Portraits and philosophy
"Portraiture is one of the most well-established genres in art. One finds portraits not just in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, and on millions of cell phones and computers. Despite its...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2020
|
| Schriftenreihe: | Routledge research in aesthetics
|
| Schlagworte: | |
| Online-Zugang: | DE-Y3 URL des Erstveröffentlichers |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046924404 | ||
| 003 | DE-604 | ||
| 005 | 20201008 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 201005s2020 xx ac|| o|||| 10||| eng d | ||
| 020 | |a 9780429199370 |c ebk |9 978-0-429-19937-0 | ||
| 024 | 7 | |a 10.4324/9780429199370 |2 doi | |
| 035 | |a (ZDB-7-TFC)9780429199370 | ||
| 035 | |a (OCoLC)1220886151 | ||
| 035 | |a (DE-599)BVBBV046924404 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 | ||
| 084 | |a CC 6900 |0 (DE-625)17665: |2 rvk | ||
| 084 | |a LH 85000 |0 (DE-625)95353: |2 rvk | ||
| 245 | 1 | 0 | |a Portraits and philosophy |c edited by Hans Maes |
| 264 | 1 | |a New York ; London |b Routledge, Taylor & Francis Group |c 2020 | |
| 300 | |a 1 Online-Ressource (xiii, 328 Seiten) |b Illustrationen, Porträts | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Routledge research in aesthetics | |
| 505 | 8 | 0 | |t Portraiture portrayed |r Ivan Gaskell |t Portraiture and portrait-seeing: from Caravaggio to digital selfies |r Alessandro Giovannelli |t Portraits, persons, and poses |r Paul Guyer |t Philosophy of portraiture: a programmatic overview |r Matteo Ravasio |t Double portraiture |r Eleen M. Deprez, Michael Newall |t Moving picture portraits |r Cynthia Freeland |t Portraits of people not present |r Bence Nanay |t Portraits of the landscape |r Erich Hatala Matthews |t Sport card portraiture |r Jason Holt |t Truth and empathy in the portraits of Kokoschka |r Jenefer Robinson |t Without shame? Lee Friendlander's late self-portraits |r Diarmuid Costello |t 'And time will have his fancy ...': on being moved by portraits of unknown people |r Hans Maes |t Real portraits in literature |r Stacie Friend |t The power of Picasso: reconciling realism and antirealism in the Portrait of Gertrude Stein |r Ira Newman |t Portraiture: seeing-as and seeing-in |r Martin Hammer |t The ethics of portraiture |r A. W. Eaton |t The sublime Clara Mather |r Kenneth Walden |t Respecting photographic subjects |r Macalester Bell |t Epilogue: portraits of philosophers |r Hans Maes |
| 520 | 3 | |a "Portraiture is one of the most well-established genres in art. One finds portraits not just in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, and on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn't received much philosophical attention. While there are countless art historical studies of portraiture, including self-portraiture and group-portraiture, contemporary philosophy has largely remained silent on the subject. This book brings together philosophers and philosophically minded art historians with different areas of expertise to discuss this enduring and continuously fascinating genre. The essays in this volume are grouped into thematic sections, each of which is guided by numerous research questions relevant to the genre of portraiture. Part I explores the boundaries of portraiture. | |
| 520 | 3 | |a What makes something a portrait? In what way is it similar to and different from other genres? How have artists pushed the limits and conventions of the portraiture? How does the recent vogue of selfies relate to the tradition of self-portraiture? Part II responds to questions about empathy and emotion in portraiture. How do artists express attitudes and emotions towards sitters of their portraits? Why are we moved by certain portraits and not so much by others? In Part III, the contributors address questions about fiction and depiction. | |
| 520 | 3 | |a Do portraits fall within the domain of non-fiction? Can authenticity in portraiture be achieved if portraits necessarily involve posing? Finally, Part IV grapples with the following question: What are the moral dimensions of the relation between artist, sitter, patron, and audience? Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts"-- | |
| 650 | 0 | 7 | |a Philosophie |0 (DE-588)4045791-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Bildnis |0 (DE-588)4006627-7 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Portraits / Philosophy | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |y 2018 |z College Park, MD |2 gnd-content | |
| 689 | 0 | 0 | |a Bildnis |0 (DE-588)4006627-7 |D s |
| 689 | 0 | 1 | |a Philosophie |0 (DE-588)4045791-6 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Bildnis |0 (DE-588)4006627-7 |D s |
| 689 | 1 | 1 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 1 | |5 DE-604 | |
| 700 | 1 | |a Maes, Hans |d 1975- |0 (DE-588)1047696908 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-367-18940-2 |
| 856 | 4 | 0 | |u https://doi.org/10.4324/9780429199370 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-7-TFC | ||
