Character and dystopa the last men
This is the first extended study to specifically focus on character in dystopia. Through the lens of the "last man" figure, Character and Dystopia: The Last Men examines character development in Yevgeny Zamyatin's We, Anthony Burgess's A Clockwork Orange, Kazuo Ishiguro's Ne...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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New York
Routledge
[2021]
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| Schriftenreihe: | Routledge studies in twentieth-century literature
Routledge studies in twentieth-century literature |
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| 490 | 0 | |a Routledge studies in twentieth-century literature | |
| 520 | |a This is the first extended study to specifically focus on character in dystopia. Through the lens of the "last man" figure, Character and Dystopia: The Last Men examines character development in Yevgeny Zamyatin's We, Anthony Burgess's A Clockwork Orange, Kazuo Ishiguro's Never Let Me Go, Fyodor Dostoevsky's Notes from Underground, George Orwell's Nineteen Eighty-Four, Nathanael West's A Cool Million, David Mamet's Glengarry Glen Ross, Octavia Butler's Parable of the Sower, Lois Lowry's The Giver, Michel Houellebecq's Submission, Chan Koonchung's The Fat Years, and Maggie Shen King's An Excess Male, showing how in the 20th and 21st centuries dystopian nostalgia shades into reactionary humanism, a last stand mounted in defense of forms of subjectivity no longer supported by modernity. Unlike most work on dystopia that emphasizes dystopia's politics, this book's approach grows out of questions of poetics: What are the formal structures by which dystopian character is constructed? How do dystopian characters operate differently than other characters, within texts and upon the reader? What is the relation between this character and other forms of literary character, such as are found in romantic and modernist texts? By reading character as crucial to the dystopian project, the book makes a case for dystopia as a sensitive register of modern anxieties about subjectivity and its portrayal in literary works | ||
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Datensatz im Suchindex
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| author | Rosenfeld, Aaron S. |
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| dewey-search | 809.93372 |
| dewey-sort | 3809.93372 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| discipline_str_mv | Literaturwissenschaft |
| format | Electronic eBook |
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How do dystopian characters operate differently than other characters, within texts and upon the reader? What is the relation between this character and other forms of literary character, such as are found in romantic and modernist texts? 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| id | DE-604.BV047017060 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:19Z |
| indexdate | 2024-07-10T09:00:15Z |
| institution | BVB |
| isbn | 9781000173154 1000173151 9780367823108 0367823101 9781000173178 1000173178 9781000173192 1000173194 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032424596 |
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| physical | 1 online resource |
| psigel | ZDB-7-TFC |
| publishDate | 2021 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge studies in twentieth-century literature |
| spelling | Rosenfeld, Aaron S. Verfasser aut Character and dystopa the last men Aaron S. Rosenfeld New York Routledge [2021] 1 online resource txt rdacontent c rdamedia cr rdacarrier Routledge studies in twentieth-century literature This is the first extended study to specifically focus on character in dystopia. Through the lens of the "last man" figure, Character and Dystopia: The Last Men examines character development in Yevgeny Zamyatin's We, Anthony Burgess's A Clockwork Orange, Kazuo Ishiguro's Never Let Me Go, Fyodor Dostoevsky's Notes from Underground, George Orwell's Nineteen Eighty-Four, Nathanael West's A Cool Million, David Mamet's Glengarry Glen Ross, Octavia Butler's Parable of the Sower, Lois Lowry's The Giver, Michel Houellebecq's Submission, Chan Koonchung's The Fat Years, and Maggie Shen King's An Excess Male, showing how in the 20th and 21st centuries dystopian nostalgia shades into reactionary humanism, a last stand mounted in defense of forms of subjectivity no longer supported by modernity. Unlike most work on dystopia that emphasizes dystopia's politics, this book's approach grows out of questions of poetics: What are the formal structures by which dystopian character is constructed? How do dystopian characters operate differently than other characters, within texts and upon the reader? What is the relation between this character and other forms of literary character, such as are found in romantic and modernist texts? By reading character as crucial to the dystopian project, the book makes a case for dystopia as a sensitive register of modern anxieties about subjectivity and its portrayal in literary works Dystopias in literature https://www.taylorfrancis.com/books/9780367823108 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Rosenfeld, Aaron S. Character and dystopa the last men Dystopias in literature |
| title | Character and dystopa the last men |
| title_auth | Character and dystopa the last men |
| title_exact_search | Character and dystopa the last men |
| title_exact_search_txtP | Character and dystopa the last men |
| title_full | Character and dystopa the last men Aaron S. Rosenfeld |
| title_fullStr | Character and dystopa the last men Aaron S. Rosenfeld |
| title_full_unstemmed | Character and dystopa the last men Aaron S. Rosenfeld |
| title_short | Character and dystopa |
| title_sort | character and dystopa the last men |
| title_sub | the last men |
| topic | Dystopias in literature |
| topic_facet | Dystopias in literature |
| url | https://www.taylorfrancis.com/books/9780367823108 |
| work_keys_str_mv | AT rosenfeldaarons characteranddystopathelastmen |