 “Oriental Dances” from Ruslan and Liudmila, 144 Ruslan and Liudmila, 214, 219 “Zhavoronok” (The Lark), 184,186,186ƒ Glinka Variations, 239 Golden Horde, 19-21 Golenishchev-Kutuzov, Arsemi, 187 Gorchakov, Alexander, Prince, 47-48 Great Game campaign (1860s), 2 Gretchaninov, Alexander Tikhonovich, 17, 36,210, 227-240 “Arkai kaila,” 229—231, 230f Bashkir music arrangements, 58, 233-235, 234/՜ “īgtai agai,” 235-237, 2Зб/ “Su sagan,” 232, 232/ Tatar song arrangements, 228-233, 23cf 232/ Teptiar song, 235-237, 236/ Griboedov, Alexander, 136,144—145 “Khishchniki na Chegeme” (Predators on the Chegem), 146 Gumilev, Lev, 20 Gypsy songs, 43,129, 250 Herzen, Alexander, 42 hétérophonie polyphony, 74 Hindu culture/literature/mythology, 94, и6,280Ո39 historical songs, 13,22-23,31-32,46,72-^73, 81,2851121,287Ո58,354nın Hunfalvy, Pál, 204 Iakubovich, Lukian, 157, 329Ո99 identity and cultural representations, 2,6, 46. See abo Russia’s imperial identity Iľminskii, Nikolai, 67,69 Imperial Academy of Science, 100,242, 276Ո7, 296Ո24. See also Academy of Science Imperial Archaeological Commission in St. Petersburg, 57 imperialism. See Russia’s imperial identity Imperial Russian Geographical Society (Imperatorskoe Russkoe Geograficheskoe
Obshchestvo; IRGO), 24, 51, 57,116,251,260 Imperial Russian Musical Society, 103 indigenous population, 10,47, 59,107, 130-131, 315Ո71 Indo-Iranian Aryan civilization, 92. See abo Aryan culture; Aryanism inorodtsy (sing, inorodets), 52, 54. See abo Bashkirs; Circassians; Georgians; Gilyaks; Jews; Kalmyks; Kyrgyz; Kyrgyz-Kaisaks; Sarts;Taranchis; Tatars; Teptiars Asian inorodtsy, 12,118, 201 in Astrakhan, 70,168, 304ПІ25 attitudes toward, 153,162, 212 Chechens/Chechen songs/tunes, 13, 36-37, 46, 71,131,140,142,167,168, 240 Cheremis people/music/songs, 44-45,67, 163,225,252,272,292П120,193Ո123 children’s songs about, 37, 38 defined, 50-51, 292Ш08 exhibitions and, 54-57, 55/ folk songs, 16—17, 45, 56, 328Ո76 introduction to, 6, 8, 9—13 in Kazan, 43, 66-68,163, 332Ш9
INDEX in Nizhnii Novgorod, 163 in Odessa, 99, 313Ո49 official relations and policies, 37, 49—51, 125,130 “othering” of, 45-46 Rittikh, Alexander, 302Ш04 Russian attitude toward, 10,14, 16—17, 50-51, 62, 65,66, 79, 84, 92, 94, 105,107,113-114,128,135,153,162, 165-166,180, 211, 227,240, 260-261, 332Ո25 theory of integration, 53—54 USSR’s policies toward, 255—256 Volga-Kama Region, 66-70 Ippolitov-Ivanov, Mikhail, 168,176-177,180 Iulaev, Salavat, 153 Jews/Jewish music/melodies/instruments, 61,65,74, 79, 97,129,134,181 Jourdain, Amable, 127 Kalmyks/Kalmyk music/songs, 70-73, 152,153,167,168, 243, 304M31, . 3ЮПІ2, 328Ո87, 330Ո2, 347Ո2 Katanov, Nikolai, 54,103, 242-243 Katkov, Mikhail, 220-221 Kazan University, 71, 73-74 Kazembek, Alexander Kasimovich (Kazembei, Muhammad Ali), 53—54, 103 Khan, FataH, 74, 305Ш38 Khan, Genghis, 19, 50, 73 Khanate of Khiva, 35,48,139 Kharuzin, Nikolai, 52, 351Ո92 Khmel’nitsky, Bohdan, 31 Khomiakov, Aleksei, 92-93 Khudiakov, Ivan, 296Ո29 Collection of Great-Russian Historical Songs, 23 khudozhestvennaia pravda. See artistic truth Kievan Rus, 19, 22 Kireevskii, Petr Pesni, 23 Klements, Dmitrii, 53, 296Ո29 Klenovšku, Nikolai Asian folk song arrangements for Ethnographic Concert, 17,45, 57—58, 209, 212-220 background on, 343Ш Collection of Folk Songs: Ethnographic Concert, 57-58,212 “la stradaiu” (I Am Suffering), 213,213ƒ “Krunk,” 214, 215/ “Mertskhali,” 215, 216/ “Slava!” (Glory!), 209-210 transcriptions ofAsian tunes, 168, 212 Koreshchenko, Arsenti, 177,180, 220 background on, 336083, 346Ո31 Krestovskii, Vsevolod Vladimirovich, 201, 202 Kuba Khanate,
