The melodramatic moment music and theatrical culture, 1790-1820
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The University of Chicago Press
2018
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Datensatz im Suchindex
| _version_ | 1819726209672544256 |
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| adam_text | THE MELODRAMATIC MOMENT, 1790-1820
/
: 2018
TABLE OF CONTENTS / INHALTSVERZEICHNIS
FOREWORD / JAMES CHANDLER
THE MELODRAMATIC MOMENT, 1790-1820 / KATHERINE HAMBRIDGE, JONATHAN HICKS
FORMS AND THEMES OF EARLY MELODRAMA / ELLEN LOCKHART
CONTINENTAL TROUBLE: THE NATIONALITY OF MELODRAMA AND THE NATIONAL STAGE
IN EARLY NINETEENTH-CENTURY BRITAIN / DIEGO SAGLIA
BETWEEN THE SACRED AND THE PROFANE: FRENCH BIBLICAL MELODRAMA IN VIENNA
/ BARBARA BABIC
SCENOGRAPHY, SPEICULOMANIE AND SOUNDSCAPE: PIXEREICOURT S LA CITERNE
/ SARAH HIBBERD
GESTURE, COMPOSITION AND PERFORMANCE IN 18TH-CENTURY GERMAN MELODRAMA:
GOEZ S 160 PASSIONATE ILLUSTRATIONS TO WINTERS S LENARDO UND BLANDINE
/ THOMAS BETZWIESER
MUSIC AND SUBTERRANEAN SPACE IN LA CITERNE / JENS HESSELAGER
THE FIRST ENGLISH MELODRAMA: THOMAS HOLCROFT S TRANSLATION OF
PIXEREICOURT / GEORGE TAYLOR
BENEVOLENT MACHINERY: TECHNIQUES OF SYMPATHY IN EARLY GERMAN MELODRAMA /
MATTHEW HEAD
VIENNA, 18 OCTOBER 1814: URBAN SPACE AND PUBLIC MEMORY IN THE NAPOLEONIC
OCCASIONAL MELODRAMA / NICHOLAS MATHEW
AFTERWORD / JACQUELINE WAEBER
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Contents Historical Newspapers and Journals Cited * vii Foreword* ix James Chandler CHAPTER 1 The Melodramatic Moment * і Katherine Hambridge and Jonathan Hicks CHAPTER 2 Forms and Themes of Early Melodrama * 25 Ellen Lockhart chapter 3 Continental Trouble: The Nationality of Melodrama and the National Stage in Early Nineteenth-Century Britain * 43 Diego Saglia CHAPTER 4 Between the Sacred and the Profane: French Biblical Melodrama in Vienna c. 1800 * Barbara Babič chapter s Scenography, Spéculomanie, and Spectacle: Pixerécourts La citerne (1809) * 79 Sarah Hibberd
v. CHAPTER 6 Compositional Gestures: Music and Movement in Lenardo und Blandine (1779) * 95 Thomas Betzwieser chapter 7 Music and Subterranean Space in La citerne (1809) * 117 Jens Hesselager chapter 8 The First English Melodrama: Tilomas Holcrofit s Translation of Pixerécourt * 137 George Taylor chapter 9 Benevolent Machinery: Techniques of Sympathy in Early German Melodrama * 151 Matthew Head chapter 10 Vienna, 18 October 1814: Urban Space and Public Memory in the Napoleonic “Occasional Melodrama” * 171 Nicholas Mathew Afterword: Looking Back at Rousseau s Pygmalion * 191 Jacqueline Waeber Acknowledgments * 199 Notes * 201 Bibliography * 247 Contributors * 265 Index * 269
j We seem to see melodrama everywhere we look—from the soliloquies of devas tation in a Dickens novel to the abject monstrosity of Frankenstein’s creation, and from Louise Brooks’s exaggerated acting in Pandora’s Box to the vicissi tudes endlessly reshaping the life of a brooding Don Draper. This anthology addresses the some times bewilderingly broad understand ings of melodrama by insisting on the historical specificity of its genesis on the stage in late eighteenth-century Europe. Melodrama emerged in the metropol itan centers of London, Paris, Vienna, and Berlin through stage adaptations of classical subjects and gothic novels, which became famous for their use of passionate expression and spectacular scenery. Yet, as the contributors to this volume emphasize, early melodramas placed sound at center stage, through distinctive—and often disconcertingalternations between speech and music. Iheir essays draw out the melo of melo drama, showing the centrality of sound and music to a genre that permeates our dramatic, literary, and cinematic sensi bilities today. A richly interdisciplinary anthology, The Melodramatic Moment will open up new dialogues between musicology and literary and theater studies.
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| title_full | The melodramatic moment music and theatrical culture, 1790-1820 edited by Katherine Hambridge and Jonathan Hicks |
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