Chopin and his world
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| 245 | 1 | 0 | |a Chopin and his world |c edited by Jonathan D. Bellman and Halina Goldberg |
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| adam_text | Contents
Acknowledgments ix
Permissions x
Introduction l
H ALIN A GOLDBERG AND JONATHAN D. BELLMAN
PART I. CONTEMPORARY CULTURAL CONTEXTS
Chopin’s Oneiric Soundscapes and the Role of 15
Dreams in Romantic Culture
HALINA GOLDBERG
Jozef Sikorski’s “Recollection of Chopin”: 45
The Earliest Essay on Chopin and His Music
TRANSLATED BY JOHN COMBER
INTRODUCED AND ANNOTATED BY H ALIN A GOLDBERG
Chopin and the Gothic 85
ANATOLE LEIKIN
Revisiting Chopin’s Tubercular Song, or, 103
An Opera in the Making
DAVID KASUNIC
Chopin and Jews
JEFFREY KALLBERG
123
PART II. MUSICAL AND PIANISTIC CONTEXTS
Middlebrow Becomes Transcendent: 147
The Popular Roots of Chopin’s Musical Language
JONATHAN D. BELLMAN
Karol Kurpiński on the Musical Expression of 171
Polish National Sentiment
TRANSLATED BY JOHN COMBER
INTRODUCED AND ANNOTATED BY HALINA GOLDBERG
Dance and the Music of Chopin: 187
The Polonaise
ERIC MCKEE
The Barcarolle and the Barcarolle: 231
Topic and Genre in Chopin
JAMES PARAKILAS
Chopin and Improvisation 249
JOHN RINK
Chopin Among the Pianists in Paris 271
SANDRA P. ROSENBLUM
The Hand of Chopin: Documents and Commentary 297
JEAN-JACQUES EIGELDINGER
TRANSLATED BY VIRGINIA E. WHEALTON
AFTERWORD
Chopin and the Consequences of Exile 315
LEON BOTSTEIN
Index 357
Notes on Contributors
366
Index
Page numbers followed by “n” indicate chapter endnotes.
Page numbers in italics refer to figures and musical excerpts.
Index of Chopin s Works
Andante spianato et Grande polonaise brillante,
Op. 22, G Major, 64, 256, 259
Ballades, 85, 100, 169, 173
Ballade, Op. 23, G Minor, 84n33, 151,
153-54
Ballade, Op. 38, F Major, 64, 71,84n33,
99, 154, 160, 235
Ballade, Op. 47, A-flat Major, 140nl,
235-36
Ballade, Op. 52, F Minor, 99, 165-67,
168, 235, 256, 259, 260, 264
Barcarolle, Op. 60, F-sharp Major, 75-76,
159, 231, 237-47, 254, 257
Berceuse, Op. 57, D-flat Major, 75, 262
Bolero, Op. 19, A Minor, 159, 170n9
Etudes, 69
Etudes, Op. 10, 63, 143n38, 272-73, 290
Etude, Op. 10, No. 11, E-flat Major, 69
Etude, Op. 10, No. 12, C Minor
(“Revolutionary”), 147
Etude, Op. 25, No. 1, A-ftat Major
(“Aeolian Harp”), 16, 21, 36, 105
Etude, Op. 25, No. 3, F Major, 69
Etude, Op. 25, No. 6, G-sharp Minor, 78
Etude, Op. 25, No. 7, C-sharp Minor, 69,
153
Fantaisie-Impromptu, Op. 66, C-sharp
Minor, 235
Fantasy, Op. 49, F Minor, 71, 73, 173,
246, 260, 262-64
Fantasy on Polish Airs, Op. 13, A Major,
171, 257, 259, 262, 272
“Funeral March,” see Sonata, Op. 35,
B-flat Minor, III
Grand duo concertante for piano and cello,
E Major (with Franchomme), 153
Grande polonaise (see Andante spianato et
Grande polonaise brillante)
“Hulanka” (Merrymaking), 254
Impromptu, Op. 29, A-ftat Major, 279
Impromptu, Op. 36, F-sharp Major, 260,
264
Mazurkas, 246
Mazurka, Op. 6, No. 1, F-sharp Minor,
262, 263
