The Bloomsbury handbook of music production
"A summary of current research on the production of stereo and mono recorded music"--
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
[2020]
|
| Schriftenreihe: | Bloomsbury handbooks
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV046428758 | ||
| 003 | DE-604 | ||
| 005 | 20200914 | ||
| 007 | t| | ||
| 008 | 200218s2020 xx a||| b||| 00||| eng d | ||
| 020 | |a 9781501334023 |c hbk. |9 978-1-5013-3402-3 | ||
| 035 | |a (OCoLC)1145184939 | ||
| 035 | |a (DE-599)BVBBV046428758 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-824 |a DE-12 |a DE-11 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LR 57440 |0 (DE-625)109873:13528 |2 rvk | ||
| 245 | 1 | 0 | |a The Bloomsbury handbook of music production |c edited by Andrew Bourbon and Simon Zagorski-Thomas |
| 246 | 1 | 3 | |a Handbook of music production |
| 264 | 1 | |a New York ; London ; Oxford ; New Delhi ; Sydney |b Bloomsbury Academic |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a xvii, 413 Seiten |b Illustrationen, Diagramme | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Bloomsbury handbooks | |
| 505 | 8 | |a Part I. Background. Recorded Music / Simon Zagorski-Thomas ; Authenticity in Music Production / Mike Alleyne ; How to Study Record Production ; Carlo Nardi -- Part II. Technologies. From Tubes to Transistors : Developments in Recording Technology up to 1970 / Albin Zak III ; Transition : The History of Recording Technology from 1970 to the present / Paul Théberge ; How does vintage equipment fit into a modern working process? / Anthony Meynell -- Part III. Places. Recording Studios in the First Half of the 20th Century / Susan Schmidt-Horning ; Recording Studios Since 1970 / Eliot Bates -- Part IV. Organising the Production Process. Information (Inter)action and Collaboration in Record Production Environments / M. Nyssim Lefford ; Creative Communities of Practice : Role Delineation in Record Production In Different Eras and Across Different Genres and Production Settings / Tuomas Auvinen ; Pre-Production ; Mike Howlett -- | |
| 505 | 8 | |a Part V. Creating Recorded Music. Songwriting in the Studio / Simon Barber ; The Influence of Technology on Performance : Classical Perspectives / Amy Blier-Carruthers ; Welcome to the Machine : Musicians, Technology and Industry / Alan Williams ; Studying Recording Techniques / Kirk McNally and Toby Seay ; Materialising Identity in the Recording Studio / Alexa Woloshyn -- Part VI. Creating Desktop Music. Desktop Production and Groove / Anne Danielsen ; Bass and Heaviness in Dance Music / Robert Fink ; Maximum Sonic Impact : (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production / Mark Mynett ; Desktop Production and Commerciality / Phil Harding -- Part VII. Post-Production. Audio Processing / Mike Exarchos and Simon Zagorski-Thomas ; Mixing / Andrew Bourbon -- Part VIII. Distribution. Producer Compensation in the Digital Age / Richard James Burgess ; Evolving Technologies of Music Distribution : Consumer Music Formats -- | |
| 505 | 8 | |a Past, Present and Future / Rob Toulson ; Listening to Recorded Sound / Mark Katz ; Interpreting the Materials of a Transmedia Storyworld : Word-Music-Image in Steven Wilson's Hand. Cannot. Erase. (2015) / Lori A. Burns and Laura McLaren | |
| 520 | 3 | |a "A summary of current research on the production of stereo and mono recorded music"-- | |
| 650 | 0 | 7 | |a Musikproduktion |0 (DE-588)4235850-4 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Sound recordings / Production and direction | |
| 653 | 0 | |a Popular music / Production and direction | |
| 653 | 0 | |a Sound / Recording and reproducing / History | |
| 653 | 0 | |a Sound / Recording and reproducing | |
| 653 | 0 | |a Sound recordings / Production and direction | |
| 653 | 6 | |a History | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Musikproduktion |0 (DE-588)4235850-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Bourbon, Andrew |0 (DE-588)1186658517 |4 edt | |
| 700 | 1 | |a Zagorski-Thomas, Simon |0 (DE-588)1033717487 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk |z 978-1-5013-3403-0 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ePDF |z 978-1-5013-3404-7 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031841032&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20200507 | |
| 942 | 1 | 1 | |c 780 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 780 |e 22/bsb |
| 942 | 1 | 1 | |c 780.051 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 780 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 330.09 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 330.09 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0905 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-031841032 | |
