Between the fiction and me Umwelten of artists and architects
What triggers the act of creating? What role do sensory cues, environmental factors, and interdisciplinary exchanges play in this? The semiotic theories of Jacob von Uexküll, a Baltic German biologist, served as an important starting point in addressing these questions. In 1934 he proposed the conce...
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Grafische Cel
2018
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LEADER | 00000nam a2200000 c 4500 | ||
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001 | BV046819707 | ||
003 | DE-604 | ||
005 | 20200805 | ||
007 | t| | ||
008 | 200722s2018 be a||| |||| 00||| eng d | ||
020 | |a 9789492574077 |c paperback |9 978-94-92574-07-7 | ||
020 | |a 9492574071 |c paperback |9 94-92574-07-1 | ||
035 | |a (OCoLC)1157340173 | ||
035 | |a (DE-599)KXP1697033962 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
044 | |a be |c XA-BE | ||
049 | |a DE-255 | ||
050 | 0 | |a BH301.E58 | |
082 | 0 | |a 111/.85 | |
084 | |a KUNST |q DE-14 |2 fid | ||
084 | |a CC 6900 |0 (DE-625)17665: |2 rvk | ||
084 | |a 3 |2 KUBA2 | ||
245 | 1 | 0 | |a Between the fiction and me |b Umwelten of artists and architects |c editors: Annelies De Smet, Isolde Vanhee, Esther Venrooj |
264 | 1 | |a Gent |b Grafische Cel |c 2018 | |
300 | |a 367 Seiten |b Illustrationen |c 20 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a What triggers the act of creating? What role do sensory cues, environmental factors, and interdisciplinary exchanges play in this? The semiotic theories of Jacob von Uexküll, a Baltic German biologist, served as an important starting point in addressing these questions. In 1934 he proposed the concept of the Umwelt as a means to assess the behaviour of humans and animals, their realm of experience, and capacity to act. An investigation into the complexity of these Umwelten, from the natural world to "inner worlds" and "time worlds", is carried out by theorists, artists, and architects such as Andrés Jaque, Esther Venrooy, Bart Decroos, Isolde Vanhee, Joseph Kohlmaier, and more | |
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650 | 0 | 7 | |a Kreativität |0 (DE-588)4032903-3 |2 gnd |9 rswk-swf |
653 | 0 | |a Environment (Aesthetics) | |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
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689 | 0 | 2 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 0 | |5 DE-604 | |
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700 | 1 | |a Smet, Annelies de |0 (DE-588)121434576X |4 edt | |
700 | 1 | |a Vanhee, Isolde |d 1976- |0 (DE-588)1214345913 |4 edt | |
700 | 1 | |a Venrooj, Esther |4 edt | |
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943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032228099 |
Datensatz im Suchindex
_version_ | 1819726791676264448 |
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adam_text | PREFACE. A TICK, A VASE OF SUNFLOWERS
AND A BOUILLABAISSE
ANNELIES DESMET, INEMEGANCK, ISOLDE VANHEE 8C
ESTHER VENROOIJ 8*20
WOHNHULLE. A TASTE OF SPECULATIVE
BIOLOGY
ARJENMULDER 25-47
ARE PLANTS THE NOTORIOUS SLACKERS JACOB VON
UEXKTILL TOOK THEM FOR? HUMANKIND S SUPERIORITY
COMPLEX WITH RESPECT TO NATURE IS PUT UNDER THE
MICROSCOPE.
SURROUNDINGS. A VISUAL ESSAY ON THINGS
THAT INSPIRE US.
SARAH 8C CHARLES , 51-67
HOW ABOUT SETTING THE SCENE FOR A FICTION*FROM THE
PROPS OF A DRAMA TO A PLOT IN THE PLAYGROUND*IN
SEARCH OF A POSSIBLE ENDING.
AN ECOLOGY OF ARTISTIC PRACTICES.
INTERVIEW WITH AGENCY
TOMVANLMSCHOOT 69-93
HOW DO LAWS ON INTELLECTUAL PROPERTY INTERFERE
WITH THE ECOLOGIES OF ARTISTIC PRACTICES? AGENCY
LOOKS FOR WAYS TO RESIST STANDARDIZATION, THROUGH
LOOPHOLES, IN ARCHIVES AND BY MEANS OF PERFORM-
ATIVE GATHERINGS. A CONVERSATION ON HOW ITS OWN
ECOLOGY CAME ABOUT AND HOW IT CHERISHES THOSE
OF OTHERS.
