Homer's divine audience the Iliad's reception on Mount Olympus
The gods of the Iliad have long troubled readers, with many features of their presentation defying satisfactory explanation. This volume presents a new 'metaperformative' approach to the poem's scenes of divine viewing, arguing that the poet uses the gods to model and thereby manipula...
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| 520 | |a The gods of the Iliad have long troubled readers, with many features of their presentation defying satisfactory explanation. This volume presents a new 'metaperformative' approach to the poem's scenes of divine viewing, arguing that the poet uses the gods to model and thereby manipulate the ongoing dynamics of performance and live reception. | ||
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Datensatz im Suchindex
| _version_ | 1804180601674137600 |
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| adam_text | Contents List of Figures Introduction: ‘With What Eyes... ?’ xiii 1 0.1. Divine Perspective 0.2. The ‘Divine Audience’ 0.3. ‘Homer’s Audience’ 3 8 20 1. Zeus, the Poet, and Vision 27 1.1. The Proem’s Promise 1.1.1. The Poet and Audience Involvement 1.1.2. Dios d’eteleieto boulē 1.2. Realizing the Proem’s Promise: An Illustrative Example from Book 16 1.3. The Gods and Metapoetics 2. The Duel and the Dais: Iliadic Warfare as Spectacle 33 33 40 46 55 65 67 2.1. Defining the Gods’Role as Audience 2.1.1. Divine Viewing Linked to Batde and Corpses (Book 1) 2.1.2. Staging the Spectacle of War (Book 2) 2.1.3. The Duel as a Paradigm of Military Spectacle (Book 3) 2.1.4. The Significance of Duel and Dais for the Gods’ Viewing Role (Book 4) 2.2. Implications for Homer’s Audience 2.2.1. Textual Cues Pointing to a Mise en Abyme 2.2.2. The Effect of the Mise en Abyme 2.2.3. Homer’s Audience as Viewers of the Warfare 76 83 83 90 102 3. ‘Let Us Cease’: Early Reflections on the Spectacle’s End 109 3.1. The Divine Audience and the Duel between Hector and Aias 3.1.1. Textual Cues Suggesting a Mise en Abyme 3.1.2. Athena and Apollo Dramatize Tensions in Audience Response 3.1.3. A New Narrative about the Warfare 3.2. The Achaean Wall and the End of the Iliad 67 71 73 114 115 118 125 132
xii Contents 4. ‘Many Contests of the Trojans and Achaeans’: The Iliads Battle Books 141 4.1. Staging the Iliads Battle Books 4.1.1. Staging Day 2: Continued Use of the Duel as a Paradigm 4.1.2. Staging Day 3: A Hint of Funerary Spectacle 4.1.3. Staging Day 4: Variations on the Duel Paradigm with Funerary Spectacle 4.2. Audience Involvement and Response 4.2.1. Audience ‘Involvement’ in the Warfare Itself 4.2.2. Audience Response to the Staging and Direction of the Warfare 4.3. Zeus’ Gaze and the Contests as Funeral Rites 4.4. A Metaperformative Reading of the Theomachia 142 155 162 172 5. ‘A Man Having Died’: Watching Achilles and Hector 179 142 145 145 147 147 5.1. A Hybrid Spectacle 5.2. Textual Cues Pointing to a Mise en АЪуте 5.3. The Divine Gaze and the Imperfect Moment 181 191 197 Conclusion: The Iliad and the Odyssey 207 Appendix: Instances of Divine Viewing in the Ihad Bibliography Index of Homeric Passages Index 211 215 225 229
Bibliography Adkins, A. H. W. 1972. ‘Truth, ΚΟΣΜΟΣ, and ΑΡΕΤΗ in the Homeric Poems.’ CQ 22/1: 5-18. Alden, M. 2000. Homer Beside Himself: Para-narrative in the Iliad. Oxford. Allan, W. 2006. ‘Divine Justice and Cosmic Order in Early Greek Epic.’ JHS 126: 1-35. Allan, W. 2008. ‘Performing the Will of Zeus: The ճևօտ βουλή and the Scope of Early Greek Epic.’ In Reverman and Wilson 2008: 204-16. Auerbach, E. 1953. Mimesis: The Representation of Reality in Western Lit erature (trans. W. R. Trask). Princeton. Bakker, E. 1993. ‘Discourse and Performance: Involvement, Visualization and “Presence” in Homeric Poetry’ in CQ 12: 1,1-29. Bakker, E. 1999. ‘Mimesis as Performance: Rereading Auerbach’s First Chapter.’ Poetics Today 20/1: 11-26. (Also appears in Bakker 2005.) Bakker, E. 2001. ‘Similes, Augment, and the Language of Immediacy’ in Watson 2001, pp. 1-23. (Also appears in Bakker 2005.) Bakker, E. 2005. Pointing at the Past: From Formula to Performance in Homeric Poetics.Washington. Bakker, E. 2009. ‘Homer, Odysseus and the Narratology of Performance’ in Grethlein and Rengakos, ed.: 117-36. Bakogianni, A. and V. Hope, ed. 2015. War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London. Bassett, S. E. 1927. ‘The Single Combat between Hector and Aias.’ The American Journal of Philology, 48:2, 148-56. Becker, A. S. 1995. ‘The Shield of Achilles and the Poetics of Ekphrasis.’ Lanham, Maryland. Bergren, A. 1979-80. ‘Helen’s Web: Time and Tableau in the Iliad. ’ Helios 7:1, 19-34. Bergren, A. 2008. Weaving Truth: Essays on Language and the Female in
Greek Thought. Cambridge, MA and London. Bowra, M. 1950. Tradition and Design in the Iliad. Oxford. (First printed 1930.) Bremer, J. M. 1985. ‘Four Similes in Iliad 22.’ In Papers of the Liverpool Latin Seminar, 5: 367-72. Liverpool. Bremer, J. M. 1987. ‘The So-called “Götterapparat” in Iliad XX-XXII.’ In Homer: Beyond Oral Poetry, Recent Trends in Homeric Interpretation, ed. J. M. Bremer, I. J. F. de Jong, and J. Kalaff, 31-46. Amsterdam. Brown, B. 2003. ‘Homer, funeral contests and the origins of the Greek city.’ In Phillips and Pritchard, ed.: 123-62. Burgess, J. S. 2009. The Death and Afterlife of Achilles. Baltimore.
