Hot art, Cold War - Southern and Eastern European writing on American art 1945-1990
"Hot Art, Cold War - Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduce...
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| 245 | 1 | 0 | |a Hot art, Cold War - Southern and Eastern European writing on American art 1945-1990 |c edited by Claudia Hopkins and Iain Boyd Whyte |
| 246 | 1 | 3 | |a Southern and Eastern European writing on American art 1945-1990 |
| 264 | 1 | |a New York, NY ; London |b Routledge, Taylor & Francis Group |c 2021 | |
| 300 | |a xxiv, 642 Seiten, 24 Seiten Tafeln |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Ten years of painting and sculpture at the Tate Gallery / Fernando Pernes ; translated from Portuguese by Ruth Rosengarten -- Frontier art / Francesco Alinovi ; translated from Italian by Lucinda Byatt -- Between Las Vegas and Golgotha / Hermann Raum ; translated from German by Margarethe Clausen | |
| 520 | 3 | |a "Hot Art, Cold War - Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War - Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism"-- | |
| 648 | 7 | |a Geschichte 1945-1990 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Kunstkritik |0 (DE-588)4033659-1 |2 gnd |9 rswk-swf |
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| 653 | 0 | |a Art criticism / Europe, Eastern / History / 20th century / Sources | |
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| 700 | 1 | |a Hopkins, Claudia |0 (DE-588)1224975502 |4 edt | |
| 700 | 1 | |a Whyte, Iain Boyd |d 1947- |0 (DE-588)118104608 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-003-00997-9 |
