The Routledge companion to the contemporary musical
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2020
|
| Schriftenreihe: | Routledge music companions
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV046162827 | ||
| 003 | DE-604 | ||
| 005 | 20230202 | ||
| 007 | t | ||
| 008 | 190917s2020 agl| b||| 00||| eng d | ||
| 020 | |a 9781138684614 |c (hbk.) |9 978-1-138-68461-4 | ||
| 035 | |a (OCoLC)1124784554 | ||
| 035 | |a (DE-599)BVBBV046162827 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-19 |a DE-12 |a DE-188 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a AP 71200 |0 (DE-625)7894: |2 rvk | ||
| 084 | |a LR 54130 |0 (DE-625)109631:13528 |2 rvk | ||
| 245 | 1 | 0 | |a The Routledge companion to the contemporary musical |c edited by Jessica Sternfeld and Elizabeth L. Wollman |
| 246 | 1 | 3 | |a Companion to the contemporary musical |
| 264 | 1 | |a New York ; London |b Routledge, Taylor & Francis Group |c 2020 | |
| 300 | |a X, 486 Seiten |b Illustrationen, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Routledge music companions | |
| 505 | 8 | |a Introduction / Jessica Sternfeld and Elizabeth L. Wooman -- Part 1. Setting the stage: an introduction to analyzing the musical theater -- 1. Musical theater reception theory, or what happens when you see a show? / Katie Welsh and Stacy Wolf -- 2. "[Title of chapter]" / Millie Taylor -- Part 2. Starting with the '70s -- 3. They're playing my song: the American musical in the me-decade / Bryan M. Vandevender -- 4. "My corner of the sky": adolescence and coming of age in the musicals of Stephen Schwartz / Ryan Bunch -- 5. Style as star: Bob Fosse and sixty seconds that changed Broadway / Ryan Donovan -- 6. Recreating the ephemeral: Broadway revivals since 1971 / James Lovensheimer -- Part 3. Aesthetic transformations -- 7. Sing: musical theater voices from Superstar to Hamilton / Ben Macpherson -- 8. Amplifying Broadway after the golden age / Arreanna Rostosky -- | |
| 505 | 8 | |a 9. Starlight expression and phantom operatics: technology, performance and the megamusical's aesthetic of the voice / Dominic Symonds -- 10. The sung and the spoken in Michael John LaChiusa's musicals / Alex Bádue -- 11. The new "sounds of Broadway": orchestrating electronic instruments in contemporary musicals / Michael M. Kennedy -- 12. Chart-toppers to showstoppers: pop artists scoring the Broadway stage / Matthew Lockitt -- 13. Scenographic aesthetics and automated technologies in Broadway musicals / Christin Essin -- Part 4. Reading the musical through gender -- 14. Do-re-#MeToo: women, work and representation in the Broadway musical / Mary Jo Lodge -- 15. It's still working: collaborating to perform the stories of everyday Americans, then and now / Trudi Wright -- 16. The pink elephant in the room / Aaron C. Thomas -- 17. "A little more mascara": drag and the Broadway musical from La cage aux folles to Kinky boots / John M. Clum -- | |
| 505 | 8 | |a Part 5. Reading the musical through race and ethnicity -- 18. The multiracial musical metropolis: casting and race after A chorus line / Todd Decker -- 19. "Before the parade passes by": all-black and all-Asian Hello, dolly! as celebration of difference / Sissi Liu -- 20. Race and the city: racial formation in Avenue Q / SAJones -- 21. Can we "Leave behind the world we know"? exploring race and ethnicity in the musicals of Lin-Manuel Miranda / Elizabeth Titrington Craft -- 22. Falsettos and indecent in the shadow of Fiddler on the roof: reconsidering Jewish identity on Broadway in the new millennium / Raymond Knapp and Zelda Knapp -- Part 6. Reading the musical through dance -- 23. What makes a musical? Contact (2000) and debates about genre at the dawn of the twenty-first century / Joanna Dee Das -- 24. Dance in musical theater revival and adaptation: engaging with the past while creating dances for the present / Liza Gennaro -- | |
| 505 | 8 | |a 25. The convergence of dance styles in Hamilton: an American musical / Phoebe Rumsey -- Part 7. Reading the musical through interdisciplinary lenses -- 26. Post-secular musicals in a post-truth world / Jake Johnson -- 27. Let's do the time warp again: performing time, genre, and spectatorship / Sarah Taylor Ellis -- 28. The eye of the storm: reading next to normal with psychoanalysis / Aleksei Grinenko -- 29. Parent/child relationships in the musicals of Stephen Schwartz / Paul R. Laird -- 30. John Kander: the first ninety-one years / James Leve -- 31. Unlikely subjects: the critical reception of history musicals / Elissa Harbert -- Part 8. Beyond Broadway: new media and fan studies -- 32. Worshipping Lin-Manuel Miranda: fans and totems in the digital age / Jessica Hillman-McCord -- 33. "Trash talk and virtual protests: the musical genre's personal and political interactivity in the age of social media" / Kelly Kessler -- | |