74, 305Ш38 Küchelbecker,Wilhelm, 129,134,183 Kuchka. See also New Russian School composers of, 231, 246—247, 315Ո59, 339П124, 35ՕՈ77 folk material and, 161-162,171, 259 music elements of, 16,171—173,180, 187,192,198,203, 214, 231,247, 257, 345 Kyrgyz culture/music/songs, 45, 57,62, 71, 72, 80, 84,105-106, no, 112f 117, xiSf 125, 137, 141i, 202, 209, 214218,224í, 270, 271,283Ո58, 344Ո7, 346Ո23 Kyrgyz people, 50, 59, 84, 204, 223, 300Ո71, 304Ш31, 316Ո72, 318Ո98, 344n3 Kyrgyz-Kaisak culture/music/instruments, 59-63, 69, 81, 84,139, 295Ш3, 300Ո74, 327Ո66, 344Ո7, 346Ո23 leading notes theories, 17,97-99,106, 229, 231, 246-247, 313Ո39 399
400 INDEX Lenin,Vladimir, 256 Leont’ev, Konstantin, 7,94 Lermontov, Mikhail, 133,143,164 Beglets, 170 “A Cossack Lullaby,” 36-37, 38 “A Dream,” 182-184 Izmail-Bei, 134-135,170-171 Khadzhi-Abrek, 129 “Son,” 184,18sf Levshin,Aleksei, 59—60, 299Ո70, 303Ш17 attitude/approach toward inorodty, 60, 62,69 Opísanie kirkiz-kazach’ikh ord, 59—63, 69,105,139 oriental “other” in Russian music ethnographies, 59-63, 63f 69, 80, 327Ո66 Liadov, Anatolii, 13, 44, 229 Liapunov, Sergei, 13 Lineva, Evgenik “Kak po Kame, po reke,” 238,238f Little-Russian folk songs, 32, 45,96, 97f, 98/, 128,169,171-174, 224í, 240,252. See also Ukrainian songs instruments, 100,109,115 musicians, 110, 250 Magnitskii, Mikhail, 73-74 Mainov,Vladimir Nikolaevich, 204 Maksimov, Sergei, 115 Maksimovich, Mikhail, 149 Maslov, Alexander Aryan and Asian provenance of Russian musical scales, 55,114—126, U f, U9f, I2Cf attitude toward/approach on/view of inorodtsy/music, 114,125 background on, 318ПЮ5 Maurer, Ludwig Wilhelm, 13, 326Ո61 medieval war encounters, 13—14 Mel’gunov, Iulii, 77,212, 247 Russkie pesni neposredstvenno s golosov naroda, 74-75 Middendorff, Alexander Asian folk song transcriptions, 63—66,69 attitude toward/approach on/view of inorodtsy/music, 65 background on, 14, 301Ո91 Mighty Five. See Kuchka military orchestras, 14,68, 78, 81-88, 307Ш68 minority groups, 2-9,43-49, 53—54,68-69, 88,99,239,256. See ако inorodtsy mixed Russian-worocfefc origins, 52, 54, 103, 205 modal harmony or modality, 182, 207, 231 modal system or structure, 97,106,107, 126, 229 Moguchaia Kuchka. See Kuchka Mongol rule (1239-1380),
19-21, 284ШІ Moorish arts/visual culture, 9 Moscow Archaeological Society, 57 Moshkov,Valentín, 58, 77 Moskovskie vedomosti newspaper, 220-221 Mukhanov, Petr, 136 multiethnic empire, 2,7, 53, 56, 69 Murav’ev-Apostol, Sergei, 132 Muromets, Il’ia, 26,27, 29 musical appropriation, 84,158,160-161, 207,254 musical instruments Asian musical instruments, 15,92,99—100, 109-110,126,298Ո58 bandura, 97, loif, 109-no, m/ 112f 113f, 120 bowed instruments, 117—118, 118f, 120f 122 Central Asian instruments, 56—57, 78, 85f, 100-102, loif, 102f, no, 32ՕՈ129 Chuvash gush, 252, 344Ո7 cultural values of, 15,100,109—no, 114, 116-117, 121-123,167, ՅՅՅՈ44