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Datensatz im Suchindex
| _version_ | 1819594168653053952 |
|---|---|
| adam_text | CONTENTS
LIST OF PLATES
ACKNOWLEDGMENTS
EDITORS INTRODUCTION
XIV
XVIII
XX
PARTI
PORTUGAL 1
PEDRO LAPA AND SOFIA NUNES, A DIFFICULT GAPRTHE RECEPTION OF AMERICAN
ART IN PORTUGAL 1945-1990 3
1.1 JOSE-AUGUSTO FRANCA, THE 32NDVENICE BIENNALE (1964), TRANS. RUTH
ROSENGARTEN 12
1.2 FERNANDO PERNES, TEN YEARS OF PAINTING AND SCULPTURE AT THETATE
GALLERY (1964), TRANS. RUTH ROSENGARTEN 16
1.3 RUI MARIO GONCALVES, PAINTING AND SCULPTURE OF A DECADE: 1954*1964
(1964), TRANS. RUTH ROSENGARTEN 21
1.4 JOSE-AUGUSTO FRANCA, MYTHOLOGIC PRESENTATION: THE NEW IMAGERY
(1967), TRANS. RUTH ROSENGARTEN 29
1.5 JOSE AUGUSTO FRANCA, PROBLEMS OF ARTISTIC CONSUMPTION: FROM THE
CENTERS OF ARTISTIC PRODUCTION (1967), TRANS. RUTH ROSENGARTEN 34
1.6 EDIGIO ALVARO, LETTER FROM KASSEL: HYPERREALISM AT DOCUMENTA 5
(1973), TRANS. RUTH ROSENGARTEN 37
1.7 ERNESTO DE SOUSA, THE ONE HUNDRED DAYS OF DOCUMENTA 5 (1973),
TRANS. RUTH ROSENGARTEN 39
CONTENTS
1.8 SILVIA CHICO, THE LAST TWENTY YEARS (1983), TRANS. RUTH ROSENGARTEN
46
1.9 ALEXANDRA MELO, MADRID: WHERE NEW YORK MEETS OLD EUROPE
(1987), TRANS. RUTH ROSENGARTEN 49
1.10 ALEXANDRE MELO, SIGNS FROM AMERICA (1989), TRANS. RUTH
ROSENGARTEN 52
PART 2
SPAIN 57
CLAUDIA HOPKINS, BIENVENIDO! WELCOMING AMERICAN ART IN
SPAIN 1950S-L 963 59
JAVIER ORTIZ-ECHAGIIE, A TRULY EXTRAORDINARY EXPERIENCE OF AN UNKNOWN
WORLD : FROM AMERICAN POP ART TO NEO-EXPRESSIONISM IN SPAIN 1963*1989
69
2.1 RICARDO GULLON, THE NEW PHASE (1956), TRANS. PAUL DAVID MARTIN 77
2.2 MERCEDES MOLLEDA, NEW AMERICAN PAINTING (1958), TRANS. CLEO CLAUSON
79
2.3 LUIS TRABAZO, NEW AMERICAN PAINTING (1958), TRANS. ANTONIO
ROMERO LIMON 81
2.4 ANTONIO SAURA, NOTES ON POLLOCK (1958), TRANS. ISABEL ADEY 85
2.5 VICENTE AGUILERA CERNI, WILLEM DE KOONING (1959), TRANS. CLEO
CLAUSON 87
2.6 XAVIER RUBERT DEVENTOS, ABSTRACTION AND POP ART (1965), TRANS.
ANTONIO ROMERO LIMON 89
2.7 SIMON MARCHAN FIZ, DOCUMENTA 4, KASSEL (1968), TRANS. ISABEL ADEY
97
2.8 SIMON MARCHAN FIZ, MINIMAL ART OR PRIMARY STRUCTURES (1972),
TRANS. ISABEL ADEY 103
2.9 JUAN MANUEL BONET, ANTONI TAPIES, AND GRUPO DE TREBALL, CONTROVERSY
TAPIES/SPANISH CONCEPTUAL GROUP, (1973), TRANS. ISABEL ADEY 110
2.10 ENRIQUE GARCIA-HERRAIZ, NEWYORK CHRONICLE (1982), TRANS. ANTONIO
ROMERO LIMON 115
2.11 JOSE LUIS BREA, NON-SPECIFIC OBJECTS (1991), TRANS. ANTONIO
ROMERO LIMON 117
CONTENTS
PART 3
ITALY 127
SILVIA BOTTINELLI, PRAGMATIC, PIONEERING AND EXCESSIVE:THE RECEPTION
OF AMERICAN ART IN ITALY ~ . * * 129
3.1 BRUNO ALFIERI, THE UNITED STATES AT THE 24TH BIENNALE (1948),
TRANS. LAURA BENNETT 139
3.2 ENRICO CRISPOLTI, FRANZ KLINE (1957), TRANS. LUCINDA BYATT 140
3.3 ENRICO CRISPOLTI, POLLOCK, A CRITICAL ESSAY (1958), TRANS. LUCINDA
BYATT 144
3.4 GILLO DORFLES, ACTION PAINTING (1961), TRANS. MADELINE ROBINSON
148
3.5 GABRIELLA DRUDI, AMERICAN PAINTING TODAY (TODAY?) (1961), TRANS.
MADELINE ROBINSON 151
3.6 CARLA LONZI, AN OPERATIVE CATEGORY (1964), TRANS. MADELINE ROBINSON
153
3.7 MARISAVOLPI ORLANDINI, ON THE DEBATE: AMERICA OR EUROPE? (1968),
TRANS. MADELINE ROBINSON 156
3.8 MARIO DIACONO, MATTER*DESTRUCTURE: RICHARD SERRA, BRUCE
NAUMAN, JOSEPH KOSUTH (1970), TRANS. LUCINDA BYATT 159
3.9 GERMANO CELANT, DOCUMENTA 5: HYPERREALISM AS IMPERIALISM (1972),
TRANS. MADELINE ROBINSON 163
3.10 TOMMASO TRINI, ART THAT IS MORE REALISTIC THAN REALITY (1974),
TRANS.
