Only Connect E. M. Forster's Legacies in British Fiction

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Weitere Verfasser: Penas-Ibáñez, Beatriz (HerausgeberIn), Álvarez-Faedo, María José (HerausgeberIn), Cavalié, Elsa (HerausgeberIn), Mellet, Laurent (HerausgeberIn)
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Sprache:English
Veröffentlicht: Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2017
Ausgabe:1st, New ed
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Datensatz im Suchindex

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author2 Penas-Ibáñez, Beatriz
Álvarez-Faedo, María José
Cavalié, Elsa
Mellet, Laurent
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m j á f mjá mjáf
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author_facet Penas-Ibáñez, Beatriz
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Cavalié, Elsa
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contents Since Forster's death in 1970, many British novelists and film directors have acknowledged and even claimed the influence of the novelist of the English soul (in Woolf's terms) and of a renewed faith in both human relationships and a quintessentially British liberal-humanism. After the ethical turn at the end of the twentieth century, British literature today seems to go back even more drastically to the figure of the individual human being, and to turn the narrative space into some laboratory of a new form of empowerment of the other's political autonomy. It is in this context that the references to Forster are more and more frequent, both in British fiction and in academia. This book does not only aim at spotting and theorising this return to Forster today. Rather we endeavour to trace its genealogy and shed light on the successive modes of the legacy, from Forster's first novel, Where Angels Fear to Tread (1905) onwards, to the novelisation of Forster himself by Damon Galgut. How can the principle of connection, of correspondences and echoes, which informed Forster's private life and approach to writing so much, equally characterise the aesthetic and political influence of his uvre?
«The book edited by Elsa Cavalié and Laurent Mellet is extremely broad and varied. It unites the works of seasoned Forsterians with those of young scholars embarking on their academic careers, as well as an impressive variety of critical approaches and fields in which Forster's legacies can still be felt. Although apparently addressed primarily to Forsterian scholars, it should be, at least in part, equally interesting for scholars interested e.g. in contemporary gay fiction or adaptation studies, as well as in the writers indebted to Forster.» (Krzysztof Fordoński, Polish Journal of English Studies 3.2/2017)
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discipline Anglistik / Amerikanistik
edition 1st, New ed
era Geschichte gnd
era_facet Geschichte
format Electronic
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spelling Only Connect E. M. Forster's Legacies in British Fiction Beatriz Penas-Ibáñez, María José Álvarez-Faedo, Elsa Cavalié, Laurent Mellet
1st, New ed
Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2017
1 Online-Ressource (352 Seiten)
txt rdacontent
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cr rdacarrier
Online resource; title from title screen (viewed June 27, 2019)
Since Forster's death in 1970, many British novelists and film directors have acknowledged and even claimed the influence of the novelist of the English soul (in Woolf's terms) and of a renewed faith in both human relationships and a quintessentially British liberal-humanism. After the ethical turn at the end of the twentieth century, British literature today seems to go back even more drastically to the figure of the individual human being, and to turn the narrative space into some laboratory of a new form of empowerment of the other's political autonomy. It is in this context that the references to Forster are more and more frequent, both in British fiction and in academia. This book does not only aim at spotting and theorising this return to Forster today. Rather we endeavour to trace its genealogy and shed light on the successive modes of the legacy, from Forster's first novel, Where Angels Fear to Tread (1905) onwards, to the novelisation of Forster himself by Damon Galgut. How can the principle of connection, of correspondences and echoes, which informed Forster's private life and approach to writing so much, equally characterise the aesthetic and political influence of his uvre?
«The book edited by Elsa Cavalié and Laurent Mellet is extremely broad and varied. It unites the works of seasoned Forsterians with those of young scholars embarking on their academic careers, as well as an impressive variety of critical approaches and fields in which Forster's legacies can still be felt. Although apparently addressed primarily to Forsterian scholars, it should be, at least in part, equally interesting for scholars interested e.g. in contemporary gay fiction or adaptation studies, as well as in the writers indebted to Forster.» (Krzysztof Fordoński, Polish Journal of English Studies 3.2/2017)
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spellingShingle Only Connect E. M. Forster's Legacies in British Fiction
Since Forster's death in 1970, many British novelists and film directors have acknowledged and even claimed the influence of the novelist of the English soul (in Woolf's terms) and of a renewed faith in both human relationships and a quintessentially British liberal-humanism. After the ethical turn at the end of the twentieth century, British literature today seems to go back even more drastically to the figure of the individual human being, and to turn the narrative space into some laboratory of a new form of empowerment of the other's political autonomy. It is in this context that the references to Forster are more and more frequent, both in British fiction and in academia. This book does not only aim at spotting and theorising this return to Forster today. Rather we endeavour to trace its genealogy and shed light on the successive modes of the legacy, from Forster's first novel, Where Angels Fear to Tread (1905) onwards, to the novelisation of Forster himself by Damon Galgut. How can the principle of connection, of correspondences and echoes, which informed Forster's private life and approach to writing so much, equally characterise the aesthetic and political influence of his uvre?
«The book edited by Elsa Cavalié and Laurent Mellet is extremely broad and varied. It unites the works of seasoned Forsterians with those of young scholars embarking on their academic careers, as well as an impressive variety of critical approaches and fields in which Forster's legacies can still be felt. Although apparently addressed primarily to Forsterian scholars, it should be, at least in part, equally interesting for scholars interested e.g. in contemporary gay fiction or adaptation studies, as well as in the writers indebted to Forster.» (Krzysztof Fordoński, Polish Journal of English Studies 3.2/2017)
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title Only Connect E. M. Forster's Legacies in British Fiction
title_auth Only Connect E. M. Forster's Legacies in British Fiction
title_exact_search Only Connect E. M. Forster's Legacies in British Fiction
title_full Only Connect E. M. Forster's Legacies in British Fiction Beatriz Penas-Ibáñez, María José Álvarez-Faedo, Elsa Cavalié, Laurent Mellet
title_fullStr Only Connect E. M. Forster's Legacies in British Fiction Beatriz Penas-Ibáñez, María José Álvarez-Faedo, Elsa Cavalié, Laurent Mellet
title_full_unstemmed Only Connect E. M. Forster's Legacies in British Fiction Beatriz Penas-Ibáñez, María José Álvarez-Faedo, Elsa Cavalié, Laurent Mellet
title_short Only Connect
title_sort only connect e m forster s legacies in british fiction
title_sub E. M. Forster's Legacies in British Fiction
topic Forster, E. M. 1879-1970 (DE-588)118534408 gnd
Prosa (DE-588)4047497-5 gnd
Rezeption (DE-588)4049716-1 gnd
Englisch (DE-588)4014777-0 gnd
Literatur (DE-588)4035964-5 gnd
topic_facet Forster, E. M. 1879-1970
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Englisch
Literatur
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