| 940 | 1 | |q KUBA1-Ez-2020-TFC | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032333541 | |
| 966 | e | |u https://doi.org/10.4324/9780429199370 |l DE-Y3 |p ZDB-7-TFC |q KHI |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1819309177824083970 |
|---|---|
| any_adam_object | |
| author2 | Maes, Hans 1975- |
| author2_role | edt |
| author2_variant | h m hm |
| author_GND | (DE-588)1047696908 |
| author_additional | Ivan Gaskell Alessandro Giovannelli Paul Guyer Matteo Ravasio Eleen M. Deprez, Michael Newall Cynthia Freeland Bence Nanay Erich Hatala Matthews Jason Holt Jenefer Robinson Diarmuid Costello Hans Maes Stacie Friend Ira Newman Martin Hammer A. W. Eaton Kenneth Walden Macalester Bell |
| author_facet | Maes, Hans 1975- |
| building | Verbundindex |
| bvnumber | BV046924404 |
| classification_rvk | CC 6900 LH 85000 |
| collection | ZDB-7-TFC |
| contents | Portraiture portrayed Portraiture and portrait-seeing: from Caravaggio to digital selfies Portraits, persons, and poses Philosophy of portraiture: a programmatic overview Double portraiture Moving picture portraits Portraits of people not present Portraits of the landscape Sport card portraiture Truth and empathy in the portraits of Kokoschka Without shame? Lee Friendlander's late self-portraits 'And time will have his fancy ...': on being moved by portraits of unknown people Real portraits in literature The power of Picasso: reconciling realism and antirealism in the Portrait of Gertrude Stein Portraiture: seeing-as and seeing-in The ethics of portraiture The sublime Clara Mather Respecting photographic subjects Epilogue: portraits of philosophers |
| ctrlnum | (ZDB-7-TFC)9780429199370 (OCoLC)1220886151 (DE-599)BVBBV046924404 |
| discipline | Kunstgeschichte Philosophie |
| doi_str_mv | 10.4324/9780429199370 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05220nam a2200577 c 4500</leader><controlfield tag="001">BV046924404</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20201008 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201005s2020 xx ac|| o|||| 10||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780429199370</subfield><subfield code="c">ebk</subfield><subfield code="9">978-0-429-19937-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4324/9780429199370</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-7-TFC)9780429199370</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1220886151</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046924404</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">CC 6900</subfield><subfield code="0">(DE-625)17665:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 85000</subfield><subfield code="0">(DE-625)95353:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Portraits and philosophy</subfield><subfield code="c">edited by Hans Maes</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ; London</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xiii, 328 Seiten)</subfield><subfield code="b">Illustrationen, Porträts</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge research in aesthetics</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Portraiture portrayed</subfield><subfield code="r">Ivan Gaskell</subfield><subfield code="t">Portraiture and portrait-seeing: from Caravaggio to digital selfies</subfield><subfield code="r">Alessandro Giovannelli</subfield><subfield code="t">Portraits, persons, and poses</subfield><subfield code="r">Paul Guyer</subfield><subfield code="t">Philosophy of portraiture: a programmatic overview</subfield><subfield code="r">Matteo Ravasio</subfield><subfield code="t">Double portraiture</subfield><subfield code="r">Eleen M. Deprez, Michael Newall</subfield><subfield code="t">Moving picture portraits</subfield><subfield code="r">Cynthia Freeland</subfield><subfield code="t">Portraits of people not present</subfield><subfield code="r">Bence Nanay</subfield><subfield code="t">Portraits of the landscape</subfield><subfield code="r">Erich Hatala Matthews</subfield><subfield code="t">Sport card portraiture</subfield><subfield code="r">Jason Holt</subfield><subfield code="t">Truth and empathy in the portraits of Kokoschka</subfield><subfield code="r">Jenefer Robinson</subfield><subfield code="t">Without shame? Lee Friendlander's late self-portraits</subfield><subfield code="r">Diarmuid Costello</subfield><subfield code="t">'And time will have his fancy ...': on being moved by portraits of unknown people</subfield><subfield code="r">Hans Maes</subfield><subfield code="t">Real portraits in literature</subfield><subfield code="r">Stacie Friend</subfield><subfield code="t">The power of Picasso: reconciling realism and antirealism in the Portrait of Gertrude Stein</subfield><subfield code="r">Ira Newman</subfield><subfield code="t">Portraiture: seeing-as and seeing-in</subfield><subfield code="r">Martin Hammer</subfield><subfield code="t">The ethics of portraiture</subfield><subfield code="r">A. W. Eaton</subfield><subfield code="t">The sublime Clara Mather</subfield><subfield code="r">Kenneth