LUCINDA BYATT 166
3.11 PIER PAOLO PASOLINI, LADIES AND GENTLEMEN (1976), TRANS. MADELINE
ROBINSON 168
3.12 GIUSEPPE PANZA DI BIUMO, ENVIRONMENTAL ART (1976), TRANS.
MADELINE
ROBINSON 171
3.13 FRANCESCA ALINOVI, FRONTIER ART (1982), TRANS. LUCINDA BYATT 174
3.14 ACHILLE BONITO OLIVA, THE ACCOMPLISHED NIHILIST (1982), TRANS.
LUCINDA BYATT 177
3.15 CAROLYN CHRISTOV-BAKARGIEV, JULIAN SCHNABEL (1985), TRANS.
LUCINDA BYATT 179
CONTENTS
PART 4
GREECE 183
ELENA HAMALIDI AND STAMATINA DIMAKOPOULOU, TOWARDS A GEOPOLITICS OF
RECEPTION: RESPONSES TO US ART AND CULTURE IN GREECE (1945-1989) 185
4.1 AGGELOS G. PROKOPIOU, ABSTRACT ART (1957), TRANS. MICHAEL
ELEFTHERIOU 195
4.2 EFI FERENTINOU, ISSUES IN THE ARTS: AMERICAN PAINTING (1958),
TRANS.
MICHAEL ELEFTHERIOU 198
4.3 GIORGOS PETRIS, ABSTRACT ART AND US (1958), TRANS. MICHAEL
ELEFTHERIOU 200
4.4 LEONIDAS CHRISTAKIS, ABSTRACT ART AND THE AMERICANS (1958), TRANS.
MICHAEL ELEFTHERIOU 205
4.5 ANONYMOUS, PARIS HAS LOST ITS PRIMACY IN THE FINE ARTS. ITS RIVAL:
NEW YORK (1964), TRANS. MICHAEL ELEFTHERIOU 206
4.6 ELENIVAKALO, THEXCERON SHOW (1966), TRANS. MICHAEL ELEFTHERIOU 208
4.7 YIANNISVALAVANIDIS ET AL., THE FUNCTION OF AN ARTWORK (1971),
TRANS.