| 505 | 8 | |a 34. The great generational divide: stage-to-screen Hollywood musical adaptations and the enactment of fandom / Holley Replogle-Wong -- 35. Play it again (and again, and again): the superfan and musical theater / James Deaville -- 36. Joss Whedon and the geek musical / Renée Camus -- 37. "YouTube! musicals! YouTubesicals!" cultivating theater fandom through new media / Aya Esther Hayashi -- 38. Dual-focus strategy in a serial narrative: SMASH, Nashville, and the television musical series / Robynn Stilwell -- Part 9. Growth and expansion: across the country and around the world -- 39. Sharon McQueen and Milwaukee's alternative regional musical theater / Amanda McQueen -- 40. Musicals in the regional theater / Jeffrey Ullom -- 41. Big river: a new road to Broadway / Steven Adler -- 42. The third biggest market: musical theater in Germany since 1990 / Frédéric Döhl -- | |
| 505 | 8 | |a 43. The Korean self/American other: Korean musical theater in the context of national cultural development / Hyunjung Lee -- 44. The lion king: an international history / Susan Bennett | |
| 648 | 7 | |a Geschichte 1970- |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Musical |0 (DE-588)4040801-2 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Musicals / History and criticism | |
| 653 | 0 | |a Musicals | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Musical |0 (DE-588)4040801-2 |D s |
| 689 | 0 | 1 | |a Geschichte 1970- |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Sternfeld, Jessica |d 1971- |e Sonstige |0 (DE-588)1195459637 |4 oth | |
| 700 | 1 | |a Wollman, Elizabeth L. |d 1969- |e Sonstige |0 (DE-588)143788353 |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-315-54370-3 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031542726&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20191210 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031542726 | ||
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0904 |g 73 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0905 |g 73 |
Datensatz im Suchindex
| _version_ | 1804180514205073408 |
|---|---|
| adam_text | CONTENTS Acknowledgments x Introduction 1 Jessica Sternfeld and Elizabeth L. Wollman PARTI Setting the Stage: An Introduction to Analyzing the Musical Theater 5 1 Musical Theater Reception Theory, or What Happens When You See a Show? 6 Katie Welsh and Stacy Wolf 2 “[Title of Chapter]” 17 Millie Taylor PART 2 Starting with the ‘70s 27 3 They’re Playing My Song: The American Musical in the Me-Decade 29 Bryan M. Vandevender 4 “My Corner of the Sky”: Adolescence and Coming of Age in the Musicals of Stephen Schwartz 39 Ryan Bunch 5 Style as Star: Bob Fosse and Sixty Seconds That Changed Broadway Ryan Donovan v 48
Contents 6 Recreating the Ephemeral: Broadway Revivals since 1971 James Lovensheimer 58 PART 3 Aesthetic Transformations 67 7 Sing: Musical Theater Voices from Superstar to Hamilton Ben Macpherson 69 8 Amplifying Broadway after the Golden Age Arreanna Rostosky 78 9 Starlight Expression and Phantom Operatics: Technology, Performance, and the Megamusical’s Aesthetic of the Voice Dominic Symonds 10 The Sung and the Spoken in Michael John LaChiusa’s Musicals Alex Bádue 11 The New “Sounds of Broadway”: Orchestrating Electronic Instruments in Contemporary Musicals Michael M. Kennedy 12 Chart-Toppers to Showstoppers: Pop Artists Scoring the Broadway Stage Matthew Lockitt 13 Scénographie Aesthetics and Automated Technologies in Broadway Musicals Christin Essin 87 97 106 120 130 PART 4 Reading the Musical through Gender 141 14 Do-Re-#MeToo: Women, Work, and Representation in the Broadway Musical Mary Jo Lodge 143 15 It’s Still Working: Collaborating to Perform the Stories of Everyday Americans, Then and Now Trudi Wright 152 16 The Pink Elephant in the Room Aaron C. Thomas 163 vi
