The making of Handel's "Messiah"
The first performance of Handel's 'Messiah' in Dublin in 1742 is now legendary. Gentlemen were asked to leave their swords at home and ladies to come without hoops in their skirts in order to fit more people into the audience. Why then, did this now famous and much-loved oratorio rece...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Karte |
Sprache: | English |
Veröffentlicht: |
Oxford
Bodleian Library, University of Oxford
2020
|
Schlagworte: | |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
LEADER | 00000nem a2200000 c 4500 | ||
---|---|---|---|
001 | BV046937924 | ||
003 | DE-604 | ||
005 | 20210817 | ||
007 | t | ||
007 | au||uuun | ||
008 | 201013s2020 |||||| u | eng d | ||
020 | |a 9781851245062 |c paperback |9 978-1-85124-506-2 | ||
035 | |a (OCoLC)1220898259 | ||
035 | |a (DE-599)BVBBV046937924 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-22 |a DE-11 | ||
084 | |a MUS |q DE-12 |2 fid | ||
084 | |a LP 39120 |0 (DE-625)106553: |2 rvk | ||
084 | |a LP 39130 |0 (DE-625)106559: |2 rvk | ||
100 | 1 | |a Gant, Andrew |d 1963- |e Verfasser |0 (DE-588)135594472 |4 aut | |
245 | 1 | 0 | |a The making of Handel's "Messiah" |c Andrew Gant |
264 | 1 | |a Oxford |b Bodleian Library, University of Oxford |c 2020 | |
300 | |a 144 Seiten |b Illustrationen, Karten, Notenbeispiele, Portraits | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
336 | |b cri |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a The first performance of Handel's 'Messiah' in Dublin in 1742 is now legendary. Gentlemen were asked to leave their swords at home and ladies to come without hoops in their skirts in order to fit more people into the audience. Why then, did this now famous and much-loved oratorio receive a somewhat cool reception in London less than a year later? Placing Handel's best-known work in the context of its times, this vivid account charts the composer's working relationship with his librettist, the gifted but demanding Charles Jennens, and looks at Handel's varied and evolving company of singers together with his royal patronage. Through examination of the composition manuscript and Handel's own conducting score, held in the Bodleian, it explores the complex issues around the performance of sacred texts in a non-sacred context, particularly Handel's collaboration with the men and boys of the Chapel Royal. The later reception and performance history of what is one of the most successful pieces of choral music of all time is also reviewed, including the festival performance attended by Haydn, the massed-choir tradition of the Victorian period and today's 'come-and-sing' events | |
600 | 1 | 7 | |a Händel, Georg Friedrich |d 1685-1759 |t Messiah |0 (DE-588)300065175 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Entstehung |0 (DE-588)4156614-2 |2 gnd |9 rswk-swf |
653 | 1 | |a Handel, George Frideric / 1685-1759 / Messiah | |
653 | 1 | |a Handel, George Frideric / 1685-1759 / Criticism and interpretation | |
653 | 0 | |a Music / 18th century / History and criticism | |
653 | 0 | |a Composers / Biography | |
653 | 1 | |a Handel, George Frideric / 1685-1759 | |
653 | |a Messiah (Handel, George Frideric) | ||
653 | 0 | |a Composers | |
653 | 0 | |a Music | |
653 | 4 | |a 1700-1799 | |
653 | 6 | |a Biographies | |
653 | 6 | |a Criticism, interpretation, etc | |
689 | 0 | 0 | |a Händel, Georg Friedrich |d 1685-1759 |t Messiah |0 (DE-588)300065175 |D u |
689 | 0 | 1 | |a Entstehung |0 (DE-588)4156614-2 |D s |
689 | 0 | |5 DE-604 | |
940 | 1 | |q BSB_NED_20201027 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-032346699 | ||
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09033 |g 41 |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09033 |g 43 |
Datensatz im Suchindex
DE-BY-UBG_katkey | 196744620 |
---|---|
_version_ | 1811361580213862400 |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Gant, Andrew 1963- |
author_GND | (DE-588)135594472 |
author_facet | Gant, Andrew 1963- |
author_role | aut |
author_sort | Gant, Andrew 1963- |
author_variant | a g ag |
building | Verbundindex |
bvnumber | BV046937924 |
classification_rvk | LP 39120 LP 39130 |
ctrlnum | (OCoLC)1220898259 (DE-599)BVBBV046937924 |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
