Sound and literature
What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understo...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Cambridge
Cambridge University Press
[2020]
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| Schriftenreihe: | Cambridge critical concepts
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 DE-19 DE-20 URL des Erstveröffentlichers |
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Inhaltsangabe:
- Introduction: Anna Snaith
- Part I. Origins: Chapter 1. Hearing and the Senses / Sam Halliday
- Chapter 2. Fragments on/of Voice / David Nowell Smith
- Chapter 3. Sonic Forms: Ezra Pound's Anti-Metronome Modernism in Context / Jason David Hall
- Chapter 4. Classical Music and Literature / Gemma Moss
- Chapter 5. Aesthetics, Music, Noise / Brad Bucknell
- Part II. Development: Chapter 6. Literary Soundscapes / Helen Groth
- Chapter 7. Noise / James G. Mansell
- Chapter 8. 'Lost In Music': Wild Notes and Organized Sound / Paul Gilroy
- Chapter 9. Media History and Sound Technology / Julie Beth Napolin
- Part III: Applications. Chapter 10. What We Talk About When We Talk About Talking Books / Edward Allen
- Chapter
- 11. Prose Sense and Its Soundings / Garrett Stewart
- Chapter 12. Dissonant Prosody / A. J. Carruthers
- Chapter 13. Deafness and Sound / Rebecca Sanchez
- Chapter 14. Vibrations / Shelley Trower
- Chapter 15. Feminism and Sound / Ella Finer
- Chapter 16. Wireless Imaginations / Debra Rae Cohen
- Chapter 17. Attending to Theatre Sound Studies and Complicite's The Encounter / Adrian Curtin
- Chapter 18. Bob Dylan and Sound: A Tale of the Recording Era / Barry J. Faulk