Recalling recitation in the Americas borderless curriculum, performance poetry, and reading

"Spoken word is one of the most popular styles of poetry in North America. While its prevalence is often attributed to the form's strong ties to oral culture, Recalling Recitation in the Americas reveals how poetry memorization and recitation curricula, shaped by British Imperial policy, i...

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1. Verfasser: Neigh, Janet author (VerfasserIn)
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Sprache:English
Veröffentlicht: Toronto ; Buffalo ; London University of Toronto Press [2017]
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245 1 0 |a Recalling recitation in the Americas  |b borderless curriculum, performance poetry, and reading  |c Janet Neigh 
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520 |a "Spoken word is one of the most popular styles of poetry in North America. While its prevalence is often attributed to the form's strong ties to oral culture, Recalling Recitation in the Americas reveals how poetry memorization and recitation curricula, shaped by British Imperial policy, influenced contemporary performance practices. During the early twentieth century, educators frequently used the recitation of canonical poems to instill "proper" speech and behaviour in classrooms in Canada, the Caribbean, and the United States. Janet Neigh critically analyses three celebrated performance poets-E. Pauline Johnson-Tekahionwake (1861-1913), Langston Hughes (1902-1967), and Louise Bennett (1919-2006)-who refashioned recitation to cultivate linguistic diversity and to resist its disciplinary force. Through an examination of the dialogues among their poetic projects, Neigh illuminates how their complicated legacies as national icons obscure their similar approaches to resisting Anglicization. Recalling Recitation in the Americas focuses on the unexplored relationship between education history and literary form and establishes the far-reaching effects of poetry memorization and recitation on the development of modern performance poetry in North America."-- 
600 1 4 |a Johnson, E. Pauline / 1861-1913 / Criticism and interpretation 
600 1 4 |a Hughes, Langston / 1902-1967 / Criticism and interpretation 
600 1 4 |a Bennett, Louise / 1919-2006 / Criticism and interpretation 
650 4 |a Oral interpretation of poetry 
650 4 |a Performance poetry / Social aspects 
650 4 |a Poetry / Social aspects 
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650 7 |a Oral interpretation of poetry  |2 idszbzes 
650 7 |a Performance poetry / Social aspects  |2 idszbzes 
650 7 |a Poetry / Study and teaching  |2 idszbzes 
650 7 |a Recitation / Social aspects  |2 idszbzes 
651 7 |a USA.  |2 gnd 
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Datensatz im Suchindex

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physical viii, 240 pages illustrations 24 cm
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spelling Neigh, Janet author Verfasser aut
Recalling recitation in the Americas borderless curriculum, performance poetry, and reading Janet Neigh
Toronto ; Buffalo ; London University of Toronto Press [2017]
© 2017
viii, 240 pages illustrations 24 cm
txt rdacontent
n rdamedia
nc rdacarrier
"Spoken word is one of the most popular styles of poetry in North America. While its prevalence is often attributed to the form's strong ties to oral culture, Recalling Recitation in the Americas reveals how poetry memorization and recitation curricula, shaped by British Imperial policy, influenced contemporary performance practices. During the early twentieth century, educators frequently used the recitation of canonical poems to instill "proper" speech and behaviour in classrooms in Canada, the Caribbean, and the United States. Janet Neigh critically analyses three celebrated performance poets-E. Pauline Johnson-Tekahionwake (1861-1913), Langston Hughes (1902-1967), and Louise Bennett (1919-2006)-who refashioned recitation to cultivate linguistic diversity and to resist its disciplinary force. Through an examination of the dialogues among their poetic projects, Neigh illuminates how their complicated legacies as national icons obscure their similar approaches to resisting Anglicization. Recalling Recitation in the Americas focuses on the unexplored relationship between education history and literary form and establishes the far-reaching effects of poetry memorization and recitation on the development of modern performance poetry in North America."--
Johnson, E. Pauline / 1861-1913 / Criticism and interpretation
Hughes, Langston / 1902-1967 / Criticism and interpretation
Bennett, Louise / 1919-2006 / Criticism and interpretation
Oral interpretation of poetry
Performance poetry / Social aspects
Poetry / Social aspects
Poetry / Study and teaching
Recitation (Education) / Social aspects
Deklamation gnd
Englischunterricht gnd
Lyrik gnd
Mündliche Überlieferung gnd
Performance gnd
American poetry / 20th century / History and criticism idszbzes
Oral interpretation of poetry idszbzes
Performance poetry / Social aspects idszbzes
Poetry / Study and teaching idszbzes
Recitation / Social aspects idszbzes
USA. gnd
spellingShingle Neigh, Janet author
Recalling recitation in the Americas borderless curriculum, performance poetry, and reading
Johnson, E. Pauline / 1861-1913 / Criticism and interpretation
Hughes, Langston / 1902-1967 / Criticism and interpretation
Bennett, Louise / 1919-2006 / Criticism and interpretation
Oral interpretation of poetry
Performance poetry / Social aspects
Poetry / Social aspects
Poetry / Study and teaching
Recitation (Education) / Social aspects
Deklamation gnd
Englischunterricht gnd
Lyrik gnd
Mündliche Überlieferung gnd
Performance gnd
American poetry / 20th century / History and criticism idszbzes
Oral interpretation of poetry idszbzes
Performance poetry / Social aspects idszbzes
Poetry / Study and teaching idszbzes
Recitation / Social aspects idszbzes
title Recalling recitation in the Americas borderless curriculum, performance poetry, and reading
title_auth Recalling recitation in the Americas borderless curriculum, performance poetry, and reading
title_exact_search Recalling recitation in the Americas borderless curriculum, performance poetry, and reading
title_full Recalling recitation in the Americas borderless curriculum, performance poetry, and reading Janet Neigh
title_fullStr Recalling recitation in the Americas borderless curriculum, performance poetry, and reading Janet Neigh
title_full_unstemmed Recalling recitation in the Americas borderless curriculum, performance poetry, and reading Janet Neigh
title_short Recalling recitation in the Americas
title_sort recalling recitation in the americas borderless curriculum performance poetry and reading
title_sub borderless curriculum, performance poetry, and reading
topic Johnson, E. Pauline / 1861-1913 / Criticism and interpretation
Hughes, Langston / 1902-1967 / Criticism and interpretation
Bennett, Louise / 1919-2006 / Criticism and interpretation
Oral interpretation of poetry
Performance poetry / Social aspects
Poetry / Social aspects
Poetry / Study and teaching
Recitation (Education) / Social aspects
Deklamation gnd
Englischunterricht gnd
Lyrik gnd
Mündliche Überlieferung gnd
Performance gnd
American poetry / 20th century / History and criticism idszbzes
Oral interpretation of poetry idszbzes
Performance poetry / Social aspects idszbzes
Poetry / Study and teaching idszbzes
Recitation / Social aspects idszbzes
topic_facet Johnson, E. Pauline / 1861-1913 / Criticism and interpretation
Hughes, Langston / 1902-1967 / Criticism and interpretation
Bennett, Louise / 1919-2006 / Criticism and interpretation
Oral interpretation of poetry
Performance poetry / Social aspects
Poetry / Social aspects
Poetry / Study and teaching
Recitation (Education) / Social aspects
Deklamation
Englischunterricht
Lyrik
Mündliche Überlieferung
Performance
American poetry / 20th century / History and criticism
Recitation / Social aspects
USA.
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