Contents 17 “A Little More Mascara”: Drag and the Broadway Musical from La Cage aux Folles to Kinky Boots John M. Cium 173 PART 5 Reading the Musical through Race and Ethnicity 183 18 The Multiracial Musical Metropolis: Casting and Race after A Chorus Line Todd Decker 185 19 “Before the Parade Passes By”: All-Black and All-Asian Hello, Dolly! as Celebration of Difference Sissi Liu 196 20 Race and the City: Racial Formation in Avenue Q Stefanie A. Jones 21 Can We “Leave Behind the World We Know”?: Exploring Race and Ethnicity in the Musicals of Lin-Manuel Miranda Elizabeth Titrington Craft 22 Falsettos and Indecent in the Shadow of Fiddler on the Roof. Reconsidering Jewish Identity on Broadway in the New Millennium Raymond Knapp and Zelda Knapp 206 216 226 PART 6 Reading the Musical through Dance 235 23 What Makes a Musical?: Contact (2000) and Debates about Genre at the Dawn of the Twenty-First Century Joanna Dee Das 236 24 Dance in Musical Theater Revival and Adaptation: Engaging with the Past While Creating Dances for the Present Liza Gennaro 246 25 The Convergence of Dance Styles in Hamilton: An American Musical Phoebe Rumsey 255
Contents PART 7 Reading the Musical through Interdisciplinary Lenses 263 26 Post-Secular Musicals in a Post-Truth World Jake Johnson 265 27 Let’s Do the Time Warp Again: Performing Time, Genre, and Spectatorship Sarah Taylor Ellis 273 28 The Eye of the Storm: Reading Next to Normal with Psychoanalysis Aleksei Grinenko 283 29 Parent/Child Relationships in the Musicals of Stephen Schwartz Paul R. Laird 294 30 John Kander: The First Ninety-Two Years James Leve 302 31 Unlikely Subjects: The Critical Reception of History Musicals Elissa Harbert 312 PART 8 Beyond Broadway: New Media and Fan Studies 323 32 Worshipping Lin-Manuel Miranda: Fans and Totems in the Digital Age Jessica Hillman-McCord 325 33 “Trash Talk and Virtual Protests”: The Musical Genre’s Personal and Political Interactivity in the Age of Social Media Kelly Kessler 335 34 The Great Generational Divide: Stage-to-Screen Hollywood Musical Adaptations and the Enactment of Fandom Holley Replogle- Wong 345 35 Play It Again (and Again, and Again): The Superfan and Musical Theater James Deanille 355 36 Joss Whedon and the Geek Musical Renée Camus 364 37 “YouTube! Musicals! YouTubesicals!”: Cultivating Theater Fandom through New Media Aya Esther Hayashi viii 374
Contents 38 Dual-Focus Strategy in a Serial Narrative: Smash, Nashville, and the Television Musical Series Rohynn Stilwell 384 PART 9 Growth and Expansion: Across the Country and Around the World 395 39 Sharon McQueen And Milwaukee’s Alternative Regional Musical Theater Amanda McQueen 397 40 Musicals in the Regional Theater Jeffrey Ullom 408 41 Big River: A New Road to Broadway Steven Adler 418 42 The Third Biggest Market: Musical Theater in Germany since 1990 Frédéric Döhl 427 43 The Korean Self/American Other: Korean Musical Theater in the Context of National Cultural Development Hyunjung Lee 437 44 The Lion King: An International History Susan Bennett 445 Author Biographies Index 455 465 ix
|
| any_adam_object | 1 |
| author_GND | (DE-588)1195459637 (DE-588)143788353 |
| building | Verbundindex |
| bvnumber | BV046162827 |
| classification_rvk | AP 71200 LR 54130 |
| contents | Introduction / Jessica Sternfeld and Elizabeth L. Wooman -- Part 1. Setting the stage: an introduction to analyzing the musical theater -- 1. Musical theater reception theory, or what happens when you see a show? / Katie Welsh and Stacy Wolf -- 2. "[Title of chapter]" / Millie Taylor -- Part 2. Starting with the '70s -- 3. They're playing my song: the American musical in the me-decade / Bryan M. Vandevender -- 4. "My corner of the sky": adolescence and coming of age in the musicals of Stephen Schwartz / Ryan Bunch -- 5. Style as star: Bob Fosse and sixty seconds that changed Broadway / Ryan Donovan -- 6. Recreating the ephemeral: Broadway revivals since 1971 / James Lovensheimer -- Part 3. Aesthetic transformations -- 7. Sing: musical theater voices from Superstar to Hamilton / Ben Macpherson -- 8. Amplifying Broadway after the golden age / Arreanna Rostosky -- 9. Starlight expression and phantom operatics: technology, performance and the megamusical's aesthetic of the voice / Dominic Symonds -- 10. The sung and the spoken in Michael John LaChiusa's musicals / Alex Bádue -- 11. The new "sounds of Broadway": orchestrating electronic instruments in contemporary musicals / Michael M. Kennedy -- 12. Chart-toppers to showstoppers: pop artists scoring the Broadway stage / Matthew Lockitt -- 13. Scenographic aesthetics and automated technologies in Broadway musicals / Christin Essin -- Part 4. Reading the musical through gender -- 14. Do-re-#MeToo: women, work and representation in the Broadway musical / Mary Jo Lodge -- 15. It's still working: collaborating to perform the stories of everyday Americans, then and now / Trudi Wright -- 16. The pink elephant in the room / Aaron C. Thomas -- 17. "A little more mascara": drag