MICHAEL ELEFTHERIOU 209
4.8 NATASHA HADJIDAKI, A TEXT AND A COLLAGE, OR A PRODUCT THAT CAN T BE
BOUGHT (1975), TRANS. MICHAEL ELEFTHERIOU 212
4.9 MANOS STEFANIDIS, AMERICAN ART TODAY: IMPASSES AND PERSPECTIVES, OR
THE
PAINFUL QUEST FOR THE ARTISTICALLY NEW (1989), TRANS. MICHAEL
ELEFTHERIOU 215
PART 5
YUGOSLAVIA 221
STEFANA DJOKIC, AMERICAN ART IN YUGOSLAVIA 1945-1964 223
JASMINA CUBRILO, AN INSIGHT INTO THE RECEPTION OF AMERICAN ART IN
YUGOSLAVIA
1965-1991 233
5.1 MARKO RISTIC, CONTEMPORARY ART IN THE USA: SELECTED WORKS FROM THE
MUSEUM OF MODERN ART IN NEW YORK (1956), TRANS.TERENCE MCENENY 247
5.2 LAZAR TRIFUNOVIC, AMERICAN PAINTING (1961), TRANS. STEFANA DJOKIC
248
5.3 DRAGOSLAV DJORDJEVIC, THE EXHIBITION OF AMERICAN VANGUARD PAINTING
(1961), TRANS. STEFANA DJOKIC 251
5.4 JOSIP BROZTITO, ON INTELLECTUALISM AND QUASI-ART (1963), TRANS.
TERENCE MCENENY 253
CONTENTS
5.5 DRAGOSLAV DORDEVIC, ON A POP ART EXHIBITION (1964), TRANS. STEFANA
DJOKIC 254
5.6 RADOSLAV PUTAR, POP ART OP ART: ART OR TREND (1965), TRANS.TERENCE
MCENENY 255
5.7 MARIJA PUSIC, ROBERT RAUSCHENBERG (1966), TRANS.TERENCE MCENENY
258
5.8 LAZAR TRIFUNOVIC, CONTEMPORARY AMERICAN ART (1969), TRANS. STEFANA
DJOKIC 259
5.9 DRAGOLJUB RASATODOSIJEVIC, AD REINHARDT (1974), TRANS. MARK BROGAN
267
5.10 ZORAN POPOVIC, STRUGGLE IN NEW YORK (1977), TRANS.TERENCE MCENENY
271
5.11 MISKO SUVAKOVIC, CALIFORNIAN SCENARIO (1989), TRANS.TERENCE
MCENENY 276
PART 6
BULGARIA 283
IRINA GENOVA, WRITINGS ON ART IN THE UNITED STATES CA. 1945-1990: CASES
FROM BULGARIA 285
6.1 ATANAS STOYKOV, POP ART (1970), TRANS. DAVID MOSSOP 292
6.2 ATANAS STOYKOV, THE NEW ABSTRACTION: PRIMARY SCULPTURE (1970),
TRANS. DAVID MOSSOP 296
6.3 LUCHEZARBOYADJIEV, GRAFFITI: A PORTRAIT OF A NON-TRADITIONAL
ACTIVITY
(1984), TRANS. DAVID MOSSOP 299
6.4 LUCHEZAR BOYADJIEV, NEO-EXPRESSIONISM AS A REACTION AGAINST A
DISCREDITED UTOPIA (1984), TRANS. DAVID MOSSOP 303
PART 7
ROMANIA 309
ERWIN KESSLER, THE RECEPTION OF US ART IN POSTWAR ROMANIA: STYLISTIC
DIVERSITIES UNITE! 311
7.1 CAMILIAN DEMETRESCU, THE POST-PAINTERLY (1969), TRANS. JOZEFMA
KOMPORALY 328
7.2 MIHAI DOMOCOS, AMERICAN PAINTING (1969), TRANS.JOZEFINA KOMPORALY
330
CONTENTS
7.3 DAN GRIGORESCU, THE DISAPPEARANCE AND RE-APPEARANCE OF IMAGE:
AMERICAN PAINTING AFTER 1945 (1969), TRANS.JOZEFINA KOMPORALY 331
7.4 TITUS MOCANU, DOMINANT TRENDS IN WESTERN ART (1969), TRANS.
