Switched on pop how popular music works, and why it matters
'Switched on Pop' illuminates the essential musical concepts behind two decades of chart-topping songs. The text moves through close studies of 16 modern pop classics by artists from Beyonc e to Zedd, each chapter bringing out key aspects of a particular song as well as introducing core co...
Gespeichert in:
Hauptverfasser: | , |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York, NY
Oxford University Press
2019
|
Schriftenreihe: | Oxford scholarship online
|
Schlagworte: | |
Online-Zugang: | BSB01 URL des Erstveröffentlichers |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV046168534 | ||
003 | DE-604 | ||
005 | 20211130 | ||
007 | cr|uuu---uuuuu | ||
008 | 190920s2019 |||| o||u| ||||||eng d | ||
020 | |a 9780190056681 |c Online |9 978-0-19-005668-1 | ||
024 | 7 | |a 10.1093/oso/9780190056650.001.0001 |2 doi | |
035 | |a (ZDB-28-OSM)EDZ0002088480 | ||
035 | |a (OCoLC)1120932309 | ||
035 | |a (DE-599)BVBBV046168534 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
084 | |a MUS |q DE-12 |2 fid | ||
084 | |a LS 48070 |0 (DE-625)110548: |2 rvk | ||
100 | 1 | |a Sloan, Nate |d 1986- |e Verfasser |0 (DE-588)1192695054 |4 aut | |
245 | 1 | 0 | |a Switched on pop |b how popular music works, and why it matters |c Nate Sloan and Charlie Harding |
264 | 1 | |a New York, NY |b Oxford University Press |c 2019 | |
300 | |a 1 Online-Ressource |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Oxford scholarship online | |
500 | |a Includes bibliographical references and index | ||
520 | |a 'Switched on Pop' illuminates the essential musical concepts behind two decades of chart-topping songs. The text moves through close studies of 16 modern pop classics by artists from Beyonc e to Zedd, each chapter bringing out key aspects of a particular song as well as introducing core concepts such as rhythm, melody, harmony, form, and timbre. As the work progresses, more complex concepts such as syncopation, counterpoint, rhyme, and modulation are covered, culminating in an examination of genre, identity, and musical meaning. Accessible prose and engaging illustrations break down pop hits and musical ideas in clear, jargon-free language, and point toward a new way of listening to the modern soundtrack of pop. | ||
648 | 7 | |a Geschichte 2000-2019 |2 gnd |9 rswk-swf | |
650 | 4 | |a Popular music / 2001-2010 / History and criticism | |
650 | 4 | |a Popular music / 2011-2020 / History and criticism | |
650 | 4 | |a Popular music / Analysis, appreciation | |
650 | 0 | 7 | |a Musikalischer Stil |0 (DE-588)4170806-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Popmusik |0 (DE-588)4046781-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Hit |0 (DE-588)4127279-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Musikalische Analyse |0 (DE-588)4040814-0 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Popmusik |0 (DE-588)4046781-8 |D s |
689 | 0 | 1 | |a Hit |0 (DE-588)4127279-1 |D s |
689 | 0 | 2 | |a Musikalischer Stil |0 (DE-588)4170806-4 |D s |
689 | 0 | 3 | |a Musikalische Analyse |0 (DE-588)4040814-0 |D s |
689 | 0 | 4 | |a Geschichte 2000-2019 |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Harding, Charlie |d 1986- |e Verfasser |0 (DE-588)1195219989 |4 aut | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-0-19-005665-0 |
856 | 4 | 0 | |u https://doi.org/10.1093/oso/9780190056650.001.0001 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-28-OSM | ||
940 | 1 | |q BSB_NED_20191008 | |
940 | 1 | |q ZDB-1-UMC | |
999 | |a oai:aleph.bib-bvb.de:BVB01-031548352 | ||
942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0905 |
966 | e | |u https://doi.org/10.1093/oso/9780190056650.001.0001 |l BSB01 |p ZDB-28-OSM |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804180524493701120 |
---|---|
any_adam_object | |
author | Sloan, Nate 1986- Harding, Charlie 1986- |
author_GND | (DE-588)1192695054 (DE-588)1195219989 |
author_facet | Sloan, Nate 1986- Harding, Charlie 1986- |
author_role | aut aut |
author_sort | Sloan, Nate 1986- |
author_variant | n s ns c h ch |
building | Verbundindex |
bvnumber | BV046168534 |
classification_rvk | LS 48070 |
collection | ZDB-28-OSM |
ctrlnum | (ZDB-28-OSM)EDZ0002088480 (OCoLC)1120932309 (DE-599)BVBBV046168534 |
discipline | Musikwissenschaft |
doi_str_mv | 10.1093/oso/9780190056650.001.0001 |
era | Geschichte 2000-2019 gnd |
era_facet | Geschichte 2000-2019 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03117nmm a2200613zc 4500</leader><controlfield tag="001">BV046168534</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20211130 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">190920s2019 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190056681</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-19-005668-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1093/oso/9780190056650.001.0001</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-28-OSM)EDZ0002088480</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1120932309</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046168534</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 48070</subfield><subfield code="0">(DE-625)110548:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Sloan, Nate</subfield><subfield code="d">1986-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1192695054</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Switched on pop</subfield><subfield code="b">how popular music works, and why it matters</subfield><subfield code="c">Nate Sloan and Charlie Harding</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Oxford scholarship online</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">'Switched on Pop' illuminates the essential musical concepts behind two decades of chart-topping songs. The text moves through close studies of 16 modern pop classics by artists from Beyonc e to Zedd, each chapter bringing out key aspects of a particular song as well as introducing core concepts such as rhythm, melody, harmony, form, and timbre. As the work progresses, more complex concepts such as syncopation, counterpoint, rhyme, and modulation are covered, culminating in an examination of genre, identity, and musical meaning. Accessible prose and engaging illustrations break down pop hits and musical ideas in clear, jargon-free language, and point toward a new way of listening to the modern soundtrack of pop.