The reception of the printed image in the fifteenth and sixteenth centuries multiplied and modified
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| Sprache: | English |
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New York ; London
Routledge, Taylor & Francis Group
2021
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| Schriftenreihe: | Routledge research in art history
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Contents List of Figures List of Colour Plates Acknowledgements List of Contributors List of Abbreviations Introduction: People Between Multiplied Things and Modified Images vii xv xviii xix xxiv 1 GRAŻYNA JURKOWLANIEC AND MAGDALENA HERMAN PARTI Things 25 1 27 Multiplicity and Absence: The Negative Evidence of Interactive Prints SUZANNE KARR SCHMIDT 2 Playing With Destiny: Three Late Fifteenth-Century Uncut Playing-Card Sheets from Florence and Urbino 48 LORETTA VANDI 3 Cultivating Designs: Early Ornamental Prints and Creative Reproduction 63 JAMES WEHN 4 Gillet and Germain Hardouyn’s Print-Assisted Paintings: Prints as Underdrawings in Sixteenth-Century French Books of Hours 81 MAUREEN WARREN 5 A Passion for Prints: Netherlandish Engravings in an Early Sixteenth-Century Prayer Book OLEŃKA HORBATSCH 97
vi Contents PART II People 6 Eroticism Under a Watchful Eye: Censorship and Alteration of Woodcuts in Ovid’s Metamorphoses Between the Fifteenth and the Sixteenth Centuries 115 117 GIUSEPPE CAPRIOTTI 7 Limitations of the Reception and Consumption of Illustrations in Chronica Polonorum by Maciej of Miechów(Cracow, 1521) 134 KAROLINA MROZIEWICZ 8 A Foreign Affair: Thomas Gemini and His Booklet of Moresque Designs 151 FEMKE SPEELBERG 9 Speaking Images and Speaking to the Images: Inscriptions in Religious Prints Published by Antonio Lafreri 172 ALEXANDRA KOCSIS PART III Images 10 Saint George From Greater Poland: Complexities of the Reception of Albrecht Diirer’s Engraving 193 195 JOANNA SIKORSKA 11 Changing Fortunes: Diirer’s Nemesis and the Beham Brothers 213 MAŁGORZATA ŁAZICKA 12 The Set of the Four Elements by Hendrick Goltzius and the Use of Engravings in the Seventeenth Century 229 JÚLIA TÁTRAI 13 Different Confessions, Different Visions of Heaven? Visual Eschatology, Cross-Confessional Conformity and Confessional Identity Marking in the Picture Motet The Adoration of the Lamb and in Its Reception 244 ANDRÁS HÁNDL 14 Prints and the Beginnings of Global Imagery 264 JEAN MICHEL MASSING Index 291
The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators’, producers’, owners’ and beholders’ motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period’s print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies.
Contents List of Figures List of Colour Plates Acknowledgements List of Contributors List of Abbreviations Introduction: People Between Multiplied Things and Modified Images vii xv xviii xix xxiv 1 GRAŻYNA JURKOWLANIEC AND MAGDALENA HERMAN PARTI Things 25 1 27 Multiplicity and Absence: The Negative Evidence of Interactive Prints SUZANNE KARR SCHMIDT 2 Playing With Destiny: Three Late Fifteenth-Century Uncut Playing-Card Sheets from Florence and Urbino 48 LORETTA VANDI 3 Cultivating Designs: Early Ornamental Prints and Creative Reproduction 63 JAMES WEHN 4 Gillet and Germain Hardouyn’s Print-Assisted Paintings: Prints as Underdrawings in Sixteenth-Century French Books of Hours 81 MAUREEN WARREN 5 A Passion for Prints: Netherlandish Engravings in an Early Sixteenth-Century Prayer Book OLEŃKA HORBATSCH 97
vi Contents PART II People 6 Eroticism Under a Watchful Eye: Censorship and Alteration of Woodcuts in Ovid’s Metamorphoses Between the Fifteenth and the Sixteenth Centuries 115 117 GIUSEPPE CAPRIOTTI 7 Limitations of the Reception and Consumption of Illustrations in Chronica Polonorum by Maciej of Miechów(Cracow, 1521) 134 KAROLINA MROZIEWICZ 8 A Foreign Affair: Thomas Gemini and His Booklet of Moresque Designs 151 FEMKE SPEELBERG 9 Speaking Images and Speaking to the Images: Inscriptions in Religious Prints Published by Antonio Lafreri 172 ALEXANDRA KOCSIS PART III Images 10 Saint George From Greater Poland: Complexities of the Reception of Albrecht Diirer’s Engraving 193 195 JOANNA SIKORSKA 11 Changing Fortunes: Diirer’s Nemesis and the Beham Brothers 213 MAŁGORZATA ŁAZICKA 12 The Set of the Four Elements by Hendrick Goltzius and the Use of Engravings in the Seventeenth Century 229 JÚLIA TÁTRAI 13 Different Confessions, Different Visions of Heaven? Visual Eschatology, Cross-Confessional Conformity and Confessional Identity Marking in the Picture Motet The Adoration of the Lamb and in Its Reception 244 ANDRÁS HÁNDL 14 Prints and the Beginnings of Global Imagery 264 JEAN MICHEL MASSING Index 291
The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators’, producers’, owners’ and beholders’ motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period’s print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies.