INDEX domra/dumbra, 109, dongam, ւօշք iiif iizf, 125 drum instruments/drums, 82, 84, 167, 181, 194, 305П140, 333n44 dntar, 56, 122, ЗІ4П5І 201-202 guitar instrument, 109,167, 318Ո96 influences of, 317Ո85, 318П96—318Ո97, 321Ш34, 344Ո7 karnai, 85 kobyz, 117-118, ii8/ но/ kobza, 109 lira, 115, 120, 252 nagora, 82, 84 reed instruments, 62,125 string instruments, 97,109, sumai, 122 urra, 84, 85/՜ iiif 314Ո51 wind instruments, 62,80, 85,116-117,214 zhaleika, 125 zumai, 116-117 musical representation, 6—8,16—18,126, 142,197, 202-205, 2IS 257-261 music ethnography. See also Ethnographic Concerts (1893-1911) by MEK; oriental “other” in Russian music ethnographies amateur writers and, 14 development of, 52,277M9 musical realization of, 227-240 publishing outlets of, 57-59 music notation, 74, 80,96,167. See aho Asian folk song transcriptions Muslim peoples, 49-50,131, 241 Musorgsky, Modest, 159,187-188,199f 200f, 201ƒ Balakirev, Milii influence on, 198-202, 34ІШ44, 341Ш47 “Islamey,” 198,199/ “A Militant Song of the Libyans,” 198 musical influences, 338ШО9, 341Ш44, 342M58 “Pesnia Baleartsa” (Song of the Balearic Islander), 200,20of Salammbô, 200, 20of Transcriptions of oriental tunes, “Zabytyi,” 188 Muzykal’no-Etnograficheskaia Komissiia (Music-Ethnographic Committee/ MEK), 17, 77,114,125,177, 207. See abo Ethnographic Concerts by MEK Narodnaia volia (People’s Will), 25, 42 narodnik movement, 330Ո7 nationalism. See Russian nationalism national self-definition, 5, 7,11,17,135, 158, 210, 233, 261 native informants, 9, 80 Nestorian Christianity, 241, 353Ո105 Nevskii, Alexander, 20 New
Russian School, 160, 203. See ako Kuchka Nicolas I,Tsar, 16, 25, 35,131,132-133, 142 Nicholas II,Tsar, 93, 94,114,125 Nikulin, Alexander, 37-42 “A Song Dedicated to Russian Soldiers,” 38 “Bulgarian Anthem,” 38 Collection of Songs Compiledfor Children, 36, 37—38 “Ozhidanie Tsaria,” 38 nineteenth-century art songs/music. See art songs Nizhnii Novgorod and inorodtsy music, 56,163, 221 noble savages, 12,227 nomadic peoples’ music. See Asian nomadic tribes Obolenskii, Eugene, Prince, 132 Odoevskii,Vladimir, 13 4OI
402 INDEX Official Nationalism, 26, 34,114,116, 276Ո7. See also Russian nationalism Old Believers (staroobriadtsy), 25-26 Ol’denburg, Sergei, 53,255 OLEAE. See Society of Friends of Natural History, Anthropology, and Ethnography oriental art songs. See art songs oriental “other” in Russian folk songs bylinas, 22—29 children’s songs, 22, 36—43, ĄOf—Ąlf discrimination vs. integration of, 43—46 historical soldier songs, 22, 29-36, 81—85 introduction to, 7,14,19-22 oriental “other” in Russian music ethnographies Asian MusicJournal, 70—76, 7 ļfi 7sf~76f categories of, 276Ώ.6 development of, 49-59 Eichhorn, August, 76—89, 82/ 83f, 85f exhibitions, 54-57, 55f institutions/individual agencies, 51-54 introduction to, 47—49,48/ Levshin, Aleksei, 59—63, 63/) 68—69 literature case studies, 59-70 Middendorff, Alexander, 63-66,69 musical sources and, 70—89 official policies, 49—51 publishing outlets of ethnographers, 57-59 Rittikh, Alexander, 66-70 Siberian, 63-66 oriental (vostochnyi) subjects, 4-5, ii-ii, 16,129,182—188, 328Ո87 oriental style/character, 11,134,187,194, 214, 220 orientology/orientologist defined, 296Ո31 development of, 305Ш36 ethnographic literature for, 14, 52 European schools of, 127-128 Russian Orientalism vs., 9 Ottoman Empire, 15, 20, 49,130,289Ո79 Paisel,Vladimir, 241, 352Ш03 Pal’chikov, Nikolai, 104 Pan-Slavism, 33,169,282Ո54,289Ո79 Pantusov, Nikolai, 58,77,243, 354nın Paris World’s Fair (1900), 221 Pashino, Petr Ivanovich, 201—202 Pashkevich,Vasilii, 152-153, 330Ո2 Paskevich, Ivan, 30,131, 323Ш5 Patriotic War (1812), 33 peasant uprisings, 24, 35,286Ո37 pedal