IKEA DISOBEDIENTS MANIFESTO
ANDRES JAQUE .97*115
WITH OUR LIVING ENVIRONMENTS BEING DESIGNED BY
BIG CORPORATIONS, CAN WE STILL BE SAID TO HAVE CON-
TROL OVER OUR OWN LIVES? IN THIS MANIFESTO, IKEA
IS CAUGHT WITH ITS PANTS DOWN AND PEOPLE FROM
MADRID AND NEW YORK OFFER A SNAPSHOT OF THEIR
(HOME) LIVES.
IT SEEMED FAR, BUT IT WAS CLOSE
EMIKODAMA .119-141
ONE SISTER LIVES IN THE CITY, THE OTHER IS A WILDERNESS
GUIDE. HOW DO THEY NAVIGATE THROUGH THEIR DIFFERENT
WORLDS? WHAT DO THEY LIKE, WHAT DO THEY DISLIKE? IN
WHICH WAYS ARE THEY ALIKE? ARE THEY CLOSE?
THE GHOST (FAMILY) PAINTERS
INE MEGANCK 143*159
DO HAPPY FAMILIES HAVE A STORY TO TELL?
PUZZLE TOGETHER THE HILFIGERS, A CARDBOARD FAMILY
LIKE ANY OTHER, POSING OPENLY WITH THEIR HIDDEN
HISTORY.
A LANDSCAPE OF FAMILY AND FRIENDS
LUCAS DEVRIENDT 163-199
EACH POLAROID HOLDS THE PROMISE OF A PAINTING,
COULD BE THOUGHT OF AS A SELF-PORTRAIT: THE OBJECTS
THAT SURROUNDED YOU, THE LANDSCAPE WHERE YOU
SAW YOUR CHILDREN GROW UP, THE HOUSE WHERE YOU
WENT IN SEARCH OF A HOME.
AN INVITATION TO WAY
ANNELIES DESMET 201-220
NAVIGATE THE MESS THAT SURROUNDS AND UNITES US ALL.
DARE TO GO IT ALONE, GIVE YOURSELF INSTRUCTIONS AND
DON T FORGET: REACT, REACT, REACT. FEEL FREE TO FLOUN-
DER*JUST MAKE SURE YOU ENGAGE WITH MESS.
A CONVERSATION. ROUND TABLE BETWEEN
THE THREE AUTHORS OF ARCHITECTURAL
FLIRTATIONS: A LOVE STOREY
BRADY BURROUGHS 225-253
FIRST CAME THE RENOVATION OF A TERRACED HOUSE, THEN
THE BOOK ABOUT IT, AND NOW A CONVERSATION WITH A
GENEROUS DASH OF FEMINISM AND BUCKETS OF LOVE FOR
ARCHITECTS, PUNS, GHOSTS, ANIMALS, DOUGHNUTS AND
DRAMA QUEENS.
EVERYTHING AROUND ME SEEMS
FRAGMENTED
ESTHER VENROOIJ 256-270
LOOK AT THE TRANSITIONS BETWEEN ROOMS, BETWEEN
FLOOR AND WALL, CEILING AND CORNER, WINDOW AND DOOR.
LISTEN. AND LOOK AGAIN.
THE FOURTH WALL OF ARCHITECTURE.
A FRAGMENT
BARTDECROOS 274-291
ON WHAT IT MEANS TO BUILD AND THE SAD FATE OF A RES-
IDENTIAL HOME IN THE MOST PHOTOGRAPHED SUBURBAN
NEIGHBOURHOOD. DO THE PEOPLE STILL LIVE IN THIS HOUSE
OR MERELY IN THE IMAGE OF IT?
INNENWELT. FIVE DIAGRAMS
AND STRUCTURES
ESTELLE BOELSMA 295-301
THERE IS A SELF-SAME SOMETHING WITH THREE NAMES.
THREE NAMES THAT LEAD TO THE SAME. LIKE I SAW YOU
AS A CLIMBING JASMINE. LIKE EACH TIME YOU CHANGE IN
FORM. WE BECOME MOSSES AND UNDERGROUND FUNGI.
HYPERWELT
JOSEPH KOHLMAIER 302-325
WHAT IS THE DIFFERENCE BETWEEN THE SNAIL IN JACOB
VON UEXKULFS STROLLS AND THE SNAIL DEPICTED AT THE
BACK OF THE CAPITOL THAT ADORNS ONE OF THE COLUMNS
IN THE CLOISTER OF SANTA MARIA DELL OLIVA IN CORI?