Walden</subfield><subfield code="t">Respecting photographic subjects</subfield><subfield code="r">Macalester Bell</subfield><subfield code="t">Epilogue: portraits of philosophers</subfield><subfield code="r">Hans Maes</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Portraiture is one of the most well-established genres in art. One finds portraits not just in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, and on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn't received much philosophical attention. While there are countless art historical studies of portraiture, including self-portraiture and group-portraiture, contemporary philosophy has largely remained silent on the subject. This book brings together philosophers and philosophically minded art historians with different areas of expertise to discuss this enduring and continuously fascinating genre. The essays in this volume are grouped into thematic sections, each of which is guided by numerous research questions relevant to the genre of portraiture. Part I explores the boundaries of portraiture. </subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">What makes something a portrait? In what way is it similar to and different from other genres? How have artists pushed the limits and conventions of the portraiture? How does the recent vogue of selfies relate to the tradition of self-portraiture? Part II responds to questions about empathy and emotion in portraiture. How do artists express attitudes and emotions towards sitters of their portraits? Why are we moved by certain portraits and not so much by others? In Part III, the contributors address questions about fiction and depiction. </subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Do portraits fall within the domain of non-fiction? Can authenticity in portraiture be achieved if portraits necessarily involve posing? Finally, Part IV grapples with the following question: What are the moral dimensions of the relation between artist, sitter, patron, and audience? Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Philosophie</subfield><subfield code="0">(DE-588)4045791-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bildnis</subfield><subfield code="0">(DE-588)4006627-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Portraits / Philosophy</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="y">2018</subfield><subfield code="z">College Park, MD</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Bildnis</subfield><subfield code="0">(DE-588)4006627-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Philosophie</subfield><subfield code="0">(DE-588)4045791-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Bildnis</subfield><subfield code="0">(DE-588)4006627-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Maes, Hans</subfield><subfield code="d">1975-</subfield><subfield code="0">(DE-588)1047696908</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-367-18940-2</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.4324/9780429199370</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-7-TFC</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA1-Ez-2020-TFC</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032333541</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.4324/9780429199370</subfield><subfield code="l">DE-Y3</subfield><subfield code="p">ZDB-7-TFC</subfield><subfield code="q">KHI</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)1071861417 Konferenzschrift 2018 College Park, MD gnd-content |
| genre_facet | Aufsatzsammlung Konferenzschrift 2018 College Park, MD |
| id | DE-604.BV046924404 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T08:20:36Z |
| institution | BVB |
| isbn | 9780429199370 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032333541 |
| oclc_num | 1220886151 |
| open_access_boolean | |
| owner | DE-Y3 |
| owner_facet | DE-Y3 |
| physical | 1 Online-Ressource (xiii, 328 Seiten) Illustrationen, Porträts |
| psigel | ZDB-7-TFC KUBA1-Ez-2020-TFC ZDB-7-TFC KHI |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Routledge research in aesthetics |
| spelling | Portraits and philosophy edited by Hans Maes New York ; London Routledge, Taylor & Francis Group 2020 1 Online-Ressource (xiii, 328 Seiten) Illustrationen, Porträts txt rdacontent sti rdacontent c rdamedia cr rdacarrier Routledge research in aesthetics Portraiture portrayed Ivan Gaskell Portraiture and portrait-seeing: from Caravaggio to digital selfies Alessandro Giovannelli Portraits, persons, and poses Paul Guyer Philosophy of portraiture: a programmatic overview Matteo Ravasio Double portraiture Eleen M. Deprez, Michael Newall Moving picture portraits Cynthia Freeland Portraits of people not present Bence Nanay Portraits of the landscape Erich Hatala Matthews Sport card portraiture Jason Holt Truth and empathy in the portraits of Kokoschka Jenefer Robinson Without shame? Lee Friendlander's late self-portraits Diarmuid Costello 'And time will have his fancy ...': on being moved by portraits of unknown people Hans Maes Real portraits in literature