and the Broadway musical from La cage aux folles to Kinky boots / John M. Clum -- Part 5. Reading the musical through race and ethnicity -- 18. The multiracial musical metropolis: casting and race after A chorus line / Todd Decker -- 19. "Before the parade passes by": all-black and all-Asian Hello, dolly! as celebration of difference / Sissi Liu -- 20. Race and the city: racial formation in Avenue Q / SAJones -- 21. Can we "Leave behind the world we know"? exploring race and ethnicity in the musicals of Lin-Manuel Miranda / Elizabeth Titrington Craft -- 22. Falsettos and indecent in the shadow of Fiddler on the roof: reconsidering Jewish identity on Broadway in the new millennium / Raymond Knapp and Zelda Knapp -- Part 6. Reading the musical through dance -- 23. What makes a musical? Contact (2000) and debates about genre at the dawn of the twenty-first century / Joanna Dee Das -- 24. Dance in musical theater revival and adaptation: engaging with the past while creating dances for the present / Liza Gennaro -- 25. The convergence of dance styles in Hamilton: an American musical / Phoebe Rumsey -- Part 7. Reading the musical through interdisciplinary lenses -- 26. Post-secular musicals in a post-truth world / Jake Johnson -- 27. Let's do the time warp again: performing time, genre, and spectatorship / Sarah Taylor Ellis -- 28. The eye of the storm: reading next to normal with psychoanalysis / Aleksei Grinenko -- 29. Parent/child relationships in the musicals of Stephen Schwartz / Paul R. Laird -- 30. John Kander: the first ninety-one years / James Leve -- 31. Unlikely subjects: the critical reception of history musicals / Elissa Harbert -- Part 8. Beyond Broadway: new media and fan studies -- 32. Worshipping Lin-Manuel Miranda: fans and totems in the digital age / Jessica Hillman-McCord -- 33. "Trash talk and virtual protests: the musical genre's personal and political interactivity in the age of social media" / Kelly Kessler -- 34. The great generational divide: stage-to-screen Hollywood musical adaptations and the enactment of fandom / Holley Replogle-Wong -- 35. Play it again (and again, and again): the superfan and musical theater / James Deaville -- 36. Joss Whedon and the geek musical / Renée Camus -- 37. "YouTube! musicals! YouTubesicals!" cultivating theater fandom through new media / Aya Esther Hayashi -- 38. Dual-focus strategy in a serial narrative: SMASH, Nashville, and the television musical series / Robynn Stilwell -- Part 9. Growth and expansion: across the country and around the world -- 39. Sharon McQueen and Milwaukee's alternative regional musical theater / Amanda McQueen -- 40. Musicals in the regional theater / Jeffrey Ullom -- 41. Big river: a new road to Broadway / Steven Adler -- 42. The third biggest market: musical theater in Germany since 1990 / Frédéric Döhl -- 43. The Korean self/American other: Korean musical theater in the context of national cultural development / Hyunjung Lee -- 44. The lion king: an international history / Susan Bennett |
| ctrlnum | (OCoLC)1124784554 (DE-599)BVBBV046162827 |
| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte 1970- gnd |
| era_facet | Geschichte 1970- |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06987nam a22005898c 4500</leader><controlfield tag="001">BV046162827</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230202 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190917s2020 agl| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781138684614</subfield><subfield code="c">(hbk.)</subfield><subfield code="9">978-1-138-68461-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1124784554</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046162827</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-19</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 71200</subfield><subfield code="0">(DE-625)7894:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54130</subfield><subfield code="0">(DE-625)109631:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Routledge companion to the contemporary musical</subfield><subfield code="c">edited by Jessica Sternfeld and Elizabeth L. Wollman</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Companion to the contemporary musical</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ; London</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">X, 486 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge music companions</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction / Jessica Sternfeld and Elizabeth L. Wooman -- Part 1. Setting the