Electronic music machines the new musical instruments
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| Sprache: | English |
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| 245 | 1 | 0 | |a Electronic music machines |b the new musical instruments |c Jean-Michel Réveillac |
| 264 | 1 | |a London |b Wiley-ISTE |c 2019 | |
| 300 | |a xxi, 354 Seiten |b Illustrationen | ||
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| 653 | 0 | |a Electronic musical instruments | |
| 653 | 0 | |a Synthesizer (Musical instrument) | |
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| 689 | 0 | 3 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Electronic version |a Reveillac, Jean-Michel |t Electronic music machines |d London : Wiley-ISTE, 2019 |z 9781119618119 |
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Datensatz im Suchindex
| _version_ | 1804180143596371968 |
|---|---|
| adam_text | Contents Foreword......................................................................................................... xi Preface........................................................................................................... xiii Introduction................................................................................................... xvii Chapter 1. Electronic Music...................................................................... 1 Musique concrète................................................................................. 1.2. The beginnings of electronic music....................................................... 1.3. Electroacoustic music............................................................................ 1.4. Acousmatic music................................................................................. 1.5. And much, much more......................................................................... 1.6. Maturity.................................................... 1.7. Different paths to music...................................................................... 1.8. Today and tomorrow............................................................................ 1.9. Electronic music and counter-culturalism............................................ 1.10. Fina! remarks...................................................................................... 1 3 3 4 6 6 6 10 11 14 Chapter 2. When Revolution Holds Us in Its Grasp............................. 15 2.1. From analog to digital....................... 2.2. Popular music and
electronic music.................................................... 2.2.1. New wave...................................................................................... 2.2.2. House music................................................................................... 2.2.3. Techno........................................................................................... 2.2.4. New beat......................................................................................... 2.2.5. Acid house...................................................................................... 2.2.6. Acid jazz......................................................................................... 2.2.7. Ambient......................................................................................... 15 23 25 26 28 29 30 32 33
vi Electronic Music Machines 2.2.8. Hip-hop and rap................................................................................... 2.2.9. Trance................................................................................................. 2.2.10. Electro or contemporary electro.................................................... 2.3. Final remarks.............................................................................................. 35 35 36 37 Chapter 3. The MIDI Standard....................................................................... 41 3.1.Histoiy......................................................................................................... 3.2. How MIDI works..................................................................................... 3.2.1. The hardware level............................................................................. 3.2.2. The software level............................................................................. 3.3. Examples of MIDI transmission............................................................ 3.3.1. Note-on/note-off messages............................................................... 3.3.2. Program change message.................................................................. 3.4. The MIDI implementation chart............................................................ 3.5. The General MIDI standard.................................................................... 3.5.1. Specifications..................................................................................... 3.6. The General
MIDI 2 standard................................................................. 3.7. The GS format................................................................................. 3.8. The XG format.......................................................................................... 3.9. The structure of a MIDI file.................................................................... 3.9.1. Header chunks..................................................................................... 3.9.2. Track chunks..................................................................................... 3.9.3. Example of a MIDI file..................................................................... 3.10. MIDI devices........................................................................................... 3.10.1. MIDI boxes, mergers, and patchers............................................... 3.10.2. Musical instruments........................................................................ 3.10.3. Studio hardware................................................................................ 3.10.4. MIDI to computer............................................................................. 3.11. Conclusion.............................................................................................. 41 42 42 45 49 49 50 51 52 52 54 54 55 56 56 57 64 67 67 69 70 71 73 Chapter 4. Sequencers................................................................................... 75 4.1. Mechanical and electrical machines....................................................... 4.1.1.