Datensatz im Suchindex
| _version_ | 1819738315955372032 |
|---|---|
| adam_text | Contents List of Figures ix List of Tables x Notes on Contributors xi Introduction Andrew Bourbon and Simon Zagorski-Thomas і Part I Background 1 Recorded Music Simon Zagorski-Thomas ? 2 Authenticity in Music Production Mike Alleyne i9 3 How to Study Record Production Carlo Nardi зз Part II Technology 4 From Tubes to Transistors: Developments in Recording Technology up to 1970 Albin Zak III 53 5 Transitions: The History of Recording Technology from 1970 to the Present PaulThéberge 69 6 How Does Vintage Equipment Fit into a Modern Working Process? Anthony Meynell 89
VI Contents Part III Places 7 Recording Studios in the First Half of the Twentieth Century Susan Schmidt Horning 8 109 Recording Studios since 1970 Eliot Bates 125 Part IV Organizing the Production Process 9 Information, (Interaction and Collaboration in Record Production Environments M. Nyssim Lefford 145 10 Creative Communities of Practice: Role Delineation in Record Production in Different Eras and across Different Genres and Production Settings Tuomas Auvinen ա π Pre-Production Mike Howlett 177 Part V Creating Recorded Music 12 Songwriting in the Studio Simon Barber ա 13 The Influence of Recording on Performance: Classical Perspectives Amy Blier-Carruthers 205 14 Welcome to the Machine: Musicians, Technology and Industry Alan Williams 221
Contents 15 Studying Recording Techniques Kirk McNally and Toby Seay 233 16 Materializing Identity in the Recording Studio Alexa Woloshyn 249 Part VI Creating Desktop Music 17 Desktop Production and Groove Anne Danielsen гы 18 The Boom in the Box: Bass and Sub-Bass in Desktop Production Robert Fink 281 19 Maximum Sonic Impact: (Authenticity/ Commerciality) Fidelity-Dualism in Contemporary Metal Music Production MarkMynett 293 20 Desktop Production and Commerciality Phil Harding зоз 21 Audio Processing Michail Exarchos (aka Stereo Mike) and Simon Zagorski-Thomas 317 Part VII Post-Production 22 Studying Mixing: Creating a Contemporary Apprenticeship Andrew Bourbon 337 vìi
viii Contents Part VIII Distribution 23 Producer Compensation in the Digital Age Richard James Burgess 351 24 Evolving Technologies of Music Distribution: Consumer Music Formats - Past, Present and Future Rob Toulson з67 25 Listening to Recorded Sound Mark Katz зѕз 26 Interpreting the Materials of a Transmedia Storyworld: Word-Music-Image in Steven Wilson’s Hand. Cannot. Erase. (2015) Lori A. Bums and Laura McLaren Index 405 393
|
| any_adam_object | 1 |
| author2 | Bourbon, Andrew Zagorski-Thomas, Simon |
| author2_role | edt edt |
| author2_variant | a b ab s z t szt |
| author_GND | (DE-588)1186658517 (DE-588)1033717487 |
| author_facet | Bourbon, Andrew Zagorski-Thomas, Simon |
| building | Verbundindex |
| bvnumber | BV046428758 |
| classification_rvk | LR 57440 |
| contents | Part I. Background. Recorded Music / Simon Zagorski-Thomas ; Authenticity in Music Production / Mike Alleyne ; How to Study Record Production ; Carlo Nardi -- Part II. Technologies. From Tubes to Transistors : Developments in Recording Technology up to 1970 / Albin Zak III ; Transition : The History of Recording Technology from 1970 to the present / Paul Théberge ; How does vintage equipment fit into a modern working process? / Anthony Meynell -- Part III. Places. Recording Studios in the First Half of the 20th Century / Susan Schmidt-Horning ; Recording Studios Since 1970 / Eliot Bates -- Part IV. Organising the Production Process. Information (Inter)action and Collaboration in Record Production Environments / M. Nyssim Lefford ; Creative Communities of Practice : Role Delineation in Record Production In Different Eras and Across Different Genres and Production Settings / Tuomas Auvinen ; Pre-Production ; Mike Howlett -- Part V. Creating Recorded Music. Songwriting in the Studio / Simon Barber ; The Influence of Technology on Performance : Classical Perspectives / Amy Blier-Carruthers ; Welcome to the Machine : Musicians, Technology and Industry / Alan Williams ; Studying Recording Techniques / Kirk McNally and Toby Seay ; Materialising Identity in the Recording Studio / Alexa Woloshyn -- Part VI. Creating Desktop Music. Desktop Production and Groove / Anne Danielsen ; Bass and Heaviness in Dance Music / Robert Fink ; Maximum Sonic Impact : (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production / Mark Mynett ; Desktop Production and Commerciality / Phil Harding -- Part VII. Post-Production. Audio Processing / Mike Exarchos and Simon Zagorski-Thomas ; Mixing / Andrew Bourbon -- Part VIII. Distribution. Producer Compensation in the Digital Age / Richard James Burgess ; Evolving Technologies of Music Distribution : Consumer Music Formats -- Past, Present and Future / Rob Toulson ; Listening to Recorded Sound / Mark Katz ; Interpreting the Materials of a Transmedia Storyworld : Word-Music-Image in Steven Wilson's Hand. Cannot. Erase. (2015) / Lori A. Burns and Laura McLaren |