JOZEFMA
KOMPORALY 335
7.5 ANONYMOUS, DAILY SKETCHES (1969), TRANS. JOZEFINA KOMPORALY 338
7.6 ANONYMOUS, HIGHLIGHTS (1970), TRANS. JOZEFINA KOMPORALY 339
7.7 DAN HAULIEA, CREATIVE FORM AND PROCESS (1972), TRANS. JOZEFINA
KOMPORALY 339
7.8 DAN GRIGORESCU, PREREQUISITES (1974), TRANS. JOZEFINA KOMPORALY 341
7.9 IULIAN MEREUTA, SCREEN PRINTS BY R. B. KITAJ (1976), TRANS.
JOZEFINA
KOMPORALY 348
7.10 IULIAN MEREUTA, MARKTOBEY (1976), TRANS. JOZEFMA KOMPORALY 349
7.11 IULIAN MEREUTA, JOSEF ALBERS (1977), TRANS. JOZEFINA KOMPORALY
351
7.12 DAN GRIGORESCU, UNTITLED (1979), TRANS.JOZEFINA KOMPORALY 352
PART 8
HUNGARY 355
ESTHER T.THYSSEN, TILTOTT,TIIRT,7AMOGATOTT: VIEWS OF AMERICAN ART IN
THE
HUNGARIAN PEOPLE S REPUBLIC 357
8.1 GYORGYSZABO, BUDDHA S HEART AND THE MODERN WORLD (1964),
TRANS. JOZEFINA KOMPORALY 368
8.2 GEZA PERNECZKY, IDOLS AND COUNTER-IDOLS (1969), TRANS. ESTHER
T.THYSSEN 372
8.3 PETER SINKOVITS, MINIMAL ART (1972), TRANS.JOZEFINA KOMPORALY 378
8.4 KRISZTINA PASSUTH, CONTEMPORARY AMERICAN ART (1974), TRANS.
ESTHER T. THYSSEN 383
8.5 KATALIN NERAY, NEW CONSERVATIVISMS? (1981), TRANS. JOZEFINA
KOMPORALY 388
8.6 LORAND HEGYI, AFTER THE EXPANSION III* NEW DECORATIVISM AND
NEW SUBJECTIVISM (1983), TRANS. JOZEFINA KOMPORALY 390
CONTENTS
8.7 GABOR KLANICZAY, ANDY WARHOL (1987), TRANS. JOZEFMA KOMPORALY 394
PART 9
CZECHOSLOVAKIA 401
MARIA ORISKOVA, LOOKING FROM THE EARTH TO THE MOON: US ART THROUGH
CZECHOSLOVAK EYES 1947-1989 403
9.1 FRANTISEK DOLEZAL, AMERICAN MODERN PAINTING (1947), TRANS. JOHN
MINAHANE 413
9.2 JAROSLAV BOUCEK, FORMALIST ART IN THE SERVICE OFWARMONGERS
(1951-1952), TRANS. EVA SPISIAKOVA 414
9.3 IVAN JIROUS, AMERICANS IN PRAGUE (1969), TRANS. JOHN MINAHANE 419
9.4 RADISLAV MATUSTIK, NEW AMERICAN PAINTING: NOTES ON THE EXHIBITION
PAINTING IN THE UNITED STATES SINCE 1945 IN THE SLOVAK NATIONAL GALLERY,
BRATISLAVA (1969), TRANS. JOHN MINAHANE 421
9.5 JINDFICH CHALUPECKY, ZERO TIME (1975), TRANS. EVA SPISIAKOVA 428
9.6 PETR REZEK, PHENOMENOLOGY OF POP ART (1982), TRANS. EVA SPISIAKOVA
440
9.7 ROBERT CYPRICH, EX ALIO LOCO (1983), TRANSLATED FROM SLOVAK BY
JOHN MINAHANE 447
PART 10
SOVIET UNION AND THE BALTIC STATES 455
JULIA TATIANA BAILEY, ON AND UNDER THE RADAR: AMERICAN ART IN SOVIET
RUSSIA IN THE EARLY COLD WAR 457
IGOR DUKHAN, FROM THAW TO PERESTROIKA*BATTLE FOR CONTEMPORANEITY:
THE ART OF THE UNITED STATES IN SOVIET RUSSIAN WRITING, 1969-1990 465
10.1 K. NEPOMNIASHCHII, CHARLES WHITE TELLS ... (1952), TRANS. DAVID
MOSSOP 471
10.2 VLADIMIR SEMENOVICH KEMENOV, THE MYTH OF DIVERSITY AND THE
FREEDOM OF THE INDIVIDUAL (1959), TRANS. DAVID MOSSOP 473
10.3 VLADIMIR SEMENOVICH KEMENOV, THE NEW TACTICS OF ABSTRACTIONISM
(1959), TRANS. DAVID MOSSOP 474
10.4 ANDREI CHEGODAEV, THE ART OF THE UNITED STATES OF AMERICA: FROM
THE
WAR OF INDEPENDENCE TO TODAY (1960), TRANS. DINA AKHMADEEVA 476
10.5 IOSIF MASEEV, BEYOND THE LIMITS OF ART (1968), TRANS. CHRISTINA
LODDER 483
10.6 LIDIIA REINGARDT, ABSTRACTION AND REALITY (1968), TRANS. DAVID
MOSSOP 486
10.7 JAAK KANGILASKI, A LOOK INSIDE US ART MUSEUMS (1970), TRANS.
KRISTOPHER RIKKEN 489
10.8 VARVARAV.TUROVA, CONCERNING SEVERAL TRENDS IN CONTEMPORARY
PAINTING (1971), TRANS. CHRISTINA LODDER 491
10.9 VALERII TURCHIN, HYPERREALISMRVERISIMILITUDE WITHOUT THEVERITAS
(1974), TRANS. DAVID MOSSOP 494
10.10 T6NISVINT, HYPERREALISM AND THE MAN-MADE ENVIRONMENT (1974),
TRANS. KRISTOPHER RIKKEN 500
10.11 SVETLANA BATRAKOVA, THE UTOPIA OF OPEN ART (1981), TRANS.
CHRISTINA LODDER 501
10.12 EDUARDS KJAVINS, ANDY WARHOL (1988), TRANS .VALDIS BERZINS 504
10.13 NATALIA MARTYNENKO, AMERICAN PAINTING IN THE TWENTIETH
CENTURY (1989), TRANS. DAVID MOSSOP 511
10.14 ILZE PUTNINA, ACCIDENTAL AESTHETICS (1989), TRANS. ANDRIS
MELLAKAULS 515
PART 11
POLAND 519
FILIP LIPINSKI, OFFICIAL AND UNOFFICIAL INTRODUCTIONS: THE RECEPTION OF
AMERICAN ART IN COMMUNIST POLAND 521
11.1 STEFAN MORAWSKI, THE TWO FACES OF BOURGEOIS CULTURE IN THE
USA (1953), TRANS. JOANNA WOLANSKA 533
11.2 MIECZYSLAW POR^BSKI, THE 28TH BIENNALE (1956), TRANS. JOANNA
WOLANSKA 538
11.3 TADEUSZ KANTOR, ABSTRACT ART IS DEAD, LONG LIVE ABSTRACT ART: ON
ART
INFORMEL (1957), TRANS. JOANNA WOLANSKA 540
11.4 WOJCIECH SKRODZKI, 32NDVENICE BIENNALE (1964), TRANS.
ALICJAWEIKOP 543
11.5 JERZY LUDWINSKI, ART IN THE POST-ARTISTIC AGE (1970) 545
11.6 URSZULA CZARTORYSKA, REACHING OUT INTO A NEW DIMENSION (1973),
TRANS. JOANNA WOLANSKA 550
CONTENTS
11.7 PIOTR PIOTROWSKI, AGAINST INSTITUTIONS (1976), TRANS. JOANNA
WOLANSKA 555
11.8 SLAWOMIR MAGALA, ART ON A QUEST (1981), TRANS. ALICJA WEIKOP 561
PART 12
GERMAN DEMOCRATIC REPUBLIC 571
IAIN BOYD WHYTE AND OLIVER SUKROW, US ART IN COLD WAR EAST GERMANY:
