Walker Evans starting from scratch
A magisterial study of celebrated photographer Walker EvansWalker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actual...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2020]
|
Schlagworte: | |
Online-Zugang: | DE-12 DE-898 DE-Y3 DE-Y2 URL des Erstveröffentlichers |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV046992874 | ||
003 | DE-604 | ||
005 | 20240722 | ||
007 | cr|uuu---uuuuu | ||
008 | 201112s2020 xx a||| o|||| 00||| eng d | ||
020 | |a 9780691210896 |c Online, PDF |9 978-0-691-21089-6 | ||
024 | 7 | |a 10.1515/9780691210896 |2 doi | |
024 | 7 | |a 10.2307/j.ctv10kmfhq |2 doi | |
035 | |a (ZDB-23-DGG)9780691210896 | ||
035 | |a (ZDB-23-DAD)9780691210896 | ||
035 | |a (ZDB-39-JBK)9780691210896 | ||
035 | |a (OCoLC)1220890282 | ||
035 | |a (DE-599)BVBBV046992874 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-Y3 |a DE-Y2 |a DE-898 | ||
082 | 0 | |a 770 |2 23 | |
084 | |a LI 28610 |0 (DE-625)95960: |2 rvk | ||
100 | 1 | |a Alpers, Svetlana |d 1936- |e Verfasser |0 (DE-588)124576842 |4 aut | |
245 | 1 | 0 | |a Walker Evans |b starting from scratch |c Svetlana Alpers |
264 | 1 | |a Princeton ; Oxford |b Princeton University Press |c [2020] | |
264 | 4 | |c © 2020 | |
300 | |a 1 Online-Ressource (x, 257 Seiten, 143 Seiten Tafeln) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
520 | |a A magisterial study of celebrated photographer Walker EvansWalker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle.Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time | ||
600 | 1 | 7 | |a Evans, Walker |d 1903-1975 |0 (DE-588)118682806 |2 gnd |9 rswk-swf |
650 | 4 | |a African 1935 sculpture exhibition | |
650 | 4 | |a Alabama tenant farmers | |
650 | 4 | |a American photographs | |
650 | 4 | |a Bob Dylan | |
650 | 4 | |a Century Association | |
650 | 4 | |a Cuba | |
650 | 4 | |a David Campany;Luc Sante;Clement Cheroux;John T. Hill;Lincoln Kirstein;John Szarkowski;James Mellow;Belinda Rathbone;Clement Greenberg;Berenice Abbott;William Carlos Williams;Elizabeth Bishop;Gustave Flaubert;Edmund Wilson;Charles Baudelaire;Paul Cezanne;Civil War;Lawrence Gowing;Eugene Atget;documentary photography;abstraction;surrealism;Man Ray | |
650 | 4 | |a Fortune | |
650 | 4 | |a France | |
650 | 4 | |a Fred Astaire | |
650 | 4 | |a Henri Cartier-Bresson | |
650 | 4 | |a James Agee | |
650 | 4 | |a Let Us Now Praise Famous Men | |
650 | 4 | |a Lyric Documentary | |
650 | 4 | |a MOMA. | |
650 | 4 | |a Museum of Modern Art | |
650 | 4 | |a Nicéphore Niépce | |
650 | 4 | |a Swing Time | |
650 | 4 | |a Time Inc | |
650 | 4 | |a Vicksburg National Military Park | |
650 | 4 | |a W. S. Hartshorn | |
650 | 4 | |a William Faulkner | |
650 | 4 | |a Yale | |
650 | 4 | |a daguerreotype | |
650 | 4 | |a minstrelsy | |
650 | 4 | |a passenger portraits | |
650 | 4 | |a polaroid SX 70 | |
650 | 4 | |a subway portraits | |
650 | 4 | |a transcendence | |
650 | 4 | |a white tenant farmers | |
650 | 7 | |a Photography / Individual Photographers / Artists' Books |2 bisacsh | |
650 | 4 | |a Documentary photography |z United States | |
650 | 4 | |a Photography, Artistic | |
650 | 0 | 7 | |a Dokumentarfotografie |0 (DE-588)4142019-6 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Evans, Walker |d 1903-1975 |0 (DE-588)118682806 |D p |
689 | 0 | 1 | |a Dokumentarfotografie |0 (DE-588)4142019-6 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-0-691-19587-2 |w (DE-604)BV046982674 |
856 | 4 | 0 | |u https://doi.org/10.1515/9780691210896 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
912 | |a ZDB-23-DAD | ||
912 | |a ZDB-39-JBK | ||
940 | 1 | |q ZDB-23-DAD20 | |
940 | 1 | |q KUBA-MPG-JBK | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032400677 | |
966 | e | |u https://doi.org/10.1515/9780691210896?locatt=mode:legacy |l DE-12 |p ZDB-23-DAD |q BSB_DAD_PrincetonUniversityPress |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780691210896?locatt=mode:legacy |l DE-898 |p ZDB-23-DAD |q ZDB-23-DAD20 |x Verlag |3 Volltext | |
966 | e | |u https://www.jstor.org/stable/10.2307/j.ctv10kmfhq |l DE-Y3 |p ZDB-39-JBK |q KHI |x Verlag |3 Volltext | |
966 | e | |u https://www.jstor.org/stable/10.2307/j.ctv10kmfhq |l DE-Y2 |p ZDB-39-JBK |q BHR |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1819309922412658688 |
---|---|
any_adam_object | |
author | Alpers, Svetlana 1936- |
author_GND | (DE-588)124576842 |
author_facet | Alpers, Svetlana 1936- |
