Composing community in late medieval music self-reference, pedagogy, and practice
When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down tem...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2019
|
Schriftenreihe: | Music in context
|
Schlagworte: | |
Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
LEADER | 00000nam a22000001c 4500 | ||
---|---|---|---|
001 | BV046028235 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 190702s2019 xx o|||| 00||| eng d | ||
020 | |a 9781108643597 |c ebook |9 9781108643597 | ||
020 | |a 9781108474917 |c hardback |9 9781108474917 | ||
020 | |a 9781108465595 |c paperback |9 9781108465595 | ||
024 | 7 | |a 10.1017/9781108643597 |2 doi | |
035 | |a (ZDB-20-CBO)CR9781108643597 | ||
035 | |a (OCoLC)1108178427 | ||
035 | |a (DE-599)KEP044382820 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 | ||
100 | 1 | |a Hatter, Jane D. |e Verfasser |4 aut | |
245 | 1 | 0 | |a Composing community in late medieval music |b self-reference, pedagogy, and practice |c Jane D. Hatter |
264 | 1 | |a Cambridge |b Cambridge University Press |c 2019 | |
300 | |a 1 online resource (xvii, 281 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Music in context | |
500 | |a Title from publisher's bibliographic system (viewed on 09 May 2019) | ||
520 | 3 | |a When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450-1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers | |
648 | 7 | |a Geschichte 1400-1600 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Musiker |0 (DE-588)4040841-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Gemeinschaft |0 (DE-588)4020015-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Selbstbezüglichkeit |0 (DE-588)4138396-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Musizieren |0 (DE-588)4170838-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
653 | 0 | |a Music ; 15th century ; History and criticism | |
653 | 0 | |a Music ; 16th century ; History and criticism | |
653 | 0 | |a Musicians ; Songs and music ; History and criticism | |
689 | 0 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
689 | 0 | 1 | |a Musiker |0 (DE-588)4040841-3 |D s |
689 | 0 | 2 | |a Musizieren |0 (DE-588)4170838-6 |D s |
689 | 0 | 3 | |a Gemeinschaft |0 (DE-588)4020015-2 |D s |
689 | 0 | 4 | |a Selbstbezüglichkeit |0 (DE-588)4138396-5 |D s |
689 | 0 | 5 | |a Geschichte 1400-1600 |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, hardback |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, paperback |
856 | 4 | 0 | |m X:CUP |u https://doi.org/10.1017/9781108643597 |x Resolving-System |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CHS | ||
912 | |a ZDB-20-CBO | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-031410147 | |
966 | e | |u https://doi.org/10.1017/9781108643597 |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/9781108643597 |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1819306832669179906 |
---|---|
any_adam_object | |
author | Hatter, Jane D. |
author_facet | Hatter, Jane D. |
author_role | aut |
author_sort | Hatter, Jane D. |
author_variant | j d h jd jdh |
building | Verbundindex |
bvnumber | BV046028235 |
collection | ZDB-20-CHS ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781108643597 (OCoLC)1108178427 (DE-599)KEP044382820 |
doi_str_mv | 10.1017/9781108643597 |
era | Geschichte 1400-1600 gnd |
era_facet | Geschichte 1400-1600 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03569nam a22006131c 4500</leader><controlfield tag="001">BV046028235</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">190702s2019 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108643597</subfield><subfield code="c">ebook</subfield><subfield code="9">9781108643597</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108474917</subfield><subfield code="c">hardback</subfield><subfield code="9">9781108474917</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108465595</subfield><subfield code="c">paperback</subfield><subfield code="9">9781108465595</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781108643597</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781108643597</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1108178427</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KEP044382820</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hatter, Jane D.