The Routledge companion to Butoh performance

"The Routledge Companion to Butoh Performance provides a comprehensive introduction to and analysis of this global art form. Originating in Japan in the 1960s, butoh was a major innovation in 20th century dance and performance, and it continues to shape-shift around the world. Taking inspiratio...

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Weitere Verfasser: Baird, Bruce 1968- (HerausgeberIn), Candelario, Rosemary (HerausgeberIn)
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Sprache:English
Veröffentlicht: London ; New York Routledge 2019
Schriftenreihe:Routledge theatre and performance companions
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Datensatz im Suchindex

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adam_text THE ROUTLEDGE COMPANION TO BUTOH PERFORMANCE Edited by Bruce Baird and Rosemary Candelario Routledge Taylor amp; Francis Group LONDON AND NEW YORK CONTENTS List of figures List of contributors Acknowledgements A note on fapanese names and words xiii xviii XXfiii Introduction: dance experience, dance of darkness, global butoh: the evolution of a new dance form Bruce Baird and Rosemary Candelario SECTION 1 Butoh instigators and interlocutors 23 1 On the eve of the birth of ankoku butoh: postwar Japanese modern dance and Ohno Kazuo Kuniyoshi Kazuko (translated by Bruce Baird) 2 From vodou to butoh: Hijikata Tatsumi, Katherine Dunham, and the trans-Pacific remaking of blackness Arimitsu Michio 3 Contemporary nightmare: an avant-garde dance group dances Forbidden Colors Mishima Yukio (translated by Bruce Baird) 4 The relationship between avant-garde dance and things Mishima Yukio (translated by Bruce Baird) vii Contents 5 Rethinking the “indigeneity” of Hijikata Tatsumi in the 1960s as a photographic negative image of Japanese dance history Inata Naomi (translated by Bruce Baird and the author) 6 A la maison de Shibusawa: the draconian aspects of Hijikata’s butoh Robert Ono 7 Hijikata Tatsumi: burnt offering dancer Shibusawa Tatsuhiko (translated by Robert Ono) 8 A certain kind of energy: dancing modern anxiety Shibusawa Tatsuhiko (translated by Robert Ono) 9 Butoh and taboo Gunji Masakatsu (translated by Jane Traynor) 10 “Inserting the hip/s” and “lowering the hip/s” excerpt from Chapter 1, “That Which Is Nanba-like” from What Are Traditional Arts? A Dialogue for Criticism and Creation Takechi Tetsuji and Tomioka Taeko (translated and with an introductory essay by Maki Isaka) 11 The problematics of butoh and the essentialist trap William Marotti 12 Returns and repetitions: Hijikata Tatsumi’s choreographic practice as a critical gesture of temporalization Sara Jansen 13 Ohno Kazuo: biography and methods of movement creation Lucia Schwellinger (translated by Charlotte Marr and Rosemary Candelario) 14 What we know and what we want to know: a roundtable on butoh and neuer Tanz Kate Elswit, Miyagawa Mariko, Eiko Otake, and Tara Rodman 15 Oikawa Hironobu: bringing Decroux and Artaud into Japanese dance practices Yoshida Yukihiko (translated by Bruce Baird) 16 Foundations and filiations: the legacy of Artaud in Hijikata Tatsumi Samantha Marenzi viii Contents ix 17 Butoh’s remediation and the anarchic transforming politics of the body in the 1960s 150 Peter Eckersall 18 Bodies at the threshold of the visible: photographic butoh 158 Jonathan W Marshall 19 The book of butoh; the book of the dead 171 Uno Kuniichi (translated by Bruce Baird) SECTION 2 The second generation 179 20 “Open butoh”: Dairakudakan and Maro Akaji 181 Tomoe Aihara (translated by Robert Ono) 21 Growing new life: Kasai Akira’s butoh 192 Megan V Nicely 22 Light as dust, hard as steel, fluid as snake saliva: the Butoh Body of Ashikawa Yoko 203 SU-EN 23 The expanding universe of butoh: the challenge of Bishop Yamada in Hoppo Butoh-ha and Shiokubi (1975) 214 Kosuge Hayato 24 Murobushi Kb and his challenge