Experimentation in Improvised Jazz Chasing Ideas
Experimentation in Improvised Jazz: Chasing Ideas challenges the notion that in the twenty-first century, jazz can be restrained by a singular, static definition. The worldwide trend for jazz to be marginalized by the mainstream music industry, as well as conservatoriums and schools of music, runs t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Milton
Routledge
2018
|
| Schlagworte: | |
| Online-Zugang: | URL des Erstveroeffentlichers |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047008905 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 201118s2018 |||| o||u| ||||||eng d | ||
| 020 | |a 9780429848964 |9 978-0-429-84896-4 | ||
| 020 | |a 042984896X |9 0-429-84896-X | ||
| 020 | |a 9780429848957 |9 978-0-429-84895-7 | ||
| 020 | |a 0429848951 |9 0-429-84895-1 | ||
| 020 | |a 9780429848940 |9 978-0-429-84894-0 | ||
| 020 | |a 0429848943 |9 0-429-84894-3 | ||
| 020 | |a 9780429455513 |9 978-0-429-45551-3 | ||
| 020 | |a 0429455518 |9 0-429-45551-8 | ||
| 024 | 7 | |a 10.4324/9780429455513 |2 doi | |
| 035 | |a (ZDB-7-TFC)9780429848964 | ||
| 035 | |a (DE-599)BVBBV047008905 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 082 | 0 | |a 781.656 |2 23 | |
| 100 | 1 | |a Onsman, Andrys |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Experimentation in Improvised Jazz |b Chasing Ideas |
| 264 | 1 | |a Milton |b Routledge |c 2018 | |
| 300 | |a 1 online resource (205 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | |a Experimentation in Improvised Jazz: Chasing Ideas challenges the notion that in the twenty-first century, jazz can be restrained by a singular, static definition. The worldwide trend for jazz to be marginalized by the mainstream music industry, as well as conservatoriums and schools of music, runs the risk of stifling the innovative and challenging aspects of its creativity. The authors argue that to remain relevant, jazz needs to be dynamic, proactively experimental, and consciously facilitate new ideas to be made accessible to an audience broader than the innovators themselves. Experimentation in Improvised Jazz explores key elements of experimental jazz music in order to discern ways in which the genre is developing. The book begins with an overview of where, when and how new ideas in free and improvised jazz have been created and added to the canon, developing the genre beyond its initial roots. It moves on to consider how and why musicians create free and improvised jazz; the decisions they make while playing. What are they responding toWhat are they depending onWhat are they thinkingThe authors analyse and synthesise the creation of free jazz by correlating the latest research to the reflections provided by some of the world's greatest jazz innovators for this project. Finally, the book examines how we respond to free and improvised jazz: artistically, critically and personally. Free jazz is, the book argues, an environment that develops through experimentation with new ideas | ||
| 650 | 4 | |a Free jazz / History and criticism | |
| 650 | 4 | |a Improvisation (Music) | |
| 650 | 4 | |a Free jazz | |
| 700 | 1 | |a Burke, Robert |e Sonstige |4 oth | |
| 856 | 4 | 0 | |u https://www.taylorfrancis.com/books/9780429455513 |x Verlag |z URL des Erstveroeffentlichers |3 Volltext |
| 912 | |a ZDB-7-TFC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032416442 | ||
Datensatz im Suchindex
| _version_ | 1804181963272093697 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Onsman, Andrys |
| author_facet | Onsman, Andrys |
| author_role | aut |
| author_sort | Onsman, Andrys |
| author_variant | a o ao |
| building | Verbundindex |
| bvnumber | BV047008905 |
| collection | ZDB-7-TFC |
| ctrlnum | (ZDB-7-TFC)9780429848964 (DE-599)BVBBV047008905 |
| dewey-full | 781.656 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.656 |
| dewey-search | 781.656 |
| dewey-sort | 3781.656 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02913nmm a2200433zc 4500</leader><controlfield tag="001">BV047008905</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201118s2018 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780429848964</subfield><subfield code="9">978-0-429-84896-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">042984896X</subfield><subfield code="9">0-429-84896-X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780429848957</subfield><subfield code="9">978-0-429-84895-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0429848951</subfield><subfield code="9">0-429-84895-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780429848940</subfield><subfield code="9">978-0-429-84894-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0429848943</subfield><subfield code="9">0-429-84894-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780429455513</subfield><subfield code="9">978-0-429-45551-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0429455518</subfield><subfield code="9">0-429-45551-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4324/9780429455513</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-7-TFC)9780429848964</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047008905</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.656</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Onsman, Andrys</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Experimentation in Improvised Jazz</subfield><subfield code="b">Chasing Ideas</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Milton</subfield><subfield code="b">Routledge</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (205 