Re-scheduling television in the digital era

"This book explores how the television industry is adapting its production culture and professional practices of scheduling to an increasingly non-linear television paradigm. Centered around four case studies, the book argues that a new television paradigm is being produced from within the mult...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Bruun, Hanne 1963- (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: London ; New York Routledge 2020
Schriftenreihe:Routledge focus on television studies
Schlagworte:
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!

MARC

LEADER 00000nam a22000008c 4500
001 BV046407555
003 DE-604
005 20200421
007 t|
008 200204s2020 xx a||| |||| 00||| eng d
020 |a 9780367226756  |c hbk  |9 978-0-367-22675-6 
035 |a (OCoLC)1142729860 
035 |a (DE-599)BVBBV046407555 
040 |a DE-604  |b ger  |e rda 
041 0 |a eng 
049 |a DE-473  |a DE-703  |a DE-355 
084 |a AP 33940  |0 (DE-625)7311:  |2 rvk 
100 1 |a Bruun, Hanne  |d 1963-  |e Verfasser  |0 (DE-588)1146337175  |4 aut 
245 1 0 |a Re-scheduling television in the digital era  |c Hanne Bruun 
264 1 |a London ; New York  |b Routledge  |c 2020 
300 |a xi, 120 Seiten  |b Illustrationen 
336 |b txt  |2 rdacontent 
337 |b n  |2 rdamedia 
338 |b nc  |2 rdacarrier 
490 0 |a Routledge focus on television studies 
505 8 |a What is the Schedule and Why Study it? -- The Schedule as a TV Genre: Theoretical Approach -- The Communicative Characteristics of the On-air Schedule -- The Implied Viewer of 'Continuity' -- The Changing Production Culture of Scheduling -- Dilemmas in Cross-platform Scheduling for Commercial Public Service Television -- Digital Television: A Third paradigm? 
520 3 |a "This book explores how the television industry is adapting its production culture and professional practices of scheduling to an increasingly non-linear television paradigm. Centered around four case studies, the book argues that a new television paradigm is being produced from within the multiplatform television organizations themselves in order to adapt to changing viewer habits and to the tensions between digital and broadcast television. Drawing on a unique genre and production studies approach, the analysis includes in-depth studies of: The communicative changes to the on-air schedule as a televisual text phenomenon in the digital era, and how the conceptualizations of the audience are changing in scheduling and curation for multiplatform portfolios; The changing production culture of scheduling in companies for their multiplatform portfolios; The dilemmas of curation in multiplatform portfolios. Situated at the intersection of the humanities and sociology in media production studies, this book will be of key interest to scholars and students of television studies, media production studies and cultural studies and to researchers and media professionals and management in the television industry"-- 
650 0 7 |a Digitalisierung  |0 (DE-588)4123065-6  |2 gnd  |9 rswk-swf 
650 0 7 |a Fernsehprogramm  |0 (DE-588)4016837-2  |2 gnd  |9 rswk-swf 
650 0 7 |a Verlauf  |0 (DE-588)4282520-9  |2 gnd  |9 rswk-swf 
650 0 7 |a Fernsehen  |0 (DE-588)4016825-6  |2 gnd  |9 rswk-swf 
653 0 |a Television broadcasting 
653 0 |a Television programs 
653 0 |a Digital television 
653 0 |a Television viewers / Attitudes 
653 0 |a Digital television 
653 0 |a Television broadcasting 
653 0 |a Television programs 
653 0 |a Television viewers / Attitudes 
689 0 0 |a Fernsehen  |0 (DE-588)4016825-6  |D s 
689 0 1 |a Digitalisierung  |0 (DE-588)4123065-6  |D s 
689 0 2 |a Fernsehprogramm  |0 (DE-588)4016837-2  |D s 
689 0 3 |a Verlauf  |0 (DE-588)4282520-9  |D s 
689 0 |5 DE-604 
776 0 8 |i Erscheint auch als  |n Online-Ausgabe  |z 978-0-429-27630-9 
943 1 |a oai:aleph.bib-bvb.de:BVB01-031820220 