stage: an introduction to analyzing the musical theater -- 1. Musical theater reception theory, or what happens when you see a show? / Katie Welsh and Stacy Wolf -- 2. "[Title of chapter]" / Millie Taylor -- Part 2. Starting with the '70s -- 3. They're playing my song: the American musical in the me-decade / Bryan M. Vandevender -- 4. "My corner of the sky": adolescence and coming of age in the musicals of Stephen Schwartz / Ryan Bunch -- 5. Style as star: Bob Fosse and sixty seconds that changed Broadway / Ryan Donovan -- 6. Recreating the ephemeral: Broadway revivals since 1971 / James Lovensheimer -- Part 3. Aesthetic transformations -- 7. Sing: musical theater voices from Superstar to Hamilton / Ben Macpherson -- 8. Amplifying Broadway after the golden age / Arreanna Rostosky -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a"> 9. Starlight expression and phantom operatics: technology, performance and the megamusical's aesthetic of the voice / Dominic Symonds -- 10. The sung and the spoken in Michael John LaChiusa's musicals / Alex Bádue -- 11. The new "sounds of Broadway": orchestrating electronic instruments in contemporary musicals / Michael M. Kennedy -- 12. Chart-toppers to showstoppers: pop artists scoring the Broadway stage / Matthew Lockitt -- 13. Scenographic aesthetics and automated technologies in Broadway musicals / Christin Essin -- Part 4. Reading the musical through gender -- 14. Do-re-#MeToo: women, work and representation in the Broadway musical / Mary Jo Lodge -- 15. It's still working: collaborating to perform the stories of everyday Americans, then and now / Trudi Wright -- 16. The pink elephant in the room / Aaron C. Thomas -- 17. "A little more mascara": drag and the Broadway musical from La cage aux folles to Kinky boots / John M. Clum -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a"> Part 5. Reading the musical through race and ethnicity -- 18. The multiracial musical metropolis: casting and race after A chorus line / Todd Decker -- 19. "Before the parade passes by": all-black and all-Asian Hello, dolly! as celebration of difference / Sissi Liu -- 20. Race and the city: racial formation in Avenue Q / SAJones -- 21. Can we "Leave behind the world we know"? exploring race and ethnicity in the musicals of Lin-Manuel Miranda / Elizabeth Titrington Craft -- 22. Falsettos and indecent in the shadow of Fiddler on the roof: reconsidering Jewish identity on Broadway in the new millennium / Raymond Knapp and Zelda Knapp -- Part 6. Reading the musical through dance -- 23. What makes a musical? Contact (2000) and debates about genre at the dawn of the twenty-first century / Joanna Dee Das -- 24. Dance in musical theater revival and adaptation: engaging with the past while creating dances for the present / Liza Gennaro -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a"> 25. The convergence of dance styles in Hamilton: an American musical / Phoebe Rumsey -- Part 7. Reading the musical through interdisciplinary lenses -- 26. Post-secular musicals in a post-truth world / Jake Johnson -- 27. Let's do the time warp again: performing time, genre, and spectatorship / Sarah Taylor Ellis -- 28. The eye of the storm: reading next to normal with psychoanalysis / Aleksei Grinenko -- 29. Parent/child relationships in the musicals of Stephen Schwartz / Paul R. Laird -- 30. John Kander: the first ninety-one years / James Leve -- 31. Unlikely subjects: the critical reception of history musicals / Elissa Harbert -- Part 8. Beyond Broadway: new media and fan studies -- 32. Worshipping Lin-Manuel Miranda: fans and totems in the digital age / Jessica Hillman-McCord -- 33. "Trash talk and virtual protests: the musical genre's personal and political interactivity in the age of social media" / Kelly Kessler -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a"> 34. The great generational divide: stage-to-screen Hollywood musical adaptations and the enactment of fandom / Holley Replogle-Wong -- 35. Play it again (and again, and again): the superfan and musical theater / James Deaville -- 36. Joss Whedon and the geek musical / Renée Camus -- 37. "YouTube! musicals! YouTubesicals!" cultivating theater fandom through new media / Aya Esther Hayashi -- 38. Dual-focus strategy in a serial narrative: SMASH, Nashville, and the television musical series / Robynn Stilwell -- Part 9. Growth and expansion: across the country and around the world -- 39. Sharon McQueen and Milwaukee's alternative regional musical theater / Amanda McQueen -- 40. Musicals in the regional theater / Jeffrey Ullom -- 41. Big river: a new road to Broadway / Steven Adler -- 42. The third biggest market: musical theater in Germany since 1990 / Frédéric Döhl -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a"> 43. The Korean self/American other: Korean musical theater in the context of national cultural development / Hyunjung Lee -- 44. The lion king: an international history / Susan Bennett</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1970-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musical</subfield><subfield code="0">(DE-588)4040801-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musicals / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musicals</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musical</subfield><subfield code="0">(DE-588)4040801-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1970-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sternfeld, Jessica</subfield><subfield code="d">1971-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)1195459637</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wollman, Elizabeth L.</subfield><subfield code="d">1969-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)143788353</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-315-54370-3</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031542726&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20191210</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031542726</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">73</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV046162827 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:36:58Z |
| institution | BVB |
| isbn | 9781138684614 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031542726 |
| oclc_num | 1124784554 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-12 DE-188 |
| owner_facet | DE-19 DE-BY-UBM DE-12 DE-188 |
| physical | X, 486 Seiten Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20191210 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Routledge music companions |
| spelling | The Routledge companion to the contemporary musical edited by Jessica Sternfeld and Elizabeth L. Wollman Companion to the contemporary musical New York ; London Routledge, Taylor & Francis Group 2020 X, 486 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Routledge music companions Introduction / Jessica Sternfeld and Elizabeth L. Wooman -- Part 1. Setting the stage: an introduction to analyzing the musical theater -- 1. Musical theater reception theory, or what happens when you see a show? / Katie Welsh and Stacy Wolf -- 2. "[Title of chapter]" / Millie Taylor -- Part 2. Starting with the '70s -- 3. They're playing my song: the American musical in the me-decade / Bryan M. Vandevender -- 4. "My corner of the sky": adolescence and coming of age in the musicals of Stephen Schwartz / Ryan Bunch -- 5. Style as star: Bob Fosse and sixty seconds that changed Broadway / Ryan Donovan -- 6. Recreating the ephemeral: Broadway revivals since 1971 / James Lovensheimer -- Part 3. Aesthetic transformations -- 7. Sing: musical theater voices from Superstar to Hamilton / Ben Macpherson -- 8. Amplifying Broadway after the golden age / Arreanna Rostosky -- 9. Starlight expression and phantom operatics: technology, performance and the megamusical's aesthetic of the voice / Dominic Symonds -- 10. The sung and the spoken in Michael John LaChiusa's musicals / Alex Bádue -- 11. The new "sounds of Broadway": orchestrating electronic instruments in contemporary musicals / Michael M. Kennedy -- 12. Chart-toppers to showstoppers: pop artists scoring the Broadway stage / Matthew Lockitt -- 13. Scenographic aesthetics and automated technologies in Broadway musicals / Christin Essin -- Part 4. Reading the musical through gender -- 14. Do-re-#MeToo: women, work and representation in the Broadway musical / Mary Jo Lodge -- 15. It's still working: collaborating to perform the stories of everyday Americans, then and now / Trudi Wright -- 16. The pink elephant in the room / Aaron C. Thomas -- 17. "A little more mascara": drag and the Broadway musical from La cage aux folles to Kinky boots / John M. Clum -- Part 5. Reading the musical through race and ethnicity -- 18. The multiracial musical metropolis: casting and race after A chorus line / Todd Decker -- 19. "Before the parade passes by": all-black and all-Asian Hello, dolly! as celebration of difference / Sissi Liu -- 20. Race and the city: racial formation in Avenue Q / SAJones -- 21. Can we "Leave behind the world we know"? exploring race and