"Degenerate Art" Exhibition: Kunststadt München 1937
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| Sprache: | English |
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Santa Barbara, Calif.
May 2012
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| 100 | 1 | |a Ginder, Ursula Aulinger |e Verfasser |0 (DE-588)1206132019 |4 aut | |
| 245 | 1 | 0 | |a "Degenerate Art" Exhibition: Kunststadt München 1937 |c by Ursula Aulinger Ginder |
| 264 | 1 | |a Santa Barbara, Calif. |c May 2012 | |
| 300 | |a ix, 281 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 502 | |b Dissertation |c University of California Santa Barbara |d 2011 |g revised | ||
| 610 | 2 | 7 | |a Haus der Kunst München |0 (DE-588)2000891-0 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
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|---|---|
| adam_text | TABLE
OF
CONTENTS
I.
INTRODUCTION
.....................................................................................................
1
PRELUDE
................................................................................................
7
NARRATIVE
...........................................................................................
10
II. CHAPTER
I KUNSTSTADT
MIINCHEN
- HISTORY
....................................................
31
1.
HITLER
RESTATES MUNICH S
ROLE AS KUNSTSTADT..
..................................
31
2.
KUNSTSTADT
DEVELOPMENT
UNDER
THE WITTELSBACH DYNASTY
................
36
2.
1.
GEOGRAPHICAL SIGNIFICANCE
OF
MUNICH
.................................. 39
2.
2.
THE CITY
AND ITS ARCHITECTURE
AND
MUSEUMS
UNDER
THE
WITTELSBACH
DYNASTY
.............................................................
42
2.3.
ASPIRATIONS AND CONTRIBUTIONS
OF
THE REGENTS
......................
44
2.4.
THE
ACADEMY
OF
FINE ARTS IN MUNICH
.................................. 49
3.
MUNICH-CITY
OF
ART AND CULTURE
.....................................................
54
3.
L.
MUNICH
ARTIST
ASSOCIATION
AND
SECESSION
.............................
54
3.2.
THE EDUCATED BURGHER
..........................................................
64
A.
DER
MIINCHNER
KUNSTVEREIN
..............................................
64
B. ART
CRITICISM
- JOURNALS AS EDUCATORS
OF
THE GENERAL
PUBLIC
...............................................................................
68
3.3.
ART
PRODUCTION
AND
MARKETING
.............................................
71
ILL.
CHAPTER
II KUNSTSTADT
DEBATE
....................................................................
79
1.
A HISTORIC COMPETITON FOR CULTURAL SUPREMACY
IN GERMANY
............ 79
2.
THE 1918 REVOLUTION AND MUNICH S
INTERNAL DEBATE
........................
95
3.
REFLECTIONS ON MUNICH AS KUNSTSTADT
BEFORE
THE THIRD
REICH
........ 103
IV. CHAPTER
III
MUNICH S
GLASPALAST..
.............................................................. 113
1.
HISTORY
OF
THE GLASPALAST..
............................................................... 113
2.
ORIGIN
AND
HISTORY
OF
THE MUNICH GLASPALAST..
............................... 114
3.
EXHIBITIONS
......................................................................................
117
3.1. FIRST
EXHIBITION 1854
.......................................................... 117
3.2. ART EXHIBITIONS
.................................................................... 122
3.3. INTERNATIONAL
ART EXHIBITIONS .............................................. 123
4. PUBLIC
RECEPTION
OF
THE GLASPALAST
EXHIBITIONS
.............................. 130
5.
GLASPALAST SYNONYMOUS WITH
MUNICH
AS KUNSTSTADT..
.................... 134
6.
FROM
GLASPALAST
TO HAUS DER
DEUTSCHEN
KUNST
.............................. 143
V.
CHAPTER
IV DAS
HAUS
DER
DEUTSCHEN
KUNST..
............................................. 153
1.
HITLER S
ATTEMPT
TO PROJECT A POSITIVE
IMAGE
.................................. 154
2. 1937
- THE YEAR
OF
RECKONING
....................................................... 160
3.
THE HAUS DER
DEUTSCHEN
KUNST..
..................................................... 162
4.
THE
NEW
GERMAN TEMPLE
OF
ART
FAILED
ITS FIRST
ASSIGNMENT..
..
169
VLLL
VI. CHAPTER
V THE ENTARTETE
KUNST AUSSTELLUNG 1937 AT THE HOFGARTEN
......
174
1.
THE THIRD REICH VACATES A HISTORICAL SITE FOR A NEW
EXHIBITION
........................................................................................
177
2.
HISTORY
OF
THE HOFGARTEN
.................................................................
181
3. THE
HOFGARTEN
IN
1937
....................................................................
182
4. THE ENTARTETE KUNST AUSSTELLUNG: THE
GENESIS
...........................
185
5.
