Music Preferred essays in musicology, cultural history and analysis in honour of Harry White
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| Format: | Buch |
| Sprache: | English |
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Wien
Hollitzer
[2018]
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
NOTES ON CONTRIBUTORS 1
FOREWORD by Gerard Gillen (Maynooth University and Titular 15
Organist, St. Mary’s Pro-Cathedral)
INTRODUCTION by Lorraine Byrne Bodley (Maynooth University) 19
and Robin Elliot (University of Toronto)
PART ONE: THE MUSICAL BAROQUE
Julian Horton (Durham University): J. S. Bach’s Fugue in C sharp minor, 41
Well-Tempered Clavier, Book I and the Autonomy of the Musical Work
Lorenz Welker (Ludwig-Maximilians-Universitat, Munich): 67
Johann Joseph Fux’s Sonata a 4 in G (K. 347): Further Considerations
on its Source, Style, Context and Authorship
Tassilo Erhardt (Liverpool Hope University): Johann Joseph Fux’ 85
Church Music in its Spiritual and Liturgical Contexts
Jen-yen Chen (National Taiwan University): 107
The Musical Baroque in China: Interactions and Conflicts
Denis Collins (The University of Queensland, Australia): 117
Canon in Baroque Italy: Paolo Agostini’s Collections of Masses,
Motets and Counterpoints from 1627
PART TWO: MUSIC IN IRELAND
Kerry Houston (DIT Conservatory of Music and Drama): 143
John Mathews: A Specimen of Georgian Ignorance?
Ita Beausang (DIT Conservatory of Music and Drama): There is a calm 159
for those who weep: William Shore’s New Edition of a Chorale
by John [sic] Sebastian Bach
Axel Klein (Frankfurt): “No, Sir, the Irish are not musical”:
Some Historic (?) Debates on Irish Musicality
167
Adrian Scahill (Maynooth University): “That vulgar strummer”:
The Piano and Traditional Music in the Gaelic Revival
183
Maria McHale (DIT Conservatory of Music and Drama): 203
“Hopes for regeneration”: Opera in Revivalist Dublin, 1900—1916
Karol Mullaney-Dignam (University of Limerick): 217
“What do we mean by Irish music?” The Politics of State-Sponsored
Music Publication in Independent Ireland
Ruth Stanley (Cork Institute of Technology): “Jazzing the soul of the 231
Nation away”: The Hidden History of Jazz in Ireland and
Northern Ireland During the Interwar Years
Gearoid 6 hAllmhurain (Concordia University Montreal): Sonic Icon, 251
Music Pilgrimage: Creating an Irish World Music Capital
Meabh Ni Fhuarthain (NUI Galway): “In the mood for dancing”: 263
Emigrant, Pop and Female
Gareth Cox (Mary Immaculate College,University of Limerick): 281
Aloys Fleischmann’s Games (1990)
Denise Neary (Royal Irish Academy of Music): The Development of 293
Music Performance as Artistic Research in Ireland
Michael Murphy (Mary Immaculate College, University of Limerick): 307
“Irish” Musicology and Musicology in Ireland: Grattan Flood,
Bewerunge, Harrison, White
PART THREE: MUSIC AND LITERATURE
Declan Kiberd (University of Notre Dame): The New Policeman 325
Gerry Smyth (Liverpool John Moores University): 335
Moore, Wagner, Joyce: Evelyn Innes and the Irish Wagnerian Novel
John O’Flynn (Dublin City University): Alex North, James Joyce, 351
and John Huston’s The Dead (1987)
Patrick Zuk (Durham University): L’ami inconnu: Nataliya Esposito and 373
Ivan Bunin
PART FOUR: AUSTRO-GERMANIC TRADITIONS
Michael Hüttler (Don Juan Archiv, Vienna): Hof- and Domkapellmeister 393
Johann Joseph Friebert (1724—1799) and his Singspiele
Anne Hyland (University of Manchester): Tautology or Teleology? 409
Reconsidering Repetition and Difference in Two Schubertian
Symphonic First Movements
Susan Youens (University of Notre Dame): Of Anthropophagy, 431