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Experimentation in Improvised Jazz: Chasing Ideas challenges the notion that in the twenty-first century, jazz can be restrained by a singular, static definition. The worldwide trend for jazz to be marginalized by the mainstream music industry, as well as conservatoriums and schools of music, runs the risk of stifling the innovative and challenging aspects of its creativity. The authors argue that to remain relevant, jazz needs to be dynamic, proactively experimental, and consciously facilitate new ideas to be made accessible to an audience broader than the innovators themselves. Experimentation in Improvised Jazz explores key elements of experimental jazz music in order to discern ways in which the genre is developing. The book begins with an overview of where, when and how new ideas in free and improvised jazz have been created and added to the canon, developing the genre beyond its initial roots. It moves on to consider how and why musicians create free and improvised jazz; the decisions they make while playing. What are they responding toWhat are they depending onWhat are they thinkingThe authors analyse and synthesise the creation of free jazz by correlating the latest research to the reflections provided by some of the world's greatest jazz innovators for this project. Finally, the book examines how we respond to free and improvised jazz: artistically, critically and personally. Free jazz is, the book argues, an environment that develops through experimentation with new ideas</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Free jazz / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Improvisation (Music)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Free jazz</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Burke, Robert</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.taylorfrancis.com/books/9780429455513</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveroeffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-7-TFC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032416442</subfield></datafield></record></collection> |
| id | DE-604.BV047008905 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:06Z |
| indexdate | 2024-07-10T09:00:00Z |
| institution | BVB |
| isbn | 9780429848964 042984896X 9780429848957 0429848951 9780429848940 0429848943 9780429455513 0429455518 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032416442 |
| open_access_boolean | |
| physical | 1 online resource (205 pages) |
| psigel | ZDB-7-TFC |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Routledge |
| record_format | marc |
| spelling | Onsman, Andrys Verfasser aut Experimentation in Improvised Jazz Chasing Ideas Milton Routledge 2018 1 online resource (205 pages) txt rdacontent c rdamedia cr rdacarrier Experimentation in Improvised Jazz: Chasing Ideas challenges the notion that in the twenty-first century, jazz can be restrained by a singular, static definition. The worldwide trend for jazz to be marginalized by the mainstream music industry, as well as conservatoriums and schools of music, runs the risk of stifling the innovative and challenging aspects of its creativity. The authors argue that to remain relevant, jazz needs to be dynamic, proactively experimental, and consciously facilitate new ideas to be made accessible to an audience broader than the innovators themselves. Experimentation in Improvised Jazz explores key elements of experimental jazz music in order to discern ways in which the genre is developing. The book begins with an overview of where, when and how new ideas in free and improvised jazz have been created and added to the canon, developing the genre beyond its initial roots. It moves on to consider how and why musicians create free and improvised jazz; the decisions they make while playing. What are they responding toWhat are they depending onWhat are they thinkingThe authors analyse and synthesise the creation of free jazz by correlating the latest research to the reflections provided by some of the world's greatest jazz innovators for this project. Finally, the book examines how we respond to free and improvised jazz: artistically, critically and personally. Free jazz is, the book argues, an environment that develops through experimentation with new ideas Free jazz / History and criticism Improvisation (Music) Free jazz Burke, Robert Sonstige oth https://www.taylorfrancis.com/books/9780429455513 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Onsman, Andrys Experimentation in Improvised Jazz Chasing Ideas Free jazz / History and criticism Improvisation (Music) Free jazz |
| title | Experimentation in Improvised Jazz Chasing Ideas |
| title_auth | Experimentation in Improvised Jazz Chasing Ideas |
| title_exact_search | Experimentation in Improvised Jazz Chasing Ideas |
| title_exact_search_txtP | Experimentation in Improvised Jazz Chasing Ideas |
| title_full | Experimentation in Improvised Jazz Chasing Ideas |
| title_fullStr | Experimentation in Improvised Jazz Chasing Ideas |
| title_full_unstemmed | Experimentation in Improvised Jazz Chasing Ideas |
| title_short | Experimentation in Improvised Jazz |
| title_sort | experimentation in improvised jazz chasing ideas |
| title_sub | Chasing Ideas |
| topic | Free jazz / History and criticism Improvisation (Music) Free jazz |
| topic_facet | Free jazz / History and criticism Improvisation (Music) Free jazz |
| url | https://www.taylorfrancis.com/books/9780429455513 |
| work_keys_str_mv | AT onsmanandrys experimentationinimprovisedjazzchasingideas AT burkerobert experimentationinimprovisedjazzchasingideas |