John Williams music for films, television and the concert stage
This volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers' styles, only recently Williams' music has begun to be taken seriously, and scholars from the music and the film department...
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Turnhout
Brepols
2018
|
Schriftenreihe: | Contemporary composers
volume 1 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
LEADER | 00000nam a2200000 cb4500 | ||
---|---|---|---|
001 | BV044915305 | ||
003 | DE-604 | ||
005 | 20180717 | ||
007 | t | ||
008 | 180423s2018 gl|| |||| 00||| eng d | ||
020 | |a 9782503580340 |c (hbk.) |9 978-2-503-58034-0 | ||
035 | |a (OCoLC)1041437918 | ||
035 | |a (DE-599)BVBBV044915305 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-703 |a DE-12 |a DE-19 |a DE-W89 |a DE-11 | ||
050 | 0 | |a PN1990-1997 | |
082 | 0 | |a 791 | |
084 | |a MUS |q DE-12 |2 fid | ||
084 | |a AP 51450 |0 (DE-625)7702: |2 rvk | ||
084 | |a LP 95900 |0 (DE-625)109049: |2 rvk | ||
084 | |a LR 53509 |0 (DE-625)109546: |2 rvk | ||
245 | 1 | 0 | |a John Williams |b music for films, television and the concert stage |c edited by Emilio Audissino |
264 | 1 | |a Turnhout |b Brepols |c 2018 | |
300 | |a xxiv, 440 Seiten |b Diagramme, Notenbeispiele | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Contemporary composers |v volume 1 | |
520 | 3 | |a This volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers' styles, only recently Williams' music has begun to be taken seriously, and scholars from the music and the film departments have begun to produce research. The present volume seeks to build upon, complement and review what has been written so far on Williams. It is a large exploration of the many sides of Williams's output, aimed at showing the range of his production (not merely focussing on film music) and at analysing the depth of his dramaturgic and compositional skills with selected case studies. To accomplish this exploration, a large team of international scholars has been assembled from all around the world. The contributors come from film, media and music departments to provide a variety of disciplinary perspectives on Williams's work. - Emilio Audissino (University of Southampton, UK) is a film scholar and film musicologist. Dr Audissino's main research interests are Hollywood and Italian cinema, film style and technique, horror and comedy, film analysis, and sound and music in films. His book Film/Music Analysis. A Film Studies Approach (2017) concerns a method to analyse music in films that blends Neoformalism, Gestalt Psychology, and Leonard Meyer's musicology. A John Williams specialist, he is the author of John Williams's Film Music: 'Jaws', 'Star Wars', 'Raiders of the Lost Ark' and the Return of the Classical Hollywood Music Style (2014), the first book in English on the composer. | |
600 | 1 | 7 | |a Williams, John |d 1932- |0 (DE-588)129198536 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
689 | 0 | 0 | |a Williams, John |d 1932- |0 (DE-588)129198536 |D p |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Audissino, Emilio |d 1981- |0 (DE-588)1060923130 |4 edt | |
830 | 0 | |a Contemporary composers |v volume 1 |w (DE-604)BV045010624 |9 1 | |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030308733&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-030308733 | ||
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |g 73 |
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0905 |g 73 |
Datensatz im Suchindex
_version_ | 1804178480290594816 |
---|---|
adam_text | Contents
Emilio Audissino
Introduction: John Williams, Composer ix
John Williams and the Musical Landscapes:
Film, Television, Jazz, and Concert Halls
Mervyn Cooke
A New Symphomsm for a New Hollywood:
The Musical Language ofjohn Williams’s Film Scores 3
Paula Musegades
John Williams: Television Composer 27
Ryan Patrick Jones
“Catch as Catch Can”: Jazz, John Williams, Popular Music Allusion 41
Emile Wennekes
No Sharks, No Stars, Just Idiomatic Scoring and Sounding
Engagement: John Williams as a ‘Classical’ Composer 71
Sebastian Stoppe
John Williams’s Film Music in the Concert Halls 95
The Williams Touch: Style and Musical Dramaturgy
Mark Richards
The Use of Variation in John Williams’s Film Music Themes 119
Frank Lehman
The Themes of Star Wars: Catalogue and Commentary
153
|
any_adam_object | 1 |
author2 | Audissino, Emilio 1981- |
author2_role | edt |
author2_variant | e a ea |
author_GND | (DE-588)1060923130 |
author_facet | Audissino, Emilio 1981- |
building | Verbundindex |
bvnumber | BV044915305 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1990-1997 |
callnumber-raw | PN1990-1997 |
callnumber-search | PN1990-1997 |
callnumber-sort | PN 41990 41997 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 51450 LP 95900 LR 53509 |
ctrlnum | (OCoLC)1041437918 (DE-599)BVBBV044915305 |
dewey-full | 791 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791 |
dewey-search | 791 |
dewey-sort | 3791 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Musikwissenschaft |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03342nam a2200445 cb4500</leader><controlfield tag="001">BV044915305</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20180717 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">180423s2018 gl|| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9782503580340</subfield><subfield code="c">(hbk.)</subfield><subfield code="9">978-2-503-58034-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1041437918</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044915305</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-W89</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1990-1997</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 51450</subfield><subfield code="0">(DE-625)7702:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 95900</subfield><subfield code="0">(DE-625)109049:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 53509</subfield><subfield code="0">(DE-625)109546:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">John Williams</subfield><subfield code="b">music for films, television and the concert stage</subfield><subfield code="c">edited by Emilio Audissino</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Turnhout</subfield><subfield code="b">Brepols</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxiv, 440 Seiten</subfield><subfield