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Composing community in late medieval music</subfield><subfield code="b">self-reference, pedagogy, and practice</subfield><subfield code="c">Jane D. Hatter</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xvii, 281 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music in context</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 09 May 2019)</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450-1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1400-1600</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musiker</subfield><subfield code="0">(DE-588)4040841-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gemeinschaft</subfield><subfield code="0">(DE-588)4020015-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Selbstbezüglichkeit</subfield><subfield code="0">(DE-588)4138396-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musizieren</subfield><subfield code="0">(DE-588)4170838-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music ; 15th century ; History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music ; 16th century ; History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musicians ; Songs and music ; History and criticism</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musiker</subfield><subfield code="0">(DE-588)4040841-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musizieren</subfield><subfield code="0">(DE-588)4170838-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Gemeinschaft</subfield><subfield code="0">(DE-588)4020015-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Selbstbezüglichkeit</subfield><subfield code="0">(DE-588)4138396-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1400-1600</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, hardback</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, paperback</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="m">X:CUP</subfield><subfield code="u">https://doi.org/10.1017/9781108643597</subfield><subfield code="x">Resolving-System</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CHS</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031410147</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781108643597</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781108643597</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV046028235 |
illustrated | Not Illustrated |
indexdate | 2024-12-24T07:42:58Z |
institution | BVB |
isbn | 9781108643597 9781108474917 9781108465595 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031410147 |
oclc_num | 1108178427 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 online resource (xvii, 281 pages) |
psigel | ZDB-20-CHS ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Cambridge University Press |
record_format | marc |
series2 | Music in context |
spelling | Hatter, Jane D. Verfasser aut Composing community in late medieval music self-reference, pedagogy, and practice Jane D. Hatter Cambridge Cambridge University Press 2019 1 online resource (xvii, 281 pages) txt rdacontent c rdamedia cr rdacarrier Music in context Title from publisher's bibliographic system (viewed on 09 May 2019) When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450-1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers Geschichte 1400-1600 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Gemeinschaft (DE-588)4020015-2 gnd rswk-swf Selbstbezüglichkeit (DE-588)4138396-5 gnd rswk-swf Musizieren (DE-588)4170838-6 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Music ; 15th century ; History and criticism Music ; 16th century ; History and criticism Musicians ; Songs and music ; History and criticism Musik (DE-588)4040802-4 s Musiker (DE-588)4040841-3 s Musizieren (DE-588)4170838-6 s Gemeinschaft (DE-588)4020015-2 s Selbstbezüglichkeit (DE-588)4138396-5 s Geschichte 1400-1600 z DE-604 Erscheint auch als Druck-Ausgabe, hardback Erscheint auch als Druck-Ausgabe, paperback X:CUP https://doi.org/10.1017/9781108643597 Resolving-System URL des Erstveröffentlichers Volltext |
spellingShingle | Hatter, Jane D. Composing community in late medieval music self-reference, pedagogy, and practice Musiker (DE-588)4040841-3 gnd Gemeinschaft (DE-588)4020015-2 gnd Selbstbezüglichkeit (DE-588)4138396-5 gnd Musizieren (DE-588)4170838-6 gnd Musik (DE-588)4040802-4 gnd |
subject_GND | (DE-588)4040841-3 (DE-588)4020015-2 (DE-588)4138396-5 (DE-588)4170838-6 (DE-588)4040802-4 |
title | Composing community in late medieval music self-reference, pedagogy, and practice |
title_auth | Composing community in late medieval music self-reference, pedagogy, and practice |
title_exact_search | Composing community in late medieval music self-reference, pedagogy, and practice |
title_full | Composing community in late medieval music self-reference, pedagogy, and practice Jane D. Hatter |
title_fullStr | Composing community in late medieval music self-reference, pedagogy, and practice Jane D. Hatter |
title_full_unstemmed | Composing community in late medieval music self-reference, pedagogy, and practice Jane D. Hatter |
title_short | Composing community in late medieval music |
title_sort | composing community in late medieval music self reference pedagogy and practice |
title_sub | self-reference, pedagogy, and practice |
topic | Musiker (DE-588)4040841-3 gnd Gemeinschaft (DE-588)4020015-2 gnd Selbstbezüglichkeit (DE-588)4138396-5 gnd Musizieren (DE-588)4170838-6 gnd Musik (DE-588)4040802-4 gnd |
topic_facet | Musiker Gemeinschaft Selbstbezüglichkeit Musizieren Musik |
url | https://doi.org/10.1017/9781108643597 |
work_keys_str_mv | AT hatterjaned composingcommunityinlatemedievalmusicselfreferencepedagogyandpractice |