Field notes on the visual arts seventy-five short essays
What is the relation of art and history? What is art today? Why does art affect us? In 'Field Notes on the Visual Arts', seventy-five scholars, curators, and artists traverse chronology and geography to reveal the meanings and dilemmas of art. Organized under seven major headings - anthrop...
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Bristol, UK ; Chicago, USA
Intellect
2019
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| 245 | 1 | 0 | |a Field notes on the visual arts |b seventy-five short essays |c edited by Karen Lang |
| 264 | 1 | |a Bristol, UK ; Chicago, USA |b Intellect |c 2019 | |
| 300 | |a xviii, 349 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a What is the relation of art and history? What is art today? Why does art affect us? In 'Field Notes on the Visual Arts', seventy-five scholars, curators, and artists traverse chronology and geography to reveal the meanings and dilemmas of art. Organized under seven major headings - anthropomorphism, appropriation, contingency, detail, materiality, time, and tradition - the contributions are written by historians of art, literature, culture, and science, as well as archaeologists, anthropologists, philosophers, curators, and artists. By bringing together voices that are generally separated both inside and outside the academy, 'Field Notes on the Visual Arts' makes clear that the work of art is both meaningful and resistant to meaning | |
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Datensatz im Suchindex
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|---|---|
| DE-19_location | 19 |
| DE-BY-UBM_katkey | 5950091 |
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| _version_ | 1823057162127015936 |
| adam_text | CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION
ANTHROPOMORPHISM
ELIZABETH
KING, INHALE, EXHALE, PAUSE: BREATH
AND
THE OPEN MOUTH
IN
SCULPTURE
J.
M. BERNSTEIN,
ART
AS SOUL-MAKINGFROM CHAUVET
TO CINEMA
CAROLYN
DEAN, ROCKS
LIKE
US
CAROLINE
VAN
ECK, ANTHROPOMORPHISM
AS
HERMENEUTIC
MODE
FINBARR
B.
FLOOD, REFLECTIONS ON ANTHROPOMORPHISM
DARIO
GAMBONI, MORPHOSIS
AS
COGNITION
JANE
GARNETT
AND
GERVASE
ROSSER, THE TRANSFORMATIVE IMAGE
JAMES MEYER,
THE
BODILY
AND
THE ANTHROPOMORPHIC
MIYA
ELISE MIZUTA
LIPPIT, ANTHROPOMORPHIC
BEAUTY: PHOTOGRAPHY,
THE EMPRESS, AND
MODERN
JAPAN
APPROPRIATION
GEORG
BASELITZ, BACK THEN, IN BETWEEN,
AND
TODAY
KIRK
AMBROSE, APPROPRIATION
AND
INFLUENCE
ELIZABETH
EDWARDS, PHOTOGRAPHS CAN NEVER
BE STILL
URSULA
FROHNE,
REVENANTS: GESTURES
OF
REPETITION IN CONTEMPORARY
ART
CORDULA
GREWE, APPROPRIATION AND
EPIGONALITY: A ROMANTIC
NARRATIVE
DANIEL
HELLER-ROAZEN, THE POET
AND
THE BANDITS
IAN
MCLEAN,
AN
ETHICS
OF
APPROPRIATION
SALONI
MATHUR,
THE
DIALECTICS
OF
APPROPRIATION: REFLECTIONS ON A CHANGING WORLD
LAIN
BOYD
WHYTE, ON APPROPRIATION
CONTINGENCY
LINDA
CONNOR,
A SHOT
IN THE DARK
GIOVANNA
BORRADORI,
PHOTOGRAPHS HOLD A REDEMPTIVE
POWER
IX
XI
3
8
12
16
20
24
29
32
36
43
49
53
56
63
68
71
75
77
83
85
MARCIA
BRENNAN,
GIVE ME A KISS AND
STAY CONNECTED: REFLECTIONS ON CONTINGENCY
IN THE MEDICAL HUMANITIES
MARY
ANN
DOANE,
THE PARADOX
OF
CONTINGENCY
ANGUS FLETCHER,
EN BLANC ET NOIR
PETER GEIMER,
IMAGES AND
THE UNFORESEEN
MARK
LEDBURY,
ETERNAL CONTINGENCIES
CHRIS SPRING,
OUT
OF
THE
BLUE: TWO AFRICAN TEXTILE CONTINGENCIES
DETAIL
SUSAN HILLER,
DREAM
ART
SPIKE BUCKLOW,
MATERIAL
DETAILS-ARTISTS
PIGMENTS
JOHANNES ENDRES,
GOETHE ON MYRON S
COW: A DETAIL
CARLO GINZBURG,
ON DETAIL
JOAN
KEE,
WHY
CHINESE PAINTINGS ARE
SO
LARGE
SPYROS PAPAPETROS,
HAIRY DETAILS
JOANNA
ROCHE,
MOVING
IN AND
STEPPING
BACK
NINA
ROWE,
THE
DETAIL
AS FRAGMENT
OF
A SOCIAL PAST
ALAIN
SCHNAPP,
ANTIQUARIANS
IN THE FIELD
BLAKE STIMSON,
THE
FEMININE
AND
VEGETABLE PRINCIPLE
OF
LIFE
MATERIALITY
MARTHA
ROSIER,
MATERIALITY
AND
OBJECTHOOD: QUESTIONS
OF
SEDIMENTED
LABOR
CAROLINE
WALKER BYNUM,
MEDIEVAL MATERIALITY
NATASHA
EATON,
MATERIALITY
OF
COLOR: SOUTH ASIA
MICHAEL
ANN
HOLLY,
MATERIALITY
MATTERS
MICHAEL
KELLY, MATERIAL AND
SACRED ARTISTIC
AGENCY
ROBIN KELSEY,
MATERIALITY
IS
SOMEWHERE ELSE
ALISA LAGAMMA,
A LEXICON
OF
MEANINGFUL
ARTISTIC
MEDIA
MONIKA
WAGNER,
DUST: RECOMPOSING
THE DECOMPOSED
OLIVER
WATSON,
AWKWARD
OBJECTS
TRISTAN WEDDIGEN,
ON THE TEXTILITY
OF
SPATIAL CONSTRUCTION
MIMESIS
DEXTER
DALWOOD,
THE VERTIGINOUS IMAGE
DANIELA
BOHDE,
VISUAL HERMENEUTICS:
ART
HISTORY
AND
PHYSIOGNOMIES
HELEN
C.