216 Bibliography Burkert, W. 1985. Greek Religion. Cambridge, MA. (Originally published as Griechische Religion der archaischen und klassischen Epoche. Stuttgart, 1977.) Buxton, R. 2004. ‘Similes and Other Likenesses.’ In Fowler, ed.: 139-55. Cairns, D. L. ed. 2001. Oxford Readings in Homer’s Iliad. Oxford. Cairns, D. L. and R. Scodel, ed. 2011. Defining Greek Narrative. Edinburgh Leventis studies, 7. Edinburgh. Clay, J. S. 1983. The Wrath of Athena. Princeton. Clay, J. S. 1999. ‘The Will and the Whip of Zeus.’ In Literary Imagination 1: 40-60. Clay, J. S. 2007. ‘Art, Nature and the Gods in the Chariot Race of Iliad Ψ. In Paizi Apostolopoulou, Rengakos, and Tsagalis, ed.: 69-74. Clay, J. S. 2011. Homer’s Trojan Theater: Space, Vision, and Memory in the Iliad. Cambridge. Bassett, S. E. 1930. ‘The Pursuit of Hector.’ ТАРА 61: 130-49. Collins, D. 2005. Master of the Game: Competition and Performance in Greek Poetry. Center for Hellenic Studies/Hellenic Studies, 7. Cambridge, MA. Dalby, A. 1995. ‘The Iliad, the Odyssey, and Their Audiences.’ CQ 45:2, 269-79. Dalby, A. 1998. ‘Homer’s Enemies: Lyric and Epic in the 7th Century.’ In N. Fisher, H. van Wees, ed. Archaic Greece. New Approaches and New Evidence. London. 195-212. Dällenbach, L. 1977. Le récit spéculaire. Essai sur la mise en abyme. Paris. Dällenbach, L. 1989. The Mirror in the Text, (translation of Dallenbach 1977). Chicago. De Jáuregui, Miguel Herrero. 2011. ‘Priam’s Catabasis: Traces of the Epic Journey to Hades in Iliad 24.’ ТАРА 141:1, 37-68. De Jong, L J. F. 1985. Iliad 1.366-392: A Mirror Story.’ Arethusa 18:
1-22. De Jong, I. J. F. 1987. Narrators and Focalizers: The Presentation of the Story in the Iliad. Amsterdam. De Jong, L J. F. 2006. ‘The Homeric Narrator and His Own kleos.’ Mnemosyne 59: 188-207. De Jong, I. J. F. and R. Niinlist. 2004. ‘From bird’s eye view to close-up: the standpoint of the narrator in the Homeric epics.’ In Antike Literatur in neuer Deutung. Festschrift für Joachim Latacz anlässlich seines 70. Geburtstages, A. Bierl, A. Schmitt, A. Willi ed.: 63-84. Munich. Dietrich, B. C. 1967. Death, Fate and the Gods. London. Dodds, E. R. 1951. The Greeks and the Irrational. Berkeley. Doherty, L. E. 1991. ‘The Internal and Implied Audiences of Odyssey 11.’ Arethusa 24:2, 145-76. Doherty, L. E. 1995. Siren Songs: Gender, Audiences, and Narrators in the Odyssey. Ann Arbor.
