Close-ups and long shots in modern Chinese cinemas
Two of the most stylized shots in cinema-the close-up and the long shot-embody distinct attractions. The iconicity of the close-up magnifies the affective power of faces and elevates film to the discourse of art. The depth of the long shot, in contrast, indexes the facts of life and reinforces our f...
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[2021]
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| 520 | |a Two of the most stylized shots in cinema-the close-up and the long shot-embody distinct attractions. The iconicity of the close-up magnifies the affective power of faces and elevates film to the discourse of art. The depth of the long shot, in contrast, indexes the facts of life and reinforces our faith in reality. Each configures the relation between image and distance that expands the viewer's power to see, feel, and conceive. To understand why a director prefers one type of shot over the other then is to explore more than aesthetics: It uncovers significant assumptions about film as an art of intervention or organic representation. Close-ups and Long Shots in Modern Chinese Cinemas is the first book to compare these two shots within the cultural, historical, and cinematic traditions that produced them. In particular, the global revival of Confucian studies and the transnational appeal of feminism in the 1980s marked a new turn in the composite cultural education of Chinese directors whose shot selections can be seen as not only stylistic expressions, but ethical choices responding to established norms about self-restraint, ritualism, propriety, and female agency. Each of the films discussed-Zhang Yimou's Red Sorghum, Ang Lee's Lust, Caution, Hou Hsiao-Hsien's The Assassin, Jia Zhangke's I Wish I Knew, and Wei Desheng's Cape No. 7- represents a watershed in Chinese cinemas that redefines the evolving relations among film, politics, and ethics. Together these works provide a comprehensive picture of how directors contextualize close-ups and long shots in ways that make them interpretable across many films as bellwethers of social change | ||
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| geographic | China (DE-588)4009937-4 gnd |
| geographic_facet | China |
| id | DE-604.BV047046105 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:07:05Z |
| indexdate | 2024-09-27T16:47:09Z |
| institution | BVB |
| isbn | 9780824885670 9780824885687 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032453509 |
| oclc_num | 1225884652 |
| open_access_boolean | |
| owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 DE-12 |
| owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 DE-12 |
| physical | 1 Online-Ressource (x, 179 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-DPK ZDB-23-DPK20 BSB_NED_20210909 ZDB-23-DPK BSB_DPK_UniversityHawai'iPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | University of Hawai'i Press |
| record_format | marc |
| spellingShingle | Deppman, Hsiu-Chuang Close-ups and long shots in modern Chinese cinemas ART / Film & Video bisacsh Cinematography China Motion pictures China History Nahaufnahme (DE-588)4171112-9 gnd Film (DE-588)4017102-4 gnd Kameraarbeit (DE-588)4536859-4 gnd |
| subject_GND | (DE-588)4171112-9 (DE-588)4017102-4 (DE-588)4536859-4 (DE-588)4009937-4 |
| title | Close-ups and long shots in modern Chinese cinemas |
| title_auth | Close-ups and long shots in modern Chinese cinemas |
| title_exact_search | Close-ups and long shots in modern Chinese cinemas |
| title_exact_search_txtP | Close-ups and long shots in modern Chinese cinemas |
| title_full | Close-ups and long shots in modern Chinese cinemas Hsiu-Chuang Deppman |
| title_fullStr | Close-ups and long shots in modern Chinese cinemas Hsiu-Chuang Deppman |
| title_full_unstemmed | Close-ups and long shots in modern Chinese cinemas Hsiu-Chuang Deppman |
| title_short | Close-ups and long shots in modern Chinese cinemas |
| title_sort | close ups and long shots in modern chinese cinemas |
| topic | ART / Film & Video bisacsh Cinematography China Motion pictures China History Nahaufnahme (DE-588)4171112-9 gnd Film (DE-588)4017102-4 gnd Kameraarbeit (DE-588)4536859-4 gnd |
| topic_facet | ART / Film & Video Cinematography China Motion pictures China History Nahaufnahme Film Kameraarbeit China |
| url | https://doi.org/10.1515/9780824885670 |
| work_keys_str_mv | AT deppmanhsiuchuang closeupsandlongshotsinmodernchinesecinemas |