By the pen and what they write writing in Islamic art and culture
Considered by Muslims as the only true art, calligraphy has played a prominent role in Islamic culture since the time of the prophet Muhammad. Exploring this central role of the written word in Islam and how writing practices have evolved and adapted in different historical contexts, this book provi...
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Yale University Press
[2017]
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| 245 | 1 | 0 | |a By the pen and what they write |b writing in Islamic art and culture |c edited by Sheila Blair and Jonathan Bloom |
| 264 | 1 | |a New Haven ; London |b Yale University Press |c [2017] | |
| 264 | 4 | |c © 2017 | |
| 300 | |a xi, 305 Seiten |b Illustrationen, 1 Karte, Porträts | ||
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| 500 | |a Proceedings of the Sixth Biennial Hamad bin Khalifa Symposium on Islamic Art, Nov. 7-9, 2015, Doha. - Includes bibliographical references and index | ||
| 505 | 8 | |a 1 Sheila Blair, Writing as signifier of Islam<br> 2 Robert Hoyland, The Birth of Arabic Writing on Stone<br> 3 Angelika Neuwirth, Scripture, Revelation, and Writing: The Qur'an's Epistemic Recast of Arabian Late Antiquity<br> 4 Hugh Kennedy, Baghdad as a Center of Learning and Book Production<br> 5 Jonathan Bloom, How Paper Changed the Literary and Visual Culture of the Islamic lands<br> 6 Kristine Rose Beers, Reading with Conservators: The Language of Book Archaeology<br> 7 Ludvik Kalus, The Spread of Islamic Inscriptions in East and Southeast Asia<br> 8 Massumeh Farhad, Reading between the Lines: Text and Image in Sixteenth-Century Iran<br> 9 Dana Sajdi, Chained: Orality, Authority and History<br> 10 Huda Smitshuijzen Abifares, Arabic Typography and the Shaping of a Modern Design Culture<br> 11 Heba Barakat, The Triumph of the Word | |
| 520 | 3 | |a Considered by Muslims as the only true art, calligraphy has played a prominent role in Islamic culture since the time of the prophet Muhammad. Exploring this central role of the written word in Islam and how writing practices have evolved and adapted in different historical contexts, this book provides an overview of the enormous impact that writing in Arabic script has had on the visual arts of the Islamic world. Approaching the topic from a number of different perspectives, the essays in this volume include discussions on the relationship between orality and the written word; the materiality of the written word, ranging from the type of paper on which books were written to monumental inscriptions in stone and brick; and the development of Arabic typography and the printed book. Generously illustrated, By Pen and What They Write is an engaging look at how writing has remained a foundational component of Islamic art throughout fourteen centuries | |
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Datensatz im Suchindex
| _version_ | 1819645299244662784 |
|---|---|
| adam_text | CONTENTS Foreword ix James A. Frazier Map xii Introduction: Ten (or Eleven) Years of the Biennial Hamad bin Khalifa Symposium on Islamic Art and Culture Sheila Blair and Jonathan Bloom ¿^УдВШдИ Sheila Blair շ The Birth of Ambic in Stone Robert Hoyland 3 Scripture, Revelation, and Writing: The Quran’s Epistemic Recast of Arabian Late Antiquity Angelika Neuwirth 4 Baghdad as a Center of Learning and Book Production Hugh Kennedy 5 How Paper Changed the Literary and Visual Culture of the Islamic Lands Jonathan Bloom 105
8 Reading between the Lines: Word and Image in Sixteenth-century Iran 177 MassUmeh Farhad 9 Chained: Orality, Authority, andHistory 205 Dana Sajdi 10 Arabic Typography and theShapingof a Modern Print Culture 225 Huda Smitshuijzen AbiFarès ix The Triumph of the Word 255 Heba Nayel Barakai Bibliography 283 List of Contributors 295 Index 297 Illustration Credits 3°5
|
| any_adam_object | 1 |
| author2 | Blair, Sheila 1948- Bloom, Jonathan 1950- |
| author2_role | edt edt |
| author2_variant | s b sb j b jb |
| author_GND | (DE-588)124302661 (DE-588)129366048 |
| author_corporate | Hamad bin Khalifa Symposium on Islamic Art and Culture Dawhah |
| author_corporate_role | aut |
| author_facet | Blair, Sheila 1948- Bloom, Jonathan 1950- Hamad bin Khalifa Symposium on Islamic Art and Culture Dawhah |
| author_sort | Hamad bin Khalifa Symposium on Islamic Art and Culture Dawhah |
| building | Verbundindex |
| bvnumber | BV044462309 |
| callnumber-first | N - Fine Arts |
| callnumber-label | NK3636 |
| callnumber-raw | NK3636.5 |
| callnumber-search | NK3636.5 |
| callnumber-sort | NK 43636.5 |
| callnumber-subject | NK - Decorative Arts |
| classification_rvk | LH 65960 |