AND DID VON UEXKTILL READ HAIKU?
LABORATORY FOR DIGITAL VIROLOGY
MATHEW KNEEBONE 326-347
HOW DOMESTICATED ARE OUR COMPUTERS? WHY DO WE
SPEAK OF GREMLINS AND BUGS WHEN SOMETHING GOES
WRONG? IN THE LAB, WILD VIRUSES AND TAME COMPUT-
ERS ARE VIEWED DIFFERENTLY.
THE GREAT ART ROBBERY
ISOLDE VANHEE 351-364
300 EXTRAORDINARY DAYS AFTER THE ROBBERY,
INTERPOL WAS SCARCELY CONCERNED WITH RECOVERING
THE LOST WORKS. IN FACT, THEY WERE KEEN TO REMAIN
CAPTIVATED BY THEIR STRANGE ALLURE.
ALL ANIMALS, FROM THE SIMPLEST TO THE MOST
COMPLEX, ARE FITTED INTO THEIR UNIQUE WORLDS WITH
EQUAL COMPLETENESS. A SIMPLE WORLD CORRESPONDS
TO A SIMPLE ANIMAL, A WELL ARTICULATED WORLD TO A
COMPLEX ONE.
1
JACOB VON UEXKULL
|
any_adam_object | 1 |
author2 | Smet, Annelies de Vanhee, Isolde 1976- Venrooj, Esther |
author2_role | edt edt edt |
author2_variant | a d s ad ads i v iv e v ev |
author_GND | (DE-588)121434576X (DE-588)1214345913 |
author_facet | Smet, Annelies de Vanhee, Isolde 1976- Venrooj, Esther |
building | Verbundindex |
bvnumber | BV046819707 |
callnumber-first | B - Philosophy, Psychology, Religion |
callnumber-label | BH301 |
callnumber-raw | BH301.E58 |
callnumber-search | BH301.E58 |
callnumber-sort | BH 3301 E58 |
callnumber-subject | BH - Aesthetics |
classification_rvk | CC 6900 |
ctrlnum | (OCoLC)1157340173 (DE-599)KXP1697033962 |
dewey-full | 111/.85 |
dewey-hundreds | 100 - Philosophy & psychology |
dewey-ones | 111 - Ontology |
dewey-raw | 111/.85 |
dewey-search | 111/.85 |
dewey-sort | 3111 285 |
dewey-tens | 110 - Metaphysics |
discipline | Philosophie |
format | Book |
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genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV046819707 |
illustrated | Illustrated |
indexdate | 2024-12-24T08:16:50Z |
institution | BVB |
isbn | 9789492574077 9492574071 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032228099 |
oclc_num | 1157340173 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | 367 Seiten Illustrationen 20 cm |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Grafische Cel |
record_format | marc |
spellingShingle | Between the fiction and me Umwelten of artists and architects Uexküll, Jakob von 1864-1944 (DE-588)118763407 gnd Umwelt (DE-588)4061616-2 gnd Kunst (DE-588)4114333-4 gnd Kreativität (DE-588)4032903-3 gnd |
subject_GND | (DE-588)118763407 (DE-588)4061616-2 (DE-588)4114333-4 (DE-588)4032903-3 (DE-588)4143413-4 |
title | Between the fiction and me Umwelten of artists and architects |
title_auth | Between the fiction and me Umwelten of artists and architects |
title_exact_search | Between the fiction and me Umwelten of artists and architects |
title_full | Between the fiction and me Umwelten of artists and architects editors: Annelies De Smet, Isolde Vanhee, Esther Venrooj |
title_fullStr | Between the fiction and me Umwelten of artists and architects editors: Annelies De Smet, Isolde Vanhee, Esther Venrooj |
title_full_unstemmed | Between the fiction and me Umwelten of artists and architects editors: Annelies De Smet, Isolde Vanhee, Esther Venrooj |
title_short | Between the fiction and me |
title_sort | between the fiction and me umwelten of artists and architects |
title_sub | Umwelten of artists and architects |
topic | Uexküll, Jakob von 1864-1944 (DE-588)118763407 gnd Umwelt (DE-588)4061616-2 gnd Kunst (DE-588)4114333-4 gnd Kreativität (DE-588)4032903-3 gnd |
topic_facet | Uexküll, Jakob von 1864-1944 Umwelt Kunst Kreativität Aufsatzsammlung |
url | http://swbplus.bsz-bw.de/bsz1697033962inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032228099&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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