Bibliography 217 Donlan, W. 1993. ‘Dueling with Gifts in the Iliad: As the Audience Saw It.’ Colby Quarterly 29:3, 155-72. Dowden, Ken. 1996. ‘Homer’s Sense of Text.’ JHS 116: 47-61. Duban, J. M. 1981. ‘Les duels majeurs de l’Iliade et le langage d’Hector.’ Les études classiques 49: 97-121. Eberhard, P. E. 1923. Das Schicksal als poetische Idee bei Homer. Paderborn. Edwards, M. 1987. Homer, Poet of the Iliad. Baltimore. Edwards, M. 1991. TheIliad:A Commentary. Voi. V: Books 17-20. Cambridge. Edwards, M. 1992. ‘Homer and Oral Tradition: the Type Scene.’ Oral Tradition 7:2, 284-330. Edwards, M. 1997. ‘Homeric Style and Oral Poetics.’ In Morris and Powell, ed.: 261-83. Elmer, D. F. 2013. The Poetics of Consent: Collective Decision Making and the Iliad. Baltimore. Erbse, H. 1986. Untersuchungen zur Punktion der Götter im homerischen Epos. Untersuchungen zur antiken Literatur und Geschichte, 24. Berlin and New York. Feeney, D. 1991. The Gods in Epic. Oxford. Fenik, В. 1968. Typical Battle Scenes in the Iliad: Studies in the Narrative Techniques of Homeric Battle Description. Wiesbaden. Fenik, В., ed. 1978a. Homer: Tradition and Invention. Cincinnati Classical Studies 2. Leiden. Fenik, В. 1978b. ‘Stylization and Variety: Four Monologues in the Iliad.’ In Fenik 1978a: 68-90. Finkelberg, M. 1998. The Birth of Literary Fiction in Ancient Greece. Oxford. Finkelberg, M. 2002. ‘The Sources of Iliad 7.’ Colby Quarterly 38:2, 151-61. Fiáig, E. 1994. ‘Das Konsensprinzip im Homerischen Olymp Überlegungen zum Göttlichen Entscheidungsprozess Ilias 4.1-72.’ Hermes 122:1,13-31. Foley, J. M.
1991. Immanent Art: From Structure to Meaning in Traditional Oral Epic. Bloomington and Indianapolis. Foley, J. M. 1997. Oral Tradition and its Implications.’ In Morris and Powell, ed.: 146-73. Ford, A. 1992. Homer: The Poetry of the Past. Ithaca and London. Ford, A. 1997. ‘Epic as Genre.’ In Morris and Powell, ed.: 396-414. Ford, A. 1999. Odysseus after Dinner: Od..9.2-11 and the Traditions of Sympotic Song’ in Euphrosyne: Studies in Ancient Epic and its Legacy in Honor of Dimitris N. Maronitis, Kazazis and Rengakos ed., Stuttgart. 109-23. Fowler, R. ed. 2004. A Cambridge Companion to Homer. Cambridge.Fränkel, H. 1921. Die homerischen Gleichnisse. Göttingen. Fränkel, H. 1997. ‘Essence and Nature of the Homeric Simile’ (translation of Fränkel 1921: 98-114). In Wright and Jones, ed.: 103-23.
218 Bibliography Friedman, R. 2001. ‘Divine Dissension and the Narrative of the Iliad.’ Helios 28:2, 99-118. Frontisi-Ducroux, F. 1986. La cithare d’Achille. Rome. Gardiner, E. N. 2002. Athletics in the Ancient World. Dover; Mineóla, NY. (First published 1930 by Oxford University Press.) Game, A. F. 1994. Homer: Odyssey, Books ѴІ-ѴПІ. Cambridge. Gentili, В. 1988. Poetry and its Public in Ancient Greece. Baltimore. Gervais, К. 2013. ‘Viewing violence in Statius’ Thebaid and the films of Quentin Tarantino.’ In Lovatt and Vout, ed.: 139-67. Gnoli, G. and J.-P. Vernant, ed. 1990. La mort, les morts dans les sociétés anciennes. Cambridge. Gould, J. 1996. ‘Tragedy and Collective Experience.’ In Silk, ed.: 217-43. Graziosi, В. 2016. ‘Theologies of the Family in Homer and Hesiod.’ In Theologies of Greek Religion, Eidinow, Kindt, and Osborn ed.: 35-61. Graziosi, В. and ƒ. Haubold, ed. 2010. Homer. Iliad, Book VI. Cambridge; New York. Greenberg, N. 1993. ‘The Attitude of Agamemnon.’ CW 86:3, 193-205. Grethlein, J. 2008. ‘Memory and Material Objects in the Iliad and the Odyssey.’ In JHS 128: 27-51. Grethlein, J. and A. Rengakos, ed. 2009. Narratology and Interpretation: The Content of Narrative Form in Ancient Literature. Walter de Gruyter, Berlin, New York. Griffin, J. 1978. ‘The Divine Audience and the Religion of the Iliad.’ CQ 28:1, 1-22. Griffin, J. 1980. Homer on Life and Death. Oxford. (Chapter 6 is as modified version of Griffin 1978.) Griffith, M. 1990. ‘Contest and Contradiction in Early Greek Poetry.’ In Cabinet of the Muses: Essays on Classical and Comparative Literature