| contents | 1 Sheila Blair, Writing as signifier of Islam<br> 2 Robert Hoyland, The Birth of Arabic Writing on Stone<br> 3 Angelika Neuwirth, Scripture, Revelation, and Writing: The Qur'an's Epistemic Recast of Arabian Late Antiquity<br> 4 Hugh Kennedy, Baghdad as a Center of Learning and Book Production<br> 5 Jonathan Bloom, How Paper Changed the Literary and Visual Culture of the Islamic lands<br> 6 Kristine Rose Beers, Reading with Conservators: The Language of Book Archaeology<br> 7 Ludvik Kalus, The Spread of Islamic Inscriptions in East and Southeast Asia<br> 8 Massumeh Farhad, Reading between the Lines: Text and Image in Sixteenth-Century Iran<br> 9 Dana Sajdi, Chained: Orality, Authority and History<br> 10 Huda Smitshuijzen Abifares, Arabic Typography and the Shaping of a Modern Design Culture<br> 11 Heba Barakat, The Triumph of the Word |
| ctrlnum | (OCoLC)1004707234 (DE-599)BVBBV044462309 |
| dewey-full | 745.6/1091767 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 745 - Decorative arts |
| dewey-raw | 745.6/1091767 |
| dewey-search | 745.6/1091767 |
| dewey-sort | 3745.6 71091767 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Conference Proceeding Book |
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| genre_facet | Konferenzschrift 07.11.2015-09.11.2015 Doha |
| id | DE-604.BV044462309 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T06:08:49Z |
| institution | BVB |
| institution_GND | (DE-588)1140237160 |
| isbn | 9780300228243 |
| language | English |
| lccn | 017005387 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029862958 |
| oclc_num | 1004707234 |
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| physical | xi, 305 Seiten Illustrationen, 1 Karte, Porträts |
| publishDate | 2017 |
| publishDateSearch | 2017 |
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| publisher | Yale University Press |
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| spellingShingle | By the pen and what they write writing in Islamic art and culture 1 Sheila Blair, Writing as signifier of Islam<br> 2 Robert Hoyland, The Birth of Arabic Writing on Stone<br> 3 Angelika Neuwirth, Scripture, Revelation, and Writing: The Qur'an's Epistemic Recast of Arabian Late Antiquity<br> 4 Hugh Kennedy, Baghdad as a Center of Learning and Book Production<br> 5 Jonathan Bloom, How Paper Changed the Literary and Visual Culture of the Islamic lands<br> 6 Kristine Rose Beers, Reading with Conservators: The Language of Book Archaeology<br> 7 Ludvik Kalus, The Spread of Islamic Inscriptions in East and Southeast Asia<br> 8 Massumeh Farhad, Reading between the Lines: Text and Image in Sixteenth-Century Iran<br> 9 Dana Sajdi, Chained: Orality, Authority and History<br> 10 Huda Smitshuijzen Abifares, Arabic Typography and the Shaping of a Modern Design Culture<br> 11 Heba Barakat, The Triumph of the Word Islamic calligraphy Congresses Islamic calligraphy in art Congresses Islam (DE-588)4027743-4 gnd Kunst (DE-588)4114333-4 gnd Buch (DE-588)4008570-3 gnd Kultur (DE-588)4125698-0 gnd Bucheinband (DE-588)4008602-1 gnd Typografie (DE-588)4136341-3 gnd Schrift (DE-588)4053297-5 gnd Kalligrafie (DE-588)4073168-6 gnd |
| subject_GND | (DE-588)4027743-4 (DE-588)4114333-4 (DE-588)4008570-3 (DE-588)4125698-0 (DE-588)4008602-1 (DE-588)4136341-3 (DE-588)4053297-5 (DE-588)4073168-6 (DE-588)1071861417 |
| title | By the pen and what they write writing in Islamic art and culture |
| title_auth | By the pen and what they write writing in Islamic art and culture |
| title_exact_search | By the pen and what they write writing in Islamic art and culture |
| title_full | By the pen and what they write writing in Islamic art and culture edited by Sheila Blair and Jonathan Bloom |
| title_fullStr | By the pen and what they write writing in Islamic art and culture edited by Sheila Blair and Jonathan Bloom |
| title_full_unstemmed | By the pen and what they write writing in Islamic art and culture edited by Sheila Blair and Jonathan Bloom |
| title_short | By the pen and what they write |
| title_sort | by the pen and what they write writing in islamic art and culture |
| title_sub | writing in Islamic art and culture |
| topic | Islamic calligraphy Congresses Islamic calligraphy in art Congresses Islam (DE-588)4027743-4 gnd Kunst (DE-588)4114333-4 gnd Buch (DE-588)4008570-3 gnd Kultur (DE-588)4125698-0 gnd Bucheinband (DE-588)4008602-1 gnd Typografie (DE-588)4136341-3 gnd Schrift (DE-588)4053297-5 gnd Kalligrafie (DE-588)4073168-6 gnd |
| topic_facet | Islamic calligraphy Congresses Islamic calligraphy in art Congresses Islam Kunst Buch Kultur Bucheinband Typografie Schrift Kalligrafie Konferenzschrift 07.11.2015-09.11.2015 Doha |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029862958&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT hamadbinkhalifasymposiumonislamicartandculturedawhah bythepenandwhattheywritewritinginislamicartandculture AT blairsheila bythepenandwhattheywritewritinginislamicartandculture AT bloomjonathan bythepenandwhattheywritewritinginislamicartandculture |