| ctrlnum | (OCoLC)1145184939 (DE-599)BVBBV046428758 |
| discipline | Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04694nam a22006498c 4500</leader><controlfield tag="001">BV046428758</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200914 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">200218s2020 xx a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501334023</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-1-5013-3402-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1145184939</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046428758</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-824</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 57440</subfield><subfield code="0">(DE-625)109873:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Bloomsbury handbook of music production</subfield><subfield code="c">edited by Andrew Bourbon and Simon Zagorski-Thomas</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Handbook of music production</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ; London ; Oxford ; New Delhi ; Sydney</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xvii, 413 Seiten</subfield><subfield code="b">Illustrationen, Diagramme</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Bloomsbury handbooks</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Part I. Background. Recorded Music / Simon Zagorski-Thomas ; Authenticity in Music Production / Mike Alleyne ; How to Study Record Production ; Carlo Nardi -- Part II. Technologies. From Tubes to Transistors : Developments in Recording Technology up to 1970 / Albin Zak III ; Transition : The History of Recording Technology from 1970 to the present / Paul Théberge ; How does vintage equipment fit into a modern working process? / Anthony Meynell -- Part III. Places. Recording Studios in the First Half of the 20th Century / Susan Schmidt-Horning ; Recording Studios Since 1970 / Eliot Bates -- Part IV. Organising the Production Process. Information (Inter)action and Collaboration in Record Production Environments / M. Nyssim Lefford ; Creative Communities of Practice : Role Delineation in Record Production In Different Eras and Across Different Genres and Production Settings / Tuomas Auvinen ; Pre-Production ; Mike Howlett -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Part V. Creating Recorded Music. Songwriting in the Studio / Simon Barber ; The Influence of Technology on Performance : Classical Perspectives / Amy Blier-Carruthers ; Welcome to the Machine : Musicians, Technology and Industry / Alan Williams ; Studying Recording Techniques / Kirk McNally and Toby Seay ; Materialising Identity in the Recording Studio / Alexa Woloshyn -- Part VI. Creating Desktop Music. Desktop Production and Groove / Anne Danielsen ; Bass and Heaviness in Dance Music / Robert Fink ; Maximum Sonic Impact : (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production / Mark Mynett ; Desktop Production and Commerciality / Phil Harding -- Part VII. Post-Production. Audio Processing / Mike Exarchos and Simon Zagorski-Thomas ; Mixing / Andrew Bourbon -- Part VIII. Distribution. Producer Compensation in the Digital Age / Richard James Burgess ; Evolving Technologies of Music Distribution : Consumer Music Formats -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Past, Present and Future / Rob Toulson ; Listening to Recorded Sound / Mark Katz ; Interpreting the Materials of a Transmedia Storyworld : Word-Music-Image in Steven Wilson's Hand. Cannot. Erase. (2015) / Lori A. Burns and Laura McLaren</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"A summary of current research on the production of stereo and mono recorded music"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikproduktion</subfield><subfield code="0">(DE-588)4235850-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound recordings / Production and direction</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / Production and direction</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound / Recording and reproducing / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound / Recording and reproducing</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound recordings / Production and direction</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musikproduktion</subfield><subfield code="0">(DE-588)4235850-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bourbon, Andrew</subfield><subfield code="0">(DE-588)1186658517</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Zagorski-Thomas, Simon</subfield><subfield code="0">(DE-588)1033717487</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ebk</subfield><subfield code="z">978-1-5013-3403-0</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ePDF</subfield><subfield code="z">978-1-5013-3404-7</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031841032&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200507</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.051</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">330.