points, 195,198,205,231, 330Ո5, 349n59 pentatonic structure/scale. See aho 5-tone scale in Aryan musical system, 108, 311Ո23 characteristics of, 316Ո74 in “epoch of fourth and fifth,” 96 in Georgian songs, 337Ո97 importance of, 35ՕՈ72 proving origin of, 104-105 Perovskii,Vasilit, 139, 326Ո56 Persian culture, 116 instruments, 97,178 music, 176,177,180, 202,220, 225í, 274, 305M40 poetry and prose, 127,129, 337Ո97 scale Zirafltand, 97 songs, 74—76, 81,163,166,174 Pestei, Pavel, 132,134 Peter the Great (1682-1725), 9, 20 Petukhov, Mikhail Asian musical instruments, on, 99,103, loif, 102J 114,121 attitude toward/approach on/view of inorodtsy/muńc, 101 background on, 313Ո50 Phrygian mode, 145,178, 205 Platonov, Sergei, 94 Polish uprisings (1830-31 and 1863), 33, 35,37,43,53,223 politics and manipulation, 13, 22, 37, 45, 84
INDEX Polovtsian music, 22,27,204,225t, 343Ш75 Polytechnic Exhibition in Moscow (1872), 56,78, 87, 88 Pozharskii, Semen, Prince, 28 primitivism Asian nomadic tribes, 19,27, 52, 59-63, 79-80,117,125, 215, ՅՕՕՈ74 drum instruments and, 167, 333Ո44 musical arrangements and, 65, 227, 350Ո77 peoples/societies, 52, 61, 65—66, 79,107, 116-117, ЗОІП94, 355Ш23 Romantic interpretation of, 80 Teptiar songs and, 235-237 Psalms, 120, 134 Pugachev, Emeľian, 153, 201 Pushkin, Alexander, 23,127 Journey to Erzrum, 158 Kavkazskii plennik (The Prisoner of the Caucasus), 134-135, 142, 183 odes of, 183 Tsygany, 129 Quran, 127,129,134,190 race, 52, 66, 94,107-108, 312Ո30 racial mixture, 7,94 racial purity, 15, m, 253 Raevskii,Vladimir, 132 raznochintsy, 25, :6յ,286ոյ8, 331П13 Razumovskii, Aleksei, 72 representation of “others.” See orien tal “other” in Russian folk songs; oriental “other” in Russian music ethnographies Rimsky-Korsakov, Nikolai, 23, 31,105, 159,160-162,167 art songs, 180,192-198, 193f 194f içsf, 197/ Balakirev, Milii influence on, 192-198, ЗЗЗП44 “El і pal’ma” (The Pine and the Palm), 192,19if “Evreiskaia pesnia” (A Hebrew Song), 19З “Kak nebesa tvoi vzor prekrasen” (Thy Glance Is Radiant as the Heavens), 194,195/ “Pesnia Ziuleiki” (Zuleika’s Song), 196-197,197/ “Plenivshis rozoi solovei” (Enslaved by the Rose, the Nightingale), 192—193, 194 f Sadko, 23 Skazanie 0 nevidimom grade Kitezhe (The Legend of the Invisible City of Kitezh), 31 “V temnoi roshche zamolk solovei” (In the Dark Grove the Nightingale Fell Silent), 197 Rittikh, Alexander Asian folk song transcriptions, 66-70
assimilation of inorodtsy music, 302Ш04 attitude toward inorodtsy, 66 background on, 302Ո98 Four Lectures on Russian Ethnography, 68 Roman Catholics, 103, 282Ո55 Ross, Edward, 91 rossiiskii, defined, 43 Rostislavich, Fedor, 19, 20 Rousseau,Jean-Jacques, 6o֊6i, 69, 80 Rozen,Victor, Baron, 53 Rubinstein, Anton, 13,181 Persian Songs, 180-181, 282Ո50 Rubinstein, Nikolai, 56 Rurik dynasty, 20 Russia. See also inorodtsy acquisitions by, 2-4, ļf conquests by Asia, 4 expansion in the Caucasus, 130-131,131/ identity formation, 6-7 national self-construction/self-definition, 5,7, n, 17,135,158,210,233,261 self-determinism, 255-256 stereotyping of the Islamic world, 28ՕՈ36 4ՕՅ
