Shard cinema
"Shard cinema tells an expansive story of how moving images have changed in the last three decades, and how they have changed us along with them, rewiring the ways we watch, fight, and navigate an unsteady world. In a set of interrelated essays that range from the writings of early factory work...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Repeater Books, an imprint of Watkins Media Ltd
[2017]
|
| Schlagworte: | |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV045509573 | ||
| 003 | DE-604 | ||
| 005 | 20190423 | ||
| 007 | t | ||
| 008 | 190313s2017 xxk |||| 00||| eng d | ||
| 010 | |a 017288920 | ||
| 020 | |a 1910924911 |9 1-910924-91-1 | ||
| 020 | |a 9781910924914 |9 978-1-910924-91-4 | ||
| 035 | |a (OCoLC)1090095813 | ||
| 035 | |a (DE-599)BVBBV045509573 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c GB | ||
| 049 | |a DE-188 | ||
| 050 | 0 | |a PN1995 | |
| 084 | |a AP 45100 |0 (DE-625)7519: |2 rvk | ||
| 100 | 1 | |a Williams, Evan Calder |4 aut | |
| 245 | 1 | 0 | |a Shard cinema |c Evan Calder Williams |
| 264 | 1 | |a London |b Repeater Books, an imprint of Watkins Media Ltd |c [2017] | |
| 264 | 4 | |c © 2017 | |
| 300 | |a x, 316 pages |c 20 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a "A Repeater Books paperback original 2017"...Title page verso | ||
| 520 | |a "Shard cinema tells an expansive story of how moving images have changed in the last three decades, and how they have changed us along with them, rewiring the ways we watch, fight, and navigate an unsteady world. In a set of interrelated essays that range from the writings of early factory workers to the distributed sight of contemporary surveillance, Williams argues for deep links between the images we see and the hidden labors frozen into them, exploring how even the apparently trivial or spectacular carries unique opportunities to detect and process the social frictions of their making. Spanning film, video games, radical history, architecture, visual effects, and war, the book crosses the twentieth century into our present to confront a new order of seeing and making that slowly took shape: the composite image, where no clean distinction can be made between production and post-production, filmed and animated, material and digital. Giving equal ground to costly blockbusters, shaky riot footage, disaster photography, and early cinema, Williams leads us from computer-generated 'shards' of particles and debris to the broken phone screens on which we watch these digital storms, looking for the unexpected histories lived in the interval between"...Page 4 of cover | ||
| 650 | 4 | |a Motion pictures / Philosophy / fast / (OCoLC)fst01027348 | |
| 650 | 4 | |a Motion pictures |x Philosophy | |
| 650 | 4 | |a Motion pictures | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030894100 | ||
Datensatz im Suchindex
| _version_ | 1804179451922087936 |
|---|---|
| any_adam_object | |
| author | Williams, Evan Calder |
| author_facet | Williams, Evan Calder |
| author_role | aut |
| author_sort | Williams, Evan Calder |
| author_variant | e c w ec ecw |
| building | Verbundindex |
| bvnumber | BV045509573 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995 |
| callnumber-search | PN1995 |
| callnumber-sort | PN 41995 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 45100 |
| ctrlnum | (OCoLC)1090095813 (DE-599)BVBBV045509573 |
| discipline | Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02427nam a2200385 c 4500</leader><controlfield tag="001">BV045509573</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190423 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">190313s2017 xxk |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">017288920</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1910924911</subfield><subfield code="9">1-910924-91-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781910924914</subfield><subfield code="9">978-1-910924-91-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1090095813</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045509573</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1995</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 45100</subfield><subfield code="0">(DE-625)7519:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Williams, Evan Calder</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Shard cinema</subfield><subfield code="c">Evan Calder Williams</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Repeater Books, an imprint of Watkins Media Ltd</subfield><subfield code="c">[2017]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 316 pages</subfield><subfield code="c">20 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"A Repeater Books paperback original 2017"...Title page verso</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Shard cinema tells an expansive story of how moving images have changed in the last three decades, and how they have changed us along with them, rewiring the ways we watch, fight, and navigate an unsteady world. In a set of interrelated essays that range from the writings of early factory workers to the distributed sight of contemporary surveillance, Williams argues for deep links between the images we see and the hidden labors frozen into them, exploring how even the apparently trivial or spectacular carries unique opportunities to detect and process the social frictions of their making. Spanning film, video games, radical history, architecture, visual effects, and war, the book crosses the twentieth century into our present to confront a new order of seeing and making that slowly took shape: the composite image, where no clean distinction can be made between production and post-production, filmed and animated, material and digital. Giving equal ground to costly blockbusters, shaky riot footage, disaster photography, and early cinema, Williams leads us from computer-generated 'shards' of particles and debris to the broken phone screens on which we watch these digital storms, looking for the unexpected histories lived in the interval between"...Page 4 of cover</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Philosophy / fast / (OCoLC)fst01027348</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="x">Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030894100</subfield></datafield></record></collection> |
| id | DE-604.BV045509573 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:20:05Z |
| institution | BVB |
| isbn | 1910924911 9781910924914 |
| language | English |
| lccn | 017288920 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030894100 |
| oclc_num | 1090095813 |
| open_access_boolean | |
| owner | DE-188 |
| owner_facet | DE-188 |
| physical | x, 316 pages 20 cm |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Repeater Books, an imprint of Watkins Media Ltd |
| record_format | marc |
| spelling | Williams, Evan Calder aut Shard cinema Evan Calder Williams London Repeater Books, an imprint of Watkins Media Ltd [2017] © 2017 x, 316 pages 20 cm txt rdacontent n rdamedia nc rdacarrier "A Repeater Books paperback original 2017"...Title page verso "Shard cinema tells an expansive story of how moving images have changed in the last three decades, and how they have changed us along with them, rewiring the ways we watch, fight, and navigate an unsteady world. In a set of interrelated essays that range from the writings of early factory workers to the distributed sight of contemporary surveillance, Williams argues for deep links between the images we see and the hidden labors frozen into them, exploring how even the apparently trivial or spectacular carries unique opportunities to detect and process the social frictions of their making. Spanning film, video games, radical history, architecture, visual effects, and war, the book crosses the twentieth century into our present to confront a new order of seeing and making that slowly took shape: the composite image, where no clean distinction can be made between production and post-production, filmed and animated, material and digital. Giving equal ground to costly blockbusters, shaky riot footage, disaster photography, and early cinema, Williams leads us from computer-generated 'shards' of particles and debris to the broken phone screens on which we watch these digital storms, looking for the unexpected histories lived in the interval between"...Page 4 of cover Motion pictures / Philosophy / fast / (OCoLC)fst01027348 Motion pictures Philosophy Motion pictures |
| spellingShingle | Williams, Evan Calder Shard cinema Motion pictures / Philosophy / fast / (OCoLC)fst01027348 Motion pictures Philosophy Motion pictures |
| title | Shard cinema |
| title_auth | Shard cinema |
| title_exact_search | Shard cinema |
| title_full | Shard cinema Evan Calder Williams |
| title_fullStr | Shard cinema Evan Calder Williams |
| title_full_unstemmed | Shard cinema Evan Calder Williams |
| title_short | Shard cinema |
| title_sort | shard cinema |
| topic | Motion pictures / Philosophy / fast / (OCoLC)fst01027348 Motion pictures Philosophy Motion pictures |
| topic_facet | Motion pictures / Philosophy / fast / (OCoLC)fst01027348 Motion pictures Philosophy Motion pictures |
| work_keys_str_mv | AT williamsevancalder shardcinema |