ethnicity in the musicals of Lin-Manuel Miranda / Elizabeth Titrington Craft -- 22. Falsettos and indecent in the shadow of Fiddler on the roof: reconsidering Jewish identity on Broadway in the new millennium / Raymond Knapp and Zelda Knapp -- Part 6. Reading the musical through dance -- 23. What makes a musical? Contact (2000) and debates about genre at the dawn of the twenty-first century / Joanna Dee Das -- 24. Dance in musical theater revival and adaptation: engaging with the past while creating dances for the present / Liza Gennaro -- 25. The convergence of dance styles in Hamilton: an American musical / Phoebe Rumsey -- Part 7. Reading the musical through interdisciplinary lenses -- 26. Post-secular musicals in a post-truth world / Jake Johnson -- 27. Let's do the time warp again: performing time, genre, and spectatorship / Sarah Taylor Ellis -- 28. The eye of the storm: reading next to normal with psychoanalysis / Aleksei Grinenko -- 29. Parent/child relationships in the musicals of Stephen Schwartz / Paul R. Laird -- 30. John Kander: the first ninety-one years / James Leve -- 31. Unlikely subjects: the critical reception of history musicals / Elissa Harbert -- Part 8. Beyond Broadway: new media and fan studies -- 32. Worshipping Lin-Manuel Miranda: fans and totems in the digital age / Jessica Hillman-McCord -- 33. "Trash talk and virtual protests: the musical genre's personal and political interactivity in the age of social media" / Kelly Kessler -- 34. The great generational divide: stage-to-screen Hollywood musical adaptations and the enactment of fandom / Holley Replogle-Wong -- 35. Play it again (and again, and again): the superfan and musical theater / James Deaville -- 36. Joss Whedon and the geek musical / Renée Camus -- 37. "YouTube! musicals! YouTubesicals!" cultivating theater fandom through new media / Aya Esther Hayashi -- 38. Dual-focus strategy in a serial narrative: SMASH, Nashville, and the television musical series / Robynn Stilwell -- Part 9. Growth and expansion: across the country and around the world -- 39. Sharon McQueen and Milwaukee's alternative regional musical theater / Amanda McQueen -- 40. Musicals in the regional theater / Jeffrey Ullom -- 41. Big river: a new road to Broadway / Steven Adler -- 42. The third biggest market: musical theater in Germany since 1990 / Frédéric Döhl -- 43. The Korean self/American other: Korean musical theater in the context of national cultural development / Hyunjung Lee -- 44. The lion king: an international history / Susan Bennett Geschichte 1970- gnd rswk-swf Musical (DE-588)4040801-2 gnd rswk-swf Musicals / History and criticism Musicals Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Musical (DE-588)4040801-2 s Geschichte 1970- z DE-604 Sternfeld, Jessica 1971- Sonstige (DE-588)1195459637 oth Wollman, Elizabeth L. 1969- Sonstige (DE-588)143788353 oth Erscheint auch als Online-Ausgabe 978-1-315-54370-3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031542726&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Routledge companion to the contemporary musical Introduction / Jessica Sternfeld and Elizabeth L. Wooman -- Part 1. Setting the stage: an introduction to analyzing the musical theater -- 1. Musical theater reception theory, or what happens when you see a show? / Katie Welsh and Stacy Wolf -- 2. "[Title of chapter]" / Millie Taylor -- Part 2. Starting with the '70s -- 3. They're playing my song: the American musical in the me-decade / Bryan M. Vandevender -- 4. "My corner of the sky": adolescence and coming of age in the musicals of Stephen Schwartz / Ryan Bunch -- 5. Style as star: Bob Fosse and sixty seconds that changed Broadway / Ryan Donovan -- 6. Recreating the ephemeral: Broadway revivals since 1971 / James Lovensheimer -- Part 3. Aesthetic transformations -- 7. Sing: musical theater voices from Superstar to Hamilton / Ben Macpherson -- 8. Amplifying Broadway after the golden age / Arreanna Rostosky -- 9. Starlight expression and phantom operatics: technology, performance and the megamusical's aesthetic of the voice / Dominic Symonds -- 10. The sung and the spoken in Michael John LaChiusa's musicals / Alex Bádue -- 11. The new "sounds of Broadway": orchestrating electronic instruments in contemporary musicals / Michael M. Kennedy -- 12. Chart-toppers to showstoppers: pop artists scoring the Broadway stage / Matthew Lockitt -- 13. Scenographic aesthetics and automated technologies in Broadway musicals / Christin Essin -- Part 4. Reading the musical through gender -- 14. Do-re-#MeToo: women, work and