Sarah Kane's 4.48 psychosis
""Everything passes/Everything perishes/Everything palls"How on earth do you award aesthetic points to a 75-minute suicide note? The question comes from a review of 4:48's inaugural production, the year after Sarah Kane took her own life, but this book explores the ways in which...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Abingdon, Oxon
Routledge, an imprint of the Taylor & Francis Group
2018
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Schriftenreihe: | The fourth wall
Fourth wall |
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520 | |a ""Everything passes/Everything perishes/Everything palls"How on earth do you award aesthetic points to a 75-minute suicide note? The question comes from a review of 4:48's inaugural production, the year after Sarah Kane took her own life, but this book explores the ways in which it misses the point. Kane's final play is much more than a bizarre farewell to mortality. It's a work best understood by approaching it first and foremost as theatre - as a singular component in a theatrical assemblage of bodies, voices, light and energy. The play finds an unexpectedly close fit in the established traditions of modern drama and the practices of postdramatic theatre. Glenn D'Cruz explores this theatrical angle through a number of exemplary professional and student productions with a focus on the staging of the play by the Belarus Free Theatre (2005) and Melbourne's Red Stitch Theatre (2007)."--Provided by publisher | ||
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Datensatz im Suchindex
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author | D'Cruz, Glenn |
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dewey-raw | 822/.914 |
dewey-search | 822/.914 |
dewey-sort | 3822 3914 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
format | Electronic eBook |
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language | English |
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publisher | Routledge, an imprint of the Taylor & Francis Group |
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series2 | The fourth wall Fourth wall |
spelling | D'Cruz, Glenn Verfasser aut Sarah Kane's 4.48 psychosis Glenn D'Cruz Abingdon, Oxon Routledge, an imprint of the Taylor & Francis Group 2018 1 online resource (90 pages) illustrations txt rdacontent c rdamedia cr rdacarrier The fourth wall Fourth wall ""Everything passes/Everything perishes/Everything palls"How on earth do you award aesthetic points to a 75-minute suicide note? The question comes from a review of 4:48's inaugural production, the year after Sarah Kane took her own life, but this book explores the ways in which it misses the point. Kane's final play is much more than a bizarre farewell to mortality. It's a work best understood by approaching it first and foremost as theatre - as a singular component in a theatrical assemblage of bodies, voices, light and energy. The play finds an unexpectedly close fit in the established traditions of modern drama and the practices of postdramatic theatre. Glenn D'Cruz explores this theatrical angle through a number of exemplary professional and student productions with a focus on the staging of the play by the Belarus Free Theatre (2005) and Melbourne's Red Stitch Theatre (2007)."--Provided by publisher Kane, Sarah / 1971-1999 / 4.48 psychosis https://www.taylorfrancis.com/books/9781315104850 Verlag URL des Erstveroeffentlichers Volltext |
spellingShingle | D'Cruz, Glenn Sarah Kane's 4.48 psychosis Kane, Sarah / 1971-1999 / 4.48 psychosis |
title | Sarah Kane's 4.48 psychosis |
title_auth | Sarah Kane's 4.48 psychosis |
title_exact_search | Sarah Kane's 4.48 psychosis |
title_exact_search_txtP | Sarah Kane's 4.48 psychosis |
title_full | Sarah Kane's 4.48 psychosis Glenn D'Cruz |
title_fullStr | Sarah Kane's 4.48 psychosis Glenn D'Cruz |
title_full_unstemmed | Sarah Kane's 4.48 psychosis Glenn D'Cruz |
title_short | Sarah Kane's 4.48 psychosis |
title_sort | sarah kane s 4 48 psychosis |
topic | Kane, Sarah / 1971-1999 / 4.48 psychosis |
topic_facet | Kane, Sarah / 1971-1999 / 4.48 psychosis |
url | https://www.taylorfrancis.com/books/9781315104850 |
work_keys_str_mv | AT dcruzglenn sarahkanes448psychosis |