Stacie Friend The power of Picasso: reconciling realism and antirealism in the Portrait of Gertrude Stein Ira Newman Portraiture: seeing-as and seeing-in Martin Hammer The ethics of portraiture A. W. Eaton The sublime Clara Mather Kenneth Walden Respecting photographic subjects Macalester Bell Epilogue: portraits of philosophers Hans Maes "Portraiture is one of the most well-established genres in art. One finds portraits not just in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, and on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn't received much philosophical attention. While there are countless art historical studies of portraiture, including self-portraiture and group-portraiture, contemporary philosophy has largely remained silent on the subject. This book brings together philosophers and philosophically minded art historians with different areas of expertise to discuss this enduring and continuously fascinating genre. The essays in this volume are grouped into thematic sections, each of which is guided by numerous research questions relevant to the genre of portraiture. Part I explores the boundaries of portraiture. What makes something a portrait? In what way is it similar to and different from other genres? How have artists pushed the limits and conventions of the portraiture? How does the recent vogue of selfies relate to the tradition of self-portraiture? Part II responds to questions about empathy and emotion in portraiture. How do artists express attitudes and emotions towards sitters of their portraits? Why are we moved by certain portraits and not so much by others? In Part III, the contributors address questions about fiction and depiction. Do portraits fall within the domain of non-fiction? Can authenticity in portraiture be achieved if portraits necessarily involve posing? Finally, Part IV grapples with the following question: What are the moral dimensions of the relation between artist, sitter, patron, and audience? Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts"-- Philosophie (DE-588)4045791-6 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Bildnis (DE-588)4006627-7 gnd rswk-swf Portraits / Philosophy (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)1071861417 Konferenzschrift 2018 College Park, MD gnd-content Bildnis (DE-588)4006627-7 s Philosophie (DE-588)4045791-6 s DE-604 Ästhetik (DE-588)4000626-8 s Maes, Hans 1975- (DE-588)1047696908 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-0-367-18940-2 https://doi.org/10.4324/9780429199370 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Portraits and philosophy Portraiture portrayed Portraiture and portrait-seeing: from Caravaggio to digital selfies Portraits, persons, and poses Philosophy of portraiture: a programmatic overview Double portraiture Moving picture portraits Portraits of people not present Portraits of the landscape Sport card portraiture Truth and empathy in the portraits of Kokoschka Without shame? Lee Friendlander's late self-portraits 'And time will have his fancy ...': on being moved by portraits of unknown people Real portraits in literature The power of Picasso: reconciling realism and antirealism in the Portrait of Gertrude Stein Portraiture: seeing-as and seeing-in The ethics of portraiture The sublime Clara Mather Respecting photographic subjects Epilogue: portraits of philosophers Philosophie (DE-588)4045791-6 gnd Ästhetik (DE-588)4000626-8 gnd Bildnis (DE-588)4006627-7 gnd |
| subject_GND | (DE-588)4045791-6 (DE-588)4000626-8 (DE-588)4006627-7 (DE-588)4143413-4 (DE-588)1071861417 |
| title | Portraits and philosophy |
| title_alt | Portraiture portrayed Portraiture and portrait-seeing: from Caravaggio to digital selfies Portraits, persons, and poses Philosophy of portraiture: a programmatic overview Double portraiture Moving picture portraits Portraits of people not present Portraits of the landscape Sport card portraiture Truth and empathy in the portraits of Kokoschka Without shame? Lee Friendlander's late self-portraits 'And time will have his fancy ...': on being moved by portraits of unknown people Real portraits in literature The power of Picasso: reconciling realism and antirealism in the Portrait of Gertrude Stein Portraiture: seeing-as and seeing-in The ethics of portraiture The sublime Clara Mather Respecting photographic subjects Epilogue: portraits of philosophers |
| title_auth | Portraits and philosophy |
| title_exact_search | Portraits and philosophy |
| title_full | Portraits and philosophy edited by Hans Maes |
| title_fullStr | Portraits and philosophy edited by Hans Maes |
| title_full_unstemmed | Portraits and philosophy edited by Hans Maes |
| title_short | Portraits and philosophy |
| title_sort | portraits and philosophy |
| topic | Philosophie (DE-588)4045791-6 gnd Ästhetik (DE-588)4000626-8 gnd Bildnis (DE-588)4006627-7 gnd |
| topic_facet | Philosophie Ästhetik Bildnis Aufsatzsammlung Konferenzschrift 2018 College Park, MD |
| url | https://doi.org/10.4324/9780429199370 |
| work_keys_str_mv | AT maeshans portraitsandphilosophy |