author_role | aut |
author_sort | Alpers, Svetlana 1936- |
author_variant | s a sa |
building | Verbundindex |
bvnumber | BV046992874 |
classification_rvk | LI 28610 |
collection | ZDB-23-DGG ZDB-23-DAD ZDB-39-JBK |
ctrlnum | (ZDB-23-DGG)9780691210896 (ZDB-23-DAD)9780691210896 (ZDB-39-JBK)9780691210896 (OCoLC)1220890282 (DE-599)BVBBV046992874 |
dewey-full | 770 |
dewey-hundreds | 700 - The arts |
dewey-ones | 770 - Photography, computer art, cinematography |
dewey-raw | 770 |
dewey-search | 770 |
dewey-sort | 3770 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte |
doi_str_mv | 10.1515/9780691210896 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05422nam a2200949zc 4500</leader><controlfield tag="001">BV046992874</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240722 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201112s2020 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691210896</subfield><subfield code="c">Online, PDF</subfield><subfield code="9">978-0-691-21089-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780691210896</subfield><subfield code="2">doi</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.2307/j.ctv10kmfhq</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780691210896</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DAD)9780691210896</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-39-JBK)9780691210896</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1220890282</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046992874</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-898</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">770</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LI 28610</subfield><subfield code="0">(DE-625)95960:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Alpers, Svetlana</subfield><subfield code="d">1936-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)124576842</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Walker Evans</subfield><subfield code="b">starting from scratch</subfield><subfield code="c">Svetlana Alpers</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton ; Oxford</subfield><subfield code="b">Princeton University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (x, 257 Seiten, 143 Seiten Tafeln)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">A magisterial study of celebrated photographer Walker EvansWalker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle.Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Evans, Walker</subfield><subfield code="d">1903-1975</subfield><subfield code="0">(DE-588)118682806</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African 1935 sculpture exhibition</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Alabama tenant farmers</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">American photographs</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Bob Dylan</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Century Association</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cuba</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">David Campany;Luc Sante;Clement Cheroux;John T. Hill;Lincoln Kirstein;John Szarkowski;James Mellow;Belinda Rathbone;Clement Greenberg;Berenice Abbott;William Carlos Williams;Elizabeth Bishop;Gustave Flaubert;Edmund Wilson;Charles Baudelaire;Paul Cezanne;Civil War;Lawrence Gowing;Eugene Atget;documentary photography;abstraction;surrealism;Man Ray</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fortune</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">France</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fred Astaire</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Henri Cartier-Bresson</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">James Agee</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Let Us Now Praise Famous Men</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Lyric Documentary</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">MOMA.