Sex,The Self and the Sacred Women in the Cinema of Pier Paolo Pasolini
Born in Bologna in 1922, filmmaker Pier Paolo Pasolini was one of the most controversial European intellectuals of his time. Pasolini believed the 'authentic' Italy - with its many languages and subcultures, its ancient roots and idiosyncrasies - to be disappearing before his eyes, and he...
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University of Toronto Press
[2017]
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| Schriftenreihe: | Toronto Italian Studies
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| language | English |
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| spelling | Ryan-Scheutz, Colleen aut Sex,The Self and the Sacred Women in the Cinema of Pier Paolo Pasolini Colleen Ryan-Scheutz Toronto University of Toronto Press [2017] © 2007 1 online resource txt rdacontent c rdamedia cr rdacarrier Toronto Italian Studies Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017) Born in Bologna in 1922, filmmaker Pier Paolo Pasolini was one of the most controversial European intellectuals of his time. Pasolini believed the 'authentic' Italy - with its many languages and subcultures, its ancient roots and idiosyncrasies - to be disappearing before his eyes, and he used his films to denounce the social and ideological forces he felt were responsible for this detrimental change. Rather than campaign with overtly political films, however, Pasolini vested ideological impetus in key film characters, many of whom were women.Drawing upon Italy's distinct socio-cultural history as well as feminist and psychoanalytic approaches to film, Colleen Ryan-Scheutz explores the ways in which Pasolini's representations of women reveal his concerns about purity in modern Italian society. Ryan-Scheutz demonstrates how Pasolini used his female figures onscreen to critique the ruling class from a decisively different perspective and propose a range of alternatives to the increasingly sterile and capitalistic world of Italy and the West. Providing a new critical approach to Pasolini studies, Sex, the Self, and the Sacred brings psychoanalytic and feminist theories to bear on the auteur's lifelong poetics and theoretical writings on cinema In English DISCOUNT-B. Feminism and motion pictures Sex in motion pictures Women in motion pictures https://doi.org/10.3138/9781442684775 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ryan-Scheutz, Colleen Sex,The Self and the Sacred Women in the Cinema of Pier Paolo Pasolini DISCOUNT-B. Feminism and motion pictures Sex in motion pictures Women in motion pictures |
| title | Sex,The Self and the Sacred Women in the Cinema of Pier Paolo Pasolini |
| title_auth | Sex,The Self and the Sacred Women in the Cinema of Pier Paolo Pasolini |
| title_exact_search | Sex,The Self and the Sacred Women in the Cinema of Pier Paolo Pasolini |
| title_full | Sex,The Self and the Sacred Women in the Cinema of Pier Paolo Pasolini Colleen Ryan-Scheutz |
| title_fullStr | Sex,The Self and the Sacred Women in the Cinema of Pier Paolo Pasolini Colleen Ryan-Scheutz |
| title_full_unstemmed | Sex,The Self and the Sacred Women in the Cinema of Pier Paolo Pasolini Colleen Ryan-Scheutz |
| title_short | Sex,The Self and the Sacred |
| title_sort | sex the self and the sacred women in the cinema of pier paolo pasolini |
| title_sub | Women in the Cinema of Pier Paolo Pasolini |
| topic | DISCOUNT-B. Feminism and motion pictures Sex in motion pictures Women in motion pictures |
| topic_facet | DISCOUNT-B. Feminism and motion pictures Sex in motion pictures Women in motion pictures |
| url | https://doi.org/10.3138/9781442684775 |
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