JEANS ARE A MINDSET 573
12.1 HERBERT SANDBERG, REALIST PAINTERS AT THE 28TH BIENNALE (1956),
TRANS. RICHARD GEORGE ELLIOTT 584
12.2 HANS-JIIRGEN PAPIES, PLURALISM AT PLAY IN THE VISUAL ARTS? ON THE
1960S
ART SCENE IN THE UNITED STATES (1973), TRANS. RICHARD GEORGE ELLIOTT
586
12.3 KLAUS WEIDNER, FOREWORD (1974), TRANS. MARGARETHE CLAUSEN 591
12.4 HERMANN RAUM, DOCUMENTA AND CO. LTD. AND ITS IMPACTS ON THE ART
BUSINESS (1977), TRANS. IAIN BOYD WHYTE 593
12.5 PETER GUTH, POP ART: AMERICAN ART FROM THE LUDWIG COLLECTION IN
THE
GALLERY OF THE LEIPZIG ACADEMY OF ART (1984), TRANS. IAIN BOYD WHYTE
596
12.6 PETER H. FEIST, AMERICA S SCULPTURE IS DIFFERENT (1986), TRANS.
RICHARD
GEORGE ELLIOTT 598
12.7 HERMANN RAUM, BETWEEN LAS VEGAS AND GOLGOTHA: ON THE WORK OF
EDWARD AND NANCY KIENHOLZ (1988), TRANS. MARGARETHE CLAUSEN 601
12.8 SERGEJ GLADKICH ROCI IN MOSCOW (1989), TRANS. IAIN BOYD WHYTE 605
TEXT COPYRIGHT 607
INDEX 609
|
| any_adam_object | 1 |
| author2 | Hopkins, Claudia Whyte, Iain Boyd 1947- |
| author2_role | edt edt |
| author2_variant | c h ch i b w ib ibw |
| author_GND | (DE-588)1224975502 (DE-588)118104608 |
| author_facet | Hopkins, Claudia Whyte, Iain Boyd 1947- |
| building | Verbundindex |
| bvnumber | BV046413092 |
| classification_rvk | LH 64900 LO 94030 |
| contents | Ten years of painting and sculpture at the Tate Gallery / Fernando Pernes ; translated from Portuguese by Ruth Rosengarten -- Frontier art / Francesco Alinovi ; translated from Italian by Lucinda Byatt -- Between Las Vegas and Golgotha / Hermann Raum ; translated from German by Margarethe Clausen |
| ctrlnum | (OCoLC)1231965941 (DE-599)BVBBV046413092 |
| discipline | Kunstgeschichte |
| era | Geschichte 1945-1990 gnd |
| era_facet | Geschichte 1945-1990 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04345nam a2200625 c 4500</leader><controlfield tag="001">BV046413092</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210507 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">200207s2021 xx a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367437879</subfield><subfield code="9">978-0-3674-3787-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0367437872</subfield><subfield code="9">0-3674-3787-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1231965941</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046413092</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 64900</subfield><subfield code="0">(DE-625)94513:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LO 94030</subfield><subfield code="0">(DE-625)105700:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">3</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hot art, Cold War - Southern and Eastern European writing on American art 1945-1990</subfield><subfield code="c">edited by Claudia Hopkins and Iain Boyd Whyte</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Southern and Eastern European writing on American art 1945-1990</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY ; London</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxiv, 642 Seiten, 24 Seiten Tafeln</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Ten years of painting and sculpture at the Tate Gallery / Fernando Pernes ; translated from Portuguese by Ruth Rosengarten -- Frontier art / Francesco Alinovi ; translated from Italian by Lucinda Byatt -- Between Las Vegas and Golgotha / Hermann Raum ; translated from German by Margarethe Clausen</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Hot Art, Cold War - Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War - Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. 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| genre_facet | Aufsatzsammlung |
| geographic | Südeuropa (DE-588)4078023-5 gnd USA (DE-588)4078704-7 gnd Osteuropa (DE-588)4075739-0 gnd |
| geographic_facet | Südeuropa USA Osteuropa |
| id | DE-604.BV046413092 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T08:01:30Z |
| institution | BVB |
| isbn | 9780367437879 0367437872 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031825671 |
| oclc_num | 1231965941 |
| open_access_boolean | |
| owner | DE-11 DE-188 DE-255 DE-739 |
| owner_facet | DE-11 DE-188 DE-255 DE-739 |
| physical | xxiv, 642 Seiten, 24 Seiten Tafeln Illustrationen |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| spellingShingle | Hot art, Cold War - Southern and Eastern European writing on American art 1945-1990 Ten years of painting and sculpture at the Tate Gallery / Fernando Pernes ; translated from Portuguese by Ruth Rosengarten -- Frontier art / Francesco Alinovi ; translated from Italian by Lucinda Byatt -- Between Las Vegas and Golgotha / Hermann Raum ; translated from German by Margarethe Clausen Kunstkritik (DE-588)4033659-1 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Kunst (DE-588)4114333-4 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)4033659-1 (DE-588)4033643-8 (DE-588)4114333-4 (DE-588)4049716-1 (DE-588)4078023-5 (DE-588)4078704-7 (DE-588)4075739-0 (DE-588)4143413-4 |
| title | Hot art, Cold War - Southern and Eastern European writing on American art 1945-1990 |
| title_alt | Southern and Eastern European writing on American art 1945-1990 |
| title_auth | Hot art, Cold War - Southern and Eastern European writing on American art 1945-1990 |
| title_exact_search | Hot art, Cold War - Southern and Eastern European writing on American art 1945-1990 |
| title_full | Hot art, Cold War - Southern and Eastern European writing on American art 1945-1990 edited by Claudia Hopkins and Iain Boyd Whyte |
| title_fullStr | Hot art, Cold War - Southern and Eastern European writing on American art 1945-1990 edited by Claudia Hopkins and Iain Boyd Whyte |
| title_full_unstemmed | Hot art, Cold War - Southern and Eastern European writing on American art 1945-1990 edited by Claudia Hopkins and Iain Boyd Whyte |
| title_short | Hot art, Cold War - Southern and Eastern European writing on American art 1945-1990 |
| title_sort | hot art cold war southern and eastern european writing on american art 1945 1990 |
| topic | Kunstkritik (DE-588)4033659-1 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Kunst (DE-588)4114333-4 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Kunstkritik Kunstgeschichtsschreibung Kunst Rezeption Südeuropa USA Osteuropa Aufsatzsammlung |
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