Competing Germanies Nazi, antifascist, and Jewish theater in German Argentina, 1933-1965
Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths of seve...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca ; London
Cornell University Press
[2020]
Ithaca ; London Cornell University Library |
| Schriftenreihe: | Signale
|
| Schlagworte: | |
| Online-Zugang: | DE-12 URL des Erstveröffentlichers |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV046646700 | ||
| 003 | DE-604 | ||
| 005 | 20240416 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 200331s2020 xx a||| o|||| 00||| eng d | ||
| 020 | |a 9781501739873 |c Online, PDF |9 978-1-5017-3987-3 | ||
| 020 | |a 9781501739880 |c Online, EPUB |9 978-1-5017-3988-0 | ||
| 024 | 7 | |a 10.7591/9781501739873 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781501739873 | ||
| 035 | |a (ZDB-23-DKU)9781501739873 | ||
| 035 | |a (OCoLC)1148122207 | ||
| 035 | |a (DE-599)BVBBV046646700 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 082 | 0 | |a 792.098209/04 |2 23 | |
| 100 | 1 | |a Kelz, Robert Vincent |d 1976- |e Verfasser |0 (DE-588)1212220528 |4 aut | |
| 245 | 1 | 0 | |a Competing Germanies |b Nazi, antifascist, and Jewish theater in German Argentina, 1933-1965 |c Robert Kelz |
| 264 | 1 | |a Ithaca ; London |b Cornell University Press |c [2020] | |
| 264 | 1 | |a Ithaca ; London |b Cornell University Library | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 1 Online-Ressource (xiv, 355 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Signale | |
| 520 | |a Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths of several stage actors from European theaters to Buenos Aires and explores how two of Argentina's most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed on the city's stages. Covered widely in German- and Spanish-language media, theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. | ||
| 520 | |a Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts.Competing Germanies reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. | ||
| 520 | |a Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance.Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives Competing Germanies a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus | ||
| 648 | 7 | |a Geschichte 1933-1965 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a German Studies | |
| 650 | 4 | |a Migration studies, Buenos Aires, Gelmanistic, theater history, Free German Stage, Zionist culture | |
| 650 | 4 | |a Performing Arts & Drama | |
| 650 | 7 | |a LITERARY CRITICISM / European / German |2 bisacsh | |
| 650 | 4 | |a Ethnic theater |z Argentina |x History |y 20th century | |
| 650 | 4 | |a German drama |y 20th century |x History and criticism | |
| 650 | 4 | |a Germans |z Argentina |x History |y 20th century | |
| 650 | 4 | |a Jewish theater |z Argentina |x History |y 20th century | |
| 650 | 4 | |a National socialism and theater |z Argentina |x History | |
| 650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Deutsch |0 (DE-588)4113292-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Antifaschist |0 (DE-588)4290924-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Deutsche |0 (DE-588)4070334-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Juden |0 (DE-588)4028808-0 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Argentinien |0 (DE-588)4002890-2 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Argentinien |0 (DE-588)4002890-2 |D g |
| 689 | 0 | 1 | |a Deutsche |0 (DE-588)4070334-4 |D s |
| 689 | 0 | 2 | |a Juden |0 (DE-588)4028808-0 |D s |
| 689 | 0 | 3 | |a Antifaschist |0 (DE-588)4290924-7 |D s |
| 689 | 0 | 4 | |a Deutsch |0 (DE-588)4113292-0 |D s |
| 689 | 0 | 5 | |a Theater |0 (DE-588)4059702-7 |D s |
| 689 | 0 | 6 | |a Geschichte 1933-1965 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-5017-3985-9 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-1-5017-3986-6 |
| 856 | 4 | 0 | |u https://doi.org/10.7591/9781501739873 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 912 | |a ZDB-23-DKU | ||
| 940 | 1 | |q ZDB-23-DKU20 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032057972 | |
| 966 | e | |u https://doi.org/10.7591/9781501739873 |l DE-12 |p ZDB-23-DKU |q BSB_DKU_CornellUniversityPress |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1819308523655266305 |
|---|---|
| any_adam_object | |
| author | Kelz, Robert Vincent 1976- |
| author_GND | (DE-588)1212220528 |
| author_facet | Kelz, Robert Vincent 1976- |
| author_role | aut |
| author_sort | Kelz, Robert Vincent 1976- |
| author_variant | r v k rv rvk |
| building | Verbundindex |
| bvnumber | BV046646700 |
| collection | ZDB-23-DGG ZDB-23-DKU |
| ctrlnum | (ZDB-23-DGG)9781501739873 (ZDB-23-DKU)9781501739873 (OCoLC)1148122207 (DE-599)BVBBV046646700 |
| dewey-full | 792.098209/04 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.098209/04 |
| dewey-search | 792.098209/04 |
| dewey-sort | 3792.098209 14 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.7591/9781501739873 |
| era | Geschichte 1933-1965 gnd |