format | Map |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03151nem a2200565 c 4500</leader><controlfield tag="001">BV046937924</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210817 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="007">au||uuun</controlfield><controlfield tag="008">201013s2020 |||||| u | eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781851245062</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-85124-506-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1220898259</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046937924</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-22</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 39120</subfield><subfield code="0">(DE-625)106553:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 39130</subfield><subfield code="0">(DE-625)106559:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gant, Andrew</subfield><subfield code="d">1963-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)135594472</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The making of Handel's "Messiah"</subfield><subfield code="c">Andrew Gant</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford</subfield><subfield code="b">Bodleian Library, University of Oxford</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">144 Seiten</subfield><subfield code="b">Illustrationen, Karten, Notenbeispiele, Portraits</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">cri</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The first performance of Handel's 'Messiah' in Dublin in 1742 is now legendary. Gentlemen were asked to leave their swords at home and ladies to come without hoops in their skirts in order to fit more people into the audience. Why then, did this now famous and much-loved oratorio receive a somewhat cool reception in London less than a year later? Placing Handel's best-known work in the context of its times, this vivid account charts the composer's working relationship with his librettist, the gifted but demanding Charles Jennens, and looks at Handel's varied and evolving company of singers together with his royal patronage. Through examination of the composition manuscript and Handel's own conducting score, held in the Bodleian, it explores the complex issues around the performance of sacred texts in a non-sacred context, particularly Handel's collaboration with the men and boys of the Chapel Royal. The later reception and performance history of what is one of the most successful pieces of choral music of all time is also reviewed, including the festival performance attended by Haydn, the massed-choir tradition of the Victorian period and today's 'come-and-sing' events</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Händel, Georg Friedrich</subfield><subfield code="d">1685-1759</subfield><subfield code="t">Messiah</subfield><subfield code="0">(DE-588)300065175</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Entstehung</subfield><subfield code="0">(DE-588)4156614-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Handel, George Frideric / 1685-1759 / Messiah</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Handel, George Frideric / 1685-1759 / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / 18th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Composers / Biography</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Handel, George Frideric / 1685-1759</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Messiah (Handel, George Frideric)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Composers</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1700-1799</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Biographies</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Händel, Georg Friedrich</subfield><subfield code="d">1685-1759</subfield><subfield code="t">Messiah</subfield><subfield code="0">(DE-588)300065175</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Entstehung</subfield><subfield code="0">(DE-588)4156614-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20201027</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032346699</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">43</subfield></datafield></record></collection> |
id | DE-604.BV046937924 |
illustrated | Not Illustrated |
index_date | 2024-07-03T15:36:59Z |
indexdate | 2024-09-27T16:47:09Z |
institution | BVB |
isbn | 9781851245062 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032346699 |
oclc_num | 1220898259 |
open_access_boolean | |
owner | DE-12 DE-22 DE-BY-UBG DE-11 |
owner_facet | DE-12 DE-22 DE-BY-UBG DE-11 |
physical | 144 Seiten Illustrationen, Karten, Notenbeispiele, Portraits |
psigel | BSB_NED_20201027 |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Bodleian Library, University of Oxford |
record_format | marc |
spellingShingle | Gant, Andrew 1963- The making of Handel's "Messiah" Händel, Georg Friedrich 1685-1759 Messiah (DE-588)300065175 gnd Entstehung (DE-588)4156614-2 gnd |
subject_GND | (DE-588)300065175 (DE-588)4156614-2 |
title | The making of Handel's "Messiah" |
title_auth | The making of Handel's "Messiah" |
title_exact_search | The making of Handel's "Messiah" |
title_exact_search_txtP | The making of Handel's "Messiah" |
title_full | The making of Handel's "Messiah" Andrew Gant |
title_fullStr | The making of Handel's "Messiah" Andrew Gant |
title_full_unstemmed | The making of Handel's "Messiah" Andrew Gant |
title_short | The making of Handel's "Messiah" |
title_sort | the making of handel s messiah |
topic | Händel, Georg Friedrich 1685-1759 Messiah (DE-588)300065175 gnd Entstehung (DE-588)4156614-2 gnd |
topic_facet | Händel, Georg Friedrich 1685-1759 Messiah Entstehung |
work_keys_str_mv | AT gantandrew themakingofhandelsmessiah |