Datensatz im Suchindex

_version_ 1819307967087902720
any_adam_object
author Bruun, Hanne 1963-
author_GND (DE-588)1146337175
author_facet Bruun, Hanne 1963-
author_role aut
author_sort Bruun, Hanne 1963-
author_variant h b hb
building Verbundindex
bvnumber BV046407555
classification_rvk AP 33940
contents What is the Schedule and Why Study it? -- The Schedule as a TV Genre: Theoretical Approach -- The Communicative Characteristics of the On-air Schedule -- The Implied Viewer of 'Continuity' -- The Changing Production Culture of Scheduling -- Dilemmas in Cross-platform Scheduling for Commercial Public Service Television -- Digital Television: A Third paradigm?
ctrlnum (OCoLC)1142729860
(DE-599)BVBBV046407555
discipline Allgemeines
format Book
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03347nam a22005178c 4500</leader><controlfield tag="001">BV046407555</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200421 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">200204s2020 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367226756</subfield><subfield code="c">hbk</subfield><subfield code="9">978-0-367-22675-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1142729860</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046407555</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-473</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 33940</subfield><subfield code="0">(DE-625)7311:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bruun, Hanne</subfield><subfield code="d">1963-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1146337175</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Re-scheduling television in the digital era</subfield><subfield code="c">Hanne Bruun</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 120 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge focus on television studies</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">What is the Schedule and Why Study it? -- The Schedule as a TV Genre: Theoretical Approach -- The Communicative Characteristics of the On-air Schedule -- The Implied Viewer of 'Continuity' -- The Changing Production Culture of Scheduling -- Dilemmas in Cross-platform Scheduling for Commercial Public Service Television -- Digital Television: A Third paradigm?</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"This book explores how the television industry is adapting its production culture and professional practices of scheduling to an increasingly non-linear television paradigm. Centered around four case studies, the book argues that a new television paradigm is being produced from within the multiplatform television organizations themselves in order to adapt to changing viewer habits and to the tensions between digital and broadcast television. Drawing on a unique genre and production studies approach, the analysis includes in-depth studies of: The communicative changes to the on-air schedule as a televisual text phenomenon in the digital era, and how the conceptualizations of the audience are changing in scheduling and curation for multiplatform portfolios; The changing production culture of scheduling in companies for their multiplatform portfolios; The dilemmas of curation in multiplatform portfolios. Situated at the intersection of the humanities and sociology in media production studies, this book will be of key interest to scholars and students of television studies, media production studies and cultural studies and to researchers and media professionals and management in the television industry"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Digitalisierung</subfield><subfield code="0">(DE-588)4123065-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fernsehprogramm</subfield><subfield code="0">(DE-588)4016837-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Verlauf</subfield><subfield code="0">(DE-588)4282520-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fernsehen</subfield><subfield code="0">(DE-588)4016825-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Television broadcasting</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Television programs</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Digital television</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Television viewers / Attitudes</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Digital television</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Television broadcasting</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Television programs</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Television viewers / Attitudes</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Fernsehen</subfield><subfield code="0">(DE-588)4016825-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Digitalisierung</subfield><subfield code="0">(DE-588)4123065-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Fernsehprogramm</subfield><subfield code="0">(DE-588)4016837-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Verlauf</subfield><subfield code="0">(DE-588)4282520-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-429-27630-9</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031820220</subfield></datafield></record></collection>