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">330.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031841032</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV046428758 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T08:01:55Z |
| institution | BVB |
| isbn | 9781501334023 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031841032 |
| oclc_num | 1145184939 |
| open_access_boolean | |
| owner | DE-824 DE-12 DE-11 |
| owner_facet | DE-824 DE-12 DE-11 |
| physical | xvii, 413 Seiten Illustrationen, Diagramme |
| psigel | BSB_NED_20200507 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| series2 | Bloomsbury handbooks |
| spellingShingle | The Bloomsbury handbook of music production Part I. Background. Recorded Music / Simon Zagorski-Thomas ; Authenticity in Music Production / Mike Alleyne ; How to Study Record Production ; Carlo Nardi -- Part II. Technologies. From Tubes to Transistors : Developments in Recording Technology up to 1970 / Albin Zak III ; Transition : The History of Recording Technology from 1970 to the present / Paul Théberge ; How does vintage equipment fit into a modern working process? / Anthony Meynell -- Part III. Places. Recording Studios in the First Half of the 20th Century / Susan Schmidt-Horning ; Recording Studios Since 1970 / Eliot Bates -- Part IV. Organising the Production Process. Information (Inter)action and Collaboration in Record Production Environments / M. Nyssim Lefford ; Creative Communities of Practice : Role Delineation in Record Production In Different Eras and Across Different Genres and Production Settings / Tuomas Auvinen ; Pre-Production ; Mike Howlett -- Part V. Creating Recorded Music. Songwriting in the Studio / Simon Barber ; The Influence of Technology on Performance : Classical Perspectives / Amy Blier-Carruthers ; Welcome to the Machine : Musicians, Technology and Industry / Alan Williams ; Studying Recording Techniques / Kirk McNally and Toby Seay ; Materialising Identity in the Recording Studio / Alexa Woloshyn -- Part VI. Creating Desktop Music. Desktop Production and Groove / Anne Danielsen ; Bass and Heaviness in Dance Music / Robert Fink ; Maximum Sonic Impact : (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production / Mark Mynett ; Desktop Production and Commerciality / Phil Harding -- Part VII. Post-Production. Audio Processing / Mike Exarchos and Simon Zagorski-Thomas ; Mixing / Andrew Bourbon -- Part VIII. Distribution. Producer Compensation in the Digital Age / Richard James Burgess ; Evolving Technologies of Music Distribution : Consumer Music Formats -- Past, Present and Future / Rob Toulson ; Listening to Recorded Sound / Mark Katz ; Interpreting the Materials of a Transmedia Storyworld : Word-Music-Image in Steven Wilson's Hand. Cannot. Erase. (2015) / Lori A. Burns and Laura McLaren Musikproduktion (DE-588)4235850-4 gnd |
| subject_GND | (DE-588)4235850-4 (DE-588)4143413-4 |
| title | The Bloomsbury handbook of music production |
| title_alt | Handbook of music production |
| title_auth | The Bloomsbury handbook of music production |
| title_exact_search | The Bloomsbury handbook of music production |
| title_full | The Bloomsbury handbook of music production edited by Andrew Bourbon and Simon Zagorski-Thomas |
| title_fullStr | The Bloomsbury handbook of music production edited by Andrew Bourbon and Simon Zagorski-Thomas |
| title_full_unstemmed | The Bloomsbury handbook of music production edited by Andrew Bourbon and Simon Zagorski-Thomas |
| title_short | The Bloomsbury handbook of music production |
| title_sort | the bloomsbury handbook of music production |
| topic | Musikproduktion (DE-588)4235850-4 gnd |
| topic_facet | Musikproduktion Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031841032&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bourbonandrew thebloomsburyhandbookofmusicproduction AT zagorskithomassimon thebloomsburyhandbookofmusicproduction AT bourbonandrew handbookofmusicproduction AT zagorskithomassimon handbookofmusicproduction |