Contemporary sculpture and the critique of display cultures tainted goods
In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials - often things left on the side of the road, according to the logic and progress of the capitalist machine - and combine them in ways that allow each...
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Format: | Elektronisch E-Book |
Sprache: | English |
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New York, NY
Routledge
2018
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Routledge focus on art history and visual studies |
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520 | |a In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials - often things left on the side of the road, according to the logic and progress of the capitalist machine - and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken's "OIL" (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer's midcareer survey (Musée d'art contemporain, Montréal, 2008), Rachel Harrison's "Consider the Lobster" (CCS Bard Hessel Museum of Art, 2009), and Liz Magor's "The Mouth and Other Storage Facilities" (Henry Art Gallery, Seattle, 2008) | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Adler, Daniel |
author_facet | Adler, Daniel |
author_role | aut |
author_sort | Adler, Daniel |
author_variant | d a da |
building | Verbundindex |
bvnumber | BV047014691 |
collection | ZDB-7-TFC |
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dewey-full | 770.81/4 |
dewey-hundreds | 700 - The arts |
dewey-ones | 770 - Photography, computer art, cinematography |
dewey-raw | 770.81/4 |
dewey-search | 770.81/4 |
dewey-sort | 3770.81 14 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte |
format | Electronic eBook |
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id | DE-604.BV047014691 |
illustrated | Not Illustrated |
indexdate | 2024-12-24T08:33:15Z |
institution | BVB |
isbn | 9781351049184 1351049186 9781351049160 135104916X 9781351049177 1351049178 9781351049153 1351049151 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032422228 |
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physical | 1 online resource |
psigel | ZDB-7-TFC |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Routledge |
record_format | marc |
series2 | Routledge focus Routledge focus on art history and visual studies |
spelling | Adler, Daniel Verfasser aut Contemporary sculpture and the critique of display cultures tainted goods Dan Adler New York, NY Routledge 2018 1 online resource txt rdacontent c rdamedia cr rdacarrier Routledge focus Routledge focus on art history and visual studies In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials - often things left on the side of the road, according to the logic and progress of the capitalist machine - and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken's "OIL" (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer's midcareer survey (Musée d'art contemporain, Montréal, 2008), Rachel Harrison's "Consider the Lobster" (CCS Bard Hessel Museum of Art, 2009), and Liz Magor's "The Mouth and Other Storage Facilities" (Henry Art Gallery, Seattle, 2008) Assemblage (Art) Refuse as art material https://www.taylorfrancis.com/books/9781351049184 Verlag URL des Erstveroeffentlichers Volltext |
spellingShingle | Adler, Daniel Contemporary sculpture and the critique of display cultures tainted goods Assemblage (Art) Refuse as art material |
title | Contemporary sculpture and the critique of display cultures tainted goods |
title_auth | Contemporary sculpture and the critique of display cultures tainted goods |
title_exact_search | Contemporary sculpture and the critique of display cultures tainted goods |
title_full | Contemporary sculpture and the critique of display cultures tainted goods Dan Adler |
title_fullStr | Contemporary sculpture and the critique of display cultures tainted goods Dan Adler |
title_full_unstemmed | Contemporary sculpture and the critique of display cultures tainted goods Dan Adler |
title_short | Contemporary sculpture and the critique of display cultures |
title_sort | contemporary sculpture and the critique of display cultures tainted goods |
title_sub | tainted goods |
topic | Assemblage (Art) Refuse as art material |
topic_facet | Assemblage (Art) Refuse as art material |
url | https://www.taylorfrancis.com/books/9781351049184 |
work_keys_str_mv | AT adlerdaniel contemporarysculptureandthecritiqueofdisplayculturestaintedgoods |