THE INSTALLATION
OF
THE ART
..............................................................
188
6. THE EXHIBITION
................................................................................
193
7. PUBLIC RECEPTION
OF
THE ENTARTETE KUNST AUSSTCLLUNG
.................
20
I
8.
ROECONSIDERING THE SPACE WHERE THE ENTARTETE KUNST
AUSSTELLUNG
WAS STAGED
.................................................................. 208
9. FINANCING
THE ENTARTETE
KUNST AUSSTELLUNG
................................. 218
VII. CHAPTER
VI THE ENTARTETE
KUNST AUSSTELLUNG STANDS APART FROM
THIRD
REICH DEGENERATE
ART
EXHIBITIONS BEFORE
AND AFTER
JULY 1937
.... 223
1.
POLITICIZED ART EXHIBITIONS BETWEEN 1933 AND 1937
.........................
224
1.1. KAMPFBUND
FUR
DEUTSCHE KUITUR: AN AGENT FOR
PROPAGANDA
.........................................................................
224
1.2. SCHANDAUSSTELLUNGEN AND SCHRECKENSKAMMEM
..................
226
1.3. THE REGIME UNDERTAKES PROPAGANDA
SHOWS
......................
230
2. ANOTHER
VIEW
OF
THE 1937 ENTARTETE
KUNST AUSSTELLUNG IN
MUNICH
...........................................................................................
231
2.1. THE
EXHIBITION WAS IN ESSENCE A SHOW
OF
ART
....................
233
3. 1938 BERLIN ENTARTETE
KUNST AUSSTELLUNG
....................................
234
3.1. BERLIN: GATEWAY
TO THE TRAVEL
EXHIBITION
ENTARTETE
KUNST
................................................................................
234
3.2. FOCUS CHANGED IN BERLIN
....................................................
239
3.3. THE INSTALLATION IN MUNICH AND BERLIN DIFFERED IN
IMAGE AND EFFECT
.................................................................
241
3.4. 2007 RECONSTRUCTION
OF
THE BERLIN
EXHIBITION
....................
248
4.
CONTRASTS BETWEEN
THE MUNICH
AND
BERLIN
EXHIBITIONS
..................
249
4.1. THE
ART
WAS STILL LEGITIMATE IN MUNICH
., .,
........................
249
4.2. THE
WORKS EXHIBITED IN MUNICH, AS A GROUP,
TRANSCENDED
OFFICIAL RIDICULE
............................................
252
4.3. THE OFFICIAL STATUS
OF
THE MUNICH
EXHIBITION AS AN
ART
EXHIBITION
RATHER
THAN
A PROPAGANDA
EXHIBITION
...
254
4.4. ART
STRIPPED
OF
ITS LEGITIMACY
IN BERLIN ............................
255
5.
UNTANGLING MUNICH S
ENTARTETE
KUNST
AUSSTELLUNG FROM OTHER
DEGENERATE
ART EXHIBITIONS
......................................................
256
VIII. CONCLUSION
..................................................................................................
262
IX. BIBLIOGRAPHY
....................................
, ..........................................................
268
IX
|
| adam_txt |
TABLE
OF
CONTENTS
I.
INTRODUCTION
.
1
PRELUDE
.
7
NARRATIVE
.
10
II. CHAPTER
I KUNSTSTADT
MIINCHEN
- HISTORY
.
31
1.
HITLER
RESTATES MUNICH'S
ROLE AS KUNSTSTADT.
.
31
2.
KUNSTSTADT
DEVELOPMENT
UNDER
THE WITTELSBACH DYNASTY
.
36
2.
1.
GEOGRAPHICAL SIGNIFICANCE
OF
MUNICH
. 39
2.
2.
THE CITY
AND ITS ARCHITECTURE
AND
MUSEUMS
UNDER
THE
WITTELSBACH
DYNASTY
.
42
2.3.
ASPIRATIONS AND CONTRIBUTIONS
OF
THE REGENTS
.
44
2.4.
THE
ACADEMY
OF
FINE ARTS IN MUNICH
. 49
3.
MUNICH-CITY
OF
ART AND CULTURE
.
54
3.
L.
MUNICH
ARTIST
ASSOCIATION
AND
SECESSION
.
54
3.2.
THE EDUCATED BURGHER
.
64
A.
DER
MIINCHNER
KUNSTVEREIN
.
64
B. ART
CRITICISM
- JOURNALS AS EDUCATORS
OF
THE GENERAL
PUBLIC
.
68
3.3.
ART
PRODUCTION
AND
MARKETING
.
71
ILL.
CHAPTER
II 'KUNSTSTADT'
DEBATE
.
79
1.
A HISTORIC COMPETITON FOR CULTURAL SUPREMACY
IN GERMANY
. 79
2.