Music boxes........................................................................................ 4.1.2. Mechanical pianos............................................................................. 4.1.3. Barrel organs..................................................................................... 4.1.4. F airground organs............................................................................. 4.2. Analog sequencers..................................................................................... 4.3. Digital sequencers...................................................................................... 4.4. Software sequencers................................................................................... 4.5. Final remarks.............................................................................................. 75 76 77 80 82 83 86 88 91
Contents Chapter 5. Drum Machines............................................................................. vii 93 5.1. On the subject of electromechanical rhythm.......................................... 93 5.2. Drum machines with presets..................................................................... 97 5.3. Programmable drummachines.................................................................. 103 5.4. The MIDI age.............................................................................................. 106 5.5. Drummachines with sampled sounds..................................................... 107 5.6. Rhythms, software, and computers............................................................. Ill 5.7. Final remarks................................................................................................. 115 Chapter 6. Samplers........................................................................................... 117 6.1. History of samplers...................................................................................... 117 6.1.1. Basic principles..................................................................................... 118 6.1.2. The arrival of the Mellotron............................................................... 119 6.1.3. Samplers................................................................................................. 123 6.1.4. Software samplers................................................................................ 133 6.2. History of musical
styles............................................................................. 139 6.3. Architecture and principles........................................................................ 142 6.4. Final remarks................................................................................................. 144 Chapter 7. Groove Machines.......................................................................... 147 7.1. Structure......................................................................................................... 147 7.2. Famous groove machines............................................................................. 148 7.2.1. E-mu SP12 (1985)................................................................................ 149 7.2.2. AKAI MPC-60 (1988).......................................................................... 150 7.2.3. Roland MC-303 (1996)........................................................................ 151 7.2.4. AKAI MPC 2000XL (1999)............................................................... 152 7.2.5. Roland МС-909 (2003)........................................................................ 153 7.2.6. Elektron Octatrack DPS 1 (2011)....................................................... 155 7.2.7. Korg Electribe 2 (2014) and Korg Electribe Sampler (2015) .... 156 7.2.8. Novation Circuit (2015)........................................................................ 158 7.2.9. Teenage Electronics Pocket Operator PO-32 (2017)......................... 159 7.3. Software groove
machines........................................................................... 160 7.3.1. Image Line Groove Machine............................................................... 162 7.3.2. Propellerhead Reason........................................................................... 163 7.3.3. Ableton Live........................................................................................... 169 7.4. Controllers and software............................................................................. 172 7.4.1. Native Instruments Maschine (2009).................................................. 172 7.4.2. Roland MPC Studio Black (2017)....................................................... 174 7.5. iGroove machines......................................................................................... 176 7.6. Final remarks................................................................................................. 176
viii Electronic Music Machines Chapter 8. Vocoders......................................................................................... 179 8.1. History.......................................................................................................... 8.2. Working principle of the vocoder............................................................. 8.3. Machines and equipment........................................................................... 8.3.1. EMS Vocoder 2000 ........................................................................... 8.3.2. EMS Vocoder 5000 ........................................................................... 8.3.3. EMS Vocoder 3000 ........................................................................... 8.3.4. Roland VP-330 ................................................................................... 8.3.5. Korg VC-10........................................................................................ 8.3.6. Moog Vocoder................................................................................... 8.3.7. Roland SVC-350 ................................................................................ 8.3.8. Electrix Warp Factory........................................................................ 8.3.9. Korg MS2000..................................................................................... 8.3.10. Microkorg........................................................................................ 8.3.11. Roland VP-550 ................................................................................
8.3.12. The Music and More VF11............................................................ 8.3.13. Novation Mininova.......................................................................... 8.3.14. Digitech Talker............................................................................... 8.3.15. Electro-Harmonix V256.................................................................. 8.3.16. A few more unusual examples....................................................... 8.4. Software vocoders..................................................................................... 8.5. One step fhrther........................................................................................ 8.5.1. Talkbox................................................................................................ 8.5.2. Auto-Tune........................................................................................... 8.6. Final remarks.............................................................................................. 179 183 184 184 185 185 186 187 188 188 189 189 190 191 192 192 193 194 194 195 196 196 198 199 Chapter 9. Octatrack: Maintenance, Repairs, and Tips...................... 201 9.1. Updating the software................................................................................ 9.1.1. Updating the operating system.......................................................... 9.2. Testing the ОТ........................................................................................... 9.2.1. Testing the push
buttons..................................................................... 9.2.2. Testing the dials................................................................................... 9.2.3. Testing the x-fader.............................................................................. 9.2.4. Analysis and results........................................................................... 9.3. Hardware repairs......................................................................................... 9.3.1. Opening up the ОТ ........................................................................... 9.3.2. Replacing the push buttons................................................................ 9.3.3. Replacing the battery........................................................................... 9.3.4. Replacing the x-fader........................................................................ 9.3.5. Replacing an incremental encoder..................................................... 9.4. Final remarks ........................................................................................... 201 203 206 207 210 211 211 211 212 215 220 222 225 228
