Listen Again A Momentary History of Pop Music
Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Lis...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Duke University Press
[2007]
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| 245 | 1 | 0 | |a Listen Again |b A Momentary History of Pop Music |c Eric Weisbard |
| 264 | 1 | |a Durham |b Duke University Press |c [2007] | |
| 264 | 4 | |c © 2007 | |
| 300 | |a 1 online resource (336 pages) |b 13 photographs, 13 illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) | ||
| 520 | |a Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Listen Again collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship.Building a history of pop music out of unexpected instances, critics and musicians delve into topics from the early-twentieth-century black performer Bert Williams's use of blackface, to the invention of the Delta blues category by a forgotten record collector named James McKune, to an ER cast member's performance as the Germs' front man Darby Crash at a Germs reunion show. | ||
| 520 | |a Cuban music historian Ned Sublette zeroes in on the signature riff of the garage-band staple "Louie, Louie." David Thomas of the pioneering punk band Pere Ubu honors one of his forebears: Ghoulardi, a late-night monster-movie host on Cleveland-area TV in the 1960s. Benjamin Melendez discusses playing in a band, the Ghetto Brothers, that Latinized the Beatles, while leading a South Bronx gang, also called the Ghetto Brothers. Michaelangelo Matos traces the lineage of the hip-hop sample "Apache" to a Burt Lancaster film. Whether reflecting on the ringing freedom of an E chord or the significance of Bill Tate, who performed once in 1981 as Buddy Holocaust and was never heard from again, the essays reveal why Robert Christgau, a founder of rock criticism, has called the EMP Pop Conference "the best thing that's ever happened to serious consideration of pop music."Contributors. | ||
| 520 | |a David Brackett, Franklin Bruno, Daphne Carr, Henry Chalfant, Jeff Chang, Drew Daniel, Robert Fink, Holly George-Warren, Lavinia Greenlaw, Marybeth Hamilton, Jason King, Josh Kun, W. T. Lhamon, Jr., Greil Marcus, Michaelangelo Matos, Benjamin Melendez, Mark Anthony Neal, Ned Sublette, David Thomas, Steve Waksman, Eric Weisbard | ||
| 546 | |a In English | ||
| 650 | 7 | |a MUSIC / History & Criticism |2 bisacsh | |
| 650 | 4 | |a Popular music |x History and criticism | |
| 700 | 1 | |a Benjamin, Melendez |4 ctb | |
| 700 | 1 | |a Daphne, Carr |4 ctb | |
| 700 | 1 | |a David, Brackett |4 ctb | |
| 700 | 1 | |a David, Thomas |4 ctb | |
| 700 | 1 | |a Drew, Daniel |4 ctb | |
| 700 | 1 | |a Eric, Weisbard |4 ctb | |
| 700 | 1 | |a Franklin, Bruno |4 ctb | |
| 700 | 1 | |a Greil, Marcus |4 ctb | |
| 700 | 1 | |a Hamilton, Marybeth |e Sonstige |4 oth | |
| 700 | 1 | |a Henry, Chalfant |4 ctb | |
| 700 | 1 | |a Holly, George-Warren |4 ctb | |
| 700 | 1 | |a Jason, King |4 ctb | |
| 700 | 1 | |a Jeff, Chang |4 ctb | |
| 700 | 1 | |a Josh, Kun |4 ctb | |
| 700 | 1 | |a Kun, Josh |e Sonstige |4 oth | |
| 700 | 1 | |a Lavinia, Greenlaw |4 ctb | |
| 700 | 1 | |a Lhamon Jr., W. T. |e Sonstige |4 oth | |
| 700 | 1 | |a Mark Anthony, Neal |4 ctb | |
| 700 | 1 | |a Marybeth, Hamilton |4 ctb | |
| 700 | 1 | |a Michaelangelo, Matos |4 ctb | |
| 700 | 1 | |a Ned, Sublette |4 ctb | |
| 700 | 1 | |a Robert, FinkXXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb |e Sonstige |4 oth | |
| 700 | 1 | |a Steve, WaksmanXXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb |e Sonstige |4 oth | |
| 700 | 1 | |a Sublette, Ned |e Sonstige |4 oth | |
| 700 | 1 | |a W. T., Lhamon Jr.XXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb |e Sonstige |4 oth | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780822390558 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
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Datensatz im Suchindex
| _version_ | 1819310081103101953 |
|---|---|
| any_adam_object | |
| author2 | Benjamin, Melendez Daphne, Carr David, Brackett David, Thomas Drew, Daniel Eric, Weisbard Franklin, Bruno Greil, Marcus Henry, Chalfant Holly, George-Warren Jason, King Jeff, Chang Josh, Kun Lavinia, Greenlaw Mark Anthony, Neal Marybeth, Hamilton Michaelangelo, Matos Ned, Sublette |
| author2_role | ctb ctb ctb ctb ctb ctb ctb ctb ctb ctb ctb ctb ctb ctb ctb ctb ctb ctb |
| author2_variant | m b mb c d cd b d bd t d td d d dd w e we b f bf m g mg c h ch g w h gwh k j kj c j cj k j kj g l gl a n m an anm h m hm m m mm s n sn |
| author_facet | Benjamin, Melendez Daphne, Carr David, Brackett David, Thomas Drew, Daniel Eric, Weisbard Franklin, Bruno Greil, Marcus Henry, Chalfant Holly, George-Warren Jason, King Jeff, Chang Josh, Kun Lavinia, Greenlaw Mark Anthony, Neal Marybeth, Hamilton Michaelangelo, Matos Ned, Sublette |