code="b">Diagramme, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Contemporary composers</subfield><subfield code="v">volume 1</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers' styles, only recently Williams' music has begun to be taken seriously, and scholars from the music and the film departments have begun to produce research. The present volume seeks to build upon, complement and review what has been written so far on Williams. It is a large exploration of the many sides of Williams's output, aimed at showing the range of his production (not merely focussing on film music) and at analysing the depth of his dramaturgic and compositional skills with selected case studies. To accomplish this exploration, a large team of international scholars has been assembled from all around the world. The contributors come from film, media and music departments to provide a variety of disciplinary perspectives on Williams's work. - Emilio Audissino (University of Southampton, UK) is a film scholar and film musicologist. Dr Audissino's main research interests are Hollywood and Italian cinema, film style and technique, horror and comedy, film analysis, and sound and music in films. His book Film/Music Analysis. A Film Studies Approach (2017) concerns a method to analyse music in films that blends Neoformalism, Gestalt Psychology, and Leonard Meyer's musicology. A John Williams specialist, he is the author of John Williams's Film Music: 'Jaws', 'Star Wars', 'Raiders of the Lost Ark' and the Return of the Classical Hollywood Music Style (2014), the first book in English on the composer.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Williams, John</subfield><subfield code="d">1932-</subfield><subfield code="0">(DE-588)129198536</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Williams, John</subfield><subfield code="d">1932-</subfield><subfield code="0">(DE-588)129198536</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Audissino, Emilio</subfield><subfield code="d">1981-</subfield><subfield code="0">(DE-588)1060923130</subfield><subfield code="4">edt</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Contemporary composers</subfield><subfield code="v">volume 1</subfield><subfield code="w">(DE-604)BV045010624</subfield><subfield code="9">1</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030308733&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030308733</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">73</subfield></datafield></record></collection> |
genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV044915305 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:04:38Z |
institution | BVB |
isbn | 9782503580340 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030308733 |
oclc_num | 1041437918 |
open_access_boolean | |
owner | DE-703 DE-12 DE-19 DE-BY-UBM DE-W89 DE-11 |
owner_facet | DE-703 DE-12 DE-19 DE-BY-UBM DE-W89 DE-11 |
physical | xxiv, 440 Seiten Diagramme, Notenbeispiele |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Brepols |
record_format | marc |
series | Contemporary composers |
series2 | Contemporary composers |
spelling | John Williams music for films, television and the concert stage edited by Emilio Audissino Turnhout Brepols 2018 xxiv, 440 Seiten Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Contemporary composers volume 1 This volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers' styles, only recently Williams' music has begun to be taken seriously, and scholars from the music and the film departments have begun to produce research. The present volume seeks to build upon, complement and review what has been written so far on Williams. It is a large exploration of the many sides of Williams's output, aimed at showing the range of his production (not merely focussing on film music) and at analysing the depth of his dramaturgic and compositional skills with selected case studies. To accomplish this exploration, a large team of international scholars has been assembled from all around the world. The contributors come from film, media and music departments to provide a variety of disciplinary perspectives on Williams's work. - Emilio Audissino (University of Southampton, UK) is a film scholar and film musicologist. Dr Audissino's main research interests are Hollywood and Italian cinema, film style and technique, horror and comedy, film analysis, and sound and music in films. His book Film/Music Analysis. A Film Studies Approach (2017) concerns a method to analyse music in films that blends Neoformalism, Gestalt Psychology, and Leonard Meyer's musicology. A John Williams specialist, he is the author of John Williams's Film Music: 'Jaws', 'Star Wars', 'Raiders of the Lost Ark' and the Return of the Classical Hollywood Music Style (2014), the first book in English on the composer. Williams, John 1932- (DE-588)129198536 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Williams, John 1932- (DE-588)129198536 p DE-604 Audissino, Emilio 1981- (DE-588)1060923130 edt Contemporary composers volume 1 (DE-604)BV045010624 1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030308733&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | John Williams music for films, television and the concert stage Contemporary composers Williams, John 1932- (DE-588)129198536 gnd |
subject_GND | (DE-588)129198536 (DE-588)4143413-4 |
title | John Williams music for films, television and the concert stage |
title_auth | John Williams music for films, television and the concert stage |
title_exact_search | John Williams music for films, television and the concert stage |
title_full | John Williams music for films, television and the concert stage edited by Emilio Audissino |
title_fullStr | John Williams music for films, television and the concert stage edited by Emilio Audissino |
title_full_unstemmed | John Williams music for films, television and the concert stage edited by Emilio Audissino |
title_short | John Williams |
title_sort | john williams music for films television and the concert stage |
title_sub | music for films, television and the concert stage |
topic | Williams, John 1932- (DE-588)129198536 gnd |
topic_facet | Williams, John 1932- Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030308733&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV045010624 |
work_keys_str_mv | AT audissinoemilio johnwilliamsmusicforfilmstelevisionandtheconcertstage |