THE 1918 REVOLUTION AND MUNICH'S
INTERNAL DEBATE
.
95
3.
REFLECTIONS ON MUNICH AS KUNSTSTADT
BEFORE
THE THIRD
REICH
. 103
IV. CHAPTER
III
MUNICH'S
GLASPALAST.
. 113
1.
HISTORY
OF
THE GLASPALAST.
. 113
2.
ORIGIN
AND
HISTORY
OF
THE MUNICH GLASPALAST.
. 114
3.
EXHIBITIONS
.
117
3.1. FIRST
EXHIBITION 1854
. 117
3.2. ART EXHIBITIONS
. 122
3.3. INTERNATIONAL
ART EXHIBITIONS . 123
4. PUBLIC
RECEPTION
OF
THE GLASPALAST
EXHIBITIONS
. 130
5.
GLASPALAST SYNONYMOUS WITH
MUNICH
AS KUNSTSTADT.
. 134
6.
FROM
GLASPALAST
TO HAUS DER
DEUTSCHEN
KUNST
. 143
V.
CHAPTER
IV DAS
HAUS
DER
DEUTSCHEN
KUNST.
. 153
1.
HITLER'S
ATTEMPT
TO PROJECT A POSITIVE
IMAGE
. 154
2. 1937
- THE YEAR
OF
RECKONING
. 160
3.
THE HAUS DER
DEUTSCHEN
KUNST.
. 162
4.
THE
NEW
GERMAN "TEMPLE
OF
ART"
FAILED
ITS FIRST
ASSIGNMENT.
.
169
VLLL
VI. CHAPTER
V THE "ENTARTETE
KUNST" AUSSTELLUNG 1937 AT THE HOFGARTEN
.
174
1.
THE THIRD REICH VACATES A HISTORICAL SITE FOR A NEW
EXHIBITION
.
177
2.
HISTORY
OF
THE HOFGARTEN
.
181
3. THE
HOFGARTEN
IN
1937
.
182
4. THE "ENTARTETE KUNST" AUSSTELLUNG: THE
GENESIS
.
185
5.
THE INSTALLATION
OF
THE ART
.
188
6. THE EXHIBITION
.
193
7. PUBLIC RECEPTION
OF
THE "ENTARTETE KUNST" AUSSTCLLUNG
.
20
I
8.
ROECONSIDERING THE SPACE WHERE THE "ENTARTETE KUNST"
AUSSTELLUNG
WAS STAGED
. 208
9. FINANCING
THE "ENTARTETE
KUNST" AUSSTELLUNG
. 218
VII. CHAPTER
VI THE "ENTARTETE
KUNST" AUSSTELLUNG STANDS APART FROM
THIRD
REICH "DEGENERATE
ART"
EXHIBITIONS BEFORE
AND AFTER
JULY 1937
. 223
1.
POLITICIZED ART EXHIBITIONS BETWEEN 1933 AND 1937
.
224
1.1. KAMPFBUND
FUR
DEUTSCHE KUITUR: AN AGENT FOR
PROPAGANDA
.
224
1.2. SCHANDAUSSTELLUNGEN AND SCHRECKENSKAMMEM
.
226
1.3. THE REGIME UNDERTAKES PROPAGANDA
SHOWS
.
230
2. ANOTHER
VIEW
OF
THE 1937 "ENTARTETE
KUNST" AUSSTELLUNG IN
MUNICH
.
231
2.1. THE
EXHIBITION WAS IN ESSENCE A SHOW
OF
ART
.
233
3. 1938 BERLIN "ENTARTETE
KUNST" AUSSTELLUNG
.
234
3.1. BERLIN: GATEWAY
TO THE TRAVEL
EXHIBITION
"ENTARTETE
KUNST"
.
234
3.2. FOCUS CHANGED IN BERLIN
.
239
3.3. THE INSTALLATION IN MUNICH AND BERLIN DIFFERED IN
IMAGE AND EFFECT
.
241
3.4. 2007 RECONSTRUCTION
OF
THE BERLIN
EXHIBITION
.
248
4.
CONTRASTS BETWEEN
THE MUNICH
AND
BERLIN
EXHIBITIONS
.
249
4.1. THE
ART
WAS STILL LEGITIMATE IN MUNICH
., .,
.
249
4.2. THE
WORKS EXHIBITED IN MUNICH, AS A GROUP,
TRANSCENDED
OFFICIAL RIDICULE
.
252
4.3. THE OFFICIAL STATUS
OF
THE MUNICH
EXHIBITION AS AN
"ART
EXHIBITION"
RATHER
THAN
A "PROPAGANDA
EXHIBITION"
.
254
4.4. ART
STRIPPED
OF
ITS LEGITIMACY
IN BERLIN .
255
5.