representation in the Broadway musical / Mary Jo Lodge -- 15. It's still working: collaborating to perform the stories of everyday Americans, then and now / Trudi Wright -- 16. The pink elephant in the room / Aaron C. Thomas -- 17. "A little more mascara": drag and the Broadway musical from La cage aux folles to Kinky boots / John M. Clum -- Part 5. Reading the musical through race and ethnicity -- 18. The multiracial musical metropolis: casting and race after A chorus line / Todd Decker -- 19. "Before the parade passes by": all-black and all-Asian Hello, dolly! as celebration of difference / Sissi Liu -- 20. Race and the city: racial formation in Avenue Q / SAJones -- 21. Can we "Leave behind the world we know"? exploring race and ethnicity in the musicals of Lin-Manuel Miranda / Elizabeth Titrington Craft -- 22. Falsettos and indecent in the shadow of Fiddler on the roof: reconsidering Jewish identity on Broadway in the new millennium / Raymond Knapp and Zelda Knapp -- Part 6. Reading the musical through dance -- 23. What makes a musical? Contact (2000) and debates about genre at the dawn of the twenty-first century / Joanna Dee Das -- 24. Dance in musical theater revival and adaptation: engaging with the past while creating dances for the present / Liza Gennaro -- 25. The convergence of dance styles in Hamilton: an American musical / Phoebe Rumsey -- Part 7. Reading the musical through interdisciplinary lenses -- 26. Post-secular musicals in a post-truth world / Jake Johnson -- 27. Let's do the time warp again: performing time, genre, and spectatorship / Sarah Taylor Ellis -- 28. The eye of the storm: reading next to normal with psychoanalysis / Aleksei Grinenko -- 29. Parent/child relationships in the musicals of Stephen Schwartz / Paul R. Laird -- 30. John Kander: the first ninety-one years / James Leve -- 31. Unlikely subjects: the critical reception of history musicals / Elissa Harbert -- Part 8. Beyond Broadway: new media and fan studies -- 32. Worshipping Lin-Manuel Miranda: fans and totems in the digital age / Jessica Hillman-McCord -- 33. "Trash talk and virtual protests: the musical genre's personal and political interactivity in the age of social media" / Kelly Kessler -- 34. The great generational divide: stage-to-screen Hollywood musical adaptations and the enactment of fandom / Holley Replogle-Wong -- 35. Play it again (and again, and again): the superfan and musical theater / James Deaville -- 36. Joss Whedon and the geek musical / Renée Camus -- 37. "YouTube! musicals! YouTubesicals!" cultivating theater fandom through new media / Aya Esther Hayashi -- 38. Dual-focus strategy in a serial narrative: SMASH, Nashville, and the television musical series / Robynn Stilwell -- Part 9. Growth and expansion: across the country and around the world -- 39. Sharon McQueen and Milwaukee's alternative regional musical theater / Amanda McQueen -- 40. Musicals in the regional theater / Jeffrey Ullom -- 41. Big river: a new road to Broadway / Steven Adler -- 42. The third biggest market: musical theater in Germany since 1990 / Frédéric Döhl -- 43. The Korean self/American other: Korean musical theater in the context of national cultural development / Hyunjung Lee -- 44. The lion king: an international history / Susan Bennett Musical (DE-588)4040801-2 gnd |
| subject_GND | (DE-588)4040801-2 (DE-588)4143413-4 |
| title | The Routledge companion to the contemporary musical |
| title_alt | Companion to the contemporary musical |
| title_auth | The Routledge companion to the contemporary musical |
| title_exact_search | The Routledge companion to the contemporary musical |
| title_full | The Routledge companion to the contemporary musical edited by Jessica Sternfeld and Elizabeth L. Wollman |
| title_fullStr | The Routledge companion to the contemporary musical edited by Jessica Sternfeld and Elizabeth L. Wollman |
| title_full_unstemmed | The Routledge companion to the contemporary musical edited by Jessica Sternfeld and Elizabeth L. Wollman |
| title_short | The Routledge companion to the contemporary musical |
| title_sort | the routledge companion to the contemporary musical |
| topic | Musical (DE-588)4040801-2 gnd |
| topic_facet | Musical Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031542726&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT sternfeldjessica theroutledgecompaniontothecontemporarymusical AT wollmanelizabethl theroutledgecompaniontothecontemporarymusical AT sternfeldjessica companiontothecontemporarymusical AT wollmanelizabethl companiontothecontemporarymusical |