Takenobu Igarashi A-Z
In the mid-1970s designer Takenobu Igarashi began a prolific, decade-long exploration into possibilities of three-dimensional typography. His first experiments with axonometric lettering appeared on magazine covers, posters, and record sleeves - taking influence from the avant garde typography of th...
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| 520 | 3 | |a In the mid-1970s designer Takenobu Igarashi began a prolific, decade-long exploration into possibilities of three-dimensional typography. His first experiments with axonometric lettering appeared on magazine covers, posters, and record sleeves - taking influence from the avant garde typography of the 1920s but rendered afresh as bold sculptural letterforms. Timeless, arresting, and technically dazzling, Igarashi's signature style demonstrates a mastery of three-dimensional type and perspective draftsmanship, refined long before the introduction of computers into the design industry. 'A to Z' offers an exhaustive guide to Igarashi's experiments with typography, featuring not only his celebrated print and physical works - many photographed specially for this publication - but also a first look, using never before seen archival work, at the plans, drawings and production drafts behind his iconic works. Spanning early print works, hand-drawn experiments, self-initiated sculptural pieces, and highprofile 3D identities for a range of international clients and institutions, A to Z is a long overdue overview of one of the most revered but least celebrated graphic designers of the 20th century. Dreidimensionale Typografie, 3D, Typo, Schrift im Raum | |
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Datensatz im Suchindex
| _version_ | 1819309308952707072 |
|---|---|
| any_adam_object | |
| author2 | Nomiyama, Sakura Mori, Haruki |
| author2_role | edt edt |
| author2_variant | s n sn h m hm |
| author_GND | (DE-588)119547392 |
| author_facet | Nomiyama, Sakura Mori, Haruki |
| building | Verbundindex |
| bvnumber | BV046951050 |
| callnumber-first | N - Fine Arts |
| callnumber-label | NK1160-1590 |
| callnumber-raw | NK1160-1590 |
| callnumber-search | NK1160-1590 |
| callnumber-sort | NK 41160 41590 |
| callnumber-subject | NK - Decorative Arts |
| classification_rvk | LI 99999 |
| ctrlnum | (OCoLC)1195049633 (DE-599)KXP1675675694 |
| dewey-full | 745.4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 745 - Decorative arts |
| dewey-raw | 745.4 |
| dewey-search | 745.4 |
| dewey-sort | 3745.4 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1973 gnd |
| era_facet | Geschichte 1973 |
| format | Book |
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His first experiments with axonometric lettering appeared on magazine covers, posters, and record sleeves - taking influence from the avant garde typography of the 1920s but rendered afresh as bold sculptural letterforms. Timeless, arresting, and technically dazzling, Igarashi's signature style demonstrates a mastery of three-dimensional type and perspective draftsmanship, refined long before the introduction of computers into the design industry. 'A to Z' offers an exhaustive guide to Igarashi's experiments with typography, featuring not only his celebrated print and physical works - many photographed specially for this publication - but also a first look, using never before seen archival work, at the plans, drawings and production drafts behind his iconic works. Spanning early print works, hand-drawn experiments, self-initiated sculptural pieces, and highprofile 3D identities for a range of international clients and institutions, A to Z is a long overdue overview of one of the most revered but least celebrated graphic designers of the 20th century. 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| genre_facet | Bildband |
| id | DE-604.BV046951050 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-24T08:22:33Z |
| institution | BVB |
| isbn | 9780500023068 0500023069 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032359567 |
| oclc_num | 1195049633 |
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| owner | DE-255 DE-12 |
| owner_facet | DE-255 DE-12 |
| physical | 383 Seiten |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Thames & Hudson |
| record_format | marc |
| spelling | Igarashi, Takenobu 1944- (DE-588)119547392 art Takenobu Igarashi A-Z editors: Sakura Nomiyama & Haruki Mori ; essays by Sakura Nomiyama London Thames & Hudson 2020 383 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier In the mid-1970s designer Takenobu Igarashi began a prolific, decade-long exploration into possibilities of three-dimensional typography. His first experiments with axonometric lettering appeared on magazine covers, posters, and record sleeves - taking influence from the avant garde typography of the 1920s but rendered afresh as bold sculptural letterforms. Timeless, arresting, and technically dazzling, Igarashi's signature style demonstrates a mastery of three-dimensional type and perspective draftsmanship, refined long before the introduction of computers into the design industry. 'A to Z' offers an exhaustive guide to Igarashi's experiments with typography, featuring not only his celebrated print and physical works - many photographed specially for this publication - but also a first look, using never before seen archival work, at the plans, drawings and production drafts behind his iconic works. Spanning early print works, hand-drawn experiments, self-initiated sculptural pieces, and highprofile 3D identities for a range of international clients and institutions, A to Z is a long overdue overview of one of the most revered but least celebrated graphic designers of the 20th century. Dreidimensionale Typografie, 3D, Typo, Schrift im Raum Igarashi, Takenobu 1944- (DE-588)119547392 gnd rswk-swf Geschichte 1973 gnd rswk-swf Zeichnung (DE-588)4127900-1 gnd rswk-swf Buchstabe Motiv (DE-588)4427155-4 gnd rswk-swf Grafikdesign (DE-588)4019558-2 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Typografie (DE-588)4136341-3 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Grafikdesign (DE-588)4019558-2 s Igarashi, Takenobu 1944- (DE-588)119547392 p Typografie (DE-588)4136341-3 s Plastik (DE-588)4046277-8 s Zeichnung (DE-588)4127900-1 s Buchstabe Motiv (DE-588)4427155-4 s Geschichte 1973 z DE-604 Nomiyama, Sakura edt wst Mori, Haruki edt |
| spellingShingle | Takenobu Igarashi A-Z Igarashi, Takenobu 1944- (DE-588)119547392 gnd Zeichnung (DE-588)4127900-1 gnd Buchstabe Motiv (DE-588)4427155-4 gnd Grafikdesign (DE-588)4019558-2 gnd Plastik (DE-588)4046277-8 gnd Typografie (DE-588)4136341-3 gnd |
| subject_GND | (DE-588)119547392 (DE-588)4127900-1 (DE-588)4427155-4 (DE-588)4019558-2 (DE-588)4046277-8 (DE-588)4136341-3 (DE-588)4145395-5 |
| title | Takenobu Igarashi A-Z |
| title_auth | Takenobu Igarashi A-Z |
| title_exact_search | Takenobu Igarashi A-Z |
| title_full | Takenobu Igarashi A-Z editors: Sakura Nomiyama & Haruki Mori ; essays by Sakura Nomiyama |
| title_fullStr | Takenobu Igarashi A-Z editors: Sakura Nomiyama & Haruki Mori ; essays by Sakura Nomiyama |
| title_full_unstemmed | Takenobu Igarashi A-Z editors: Sakura Nomiyama & Haruki Mori ; essays by Sakura Nomiyama |
| title_short | Takenobu Igarashi A-Z |
| title_sort | takenobu igarashi a z |
| topic | Igarashi, Takenobu 1944- (DE-588)119547392 gnd Zeichnung (DE-588)4127900-1 gnd Buchstabe Motiv (DE-588)4427155-4 gnd Grafikdesign (DE-588)4019558-2 gnd Plastik (DE-588)4046277-8 gnd Typografie (DE-588)4136341-3 gnd |
| topic_facet | Igarashi, Takenobu 1944- Zeichnung Buchstabe Motiv Grafikdesign Plastik Typografie Bildband |
| work_keys_str_mv | AT igarashitakenobu takenobuigarashiaz AT nomiyamasakura takenobuigarashiaz AT moriharuki takenobuigarashiaz |