Film, philosophy, and reality ancient Greece to Godard
Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience. Focused on the question of the relationship between...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon
Routledge
2019
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| 520 | |a Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience. Focused on the question of the relationship between how things seem to us and how they really are, it is at once an introduction to philosophy through film and an introduction to film through philosophy. The book is divided into three parts. The first is an introduction to philosophy and film, designed for the reader with little background in one or the other subject. The second examines the philosophical importance of the distinction between appearance and reality, and shows that reflection upon this distinction is naturally provoked by the experience of watching movies. The final part takes a close and careful look at the style and techniques of Jean-Luc Godard's groundbreaking film Breathless in order to illustrate how such themes can be explored cinematically. The book addresses topics such as: Film: what it is and how to understand it The methods and concerns of philosophy The nature of cinematic appearances The history of metaphysics The relationship between cinema and life The philosophical relevance of film techniques. With a glossary of key thinkers, terms, and concepts, as well as sections on suggested films and further reading, this textbook will appeal to lecturers and students in undergraduate philosophy and film courses, and in courses focused on Philosophy of Film, Philosophy and Film, or Film-Philosophy | ||
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Datensatz im Suchindex
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| author | Andersen, Nathan |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:14Z |
| indexdate | 2024-07-10T09:00:10Z |
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| isbn | 9781315814889 1315814889 9781317805830 1317805836 9781317805816 131780581X 9781317805823 1317805828 |
| language | English |
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| physical | 1 online resource (viii, 203 pages) |
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| publishDate | 2019 |
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| publishDateSort | 2019 |
| publisher | Routledge |
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| spelling | Andersen, Nathan Verfasser aut Film, philosophy, and reality ancient Greece to Godard Nathan Andersen Abingdon, Oxon Routledge 2019 © 2019 1 online resource (viii, 203 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from digital title page (viewed on February 08, 2019) Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience. Focused on the question of the relationship between how things seem to us and how they really are, it is at once an introduction to philosophy through film and an introduction to film through philosophy. The book is divided into three parts. The first is an introduction to philosophy and film, designed for the reader with little background in one or the other subject. The second examines the philosophical importance of the distinction between appearance and reality, and shows that reflection upon this distinction is naturally provoked by the experience of watching movies. The final part takes a close and careful look at the style and techniques of Jean-Luc Godard's groundbreaking film Breathless in order to illustrate how such themes can be explored cinematically. The book addresses topics such as: Film: what it is and how to understand it The methods and concerns of philosophy The nature of cinematic appearances The history of metaphysics The relationship between cinema and life The philosophical relevance of film techniques. With a glossary of key thinkers, terms, and concepts, as well as sections on suggested films and further reading, this textbook will appeal to lecturers and students in undergraduate philosophy and film courses, and in courses focused on Philosophy of Film, Philosophy and Film, or Film-Philosophy Motion pictures / Philosophy Philosophy https://www.taylorfrancis.com/books/9781315814889 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Andersen, Nathan Film, philosophy, and reality ancient Greece to Godard Motion pictures / Philosophy Philosophy |
| title | Film, philosophy, and reality ancient Greece to Godard |
| title_auth | Film, philosophy, and reality ancient Greece to Godard |
| title_exact_search | Film, philosophy, and reality ancient Greece to Godard |
| title_exact_search_txtP | Film, philosophy, and reality ancient Greece to Godard |
| title_full | Film, philosophy, and reality ancient Greece to Godard Nathan Andersen |
| title_fullStr | Film, philosophy, and reality ancient Greece to Godard Nathan Andersen |
| title_full_unstemmed | Film, philosophy, and reality ancient Greece to Godard Nathan Andersen |
| title_short | Film, philosophy, and reality |
| title_sort | film philosophy and reality ancient greece to godard |
| title_sub | ancient Greece to Godard |
| topic | Motion pictures / Philosophy Philosophy |
| topic_facet | Motion pictures / Philosophy Philosophy |
| url | https://www.taylorfrancis.com/books/9781315814889 |
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