404 INDEX Russian Archaeological Society, 57 Russian Aryanism. See Aryanism Russian-Asian relationships, 92, 93, 231, 237. See also Aryanism; Asianism ethnographic developments, 18 heritage, 15,253,260-261,275Ш, 28ՕՈ39 introduction to, 2-8 multifaceted nature of, 89 music and, 5-6, 205, 235, 240 presented in bylinas, 26, 28 in Russian Turkestan, 77—78, 86-88 sympathetic attitude toward inorodtsy, 260-261 Russian bylinas. See bylinas (epic songs) Russian-Caucasian cultural relationships/ encounters, 7,129—130,137—139, 164-167 Russian-Chinese political relations, 241, 243, 245 Russian (Christian) chronicles, 20,41, 283Ո6 Russian expansion in Central Asia, 48,48/ 60, 240-241, 253, 293 ՈՅ Russian folk songs. See also Asian folk song transcriptions; oriental “other” in Russian folk songs artistic character in, 212-213 in hétérophonie polyphony, 74 historical/political influence on, 45—46 inorodtsy of, 16—17,45, 56, 328Ո76 introduction to, 12—13, !5 origins of, 86, 96, 97, 103 pentatonic structure of, 96 preservation concerns, 211 preservation myth, hi Russian Geographical Society, 14, 51, 56, 69,202, 242,295Ո22, 342Ш69. See ako Imperial Russian Geographical Society (Imperatorskoe Russkoe Geograficheskoe Obshchestvo; IRGO) Russian intellectuals/intelligentsia, 15,23, 32, 77 Russian musical scales. See Aryan; Dorian mode Russian music ethnographies. See oriental “other” in Russian music ethnographies Russian nationalism, 11, 33,113^126, 236, 255. See ако official nationalism Russianness, 4,17-18,46,159-160,197, 239,245, 252,261, 330Ш, 345Ո22 Russian Orient. See ако oriental
“other” in Russian music ethnographies in art songs of Balakirev, Milii, 169-192 Decembrist revolt and, 16,130—135 framework of, 12-18,277Ш6 introduction to, 1-2, 5-6,127—130 Russian-Asian relations, 2-8, if Russian orientalism as authentic but not exotic, 155 early-nineteenth-century, 11—16, 70-76, 127-130,132,135,158 origins of, 277Ո16 purpose of, 202 Said, Edward, 8-12,157,196, 279Ո28 understanding of, 204,260 Russian Orthodox Church, 20,25,44,253 Russian Revolution (1917), 12,17-18, 255 Russian Turkestan, 10, 76-89, 82f, 8f, 85f, 347n39 Russia’s Asian folk songs. See Asian folk song transcriptions Russia’s eastern neighbors, Г3, 20-22, 46, 51, 92,106,113-114 Russia’s imperial identity, 12,17—18, 22, 95, из, 159, 323Ո19 Russia’s mksion civilisatrice, 9,74, 79,277Ո12 Russia’s nomads. See Asian nomadic tribes Russification (russifikatsiia) of musical cultures, 58, 239 Russkaia muzykaVnaia gazeta (Russian Musical Gazette; RMG), 58-59,120 russkii, defined, 43 Russo-Japanese War (1905), 94,125, 245
INDEX Russo-Persian wars (1804-13,1826-28), 2,23 Russo-Turkish wars (1806-12,1828-29) children’s songs about, 38 disappointment over victory, 93 historical/soldier songs about, 29-30,33 impact of, 2, 5,15, 21, 23, 49 Rybakov, Sergei Gavrilovich, 58, 59, 77, 227-229,233-234. 