UNTANGLING MUNICH'S
"ENTARTETE
KUNST"
AUSSTELLUNG FROM OTHER
"DEGENERATE
ART" EXHIBITIONS
.
256
VIII. CONCLUSION
.
262
IX. BIBLIOGRAPHY
.
, .
268
IX |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Ginder, Ursula Aulinger |
| author_GND | (DE-588)1206132019 |
| author_facet | Ginder, Ursula Aulinger |
| author_role | aut |
| author_sort | Ginder, Ursula Aulinger |
| author_variant | u a g ua uag |
| building | Verbundindex |
| bvnumber | BV046619687 |
| ctrlnum | (OCoLC)1145254293 (DE-599)BVBBV046619687 |
| era | Geschichte 1854-1931 gnd |
| era_facet | Geschichte 1854-1931 |
| format | Thesis Book |
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code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032031442&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032031442</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Glaspalast München (DE-588)4104565-8 gnd München (DE-588)4127793-4 gnd |
| geographic_facet | Glaspalast München München |
| id | DE-604.BV046619687 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:07:47Z |
| indexdate | 2024-07-10T08:49:25Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032031442 |
| oclc_num | 1145254293 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | ix, 281 Seiten |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| record_format | marc |
| spelling | Ginder, Ursula Aulinger Verfasser (DE-588)1206132019 aut "Degenerate Art" Exhibition: Kunststadt München 1937 by Ursula Aulinger Ginder Santa Barbara, Calif. May 2012 ix, 281 Seiten txt rdacontent n rdamedia nc rdacarrier Dissertation University of California Santa Barbara 2011 revised Haus der Kunst München (DE-588)2000891-0 gnd rswk-swf Ausstellung Entartete Kunst 1937 - München u.a. (DE-588)2102539-3 gnd rswk-swf Geschichte 1854-1931 gnd rswk-swf Nationalsozialismus (DE-588)4041316-0 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ausstellung (DE-588)4129601-1 gnd rswk-swf Glaspalast München (DE-588)4104565-8 gnd rswk-swf München (DE-588)4127793-4 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Ausstellung Entartete Kunst 1937 - München u.a. (DE-588)2102539-3 f Rezeption (DE-588)4049716-1 s DE-604 München (DE-588)4127793-4 g Kunst (DE-588)4114333-4 s Nationalsozialismus (DE-588)4041316-0 s Glaspalast München (DE-588)4104565-8 g Ausstellung (DE-588)4129601-1 s Geschichte 1854-1931 z Haus der Kunst München (DE-588)2000891-0 b V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032031442&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ginder, Ursula Aulinger "Degenerate Art" Exhibition: Kunststadt München 1937 Haus der Kunst München (DE-588)2000891-0 gnd Ausstellung Entartete Kunst 1937 - München u.a. (DE-588)2102539-3 gnd Nationalsozialismus (DE-588)4041316-0 gnd Rezeption (DE-588)4049716-1 gnd Kunst (DE-588)4114333-4 gnd Ausstellung (DE-588)4129601-1 gnd |
| subject_GND | (DE-588)2000891-0 (DE-588)2102539-3 (DE-588)4041316-0 (DE-588)4049716-1 (DE-588)4114333-4 (DE-588)4129601-1 (DE-588)4104565-8 (DE-588)4127793-4 (DE-588)4113937-9 |
| title | "Degenerate Art" Exhibition: Kunststadt München 1937 |
| title_auth | "Degenerate Art" Exhibition: Kunststadt München 1937 |
| title_exact_search | "Degenerate Art" Exhibition: Kunststadt München 1937 |
| title_exact_search_txtP | "Degenerate Art" Exhibition: Kunststadt München 1937 |
| title_full | "Degenerate Art" Exhibition: Kunststadt München 1937 by Ursula Aulinger Ginder |
| title_fullStr | "Degenerate Art" Exhibition: Kunststadt München 1937 by Ursula Aulinger Ginder |
| title_full_unstemmed | "Degenerate Art" Exhibition: Kunststadt München 1937 by Ursula Aulinger Ginder |
| title_short | "Degenerate Art" Exhibition: Kunststadt München 1937 |
| title_sort | degenerate art exhibition kunststadt munchen 1937 |
| topic | Haus der Kunst München (DE-588)2000891-0 gnd Ausstellung Entartete Kunst 1937 - München u.a. (DE-588)2102539-3 gnd Nationalsozialismus (DE-588)4041316-0 gnd Rezeption (DE-588)4049716-1 gnd Kunst (DE-588)4114333-4 gnd Ausstellung (DE-588)4129601-1 gnd |
| topic_facet | Haus der Kunst München Ausstellung Entartete Kunst 1937 - München u.a. Nationalsozialismus Rezeption Kunst Ausstellung Glaspalast München München Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032031442&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT ginderursulaaulinger degenerateartexhibitionkunststadtmunchen1937 |