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Bibliography 221 Murray, О. 2008. ‘The Odyssey as Performance Poetry.’ In Revermann and Wilson, 161-76. Myers, T. 2014. ‘Representations of Efficient Causation in the Iliad.’ In T. Schmaltz, ed. Oxford: 48-53. Myers, T. 2015. ‘What If We Had a War and Everybody Came?’: Homeric Enargeia and the First Spectacular Duel.’ In Bakogianni and Hope, ed.: 25-42. Nagy, G. 1979/1999. The Best of the Achaeans. Baltimore. Nagy, G. 1989. ‘Early Greek Views of Poets and Poetry.’ In Kennedy, ed.: 1-77. Nagy, G. 1990. Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore and London. Nagy, G. 1996. Poetry as Performance: Homer and Beyond. Cambridge. Nagy, G. 2003. Homeric Responses. Austin. Nietzsche, F. 1991. Jenseits von Gut und Böse; Zur Genealogie der Moral. Stuttgart. Nilsson, M. 1967-74. Geschichte der grieschischen Religion, 3rd edition. Munchen. (Available in English as A History of Greek Religion. Greenwood, 1980. trans. F. J. Fielden.) O’Brien, J. V. 1993. The Transformation of Hera: A Study ofRitual, Hero and the Goddess in the Iliad. Lanham, Maryland. Osborne, R. 1996. Greece in the Making, 1200-479 BC. London and New York. Paizi-Apostolopoulou, M., Rengakos, A., and Ch. Tsagalis, ed. 2007. Άθλα και επαθλα στα Ομηρικά Έπη. Από τα Πρακπκά του. I’ Συνεθρίου για την Οδύσσεια (15-19 Σεπτεμβρίου 2004). Center for Odyssean Studies. Ithaca, Greece. Pelliccia, H. 1995. Mind, Body, and Speech in Homer and Pindar. Göttingen. Perkeli, C. 2008. ‘Reading the Laments of Iliad 24.’ In Suter, ed.: 93-117. Phillips, D. and D. Pritchard, ed. 2003. Sport and Festival in the Ancient Greek
World. Swansea. Porter, J. 2011. ‘Making and Unmaking: The Achaean wall and the Limits of Fictionality in Homeric Criticism.’ ТАРА 2011, 141/1: 1-36. Potter, D. 2011. The Victor’s Crown: A History ofAncient Sport From Homer to Byzantium. London. Prier, R. A. 1989. Thauma idesthai: The Phenomenology of Sight and Appear ance in Archaic Greek. Tallahassee, FL. Pucci, P. 1987. Odysseus Polytropos: Intertextual Readings in the Odyssey and the Iliad. Ithaca. Pucci, P. 1998. The Song of the Sirens: Essays on Homer. Oxford. Pucci, P. 2002. ‘Theology and Poetics in the Iliad.’ In C. Higbie (ed.) Epos and Mythos: Language and Narrative in Homeric Epic, Arethusa. 35: 1, 17-34. Purves, A. 2010a. Space and Time in Ancient Greek Narrative. Cambridge.
222 Bibliography Purves, A. 2010b. ‘Wind and Time in Homeric Epic.’ ГАРА 2010, 140/2: 323-50. Rabel, R. J. 1997. Plot and Point of View in the Iliad. Ann Arbor. Raaflaub, K. 1997. ‘Homeric Society.’ In Morris and Powell, ed.: 624-48. Ready, J. 2012. ‘Zeus, Ancient Near Eastern Notions of Divine Incompar ability, and Similes in the Homeric Epics.’ Classical Antiquity 31:1,56-91. Ready, J. 2015. ‘The Textualization of Homeric Epic by Means of Dictation.’ ТАРА 145: 1-75. Redfield, J. M. 1994 (1st printing 1975). Nature and Culture in the Iliad: The Tragedy of Hector. Durham. Redfield, ƒ. M. 2001 (originally 1979). ‘The Proem of the Iliad: Homer’s Art.’ In Cairns, ed.: 456-77. Reinhardt, K. 1960. ‘Das Parisurteil’ in Tradition und Geist, 16-36. Göttingen. (Available in English in Wright and Jones, ed.) Reinhardt, K. 1961. Die Ilias und ihr Dichter. Göttingen. Rengakos, A. 2006. Το χαμόγελο του Αχιλλέα. Θέματα αφήγησης καί ποιητικής στα ομηρικά έπη. Athens. (Pages 17-30 appear in modified form in English as ‘The Smile of Achilles, or the Iliad and its Mirror-Image’ in Paizi-Apostolopoulou, Rengakos, and Tsangalis, ed.: 101-10.) Reverman, M. and P. Wilson (ed.) 2008. Performance, Iconography, Reception: Studies in Honour of Oliver Täplin. Oxford. Richardson, N. J. 1993. The Iliad: A Commentary. Voi. 6: Books 21-4. Cambridge. Richardson, S. 1990. The Homeric Narrator. Nashville. Rinon, Y. 2008. Homer and the Dual Model of the Tragic. Ann Arbor. Roberts, D. H., F. M. Dunn, and D. Fowler, ed. 1997. Classical Closure: Reading the End in Greek and Latin Literature. Princeton. Roller,
L. E. 1981a. ‘Funeral Games for Historical Persons.’ Stadion 7: 1-18. Roller, L. E. 1981b. ‘Funeral Games in Greek Art.’ AJA 85: 107-19. Rousseau, P. 1996. Dios ď eteleieto boule: Destin des héros et dessein de Zeus dans l intrigue de l’Iliade. Doctorat d’Etat thesis, Université Charles de Gaulle—Lille III. Rousseau, P. 2001. ‘L’intrigue de Zeus.’ Europe 79, no. 865, 120-58. (Avail able online in English as ‘The Plot of Zeus’, at http://chs.harvard.edu/CHS/ article/display/3972.) Russo, J. and B. Simon. ‘Homeric Psychology and the Oral Epic Tradition.’ In Wright, ed.: 41-57. Rutherford 2001 (originally 1982). ‘Tragic Form and Feeling in the Iliad.’ In Cairns, ed.: 260-93. Sale, W. 1987. ‘The Formularity of the Place Phrases in the Iliad.’ ТАРА 117, 21-50. Sarischoulis, E. 2008. Schicksal, Götter und Handlungsfreiheit in den Epen Homers. Palingenesia, Bd. 92. Stuttgart.