236-239 attitude toward/approac,h on/view of inorodtsy/music, 227 Musyka і pesni ural’skikh musul’man (Music and Songs of Ural Muslims), 70 “Zhiran mikan,” 238,238/ Rybníkov, Pavel, 23,24-29 Songs Collected by P. N. Rybníkov, 23 Ryleev, Kondratii, 132,133 Said, Edward, 8-12,157,196, 279Ո28 Sakhnovskii, Iurii, 240, 242, 251 Sarts, 80-81, 221, 344Ո3 Sart music/songs/tunes, 80-84, 86,118, 119f, 209, 214, 224í, 252, 270, 271, 272, 347Ո42 Scythian identity/Scythians, 15, 91, 92, 309Ո4 Senkovskii, Osip, 128 Shamil, Imam, 131 Shein, Pavel Vasil’evich, 35, 290Ո88 Shternberg, Lev, 52, 54,66, 255 Skrine, Francis, 91 Slavic Capella (Slavianskaia kapella), 250, 356Ш33 Slavs, Asian identity of, 92-93 socialism/socialist state, 25,66, 255—258, ՅՅՕՈ7, 357ՈՅ Society of Archaeology, History, and Ethnography in Kazan, 57 Society of Friends of Natural History, Anthropology, and Ethnography (OLEAE), 54-55, 57-58,251, 298Ո58, 344Ո9 Sokal’skii, Petr Petrovich, 15,106, no Aryan and Asian provenance of Russian musical scales, 96—100,97f, ց8ք, 312Ո30 attitude toward/approach on/view of inorodtsy/music, 96 background on, 312Ո29 Russkaia narodnaia muzyka, velikorusskaia і malorusskaia (Russian and LittleRussian Folk Music), 96,97f 99 soldiers’ song collections, 22,29-36, 81—85, 289Ո75 Solov’ev,Vladimir, 95 Somov, Orest, 128 Soviet
Union, 1-2, 255-260, 358Ո5 Sovremennik (Contemporary) journal, 202 Spendiarov, Alexander, 196,257 St. Petersburg Conservatory, 44, 96 Stakhovich, Mikhail, 75 Collection of Russian Folk Songs, 30-31 Stalinjoseph, 1-2, 256-258, 357Ո3 Stasov,Vladimir, 4-5,11, 95,96,159-160, 188, 204 state-sponsored evolutionism, 357Ո3 Stravinsky, Igor, 345Ո21 street ballads, 284M5 Syn otechestva (Son of the Fatherland) journal, 127 Taneyev, Sergei Ivanovich, 77, 210 Taranchi culture/songs, 242, 244/j 246f, 248/ 249, 272, 274, 354nın, 354Ш14, 354ПІ15, 355Ш2Ї, 355ПІ28 Taranchis, 240-242, 256, 351Ո94, 351Ո95, 353Ш04, 353η 107 Tatar, defined, 19, 21, 350Ո67 Tatar-Mongol domination, 20-21,23,28,46 Tatar songs/music/instruments, 57, 71, 105,137,139,145,224t, 227,230( 232/, 233,238/; 239, 240,250,270, 271, 273, 274, З21Ш34, 333146, 346Ո27, 348Ո46, 349П5І 4O5
4 Эб INDEX Vernadsky, George, 20 Tatars, 13,26, 66-67, 7°. 72 77 1շ8 I29. 163, 177, 182, 201, 237, 239, 255, “versification” (perelozhenie) of biblical 2831110, 283ШІ, 297, 313Ո49, 3321119 Tatars, representation of, 27—29, 31-32, 36, texts, 134 Verstovky, Aleksei, 41/ 136 Askold’s Grape, 39 “First Aria of the Unknown Man” 223, 328Ո87 Tchaikovsky, Pyotr, 173, 212, 246, 251, 3ՅՏՈ70, 356Ш33 Teptiars/Teptiar music, 227, 235, 236/ 237, (Pervaia Ariia Neizvestnogo), 39 pesnianka (ritual song), 149, 327Ո75 Vestnik Evropy (Herald of Europe) journal, 239, 240, 250Ո68, 252Ո95, 256 Tiersot, Julien, 62 127 Viardot, Pauline, 36 Tikhov, Petr, 63, 347Ո42 Tolstoy, Leo, 23,116 Viel’gorskii, Mikhail, 136 Transcaucasia territory, 130—131, 167 Villebois, Konstantin, 31, 32, 36 transcriptions. See Asian folk song Virchow, Rudolf, 108 visual representation, no, 114,117,124 transcriptions Treaty of Gülistan, 74,130 Volga-Kama Region inorodtsy, 66-70 Treaty of Pereyaslav, 31 Volkonskii, Sergei, Prince, 132 von Baer, Karl Ernst, 51-52,69, 301Ո91, Treaty of Saint Petersburg, 241 318Ո90 Trutovskii,Vasilit, 23 von Helmholtz, Herman, 96—97 Tumanishvili, Dimitri, 156-158 von Kaufmann, Konstantin, 55-56,121 “A Spring Song,” 156-158 von Schrenck, Leopold Ivanovich Turgenev, Ivan, 23 Reisen und Forschungen im Amur-Lande Turkestanskii Albom (Turkestan Album), in den Jahren 1814- i8}6, 63—64 121,121f 122f, 123Հ124 Vostochniki (Easterners or Asianists) Turkic-Mongol peoples, 95 Turkic-Tatar Astrakhan Khanate, 70 movement, 15, 93-94, 31OM3. See Twelfth Archeological Conference (1902), 120 abo Asianism
