John Williams music for films, television and the concert stage

This volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers' styles, only recently Williams' music has begun to be taken seriously, and scholars from the music and the film department...

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Weitere Verfasser: Audissino, Emilio 1981- (HerausgeberIn)
Format: Buch
Sprache:English
Veröffentlicht: Turnhout Brepols 2018
Schriftenreihe:Contemporary composers volume 1
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Datensatz im Suchindex

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adam_text Contents Emilio Audissino Introduction: John Williams, Composer ix John Williams and the Musical Landscapes: Film, Television, Jazz, and Concert Halls Mervyn Cooke A New Symphomsm for a New Hollywood: The Musical Language ofjohn Williams’s Film Scores 3 Paula Musegades John Williams: Television Composer 27 Ryan Patrick Jones “Catch as Catch Can”: Jazz, John Williams, Popular Music Allusion 41 Emile Wennekes No Sharks, No Stars, Just Idiomatic Scoring and Sounding Engagement: John Williams as a ‘Classical’ Composer 71 Sebastian Stoppe John Williams’s Film Music in the Concert Halls 95 The Williams Touch: Style and Musical Dramaturgy Mark Richards The Use of Variation in John Williams’s Film Music Themes 119 Frank Lehman The Themes of Star Wars: Catalogue and Commentary 153
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Contemporary composers volume 1
This volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers' styles, only recently Williams' music has begun to be taken seriously, and scholars from the music and the film departments have begun to produce research. The present volume seeks to build upon, complement and review what has been written so far on Williams. It is a large exploration of the many sides of Williams's output, aimed at showing the range of his production (not merely focussing on film music) and at analysing the depth of his dramaturgic and compositional skills with selected case studies. To accomplish this exploration, a large team of international scholars has been assembled from all around the world. The contributors come from film, media and music departments to provide a variety of disciplinary perspectives on Williams's work. - Emilio Audissino (University of Southampton, UK) is a film scholar and film musicologist. Dr Audissino's main research interests are Hollywood and Italian cinema, film style and technique, horror and comedy, film analysis, and sound and music in films. His book Film/Music Analysis. A Film Studies Approach (2017) concerns a method to analyse music in films that blends Neoformalism, Gestalt Psychology, and Leonard Meyer's musicology. A John Williams specialist, he is the author of John Williams's Film Music: 'Jaws', 'Star Wars', 'Raiders of the Lost Ark' and the Return of the Classical Hollywood Music Style (2014), the first book in English on the composer.
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spellingShingle John Williams music for films, television and the concert stage
Contemporary composers
Williams, John 1932- (DE-588)129198536 gnd
subject_GND (DE-588)129198536
(DE-588)4143413-4
title John Williams music for films, television and the concert stage
title_auth John Williams music for films, television and the concert stage
title_exact_search John Williams music for films, television and the concert stage
title_full John Williams music for films, television and the concert stage edited by Emilio Audissino
title_fullStr John Williams music for films, television and the concert stage edited by Emilio Audissino
title_full_unstemmed John Williams music for films, television and the concert stage edited by Emilio Audissino
title_short John Williams
title_sort john williams music for films television and the concert stage
title_sub music for films, television and the concert stage
topic Williams, John 1932- (DE-588)129198536 gnd
topic_facet Williams, John 1932-
Aufsatzsammlung
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volume_link (DE-604)BV045010624
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