Contents ¡X Chapter 10. Octatrack: MIDI Sequences and Arpeggios................. 229 10.1. Setup and configuration........................................................................... 10.1.1. Connections and software settings.................................................. 10.1.2. Creating a new project...................................................................... 10.1.3. Creating a THRU device (machine)............................................... 10.1.4. Setting up the MIDI connection between the ОТ and the instrument......................................................................................... 10.2. Creating a MIDI sequence using triggers............................................. 10.2.1. MIDI track......................................................................................... 10.2.2. Creating a musical sequence.......................................................... 10.2.3. A multi-page sequence..................................................................... 10.3. Creating a sequence with the arpeggiator............................................ 10.3.1. Presentation of the arpeggiator........................................................ 10.3.2. A simple arpeggio.............................................................................. 10.3.3. Defining an arpeggio graphically..................................................... 10.3.4. More complex arpeggios................................................................... 10.3.5. Triggers in chromatic
mode............................................................. 10.3.6. Saving a MIDI sequence from an external instrument................. 10.4. Creating a MIDI sequence with a drum machine................................. 10.5. MIDI sequences, rhythms, and CC codes............................................ 229 229 231 231 232 234 234 235 238 240 241 242 244 246 247 248 251 255 Chapter 11. Korg Electribe: Maintenance and Hardware Tips .... 263 11.1. Overview................................................................................................. 11.1.1. Electribe 2......................................................................................... 11.1.2. Electribe Sampler.............................................................................. 11.2. MIDI cables.............................................................................................. 11.2.1. Male 3.5 mm jack to female 5-pin DIN adapter............................ 11.2.2. Male 3.5 mm jack to male 5-pin DIN cable.................................... 11.3. Updating the operating system................................................................ 11.4. Electribe 2 to Electribe Sampler............................................................. 11.4.1. Migrating to the Electribe Sampler.................................................. 11.4.2. Reverting to the Electribe 2............................................................. 11.4.3. Downgrading the Electribe............................................................. 11.4.4. Editing the operating system
files.................................................. 11.4.5. Major operating system versions of the Electribe 2...................... 11.5. Conclusion.............................................................................................. 263 264 266 267 267 268 269 272 274 276 277 277 280 280 Chapter 12. Korg Electribe: Software Tips............................................... 281 12.1. Menu tree of the Electribe 2 and the Electribe Sampler...................... 12.2. Shortcuts.................................................................................................... 12.3. Using the audio input . ............................................................................ 281 295 295
x Electronic Music Machines 12.3.1. Through the Electribe.................................................................... 12.3.2. Saving a carrier pattern.................................................................. 12.3.3. Filtering and applying effects....................................................... 12.3.4. Sending commands to the synthesizer using triggers.................. 12.3.5. Sequencer, synthesizer, filters, and effects................................. 12.4. Extra tips............................................................................................ 12.4.1. Octave switching......................................................................... 12.4.2. Viewing the current settings of a PART....................................... 12.4.3. Controlling two different synthesizers from the MIDI out.......... 12.5. Final remarks....................................................................................... 296 297 300 302 304 305 305 305 305 306 Conclusion...................................................................................................... 307 Appendices................................................................................................... 309 Appendix 1. CV/Gate.................................................................................... 311 Appendix 2. Digital Inputs/Outputs......................................................... 319 Appendix 3. The General MIDI (GM) Standard.................................... 329 Appendix 4.
Plugins................................................................................... 333 Appendix 5. Control and MIDI Dump Software.................................... 335 Bibliography.................................................................................................. 341 Index............................................................................................................... 349
|
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| id | DE-604.BV045942092 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:31:05Z |
| institution | BVB |
| isbn | 9781786303257 |
| language | English |
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| owner_facet | DE-12 DE-210 |
| physical | xxi, 354 Seiten Illustrationen |
| psigel | BSB_NED_20190715 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Wiley-ISTE |
| record_format | marc |
| series2 | Waves series |
| spelling | Réveillac, Jean-Michel Verfasser (DE-588)1080036121 aut Electronic music machines the new musical instruments Jean-Michel Réveillac London Wiley-ISTE 2019 xxi, 354 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Waves series Geschichte gnd rswk-swf Computermusik (DE-588)4113239-7 gnd rswk-swf Elektronisches Musikinstrument (DE-588)4014362-4 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Electronic musical instruments Synthesizer (Musical instrument) Elektronische Musik (DE-588)4014355-7 s Computermusik (DE-588)4113239-7 s Elektronisches Musikinstrument (DE-588)4014362-4 s Geschichte z DE-604 Electronic version Reveillac, Jean-Michel Electronic music machines London : Wiley-ISTE, 2019 9781119618119 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031324319&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Réveillac, Jean-Michel Electronic music machines the new musical instruments Computermusik (DE-588)4113239-7 gnd Elektronisches Musikinstrument (DE-588)4014362-4 gnd Elektronische Musik (DE-588)4014355-7 gnd |
| subject_GND | (DE-588)4113239-7 (DE-588)4014362-4 (DE-588)4014355-7 |
| title | Electronic music machines the new musical instruments |
| title_auth | Electronic music machines the new musical instruments |
| title_exact_search | Electronic music machines the new musical instruments |
| title_full | Electronic music machines the new musical instruments Jean-Michel Réveillac |
| title_fullStr | Electronic music machines the new musical instruments Jean-Michel Réveillac |
| title_full_unstemmed | Electronic music machines the new musical instruments Jean-Michel Réveillac |
| title_short | Electronic music machines |
| title_sort | electronic music machines the new musical instruments |
| title_sub | the new musical instruments |
| topic | Computermusik (DE-588)4113239-7 gnd Elektronisches Musikinstrument (DE-588)4014362-4 gnd Elektronische Musik (DE-588)4014355-7 gnd |
| topic_facet | Computermusik Elektronisches Musikinstrument Elektronische Musik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031324319&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT reveillacjeanmichel electronicmusicmachinesthenewmusicalinstruments |