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Museum of Modern Art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Nicéphore Niépce</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Swing Time</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Time Inc</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Vicksburg National Military Park</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">W. S. Hartshorn</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">William Faulkner</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Yale</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">daguerreotype</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">minstrelsy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">passenger portraits</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">polaroid SX 70</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">subway portraits</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">transcendence</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">white tenant farmers</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Photography / Individual Photographers / Artists' Books</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Documentary photography</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Photography, Artistic</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Dokumentarfotografie</subfield><subfield code="0">(DE-588)4142019-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Evans, Walker</subfield><subfield code="d">1903-1975</subfield><subfield code="0">(DE-588)118682806</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Dokumentarfotografie</subfield><subfield code="0">(DE-588)4142019-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-691-19587-2</subfield><subfield code="w">(DE-604)BV046982674</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780691210896</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DAD</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-39-JBK</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DAD20</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA-MPG-JBK</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032400677</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691210896?locatt=mode:legacy</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23-DAD</subfield><subfield code="q">BSB_DAD_PrincetonUniversityPress</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691210896?locatt=mode:legacy</subfield><subfield code="l">DE-898</subfield><subfield code="p">ZDB-23-DAD</subfield><subfield code="q">ZDB-23-DAD20</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.jstor.org/stable/10.2307/j.ctv10kmfhq</subfield><subfield code="l">DE-Y3</subfield><subfield code="p">ZDB-39-JBK</subfield><subfield code="q">KHI</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.jstor.org/stable/10.2307/j.ctv10kmfhq</subfield><subfield code="l">DE-Y2</subfield><subfield code="p">ZDB-39-JBK</subfield><subfield code="q">BHR</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV046992874 |
illustrated | Illustrated |
indexdate | 2024-12-24T08:32:15Z |
institution | BVB |
isbn | 9780691210896 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032400677 |
oclc_num | 1220890282 |
open_access_boolean | |
owner | DE-12 DE-Y3 DE-Y2 DE-898 DE-BY-UBR |
owner_facet | DE-12 DE-Y3 DE-Y2 DE-898 DE-BY-UBR |
physical | 1 Online-Ressource (x, 257 Seiten, 143 Seiten Tafeln) Illustrationen |
psigel | ZDB-23-DGG ZDB-23-DAD ZDB-39-JBK ZDB-23-DAD20 KUBA-MPG-JBK ZDB-23-DAD BSB_DAD_PrincetonUniversityPress ZDB-23-DAD ZDB-23-DAD20 ZDB-39-JBK KHI ZDB-39-JBK BHR |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Princeton University Press |
record_format | marc |
spelling | Alpers, Svetlana 1936- Verfasser (DE-588)124576842 aut Walker Evans starting from scratch Svetlana Alpers Princeton ; Oxford Princeton University Press [2020] © 2020 1 Online-Ressource (x, 257 Seiten, 143 Seiten Tafeln) Illustrationen txt rdacontent c rdamedia cr rdacarrier A magisterial study of celebrated photographer Walker EvansWalker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle.Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time Evans, Walker 1903-1975 (DE-588)118682806 gnd rswk-swf African 1935 sculpture exhibition Alabama tenant farmers American photographs Bob Dylan Century Association Cuba David Campany;Luc Sante;Clement Cheroux;John T. Hill;Lincoln Kirstein;John Szarkowski;James Mellow;Belinda Rathbone;Clement Greenberg;Berenice Abbott;William Carlos Williams;Elizabeth Bishop;Gustave Flaubert;Edmund Wilson;Charles Baudelaire;Paul Cezanne;Civil War;Lawrence Gowing;Eugene Atget;documentary photography;abstraction;surrealism;Man Ray Fortune France Fred Astaire Henri Cartier-Bresson James Agee Let Us Now Praise Famous Men Lyric Documentary