Vostochnye Novosti (Eastern News), 70, 72 Vostok/vostochnyi, 9-10,196,201, 259. See Ukhtomskii, Esper, Prince, 7, 93-94 ако oriental (vostochnyi) subjects Ukrainian folk songs, 31, 38,45,97, 149,149/) 209,224i, 327Ո75,328Ո80. See ako Little-Russian folk songs Vyazemsky, Pyotr, 32 Ukrainian musicians, 117-118,120f “White Tsar” myth, 93-94, 243 Ukrainians, 37, 43,128, 169, 223, 313Ո49 Ulybyshev, Alexander, 163 Zabelin, Ivan Egorovich, 92, 250 Uvarov, Sergei, Count, 1,4, 34, 276Ո7 Zapiski Russkogo Imperatorskogo geograficheskogo obshchestva po Varentsov,Victor, 36 Varlamov, Alexander, 36 Veiskgopfen, Iosif, 72 Veniukov, Mikhail, 94 Vereshchagin,Vasilit, 56,103, 298047 Forgotten (Zabytyi), 187, 187/՜ Otdeleniiu etnografii (Notes of the Ethnographic Division of IRGO), 57 Zelenaia Lampa (The Green Lamp), 136 Zhemchuzhnikov, Aleksei, 182 Zhivaia starina (Living Antiquity), 57 Bayerisch· Staatsbibliothek МЛплҺйп
|
| any_adam_object | 1 |
| author | Issiyeva, Adalyat ca. 20./21. Jh |
| author_GND | (DE-588)1226303196 |
| author_facet | Issiyeva, Adalyat ca. 20./21. Jh |
| author_role | aut |
| author_sort | Issiyeva, Adalyat ca. 20./21. Jh |
| author_variant | a i ai |
| building | Verbundindex |
| bvnumber | BV047057836 |
| classification_rvk | LC 87326 LB 53326 |
| ctrlnum | (OCoLC)1226116201 (DE-599)KXP169808448X |
| discipline | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| era | Geschichte 1800-1900 gnd |
| era_facet | Geschichte 1800-1900 |
| format | Book |
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Jh.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1226303196</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Representing Russia's orient</subfield><subfield code="b">from ethnography to art song</subfield><subfield code="c">by Adalyat Issiyeva</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XXI, 406 Seiten</subfield><subfield code="b">Illustrationen, Karten, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">AMS studies in music series</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Unveiling Tradition : Oriental "Others" in Nineteenth-Century Russian (Folk)Song Collections -- Building Images of the "Other:" Russian Musical Ethnographies on Inorodtsy -- Aryanism and Asianism in the Quest for the Russian Identity -- Alexander Aliab'ev, Decembrism, and Russian Orient -- Balakirev, his Orient, and the Five -- Ethnographic Concerts at the Service of Empire</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"This book examines the musical ramifications of Russian nineteenth-century expansion to the east and south and explores the formation and development of Russian musical discourse on Russia's own Orient. It traces the transition from music ethnography to art songs and discusses how various aspects of (music) ethnographies, folksong collections, music theories, and visual representations of Russia's ethnic minorities, or inorodtsy, shaped Russian composers' perception and musical representation of Russia's oriental "others." Situated on the periphery, minority peoples not only defined the geographical boundaries of the empire, its