Judd

Published to accompany the first US retrospective exhibition of Donald Judd's sculpture in more than 30 years, Judd explores the work of a landmark artist who, over the course of his career, developed a material and formal vocabulary that transformed the field of modern sculpture. Donald Judd w...

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Bibliographische Detailangaben
Weitere Verfasser: Temkin, Ann 1959- (HerausgeberIn)
Format: Buch
Sprache:English
Veröffentlicht: New York Museum of Modern Art [2020]
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520 3 |a Published to accompany the first US retrospective exhibition of Donald Judd's sculpture in more than 30 years, Judd explores the work of a landmark artist who, over the course of his career, developed a material and formal vocabulary that transformed the field of modern sculpture. Donald Judd was among a generation of artists in the 1960s who sought to entirely do away with illusion, narrative and metaphorical content. He turned to three dimensions as well as industrial working methods and materials in order to investigate real space, by his definition. Judd surveys the evolution of the artist's work, beginning with his paintings, reliefs and handmade objects from the early 1960s through the years in which he built an iconic vocabulary of works in three dimensions, including hollow boxes, stacks and progressions made with metals and plastics by commercial fabricators and continuing through his extensive engagement with color during the last decade of his life. This richly illustrated catalog takes a close look at Judd's achievements, and, using newly available archival materials at the Judd Foundation and elsewhere, expands scholarly perspectives on his work. The essays address subjects such as his early beginnings in painting, the fabrication of his sculptures, his site-specific pieces and his work in design and architecture 
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Datensatz im Suchindex

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adam_text CONTENTS LIST OF ILLUSTRATIONS VII LIST OF MAPS IX ACKNOWLEDGMENTS XI NOTE ON TRANSLITERATION XV INTRODUCTION I PART I SPATIAL AND NATIONAL CONTEXTS 1 DRIVING UP THE YELLOW LINES: GEOGRAPHY AND IMAGINATION 23 2 SFAKIANS IN THE NATION-STATE 59 PART II ON POWER 3 MOUNTAIN MEN AS PHOTOGRAPHIC SUBJECTS AND SPECTATORS 81 4 PERFORMING THE STEREOTYPE: BETWEEN CONTAINMENT AND RECALCITRANT ALTERITY 116 5 THE EXPERIENTIAL IN THE FICTIVE: A FILM SHOOT AS VISCERAL HISTORY 153 6 WHO IS IMAGINING? THE ENCOUNTER BETWEEN SHEPHERDS AND SCIENTISTS 179 VI I CONTENTS PART III MODERNITY AND ITS DISCONTENTS 7 POLLUTING MODERNITY, DISTURBING PASTS: PHOTOGRAPHY AND MONTAGE LOGIC 209 8 SFAKIANS AND TOURISTS 246 EPILOGUE 288 REFERENCES 293 INDEX 309
any_adam_object 1
author2 Temkin, Ann 1959-
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spellingShingle Judd
Judd, Donald 1928-1994 (DE-588)11888560X gnd
Plastik (DE-588)4046277-8 gnd
subject_GND (DE-588)11888560X
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title Judd
title_auth Judd
title_exact_search Judd
title_full Judd edited by Ann Temkin
title_fullStr Judd edited by Ann Temkin
title_full_unstemmed Judd edited by Ann Temkin
title_short Judd
title_sort judd
topic Judd, Donald 1928-1994 (DE-588)11888560X gnd
Plastik (DE-588)4046277-8 gnd
topic_facet Judd, Donald 1928-1994
Plastik
Bildband
Ausstellungskatalog Museum of Modern Art 01.03.2020-11.07.2020 New York
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