Bibliography 223 Schadewaldt, W. 1938. Iliasstudien. Leipzig. Schein, S. 1997. ‘The Iliad: Structure and Interpretation.’ In Morris and Powell, ed.: 345-59. Scodel, R. 1982. ‘The Achaean Wall and the Myth of Destruction.’ Harvard Studies in Classical Philology 86: 33-50. Scodel, R. 2002. Listening to Homer. Ann Arbor. Scott, W. C. 2009. The Artistry of the Homeric Simile. Hanover, New Hampshire. Seaford, R. 1994. Reciprocity and Ritual. Homer and Tragedy in the Devel oping City-State. Oxford. Scully, S. 2003. ‘Reading the Shield of Achilles: Terror, Anger, Delight’. Harvard Studies in Classical Philology 101: 29-47. Segal, C. 1971. The Theme of the Mutilation of the Corpse in the Iliad. Mnemosyne supp. 17. Leiden. Segal, C. 1992. ‘Bard and Audience in Homer.’ In Lamberton and Keaney, ed.: 3-29. Segal, C. 1994. Singers, Heroes, and Gods in the Odyssey. Ithaca. Segal, C. 1996. ‘Catharsis, Audience, and Closure in Greek Tragedy.’ In Silk (ed.): 149-72. Silk, M. ed. 1996. Tragedy and the Tragic. Oxford. Siatkin, L. 1991. The Power of Thetis: Allusion and Interpretation in the Iliad. Berkeley. Siatkin, L. 2007. ‘Notes on Tragic Visualizing in the Iliad.’ In Visualizing the Tragic: Drama, Myth and Ritual in Greek Art and Literature; Essays in Honour of Proma Zeitlin, Kraus, Goldhill, Foley, Eisner ed.: 19-34. Stansbury-O’Donnell, M. 2006. Vase Painting Gender, and Social Identity in Archaic Athens. Cambridge. Suter, A., ed. 2008. Lament: Studies in the Ancient Mediterranean and Beyond. New York. Taalman Kip, A. M. v. E. 2000. ‘The Gods of the Iliad and the Fate of Troy.’
Mnemosyne 53/4: 385-402. Täplin, О. 1980. ‘The Shield of Achilles within the Iliad.’ Greece and Rome 27: 1-21. Täplin, О. 1992. Homeric Soundings. Oxford. Thalmann, W. G. 1984. Conventions in Early Greek Epic Poetry. Baltimore and London. Thornton, A. 1984. Homer’s Iliad: Its Composition and the Motif of Suppli cation. Hypomnemata 81. Gottingen. Trapp, R. 1961. ‘Aias in the Iliad.’ CJ 56:6, 271-5. Uden, J. 2010. ‘The “Contest of Homer and Hesiod” and the Ambitions of Hadrian.’ JHS 130: 121-35. Van Wees, H. 1997. ‘Homeric Warfare.’ In Morris and Powell, ed.: 668-93. Vermeide, E. 1979. Aspects of Death in Early Greek Art and Poetry. Berkeley.
224 Bibliography Vernant, J.-P. 1965. Mythe et pensée chez ks Grecs: études de psychologie historique. Paris. Vernant, J.-P. 2001. ‘A “Beautiful Death” and the Disfigured Corpse in Homeric Epic’ (originally published 1982 as La belle mort et le cadavre outragé’ in Gnoli and Vernant ed.: 45-76). In Cairns, ed.: 311-41. Vivante, P. 1970. The Homeric Imagination: A Study of Homer’s Poetic Perception of Reality. Bloomington and London. Volk, K. 2002. ‘ΚΛΕΟΣ ΑΦΘΙΤΟΝ Revisited.’ СРҺ 97/1: 61-8. Walsh, G. 1984. The Varieties of Enchantment. Chapel Hill. Watson, J. ed. 2001. Speaking Volumes: Orality and Literacy in the Greek and Roman World. Leiden - Boston - Köln. Wecowski, M. 2002. ‘Homer and the Origins of the Symposion.’ In Omero Tremila Anni Dopo. Rome: 625-38. West, M. L. 2001. Studies in the Text and Transmission of the Iliad. Leipzig. West, M. L. 2011. The Making of the Iliad: Disquisition and Analytical Commentary. Oxford. Whitman, C. H. 1958. Homer and the Heroic Tradition. Cambridge, Mass. Wright, G. M. and P. V. Jones, ed. 1997. Homer: German Scholarship in Translation. Oxford. Wright, J. ed. 1978. Essays on the Iliad. Bloomington, Indiana. Willcock, M. M. 1978. ‘Some Aspects of the Gods in the Iliad.’ In Wright, ed: 58-69. Winkler, M. M. 2007. ‘The Iliad and the Cinema.’ In Troy: From Homer’s Iliad to Hollywood Epic, Malden, MA, Winkler, ed.: 43-67. Wyatt, Jr., W. F. 1989. ‘The Intermezzo of Odyssey 11 and the poets Homer and Odysseus.’ Studi Micenei ed Egeo-Anatolici 27: 235-54. Yamagata, N. 1994. Homeric Morality. Leiden, New York and Köln. Zänker, G. 1981.