Contents List of Figures List of Colour Plates Acknowledgements List of Contributors List of Abbreviations Introduction: People Between Multiplied Things and Modified Images vii xv xviii xix xxiv 1 GRAŻYNA JURKOWLANIEC AND MAGDALENA HERMAN PARTI Things 25 1 27 Multiplicity and Absence: The Negative Evidence of Interactive Prints SUZANNE KARR SCHMIDT 2 Playing With Destiny: Three Late Fifteenth-Century Uncut Playing-Card Sheets from Florence and Urbino 48 LORETTA VANDI 3 Cultivating Designs: Early Ornamental Prints and Creative Reproduction 63 JAMES WEHN 4 Gillet and Germain Hardouyn’s Print-Assisted Paintings: Prints as Underdrawings in Sixteenth-Century French Books of Hours 81 MAUREEN WARREN 5 A Passion for Prints: Netherlandish Engravings in an Early Sixteenth-Century Prayer Book OLEŃKA HORBATSCH 97
vi Contents PART II People 6 Eroticism Under a Watchful Eye: Censorship and Alteration of Woodcuts in Ovid’s Metamorphoses Between the Fifteenth and the Sixteenth Centuries 115 117 GIUSEPPE CAPRIOTTI 7 Limitations of the Reception and Consumption of Illustrations in Chronica Polonorum by Maciej of Miechów(Cracow, 1521) 134 KAROLINA MROZIEWICZ 8 A Foreign Affair: Thomas Gemini and His Booklet of Moresque Designs 151 FEMKE SPEELBERG 9 Speaking Images and Speaking to the Images: Inscriptions in Religious Prints Published by Antonio Lafreri 172 ALEXANDRA KOCSIS PART III Images 10 Saint George From Greater Poland: Complexities of the Reception of Albrecht Diirer’s Engraving 193 195 JOANNA SIKORSKA 11 Changing Fortunes: Diirer’s Nemesis and the Beham Brothers 213 MAŁGORZATA ŁAZICKA 12 The Set of the Four Elements by Hendrick Goltzius and the Use of Engravings in the Seventeenth Century 229 JÚLIA TÁTRAI 13 Different Confessions, Different Visions of Heaven? Visual Eschatology, Cross-Confessional Conformity and Confessional Identity Marking in the Picture Motet The Adoration of the Lamb and in Its Reception 244 ANDRÁS HÁNDL 14 Prints and the Beginnings of Global Imagery 264 JEAN MICHEL MASSING Index 291
The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators’, producers’, owners’ and beholders’ motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period’s print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies. |
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| author_facet | Jurkowlaniec, Grażyna 19XX- Herman, Magdalena Multiplied and Modified. Reception of the Printed Image in the Fifteenth and Sixteenth Centuries (Veranstaltung) Warschau |
| author_sort | Multiplied and Modified. Reception of the Printed Image in the Fifteenth and Sixteenth Centuries (Veranstaltung) Warschau |
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| genre | (DE-588)1071861417 Konferenzschrift 2018 Warschau gnd-content |
| genre_facet | Konferenzschrift 2018 Warschau |
| id | DE-604.BV046915737 |
| illustrated | Illustrated |
| indexdate | 2025-02-03T17:57:29Z |
| institution | BVB |
| institution_GND | (DE-588)1222053047 |
| isbn | 9780367465117 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032325066 |
| oclc_num | 1220909399 |
| open_access_boolean | 1 |
| owner | DE-12 DE-210 DE-521 DE-1102 DE-1046 DE-1028 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-861 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-2948 DE-Re13 DE-BY-UBR DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-37 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| owner_facet | DE-12 DE-210 DE-521 DE-1102 DE-1046 DE-1028 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-861 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-2948 DE-Re13 DE-BY-UBR DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-37 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| physical | xxv, 298 Seiten Illustrationen |
| psigel | ZDB-94-OAB gbd_4_2204 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Routledge research in art history |
| spellingShingle | The reception of the printed image in the fifteenth and sixteenth centuries multiplied and modified Druckgrafik (DE-588)4113357-2 gnd |
| subject_GND | (DE-588)4113357-2 (DE-588)1071861417 |
| title | The reception of the printed image in the fifteenth and sixteenth centuries multiplied and modified |
| title_auth | The reception of the printed image in the fifteenth and sixteenth centuries multiplied and modified |
| title_exact_search | The reception of the printed image in the fifteenth and sixteenth centuries multiplied and modified |
| title_full | The reception of the printed image in the fifteenth and sixteenth centuries multiplied and modified edited by Grażyna Jurkowlaniec and Magdalena Herman |
| title_fullStr | The reception of the printed image in the fifteenth and sixteenth centuries multiplied and modified edited by Grażyna Jurkowlaniec and Magdalena Herman |
| title_full_unstemmed | The reception of the printed image in the fifteenth and sixteenth centuries multiplied and modified edited by Grażyna Jurkowlaniec and Magdalena Herman |
| title_short | The reception of the printed image in the fifteenth and sixteenth centuries |
| title_sort | the reception of the printed image in the fifteenth and sixteenth centuries multiplied and modified |
| title_sub | multiplied and modified |
| topic | Druckgrafik (DE-588)4113357-2 gnd |
| topic_facet | Druckgrafik Konferenzschrift 2018 Warschau |
| url | https://directory.doabooks.org/handle/20.500.12854/28462 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032325066&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032325066&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032325066&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032325066&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032325066&sequence=000009&line_number=0005&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032325066&sequence=000011&line_number=0006&func_code=DB_RECORDS&service_type=MEDIA |
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