MOMA. Museum of Modern Art Nicéphore Niépce Swing Time Time Inc Vicksburg National Military Park W. S. Hartshorn William Faulkner Yale daguerreotype minstrelsy passenger portraits polaroid SX 70 subway portraits transcendence white tenant farmers Photography / Individual Photographers / Artists' Books bisacsh Documentary photography United States Photography, Artistic Dokumentarfotografie (DE-588)4142019-6 gnd rswk-swf Evans, Walker 1903-1975 (DE-588)118682806 p Dokumentarfotografie (DE-588)4142019-6 s DE-604 Erscheint auch als Druck-Ausgabe 978-0-691-19587-2 (DE-604)BV046982674 https://doi.org/10.1515/9780691210896 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Alpers, Svetlana 1936- Walker Evans starting from scratch Evans, Walker 1903-1975 (DE-588)118682806 gnd African 1935 sculpture exhibition Alabama tenant farmers American photographs Bob Dylan Century Association Cuba David Campany;Luc Sante;Clement Cheroux;John T. Hill;Lincoln Kirstein;John Szarkowski;James Mellow;Belinda Rathbone;Clement Greenberg;Berenice Abbott;William Carlos Williams;Elizabeth Bishop;Gustave Flaubert;Edmund Wilson;Charles Baudelaire;Paul Cezanne;Civil War;Lawrence Gowing;Eugene Atget;documentary photography;abstraction;surrealism;Man Ray Fortune France Fred Astaire Henri Cartier-Bresson James Agee Let Us Now Praise Famous Men Lyric Documentary MOMA. Museum of Modern Art Nicéphore Niépce Swing Time Time Inc Vicksburg National Military Park W. S. Hartshorn William Faulkner Yale daguerreotype minstrelsy passenger portraits polaroid SX 70 subway portraits transcendence white tenant farmers Photography / Individual Photographers / Artists' Books bisacsh Documentary photography United States Photography, Artistic Dokumentarfotografie (DE-588)4142019-6 gnd |
subject_GND | (DE-588)118682806 (DE-588)4142019-6 |
title | Walker Evans starting from scratch |
title_auth | Walker Evans starting from scratch |
title_exact_search | Walker Evans starting from scratch |
title_full | Walker Evans starting from scratch Svetlana Alpers |
title_fullStr | Walker Evans starting from scratch Svetlana Alpers |
title_full_unstemmed | Walker Evans starting from scratch Svetlana Alpers |
title_short | Walker Evans |
title_sort | walker evans starting from scratch |
title_sub | starting from scratch |
topic | Evans, Walker 1903-1975 (DE-588)118682806 gnd African 1935 sculpture exhibition Alabama tenant farmers American photographs Bob Dylan Century Association Cuba David Campany;Luc Sante;Clement Cheroux;John T. Hill;Lincoln Kirstein;John Szarkowski;James Mellow;Belinda Rathbone;Clement Greenberg;Berenice Abbott;William Carlos Williams;Elizabeth Bishop;Gustave Flaubert;Edmund Wilson;Charles Baudelaire;Paul Cezanne;Civil War;Lawrence Gowing;Eugene Atget;documentary photography;abstraction;surrealism;Man Ray Fortune France Fred Astaire Henri Cartier-Bresson James Agee Let Us Now Praise Famous Men Lyric Documentary MOMA. Museum of Modern Art Nicéphore Niépce Swing Time Time Inc Vicksburg National Military Park W. S. Hartshorn William Faulkner Yale daguerreotype minstrelsy passenger portraits polaroid SX 70 subway portraits transcendence white tenant farmers Photography / Individual Photographers / Artists' Books bisacsh Documentary photography United States Photography, Artistic Dokumentarfotografie (DE-588)4142019-6 gnd |
topic_facet | Evans, Walker 1903-1975 African 1935 sculpture exhibition Alabama tenant farmers American photographs Bob Dylan Century Association Cuba David Campany;Luc Sante;Clement Cheroux;John T. Hill;Lincoln Kirstein;John Szarkowski;James Mellow;Belinda Rathbone;Clement Greenberg;Berenice Abbott;William Carlos Williams;Elizabeth Bishop;Gustave Flaubert;Edmund Wilson;Charles Baudelaire;Paul Cezanne;Civil War;Lawrence Gowing;Eugene Atget;documentary photography;abstraction;surrealism;Man Ray Fortune France Fred Astaire Henri Cartier-Bresson James Agee Let Us Now Praise Famous Men Lyric Documentary MOMA. Museum of Modern Art Nicéphore Niépce Swing Time Time Inc Vicksburg National Military Park W. S. Hartshorn William Faulkner Yale daguerreotype minstrelsy passenger portraits polaroid SX 70 subway portraits transcendence white tenant farmers Photography / Individual Photographers / Artists' Books Documentary photography United States Photography, Artistic Dokumentarfotografie |
url | https://doi.org/10.1515/9780691210896 |
work_keys_str_mv | AT alperssvetlana walkerevansstartingfromscratch |