culture, and its music, but also defined the boundaries of Russianness itself. Extensively illustrated with music examples, archival material, and images from long-forgotten Russian sources, this book investigates historical, cultural, and musical elements which contributed to the formation and creation of Russia's imperial identity. It delineates musical elements that have been adopted to characterize Russians' own national hybridity. Three case studies-well-known leader of the Mighty Five Milii Balakirev, lesser known Alexander Aliab'ev, and the late-nineteenth-century composers affiliated with the Music-Ethnography Committee-demonstrate how and why, despite the overwhelming number of pejorative images and descriptions of inorodtsy, these composers decided to "forget" their social and political differences and sometimes "confused" and combined diverse minorities' identities with that of the "self." 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| geographic | Russland (DE-588)4076899-5 gnd |
| geographic_facet | Russland |
| id | DE-604.BV047057836 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T08:35:13Z |
| institution | BVB |
| isbn | 9780190051365 0190051361 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032465070 |
| oclc_num | 1226116201 |
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| owner | DE-11 DE-12 DE-20 |
| owner_facet | DE-11 DE-12 DE-20 |
| physical | XXI, 406 Seiten Illustrationen, Karten, Notenbeispiele |
| psigel | BSB_NED_20210312 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | AMS studies in music series |
| spellingShingle | Issiyeva, Adalyat ca. 20./21. Jh Representing Russia's orient from ethnography to art song Nationale Minderheit (DE-588)4039409-8 gnd Musik (DE-588)4040802-4 gnd Orientalismus Kunst (DE-588)4252308-4 gnd Asien Motiv (DE-588)4266459-7 gnd Musikethnologie (DE-588)4127833-1 gnd |
| subject_GND | (DE-588)4039409-8 (DE-588)4040802-4 (DE-588)4252308-4 (DE-588)4266459-7 (DE-588)4127833-1 (DE-588)4076899-5 |
| title | Representing Russia's orient from ethnography to art song |
| title_auth | Representing Russia's orient from ethnography to art song |
| title_exact_search | Representing Russia's orient from ethnography to art song |
| title_full | Representing Russia's orient from ethnography to art song by Adalyat Issiyeva |
| title_fullStr | Representing Russia's orient from ethnography to art song by Adalyat Issiyeva |
| title_full_unstemmed | Representing Russia's orient from ethnography to art song by Adalyat Issiyeva |
| title_short | Representing Russia's orient |
| title_sort | representing russia s orient from ethnography to art song |
| title_sub | from ethnography to art song |
| topic | Nationale Minderheit (DE-588)4039409-8 gnd Musik (DE-588)4040802-4 gnd Orientalismus Kunst (DE-588)4252308-4 gnd Asien Motiv (DE-588)4266459-7 gnd Musikethnologie (DE-588)4127833-1 gnd |
| topic_facet | Nationale Minderheit Musik Orientalismus Kunst Asien Motiv Musikethnologie Russland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032465070&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032465070&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032465070&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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