| era_facet | Geschichte 1933-1965 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05101nam a2200757zc 4500</leader><controlfield tag="001">BV046646700</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240416 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200331s2020 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501739873</subfield><subfield code="c">Online, PDF</subfield><subfield code="9">978-1-5017-3987-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501739880</subfield><subfield code="c">Online, EPUB</subfield><subfield code="9">978-1-5017-3988-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7591/9781501739873</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781501739873</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DKU)9781501739873</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1148122207</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046646700</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.098209/04</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kelz, Robert Vincent</subfield><subfield code="d">1976-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1212220528</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Competing Germanies</subfield><subfield code="b">Nazi, antifascist, and Jewish theater in German Argentina, 1933-1965</subfield><subfield code="c">Robert Kelz</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ithaca ; London</subfield><subfield code="b">Cornell University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ithaca ; London</subfield><subfield code="b">Cornell University Library</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xiv, 355 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Signale</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths of several stage actors from European theaters to Buenos Aires and explores how two of Argentina's most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed on the city's stages. Covered widely in German- and Spanish-language media, theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. </subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts.Competing Germanies reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. </subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance.Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives Competing Germanies a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1933-1965</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">German Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Migration studies, Buenos Aires, Gelmanistic, theater history, Free German Stage, Zionist culture</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Performing Arts & Drama</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / European / German</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ethnic theater</subfield><subfield code="z">Argentina</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">German drama</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Germans</subfield><subfield code="z">Argentina</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jewish theater</subfield><subfield code="z">Argentina</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">National socialism and theater</subfield><subfield code="z">Argentina</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Deutsch</subfield><subfield code="0">(DE-588)4113292-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Antifaschist</subfield><subfield code="0">(DE-588)4290924-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Deutsche</subfield><subfield code="0">(DE-588)4070334-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Juden</subfield><subfield code="0">(DE-588)4028808-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Argentinien</subfield><subfield code="0">(DE-588)4002890-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Argentinien</subfield><subfield code="0">(DE-588)4002890-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Deutsche</subfield><subfield code="0">(DE-588)4070334-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Juden</subfield><subfield code="0">(DE-588)4028808-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Antifaschist</subfield><subfield code="0">(DE-588)4290924-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Deutsch</subfield><subfield code="0">(DE-588)4113292-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte 1933-1965</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-5017-3985-9</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-1-5017-3986-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7591/9781501739873</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DKU</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DKU20</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032057972</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7591/9781501739873</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23-DKU</subfield><subfield code="q">BSB_DKU_CornellUniversityPress</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Argentinien (DE-588)4002890-2 gnd |
| geographic_facet | Argentinien |
| id | DE-604.BV046646700 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T08:10:11Z |
| institution | BVB |
| isbn | 9781501739873 9781501739880 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032057972 |