</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2000-2019</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music / 2001-2010 / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music / 2011-2020 / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music / Analysis, appreciation</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalischer Stil</subfield><subfield code="0">(DE-588)4170806-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Popmusik</subfield><subfield code="0">(DE-588)4046781-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Hit</subfield><subfield code="0">(DE-588)4127279-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Popmusik</subfield><subfield code="0">(DE-588)4046781-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Hit</subfield><subfield code="0">(DE-588)4127279-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musikalischer Stil</subfield><subfield code="0">(DE-588)4170806-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 2000-2019</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Harding, Charlie</subfield><subfield code="d">1986-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1195219989</subfield><subfield code="4">aut</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-19-005665-0</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1093/oso/9780190056650.001.0001</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-28-OSM</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20191008</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-1-UMC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031548352</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1093/oso/9780190056650.001.0001</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-28-OSM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV046168534 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T08:37:08Z |
institution | BVB |
isbn | 9780190056681 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031548352 |
oclc_num | 1120932309 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 1 Online-Ressource Illustrationen |
psigel | ZDB-28-OSM BSB_NED_20191008 ZDB-1-UMC |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Oxford University Press |
record_format | marc |
series2 | Oxford scholarship online |
spelling | Sloan, Nate 1986- Verfasser (DE-588)1192695054 aut Switched on pop how popular music works, and why it matters Nate Sloan and Charlie Harding New York, NY Oxford University Press 2019 1 Online-Ressource Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier Oxford scholarship online Includes bibliographical references and index 'Switched on Pop' illuminates the essential musical concepts behind two decades of chart-topping songs. The text moves through close studies of 16 modern pop classics by artists from Beyonc e to Zedd, each chapter bringing out key aspects of a particular song as well as introducing core concepts such as rhythm, melody, harmony, form, and timbre. As the work progresses, more complex concepts such as syncopation, counterpoint, rhyme, and modulation are covered, culminating in an examination of genre, identity, and musical meaning. Accessible prose and engaging illustrations break down pop hits and musical ideas in clear, jargon-free language, and point toward a new way of listening to the modern soundtrack of pop. Geschichte 2000-2019 gnd rswk-swf Popular music / 2001-2010 / History and criticism Popular music / 2011-2020 / History and criticism Popular music / Analysis, appreciation Musikalischer Stil (DE-588)4170806-4 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Hit (DE-588)4127279-1 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Popmusik (DE-588)4046781-8 s Hit (DE-588)4127279-1 s Musikalischer Stil (DE-588)4170806-4 s Musikalische Analyse (DE-588)4040814-0 s Geschichte 2000-2019 z DE-604 Harding, Charlie 1986- Verfasser (DE-588)1195219989 aut Erscheint auch als Druck-Ausgabe 978-0-19-005665-0 https://doi.org/10.1093/oso/9780190056650.001.0001 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Sloan, Nate 1986- Harding, Charlie 1986- Switched on pop how popular music works, and why it matters Popular music / 2001-2010 / History and criticism Popular music / 2011-2020 / History and criticism Popular music / Analysis, appreciation Musikalischer Stil (DE-588)4170806-4 gnd Popmusik (DE-588)4046781-8 gnd Hit (DE-588)4127279-1 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
subject_GND | (DE-588)4170806-4 (DE-588)4046781-8 (DE-588)4127279-1 (DE-588)4040814-0 |
title | Switched on pop how popular music works, and why it matters |
title_auth | Switched on pop how popular music works, and why it matters |
title_exact_search | Switched on pop how popular music works, and why it matters |
title_full | Switched on pop how popular music works, and why it matters Nate Sloan and Charlie Harding |
title_fullStr | Switched on pop how popular music works, and why it matters Nate Sloan and Charlie Harding |
title_full_unstemmed | Switched on pop how popular music works, and why it matters Nate Sloan and Charlie Harding |
title_short | Switched on pop |
title_sort | switched on pop how popular music works and why it matters |
title_sub | how popular music works, and why it matters |
topic | Popular music / 2001-2010 / History and criticism Popular music / 2011-2020 / History and criticism Popular music / Analysis, appreciation Musikalischer Stil (DE-588)4170806-4 gnd Popmusik (DE-588)4046781-8 gnd Hit (DE-588)4127279-1 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
topic_facet | Popular music / 2001-2010 / History and criticism Popular music / 2011-2020 / History and criticism Popular music / Analysis, appreciation Musikalischer Stil Popmusik Hit Musikalische Analyse |
url | https://doi.org/10.1093/oso/9780190056650.001.0001 |
work_keys_str_mv | AT sloannate switchedonpophowpopularmusicworksandwhyitmatters AT hardingcharlie switchedonpophowpopularmusicworksandwhyitmatters |