‘Enargeia in the Ancient Criticism of Poetry.’ In Rheinisches Museum 124: 297-311. Zervou, A. 2007. ‘Jeux athlétiques - jeux de reception.’ In Paizi-Apostolopoulou, Rengakos, and Tsagalis, ed.: 29-53.
Index Achaeans see Trojans and Achaeans Achaean wall, the 126n.35, 132 Achilles 13-14, 18-21, 25, 27-8, 34-5, 44-6, 56-7, 67-70, 79Ո.30, 112-13, 131-2, 146, 150, 152-3, 162, 170-7, 179-86, 188-96, 198-202, 204-5 aethlos/aethloi 83-4, 86,162, 180-1, 197-8 Agamemnon 69-72,78, 102-4, 116-17, 127-30 aristeta of 151-4 Aias 182-3 see ako duel between Hector and Aias Alcinous 85, 91-3 Auerbach, Erich 34-5, 38-40 Andromache 18-19, 118, 185n.l9, 187, 200-1 anticipatory doublet 115n.l5, 125 aoidē 42-3 aoidos, aeidõ, aoidimoi 28, 32-3, 42-3, 46, 85 Aphrodite 69-70, 73, 81-2, 88, 93 Apollo 12-14, 67-9, 77, 99, 109-10, 114-18, 131-3, 143-4, 155-6, 160-1, 184, 188, 204-5 aristeta 54, 102-3 of Agamemnon 151-4 Athena 9-11, 14-17, 69-70, 72, 80, 82, 88, 90-1, 93-5, 99-100, 104-10, 114, 116-18, 132, 143-4, 151-2, 155-6, 160-1, 167, 171, 195-6, 205, 208-9 athletic contest 86,162,180-4, 188 see ako similes of chariot-races Demodocus 20-1, 25,42-3, 61-2, 91-3, 95-6, 207-9 Dios apate 158-60 Dios boulé 27-30, 34-5, 40, 71 craftsmanship see ergon/erga divine viewing and response, sites of Olympus 11-12,67-8,76,78-82, 82Ո.35, 109, 114, 117-18, 121, 123-5, 134, 141-3,145-6, 155-6, 159, 172, 179-80, 194 Ida 12, 81, 82Ո.35, 142n.5, 143-4, 143Ո.6, 158 oak tree 114, 116-17, 121, 124-5, 143-4 Kallikone Hill and the Waft of Heracles see theomachia Thracian Samos 158 duel 18-19,66 between Paris and Menelaus 10-11, 13-14, 59, 61, 69-70, 73-6, 83-8, 93, 95-6, 100, 102, 107, 125-8, 130-1, 135, 150, 162, 180-1, 183, 186, 191 between Hector and Aias 12, 69-70, 109-11, 114-25, 182 between Achilles and Hector
12-14, 125, 131-2, 181-97 ‘spectacular’ 112-13, 132 enargeia 7-8, 18-19, 23, 33-5, 39-40, 106-7, 149 entertainment see dais, terpein 3, 10-11, 66, 77-8, 82 epaineõ 95-6 ergon/erga 84-7,112, 134-9, 180-1, 203-4 extra- and intradiegetic 32, 64 Bergren, Ann 83-4, 138-9,197-9 Catalogue of Ships 21-2, 72, 74-5 dais 10-11,19,61-2, 66-8, 76-80,82-3, 91-2, 95-6, 102, 118, 141-2, 161, 163 death ritual see rimerai rites fated see moira/moirai idealization 61-3, 117-18 funeral rites, funerary rites, death ritual 18-19, 30-1,47-9, 65-6, 69-71, 111-13, 128, 132-3, 136-7, 141-2, 145-6, 162, 183-4, 197
230 Index grief 2, 4-5, 91-2, 98-9, 147-8, 169-70, 198-9, 202, 206 gods(s) see Aphrodite; Apollo; Athena; divine viewing and response, sites of; Hera; perspective of the gods; Zeus and the gods Griffin, Jasper 11-14 Paris see ako duel between Paris and Menelaus and Hector 114,118,120, 130 and the causes of the war 97, 100-1 pathos 3, 6, 148, 154 Patroclus 53-4, 59, 97-9, 145-6, 157, 163-72, 179-80,182-3,198-201, 203-4 Hector 12-14, 18-19, 45-6, 69-70, performer see poet, role of 109-11, 114, 116-21, 124-32, perspective 143-4,152-3,156,159-60,162-3, of the gods 3-7, 18-19, 70-1,141-2 166,171-2,175-7,179-88,191, see ako Apollo; Athena; Eris; 199-206 see aho duel between Hera; Poseidon; Zeus; Hector and Aias theomachia Helen 56-7, 74-5, 83-7, 100-2, 127-8, of Homer’s audience 5-7,18-19, 130-1,138-9,162, 180-1,197-8, 22-4, 31-3, 50-1, 70-1, 80, 203-4 105-6,141-2, 145, 147 see ako Hera 9-14, 48-9, 68-70, 72, 81-2, 88, distance and proximity; enargeia·, 90-1,93-102,106-7,121-3,132, focalisation; metapoetics; 151-2, 156-7, 159-61, 163-5 pathos; pity; pleasure; role of poet Homer’s audience, definition of 6-7, 20 partisan 66, 79-80, 93,107-8, 124-5, see aho poet, role of 142-3, 147, 155-6, 163, 175-6, honour 27, 30-1, 130-1, 145, 163-6, 183-4 183-4, 200-3 Phaeacians 94 see ako Alcinous; hypothetical observer 50-1, 102-6 Demodocus Phemius 25,36,42-3,61,63,92,209-10 kleos 20-2 pity 4-5,4n.7, 5n.ll, 8,10n.20,11-14, 59,61,99,118,122-5,147,154-7, memorialization 65-6, 138-9, 202 159-60,163-4,168-71,173-5, Menelaus see duel between Paris and 179-80,194,196-7,204-6 Menelaus pleasure