| oclc_num | 1148122207 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (xiv, 355 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-DKU ZDB-23-DKU20 ZDB-23-DKU BSB_DKU_CornellUniversityPress |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Cornell University Press Cornell University Library |
| record_format | marc |
| series2 | Signale |
| spelling | Kelz, Robert Vincent 1976- Verfasser (DE-588)1212220528 aut Competing Germanies Nazi, antifascist, and Jewish theater in German Argentina, 1933-1965 Robert Kelz Ithaca ; London Cornell University Press [2020] Ithaca ; London Cornell University Library © 2020 1 Online-Ressource (xiv, 355 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Signale Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths of several stage actors from European theaters to Buenos Aires and explores how two of Argentina's most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed on the city's stages. Covered widely in German- and Spanish-language media, theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts.Competing Germanies reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance.Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives Competing Germanies a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus Geschichte 1933-1965 gnd rswk-swf German Studies Migration studies, Buenos Aires, Gelmanistic, theater history, Free German Stage, Zionist culture Performing Arts & Drama LITERARY CRITICISM / European / German bisacsh Ethnic theater Argentina History 20th century German drama 20th century History and criticism Germans Argentina History 20th century Jewish theater Argentina History 20th century National socialism and theater Argentina History Theater (DE-588)4059702-7 gnd rswk-swf Deutsch (DE-588)4113292-0 gnd rswk-swf Antifaschist (DE-588)4290924-7 gnd rswk-swf Deutsche (DE-588)4070334-4 gnd rswk-swf Juden (DE-588)4028808-0 gnd rswk-swf Argentinien (DE-588)4002890-2 gnd rswk-swf Argentinien (DE-588)4002890-2 g Deutsche (DE-588)4070334-4 s Juden (DE-588)4028808-0 s Antifaschist (DE-588)4290924-7 s Deutsch (DE-588)4113292-0 s Theater (DE-588)4059702-7 s Geschichte 1933-1965 z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-5017-3985-9 Erscheint auch als Druck-Ausgabe, Paperback 978-1-5017-3986-6 https://doi.org/10.7591/9781501739873 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kelz, Robert Vincent 1976- Competing Germanies Nazi, antifascist, and Jewish theater in German Argentina, 1933-1965 German Studies Migration studies, Buenos Aires, Gelmanistic, theater history, Free German Stage, Zionist culture Performing Arts & Drama LITERARY CRITICISM / European / German bisacsh Ethnic theater Argentina History 20th century German drama 20th century History and criticism Germans Argentina History 20th century Jewish theater Argentina History 20th century National socialism and theater Argentina History Theater (DE-588)4059702-7 gnd Deutsch (DE-588)4113292-0 gnd Antifaschist (DE-588)4290924-7 gnd Deutsche (DE-588)4070334-4 gnd Juden (DE-588)4028808-0 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4113292-0 (DE-588)4290924-7 (DE-588)4070334-4 (DE-588)4028808-0 (DE-588)4002890-2 |
| title | Competing Germanies Nazi, antifascist, and Jewish theater in German Argentina, 1933-1965 |
| title_auth | Competing Germanies Nazi, antifascist, and Jewish theater in German Argentina, 1933-1965 |
| title_exact_search | Competing Germanies Nazi, antifascist, and Jewish theater in German Argentina, 1933-1965 |
| title_full | Competing Germanies Nazi, antifascist, and Jewish theater in German Argentina, 1933-1965 Robert Kelz |
| title_fullStr | Competing Germanies Nazi, antifascist, and Jewish theater in German Argentina, 1933-1965 Robert Kelz |
| title_full_unstemmed | Competing Germanies Nazi, antifascist, and Jewish theater in German Argentina, 1933-1965 Robert Kelz |
| title_short | Competing Germanies |
| title_sort | competing germanies nazi antifascist and jewish theater in german argentina 1933 1965 |
| title_sub | Nazi, antifascist, and Jewish theater in German Argentina, 1933-1965 |
| topic | German Studies Migration studies, Buenos Aires, Gelmanistic, theater history, Free German Stage, Zionist culture Performing Arts & Drama LITERARY CRITICISM / European / German bisacsh Ethnic theater Argentina History 20th century German drama 20th century History and criticism Germans Argentina History 20th century Jewish theater Argentina History 20th century National socialism and theater Argentina History Theater (DE-588)4059702-7 gnd Deutsch (DE-588)4113292-0 gnd Antifaschist (DE-588)4290924-7 gnd Deutsche (DE-588)4070334-4 gnd Juden (DE-588)4028808-0 gnd |
| topic_facet | German Studies Migration studies, Buenos Aires, Gelmanistic, theater history, Free German Stage, Zionist culture Performing Arts & Drama LITERARY CRITICISM / European / German Ethnic theater Argentina History 20th century German drama 20th century History and criticism Germans Argentina History 20th century Jewish theater Argentina History 20th century National socialism and theater Argentina History Theater Deutsch Antifaschist Deutsche Juden Argentinien |
| url | https://doi.org/10.7591/9781501739873 |
| work_keys_str_mv | AT kelzrobertvincent competinggermaniesnaziantifascistandjewishtheateringermanargentina19331965 |