id DE-604.BV046407555
illustrated Illustrated
indexdate 2024-12-24T08:01:21Z
institution BVB
isbn 9780367226756
language English
oai_aleph_id oai:aleph.bib-bvb.de:BVB01-031820220
oclc_num 1142729860
open_access_boolean
owner DE-473
DE-BY-UBG
DE-703
DE-355
DE-BY-UBR
owner_facet DE-473
DE-BY-UBG
DE-703
DE-355
DE-BY-UBR
physical xi, 120 Seiten Illustrationen
publishDate 2020
publishDateSearch 2020
publishDateSort 2020
publisher Routledge
record_format marc
series2 Routledge focus on television studies
spelling Bruun, Hanne 1963- Verfasser (DE-588)1146337175 aut
Re-scheduling television in the digital era Hanne Bruun
London ; New York Routledge 2020
xi, 120 Seiten Illustrationen
txt rdacontent
n rdamedia
nc rdacarrier
Routledge focus on television studies
What is the Schedule and Why Study it? -- The Schedule as a TV Genre: Theoretical Approach -- The Communicative Characteristics of the On-air Schedule -- The Implied Viewer of 'Continuity' -- The Changing Production Culture of Scheduling -- Dilemmas in Cross-platform Scheduling for Commercial Public Service Television -- Digital Television: A Third paradigm?
"This book explores how the television industry is adapting its production culture and professional practices of scheduling to an increasingly non-linear television paradigm. Centered around four case studies, the book argues that a new television paradigm is being produced from within the multiplatform television organizations themselves in order to adapt to changing viewer habits and to the tensions between digital and broadcast television. Drawing on a unique genre and production studies approach, the analysis includes in-depth studies of: The communicative changes to the on-air schedule as a televisual text phenomenon in the digital era, and how the conceptualizations of the audience are changing in scheduling and curation for multiplatform portfolios; The changing production culture of scheduling in companies for their multiplatform portfolios; The dilemmas of curation in multiplatform portfolios. Situated at the intersection of the humanities and sociology in media production studies, this book will be of key interest to scholars and students of television studies, media production studies and cultural studies and to researchers and media professionals and management in the television industry"--
Digitalisierung (DE-588)4123065-6 gnd rswk-swf
Fernsehprogramm (DE-588)4016837-2 gnd rswk-swf
Verlauf (DE-588)4282520-9 gnd rswk-swf
Fernsehen (DE-588)4016825-6 gnd rswk-swf
Television broadcasting
Television programs
Digital television
Television viewers / Attitudes
Fernsehen (DE-588)4016825-6 s
Digitalisierung (DE-588)4123065-6 s
Fernsehprogramm (DE-588)4016837-2 s
Verlauf (DE-588)4282520-9 s
DE-604
Erscheint auch als Online-Ausgabe 978-0-429-27630-9
spellingShingle Bruun, Hanne 1963-
Re-scheduling television in the digital era
What is the Schedule and Why Study it? -- The Schedule as a TV Genre: Theoretical Approach -- The Communicative Characteristics of the On-air Schedule -- The Implied Viewer of 'Continuity' -- The Changing Production Culture of Scheduling -- Dilemmas in Cross-platform Scheduling for Commercial Public Service Television -- Digital Television: A Third paradigm?
Digitalisierung (DE-588)4123065-6 gnd
Fernsehprogramm (DE-588)4016837-2 gnd
Verlauf (DE-588)4282520-9 gnd
Fernsehen (DE-588)4016825-6 gnd
subject_GND (DE-588)4123065-6
(DE-588)4016837-2
(DE-588)4282520-9
(DE-588)4016825-6
title Re-scheduling television in the digital era
title_auth Re-scheduling television in the digital era
title_exact_search Re-scheduling television in the digital era
title_full Re-scheduling television in the digital era Hanne Bruun
title_fullStr Re-scheduling television in the digital era Hanne Bruun
title_full_unstemmed Re-scheduling television in the digital era Hanne Bruun
title_short Re-scheduling television in the digital era
title_sort re scheduling television in the digital era
topic Digitalisierung (DE-588)4123065-6 gnd
Fernsehprogramm (DE-588)4016837-2 gnd
Verlauf (DE-588)4282520-9 gnd
Fernsehen (DE-588)4016825-6 gnd
topic_facet Digitalisierung
Fernsehprogramm
Verlauf
Fernsehen
work_keys_str_mv AT bruunhanne reschedulingtelevisioninthedigitalera