Literary Britten words and music in Benjamin Britten's vocal works
Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborations with his librettists tell us a great deal about his music, and often,...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge
Boydell Press
[2018]
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| Schriftenreihe: | Aldeburgh studies in music
volume 13 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
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Inhaltsangabe:
- Introduction / Kate Kennedy
- Britten and his librettists : the composer as auteur / Mervyn Cooke
- Britten, Auden and the 1930s / John Fuller
- James, Britten, Piper and the literary supernatural : the changing "vision of evil" in The turn of the screw and Owen Wingrave / Nick Clark
- "Thought's wildernesses" : the development of Britten's Nocturne from library to score / Kate Kennedy
- "Reading at intervals" : Britten's romantic poetry / Brian Young
- Britten's drops : the lyric into song / Rebekah Scott
- "Without any tune" : the role of the discursive shift in Britten's interpretation of poetry / Vicki P. Stroeher
- Britten and modern tragedy / Adrian Poole
- Settings from boyhood / Lucy Walker
- "Practical jokes" : Britten and Auden's Our hunting fathers revisited / Joanna Bullivant
- Choice and inevitability : the moral economy of Peter Grimes / Philip Ross Bullock
- Sin, death, and love : Britten's Holy sonnets of John Donne / David Fuller
- Britten's Donne meditation / Justin Vickers
- Scenes from Britten's Spring symphony / Philip Rupprecht
- "I have read Billy Budd" : the Forster-Britten reading(s) of Melville / Hanna Rochlitz
- Miles must die : ideological uses of "innocence" in Britten's The turn of the screw / J.P.E. Harper-Scott
- Benjamin Britten and medieval drama at Chester : from Abraham and Isaac to "The Nativity" / Peter Happe
- Ambiguous Venice / John Hopkins