the Abolitionist Movement, and Brahms: An unlikely Conjunction
Shane McMahon (UCD Humanities Institute): The Moth-Eaten Musical 471
Brocade: Narrative and the Limits of the Musical Imagination
David Cooper (University of Leeds): Die zweite Heimat: 489
Musical Personae in a Second Home
Glenn Stanley (University of Connecticut): Brechtian Fidelio 505
Performances in West Germany: 1968 to the New Millennium
Nicole Grimes (University of California, Irvine): Brahms as a Vanishing 523
Point in the music of Wolfgang Rihm: Reflections on Klavierstück Nr. 6
PART FIVE: MUSIC IN BRITAIN
Pauline Graham (Griffith College): Intimations of Eternity in the Creeds 553
from William Byrd’s Five-Voice Mass and Great Service
John Cunningham (Bangor University): “An Irishman in an opera!”: 573
Music and Nationalism on the London Stage in the Mid—1770s
Jeremy Dibble (Durham University): Canon Thomas Hudson, Clergyman 597
Musician, Cambridge Don and the Hovingham ‘Experiment’
William A. Everett (University of Missouri — Kansas City): 615
The Great War, Propaganda, and Orientalist Musical Theatre:
The Twin Histories of Katinka and Chu Chin Chow
Richard Aldous (Bard College): “Flash Harry”: Sir Malcolm Sargent
and the Progress of Music in England
631
PART SIX: MUSIC HISTORIES WORLDWIDE
Philip V. Bohlman (University of Chicago): Worlds Apart: 645
Resounding Selves and Others on Islands of Music History
Ivano Cavallini (University of Palermo): A Counter-Reformation 661
Reaction to Slovenian and Croatian Protestantism:
The Symbol of St. Athanasius in a Creed of 1624
Stanislav Tuksar (University of Zagreb): Musical Prints from c.1750-1815 685
in the Dubrovnik Franciscan Music Collection (HR-Dsmb)
Vjera Katalinic (Croatian Academy of Sciences and Arts, Zagreb): 701
Routes of Travels and Points of Encounters Observed Through Musical
Borrowings: The Case of Giovanni Giornovichi/Ivan Jarnovic,
an 18th-Century Itinerant Violin Virtuoso
Jan Smaczny (Queen s University Belfast): Antonín Dvorak in the Salon: 717
A Composer Emerges from the Shadows
Jaime Jones (University College Dublin): Singing the Way: 727
Music as Pilgrimage in Maharashtra
PART SEVEN: MUSIC AND POETRY
John Buckley (Dublin City University): A Setting of Harry White’s 749
Sonnet Bardolino from Polite Forms (2012) for Baritone and Piano
AFTERWORD by Iain Fenlon (King’s College Cambridge) 757
HARRY WHITE: LIST OF PUBLICATIONS
761
|
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| title | Music Preferred essays in musicology, cultural history and analysis in honour of Harry White |
| title_auth | Music Preferred essays in musicology, cultural history and analysis in honour of Harry White |
| title_exact_search | Music Preferred essays in musicology, cultural history and analysis in honour of Harry White |
| title_full | Music Preferred essays in musicology, cultural history and analysis in honour of Harry White edited by Lorraine Byrne Bodley |
| title_fullStr | Music Preferred essays in musicology, cultural history and analysis in honour of Harry White edited by Lorraine Byrne Bodley |
| title_full_unstemmed | Music Preferred essays in musicology, cultural history and analysis in honour of Harry White edited by Lorraine Byrne Bodley |
| title_short | Music Preferred |
| title_sort | music preferred essays in musicology cultural history and analysis in honour of harry white |
| title_sub | essays in musicology, cultural history and analysis in honour of Harry White |
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| topic_facet | Kultur Lyrik Musik Literatur Deutsches Sprachgebiet Großbritannien Irland Festschrift |
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