Boy bands and the performance of pop masculinity
Boy Bands and the Performance of Pop Masculinity provides a history of the boy band from the Beatles to One Direction, placing the modern male pop group within the wider context of twentieth- and twenty-first-century popular music and culture. Offering the first extended look at pop masculinity as e...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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New York
Routledge
2019
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| 100 | 1 | |a Gregory, Georgina |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Boy bands and the performance of pop masculinity |c Georgina Gregory |
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| 520 | |a Boy Bands and the Performance of Pop Masculinity provides a history of the boy band from the Beatles to One Direction, placing the modern male pop group within the wider context of twentieth- and twenty-first-century popular music and culture. Offering the first extended look at pop masculinity as exhibited by boy bands, this volume links the evolving expressions of gender and sexuality in the boy band to wider economic and social changes that have resulted in new ways of representing what it is to be a man. The popularity of boy bands is unquestionable, and their contributions to popular music are significant, yet they have attracted relatively little study. This book fills that gap with chapters exploring the challenges of defining the boy band phenomenon, its origins and history from the 1940s to the present, the role of management and marketing, the performance of gender and sexuality, and the nature of fandom and fan agency. Throughout, the author illuminates the ways in which identity politics influence the production and consumption of pop music and shows how the mainstream pop of boy bands can both reinforce and subvert gender and class hierarchies | ||
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Datensatz im Suchindex
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| author | Gregory, Georgina |
| author_facet | Gregory, Georgina |
| author_role | aut |
| author_sort | Gregory, Georgina |
| author_variant | g g gg |
| building | Verbundindex |
| bvnumber | BV047005548 |
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| ctrlnum | (ZDB-7-TFC)0429027575 (DE-599)BVBBV047005548 |
| dewey-full | 781.640811 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.640811 |
| dewey-search | 781.640811 |
| dewey-sort | 3781.640811 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV047005548 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:01Z |
| indexdate | 2024-07-10T08:59:54Z |
| institution | BVB |
| isbn | 0429027575 9780429027574 9780429645815 0429645813 9780429651090 0429651090 9780429648458 0429648456 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032413085 |
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| physical | 1 online resource |
| psigel | ZDB-7-TFC |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Routledge |
| record_format | marc |
| spelling | Gregory, Georgina Verfasser aut Boy bands and the performance of pop masculinity Georgina Gregory New York Routledge 2019 1 online resource txt rdacontent c rdamedia cr rdacarrier Boy Bands and the Performance of Pop Masculinity provides a history of the boy band from the Beatles to One Direction, placing the modern male pop group within the wider context of twentieth- and twenty-first-century popular music and culture. Offering the first extended look at pop masculinity as exhibited by boy bands, this volume links the evolving expressions of gender and sexuality in the boy band to wider economic and social changes that have resulted in new ways of representing what it is to be a man. The popularity of boy bands is unquestionable, and their contributions to popular music are significant, yet they have attracted relatively little study. This book fills that gap with chapters exploring the challenges of defining the boy band phenomenon, its origins and history from the 1940s to the present, the role of management and marketing, the performance of gender and sexuality, and the nature of fandom and fan agency. Throughout, the author illuminates the ways in which identity politics influence the production and consumption of pop music and shows how the mainstream pop of boy bands can both reinforce and subvert gender and class hierarchies Boy bands Popular music / History and criticism Masculinity in music https://www.taylorfrancis.com/books/9780429027574 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Gregory, Georgina Boy bands and the performance of pop masculinity Boy bands Popular music / History and criticism Masculinity in music |
| title | Boy bands and the performance of pop masculinity |
| title_auth | Boy bands and the performance of pop masculinity |
| title_exact_search | Boy bands and the performance of pop masculinity |
| title_exact_search_txtP | Boy bands and the performance of pop masculinity |
| title_full | Boy bands and the performance of pop masculinity Georgina Gregory |
| title_fullStr | Boy bands and the performance of pop masculinity Georgina Gregory |
| title_full_unstemmed | Boy bands and the performance of pop masculinity Georgina Gregory |
| title_short | Boy bands and the performance of pop masculinity |
| title_sort | boy bands and the performance of pop masculinity |
| topic | Boy bands Popular music / History and criticism Masculinity in music |
| topic_facet | Boy bands Popular music / History and criticism Masculinity in music |
| url | https://www.taylorfrancis.com/books/9780429027574 |
| work_keys_str_mv | AT gregorygeorgina boybandsandtheperformanceofpopmasculinity |