(enjoyment) see also terpein metaperformative 1-2, 55, 66, 83, and audience response 2-3, 6, 8, 172, 191 58-9,61-2,91-4,116-18,124-5, metapoetics 42-3, 55, 109-10, 133, 137, 175-6 174-6, 207-10 see ako and divine viewing 2, 6, 8, 10-12, 36, metaperformative; mise en 59, 61-2, 66, 79-80, 91-4, 99, abyme 116-18, 124-5, 146, 173, 175-6 mise en abyme 63-4, 66, 83, 115, 125, plot 16-17, 29-30, 33-4, 38-9,42-5, 180-1, 195-7 59-60, 63, 147Ո.14 moira/moìrai 6, 6n.l4, 56-9, 72, 87-8, poet (i.e. of the Iliad), role of 20-5,27-8, 94-6, 165, 172, 174-5, 184 31-3, 43 see ako Muse(s); Muse(s) 5, 21-4, 28, 32-8, 72, 199 Homer’s audience; Zeus and the poet nemesis 121-2, 159 polemos 110-13, 138-9, 197 ponos 53, 112,150-1, 165,167-8 Odyssey 20-2,25,37,41-4, 55-6,63,91, Priam 48, 56-7, 74-5, 111, 188-91, 207-10 see aho Alcínous; 205-6 Demodocus; Phaeacians; promachos/promachoi 181-3,185 Phemius proximity and distance 12,16-17, 22-3, 38-9,50-1,105-6,124-5,149-51 Pandarus 81, 90-1,100-2 psyche/psychai 27-8, 132-3, 162-4,191, paradox, temporal 39, 72, 83-7, 197 193-4, 200-1
231 Index reflexivity see ‘metapoetics’ Sarpedon 12Ո.26, 30-2, 46, 59, 130, 163-7, 182, 206 simile(s) 72, 104 of swarming flies 46-7, 49-51, 54 of mental travel 106-7 of a grave-marker 168-9 of a hawk and dove 179-80 of chariot-races 179-80,188-94,200-3 singer see aoidos; poet, role of spectacle definition and characteristics of 8, 11-19, 25, 27, 29-30, 33,51-3, 63-6, 208 direction of 29-30, 46, 58-60, 65-6, 82-3, 109, 142-3, 155, 157, 160-1, 165, 167, 174-5 narrative of see plot; moira/moirai nucleus of 14-17, 29-30, 48, 48n.66, 51-3, 64-6, 81, 158-9 spatial dimensions of middle space, central space, arena 75-6,80-2, 114, 121, 124-5, 144-5, 176, 183, 190, see also spectacle, nucleus of spatial separation of viewer from action see distance and proximity tiers 17, 78-9,117, 158 staging of 8, 25, 29-32, 60, 64-7, 71-3, 87, 141-5, 155, 169-70, 174-5 stakes of 19,115,127-8,147-8,191-4 temporal dimensions of 49 see also paradox, temporal beginning of see spectacle, staging of end of 110-13,126-7,132,159-60, 197, 206 Stansbury-O’Donnell, Mark 14-17,51-3 teichoskopia 74-5, 90-1, 191, 197-8 terpein, terpomai, terpeshai, terpsis 37Ո.ՅՅ, 59, 66, 79-80, 88, 93,116-18, 124-5, 144n.9, 146, 163, 172-4, 182Ո.9 theomachia 59, 81-2, 172-7 Trojan plain as the site of military and funerary spectacle 60, 67-8, 81-2, 114, 136, 142-5, 158-60, 162, 176-7, 189-90 Trojans and Achaeans, the as viewers 75-6, 78-81, 183, 185-8, 190 as combatants 71, 81, 104, 123, 133, 144, 150, 172-5 as gatherers of corpses 132-3, 136 ‘contests of’, ‘strife of’, ‘work of’ (to denote Iliadic warfare) 83-8, 99-100,
138-9, 162, 180-1 vividness see enargeia Zeus see also Dios boule-, spectacle, direction of; spectacle, staging of and the gods 7, 10-14, 56-8, 65-8, 76-7, 82, 87-91, 93-102, 134, 146, 155-7, 160-1 and moira 56-9, 94-6, 100-2, 163-5, 172, 174-5 and the poet 2-3,25,27-33,40-4,47, 51, 53-5, 58-60, 63-5, 71-2, 81, 87-90, 93-7, 100-2, 142-3, 167-9, 174-7, 193, 196-7, 203, 208-10 and viewing 4-5, 7, 11-13, 46, 60, 65-6, 69-70, 81-2, 132-4, 143-6, 156-60, 163-76, 195-7, 205-6 Bayerisdte Staatsbibliothek t München /
|
| any_adam_object | 1 |
| author | Myers, Tobias |
| author_GND | (DE-588)1193606233 |
| author_facet | Myers, Tobias |
| author_role | aut |
| author_sort | Myers, Tobias |
| author_variant | t m tm |