| building | Verbundindex |
| bvnumber | BV047048874 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780822390558 (OCoLC)1226698295 (DE-599)BVBBV047048874 |
| dewey-full | 781.64 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.64 |
| dewey-search | 781.64 |
| dewey-sort | 3781.64 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1515/9780822390558 |
| format | Electronic eBook |
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| id | DE-604.BV047048874 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T08:34:57Z |
| institution | BVB |
| isbn | 9780822390558 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456270 |
| oclc_num | 1226698295 |
| open_access_boolean | |
| owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| physical | 1 online resource (336 pages) 13 photographs, 13 illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Listen Again A Momentary History of Pop Music Eric Weisbard Durham Duke University Press [2007] © 2007 1 online resource (336 pages) 13 photographs, 13 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Listen Again collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship.Building a history of pop music out of unexpected instances, critics and musicians delve into topics from the early-twentieth-century black performer Bert Williams's use of blackface, to the invention of the Delta blues category by a forgotten record collector named James McKune, to an ER cast member's performance as the Germs' front man Darby Crash at a Germs reunion show. Cuban music historian Ned Sublette zeroes in on the signature riff of the garage-band staple "Louie, Louie." David Thomas of the pioneering punk band Pere Ubu honors one of his forebears: Ghoulardi, a late-night monster-movie host on Cleveland-area TV in the 1960s. Benjamin Melendez discusses playing in a band, the Ghetto Brothers, that Latinized the Beatles, while leading a South Bronx gang, also called the Ghetto Brothers. Michaelangelo Matos traces the lineage of the hip-hop sample "Apache" to a Burt Lancaster film. Whether reflecting on the ringing freedom of an E chord or the significance of Bill Tate, who performed once in 1981 as Buddy Holocaust and was never heard from again, the essays reveal why Robert Christgau, a founder of rock criticism, has called the EMP Pop Conference "the best thing that's ever happened to serious consideration of pop music."Contributors. David Brackett, Franklin Bruno, Daphne Carr, Henry Chalfant, Jeff Chang, Drew Daniel, Robert Fink, Holly George-Warren, Lavinia Greenlaw, Marybeth Hamilton, Jason King, Josh Kun, W. T. Lhamon, Jr., Greil Marcus, Michaelangelo Matos, Benjamin Melendez, Mark Anthony Neal, Ned Sublette, David Thomas, Steve Waksman, Eric Weisbard In English MUSIC / History & Criticism bisacsh Popular music History and criticism Benjamin, Melendez ctb Daphne, Carr ctb David, Brackett ctb David, Thomas ctb Drew, Daniel ctb Eric, Weisbard ctb Franklin, Bruno ctb Greil, Marcus ctb Hamilton, Marybeth Sonstige oth Henry, Chalfant ctb Holly, George-Warren ctb Jason, King ctb Jeff, Chang ctb Josh, Kun ctb Kun, Josh Sonstige oth Lavinia, Greenlaw ctb Lhamon Jr., W. T. Sonstige oth Mark Anthony, Neal ctb Marybeth, Hamilton ctb Michaelangelo, Matos ctb Ned, Sublette ctb Robert, FinkXXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth Steve, WaksmanXXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth Sublette, Ned Sonstige oth W. T., Lhamon Jr.XXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth https://doi.org/10.1515/9780822390558 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Listen Again A Momentary History of Pop Music MUSIC / History & Criticism bisacsh Popular music History and criticism |
| title | Listen Again A Momentary History of Pop Music |
| title_auth | Listen Again A Momentary History of Pop Music |
| title_exact_search | Listen Again A Momentary History of Pop Music |
| title_full | Listen Again A Momentary History of Pop Music Eric Weisbard |
| title_fullStr | Listen Again A Momentary History of Pop Music Eric Weisbard |
| title_full_unstemmed | Listen Again A Momentary History of Pop Music Eric Weisbard |
| title_short | Listen Again |
| title_sort | listen again a momentary history of pop music |
| title_sub | A Momentary History of Pop Music |
| topic | MUSIC / History & Criticism bisacsh Popular music History and criticism |
| topic_facet | MUSIC / History & Criticism Popular music History and criticism |
| url | https://doi.org/10.1515/9780822390558 |
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