EVANS,
BYZANTINE
INNOVATIVE MIMESIS
87
90
93
96
99
103
109
112
116
120
125
129
134
139
142
146
153
156
158
162
166
171
174
182
188
192
201
205
209
SARAH
E.
FRASER,
ETHNOGRAPHIC
MIMESIS: A COLLABORATION BETWEEN ZHANG
DAQIAN
AND
TIBETAN PAINTERS, 1941-43
THOMAS
HABINEK,
CLASSICAL MIMESIS
AS
EMBODIED
IMITATION
TOM HUHN,
THE MIMETIC
PULSE
OF
PRIMAL UNITY
JEANETTE
KOHL,
BLOOD
HEADS: INDEX
AND
PRESENCE
NIKLAUS LARGIER,
THE FIGURAL SHAPE
OF
PERCEPTION
PETER
MACK,
MIMESIS
FOR
ARTISTS, WRITERS,
AND
AUDIENCES
ALEX POTTS,
MIMESIS
AND
THE ANTI-MIMETIC
TIME
ERIC FISCHL,
TIME
IS
OF
THE
ESSENCE
JAN ASSMANN,
TIME IN ANCIENT
EGYPT
MALCOLM BULL,
STOP-START
DARBY
ENGLISH,
NOTES
FROM A FIELD
LUDMILLA
JORDANOVA,
TIME, DEATH, AND
HISTORY
AJAY
SINHA,
PAINTING
TIME
GLORIA
SUTTON,
THE TEXTURE
OF
TIME: DURATIONAL
CONDITIONS
OF
CONTEMPORARY
ART
GERRIT
WALCZAK,
WHAT
FATHER TIME HAS LEFT
BEHIND
DAVID
E.
WELLBERY,
THE ORIGIN
OF
TIME
TRADITION
OBIORA
UDECHUKWU,
ART, TRADITION,
AND
THE DANCING
MASQUERADE(R)
JOHN BREWER,
TRADITION: HISTORY
AND
REIFICATION
JAY
A.
CLARKE,
ETCHING, TRADITION,
AND
THE GERMAN IMAGINATION
TAPATI GUHA-THAKURTA,
FIELD
NOTES ON THE CONTEMPORANEITY
OF
TRADITION
HANS
HAYDEN,
TRADITION
AND
CRITICAL HISTORIOGRAPHY
GREGG
M.
HOROWITZ,
TRADITION AS TREASON
SUSANNE
KIICHLER,
MATERIAL TRANSLATION AND
ITS CHALLENGES
MARIA
LOH,
TRADITION
IS
AN EXQUISITE CORPSE
RUTH
B.
PHILLIPS,
RECOVERING
(FROM) TRADITION: JEFFREY THOMAS,
KENT
MONKMAN, AND
THE
MODERN INDIAN
IMAGINARY
REGINE PRANGE,
THE TRADITION
OF
THE
NEW: ALOIS
RIEGL S
LATE
ANTIQUITY
CONTRIBUTORS
SHORT
BIBLIOGRAPHY
INDEX
213
218
221
226
230
233
236
243
247
249
252
255
259
266
271
274
279
283
286
290
294
297
300
304
309
315
321
331
339
|
| any_adam_object | 1 |
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| building | Verbundindex |
| bvnumber | BV046094310 |
| callnumber-first | B - Philosophy, Psychology, Religion |
| callnumber-label | BH |
| callnumber-raw | BH |
| callnumber-search | BH |
| callnumber-sort | BH |
| callnumber-subject | BH - Aesthetics |
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| ctrlnum | (OCoLC)1118995408 (DE-599)KXP1666614904 |
| dewey-full | 111.85 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111.85 |
| dewey-search | 111.85 |
| dewey-sort | 3111.85 |
| dewey-tens | 110 - Metaphysics |
| discipline | Kunstgeschichte Philosophie |
| format | Book |
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| indexdate | 2025-02-03T17:57:29Z |
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| isbn | 9781783209965 9781789381559 |
| language | English |
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| spellingShingle | Field notes on the visual arts seventy-five short essays Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4143413-4 |
| title | Field notes on the visual arts seventy-five short essays |
| title_auth | Field notes on the visual arts seventy-five short essays |
| title_exact_search | Field notes on the visual arts seventy-five short essays |
| title_full | Field notes on the visual arts seventy-five short essays edited by Karen Lang |
| title_fullStr | Field notes on the visual arts seventy-five short essays edited by Karen Lang |
| title_full_unstemmed | Field notes on the visual arts seventy-five short essays edited by Karen Lang |
| title_short | Field notes on the visual arts |
| title_sort | field notes on the visual arts seventy five short essays |
| title_sub | seventy-five short essays |
| topic | Kunst (DE-588)4114333-4 gnd |
| topic_facet | Kunst Aufsatzsammlung |
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