| building | Verbundindex |
| bvnumber | BV046209561 |
| ctrlnum | (OCoLC)1126568528 (DE-599)BVBBV046209561 |
| edition | First edition |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV046209561 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:38:20Z |
| institution | BVB |
| isbn | 9780198842354 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031588481 |
| oclc_num | 1126568528 |
| open_access_boolean | |
| owner | DE-12 DE-188 DE-19 DE-BY-UBM |
| owner_facet | DE-12 DE-188 DE-19 DE-BY-UBM |
| physical | xii, 231 Seiten 2 Illustrationen |
| psigel | BSB_NED_20191114 gbd_4_1912 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Myers, Tobias Verfasser (DE-588)1193606233 aut Homer's divine audience the Iliad's reception on Mount Olympus Tobias Myers First edition Oxford, United Kingdom Oxford University Press 2019 xii, 231 Seiten 2 Illustrationen txt rdacontent n rdamedia nc rdacarrier Titel geht aus der Dissertation des Autors hervor Dissertation Columbia University 2011 The gods of the Iliad have long troubled readers, with many features of their presentation defying satisfactory explanation. This volume presents a new 'metaperformative' approach to the poem's scenes of divine viewing, arguing that the poet uses the gods to model and thereby manipulate the ongoing dynamics of performance and live reception. Homer / Iliad Homerus ca. v8. Jh. Ilias (DE-588)4135525-8 gnd rswk-swf Gods, Greek, in literature Drama / Technique Götter Motiv (DE-588)4207912-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Mythologie der Griechen (DE-2581)TH000006466 gbd Ilias (DE-2581)TH000001475 gbd Homerus (DE-2581)TH000001467 gbd Götter und Göttinnen (DE-2581)TH000006504 gbd Homerus ca. v8. Jh. Ilias (DE-588)4135525-8 u Götter Motiv (DE-588)4207912-3 s DE-604 Erscheint auch als Online-Ausgabe 978-0-19-187835-0 (DE-604)BV046129389 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031588481&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031588481&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031588481&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Myers, Tobias Homer's divine audience the Iliad's reception on Mount Olympus Homer / Iliad Homerus ca. v8. Jh. Ilias (DE-588)4135525-8 gnd Gods, Greek, in literature Drama / Technique Götter Motiv (DE-588)4207912-3 gnd |
| subject_GND | (DE-588)4135525-8 (DE-588)4207912-3 (DE-588)4113937-9 |
| title | Homer's divine audience the Iliad's reception on Mount Olympus |
| title_auth | Homer's divine audience the Iliad's reception on Mount Olympus |
| title_exact_search | Homer's divine audience the Iliad's reception on Mount Olympus |
| title_full | Homer's divine audience the Iliad's reception on Mount Olympus Tobias Myers |
| title_fullStr | Homer's divine audience the Iliad's reception on Mount Olympus Tobias Myers |
| title_full_unstemmed | Homer's divine audience the Iliad's reception on Mount Olympus Tobias Myers |
| title_short | Homer's divine audience |
| title_sort | homer s divine audience the iliad s reception on mount olympus |
| title_sub | the Iliad's reception on Mount Olympus |
| topic | Homer / Iliad Homerus ca. v8. Jh. Ilias (DE-588)4135525-8 gnd Gods, Greek, in literature Drama / Technique Götter Motiv (DE-588)4207912-3 gnd |
| topic_facet | Homer / Iliad Homerus ca. v8. Jh. Ilias Gods, Greek, in literature Drama / Technique Götter Motiv Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031588481&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031588481&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031588481&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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