to butoh 226 Katja Centonze 25 Oscillation and regeneration: the temporal aesthetics of Sankai Juku 237 Iwaki Kyoko SECTION 3 New sites for butoh 243 26 “Now we have a passport”: global and local butoh 245 Rosemary Candelario 27 A history of French fascination with butoh 254 Sylviane Pages (translated by Sherwood Chen) Contents 28 The concept of butoh in Italy: from Ohno Kazuo to Kasai Akira 262 Maria Pia D’Orazi 29 German butoh since the late 1980s: Tadashi Endo, Yumiko Yoshioka, and Minako Seki 276 Rosa van Hensbergen 30 SU-EN Butoh Company — body, nature, and the world 285 SU-EN 31 Butoh in Brazil: historical context and political reenactment 294 Christine Greiner 32 A sun more alive: butoh in Mexico 303 Gustavo Emilio Rosales (translated by Jordan A Y Smith) 33 Global butoh as experienced in San Francisco 313 Brechin Flournoy 34 LEIMAY, CAVE, and the New York Butoh Festival 325 Ximena Garnica 35 Iraqi Bodies’ The Baldheaded: “butoh”-inspired Iraqi contemporary performance 337 J Dellecave 36 “We need to keep one eye open ”: approaching butoh at sites of personal and cultural resistance 343 Jeremy Neideck SECTION 4 Politics, gender, identity 359 37 Butoh’s genders: men in dresses and girl-like women 361 Katherine Mezur 38 Death rituals and survival acts: Hata Kanoko’s “butoh action” and alternative inter-Asian transnationalism 371 Chiayi Seetoo 39 When the “revolt of the flesh” becomes political protest: the nomadic tactics of butoh-inspired interventions 381 Carla Melo x Contents xi 40 Butoh beyond the body: an interview with Shakina Nayfack on transition, evolution, and the spirit at war 388 Jacquelyn Marie Shannon 41 Critical Butoh and the colonial matrix of power 399 Miki Seifert SECTION 5 Pedagogy and practice 407 42 The daily practice of Hijikata Tatsumi’s apprentices from 1969 to 1978 409 Caitlin Coker 43 Butoh pedagogy in historical and contemporary practice 418 Tanya Calamoneri 44 Waguri Yukio’s Butoh Kaden: taking stock of Hijikata’s butoh notation 426 Rosa van Hensbergen 45 A flower of butoh: my daily dance with Ohno Kazuo (1995—2012) 437 Maureen Momo Freehill 46 On and through the butoh body 447 Katherine Adamenko 47 My Dairakudakan experience 451 Julia A Vessey 48 Butoh as an approach to performance in South Africa 456 jackijob 49 Wrecking butoh: dancing poetic shores 464 Bromvyn Preece SECTION 6 Beyond butoh 481 50 Tanaka Min: the dance of life 483 Zack Fuller 51 Body Weather Laboratory Los Angeles: an interview with Roxanne Steinberg and Oguri 491 Joyce Lu Contents xii 52 The cinematic forms of butoh films 503 Aaron Kerner 53 Locus solus — locus fracta: butoh dance as protocol for visual self-representation 510 Lucile Druet 54 Ohno Kazuo’s lessons for a French choreographer: O Sensei by Catherine Diver res 519 Miyagawa Mariko 55 Michael Sakamoto and the breaks: revolt of the head (MuNK remix) 525 Michael Sakamoto 56 Burn butoh, start again 533 Shinichi Iova-Koga Index 539
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publisher Routledge
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series2 Routledge theatre and performance companions
spellingShingle The Routledge companion to Butoh performance
Butō
Modern dance Japan
title The Routledge companion to Butoh performance
title_auth The Routledge companion to Butoh performance
title_exact_search The Routledge companion to Butoh performance
title_full The Routledge companion to Butoh performance [edited by] Bruce Baird, Rosemary Candelario
title_fullStr The Routledge companion to Butoh performance [edited by] Bruce Baird, Rosemary Candelario
title_full_unstemmed The Routledge companion to Butoh performance [edited by] Bruce Baird, Rosemary Candelario
title_short The Routledge companion to Butoh performance
title_sort the routledge companion to butoh performance
topic Butō
Modern dance Japan
topic_facet Butō
Modern dance Japan
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