Mazurka, Op. 6, No. 3, E Major, 41n25
Mazurka, Op. 7, No. 4, A-flat Major, 129
Mazurka, Op. 17, No. 4, A Minor, 73,
129, 151
Mazurka, Op. 24, No. 2, C Major, 151
Mazurka, Op. 24, No. 4, B-flat Minor, 21
Mazurka, Op. 30, No. 4, C-sharp Minor,
262, 263
Mazurka, Op. 33, No. 4, B Minor, 23
Mazurkas, Op. 41, 83n29
Mazurka, Op. 50, No. 1, G Major, 151
Mazurka, Op. 50, No. 3, C-sharp Minor, 65
Mazurka, Op. 56, No. 3, C Minor, 22-23
Mazurka, Op. 59, No. 2, A-flat Major,
262, 263
Mazurka “A Emile Gaillard,” A Minor, 151
Nocturnes, 16, 70, 110, 169, 232-33
Nocturne, Op. 9, No. 2, E-flat Major,
254-55, 256-58
Nocturne, Op. 9, No. 3, B Major, 234,
235, 257
Nocturne, Op. 15, No. 1, F Major, 154,
158-59
Nocturne, Op. 15, No. 3, G Minor, 85,
97-100, 98
• 357
INDEX
Nocturnes, Op. 27, 16, 21
Nocturne, Op. 27, No. 1, C-sharp Minor,
99,218,234, 235, 282
Nocturne, Op. 27, No. 2, D-flat Major,
154, 165,167
Nocturne, Op. 32, No. 1, B Major, 23,
93-99, 95, 96, 263
Nocturne, Op. 37, No. 1, G Minor, 154,
285, 286
Nocturne, Op. 37, No. 2, G Major, 233-
34, 240
Nocturne, Op. 48, No. 2, F-sharp Minor,
154,155, 234
Nocturne, Op. 55, No. 1, F Minor, 22
Nocturne, Op. 55, No. 2, E-flat Major, 65
Nocturne, Op. 62, No. 2, E Major, 73,
84n33
Nocturne, Op. 72, No. 1, E Minor, 233
Piano Concerto No. 1, Op. 11, E Minor,
56, 73, 151,272, 276, 277, 326
Piano Concerto No. 2, Op. 21, F Minor,
41n25, 64, 69f, 171,251,272
Polonaise, B-flat Minor, 153
Polonaise, Op. 26, No. 1, C-sharp Minor,
64, 151
Polonaise, Op. 40, No. 1, A Major
(“Military”), 151, 218-21,279, 220,
223, 225
Polonaise, Op. 40, No. 2, C Minor, 221-
25, 222,, 223
Polonaise, Op. 44, F-sharp Minor, 235
Polonaise, Op. 53, A-flat Major, 151
Polonaise-Fantaisie, Op. 61, A-flat Major,
99, 151, 173, 215, 246, 260, 262
Polonaise for piano and cello, Op. 3,
C Major, 56
Preludes, Op. 28, 23, 69, 85, 89-93, 260
Prelude, Op. 28, No. 1, C Major, 69, 97
Prelude, Op. 28, No. 2, A Minor, 99,
137-40, 138, 144n60
Prelude, Op. 28, No. 8, F-sharp Minor, 69
Prelude, Op. 28, No. 15, D-flat Major
(“Raindrop”), 99, 105-6, 147
Prelude, Op. 45, C-sharp Minor, 256, 260
Rondo, Op. 1, C Minor, 53, 82nl8
Rondo, Op. 16, E-flat Major, 262
Rondo, Op. 73, C Major, 129
Rondo à la krakowiak, Op. 14, F Major, 55,
151,272
Rondo à la mazur, Op. 5, F Major, 53,
68-69, 73
Scherzos, 66
Scherzo, Op. 39, C-sharp Minor, 73
Scherzo, Op. 54, E Major, 73, 234-35, 240
“Sketch for a Method” (Esquisses pour une
méthode de piano), 287-90, 307-9
Sonata, Op. 4, C Minor, 75
Sonata, Op. 35, B-flat Minor (Funeral
March), 39, 73, 84n33, 99, 137, 147,
168
Sonata, Op. 58, B Minor, 64, 76, 236-37,
279
“Śpiew z mogiły” (Hymn from the Tomb),
254
Trio for piano, violin, and cello, Op. 8,
G Minor, 54
Variations brillantes, Op. 12, B-flat Major, 73
Variations on Mozarťs “Là ci darem la
mano,” Op. 2, B-flat Minor, 56, 153,
256, 272
Waltz, Op. 34, No. 2, A Minor, 279
Waltz, Op. 70, No. 2, F Minor, 265-66,
266, 267, 275
Index of Names and Subjects
Adam, Louis, 59, 276, 284; Méthode de
piano du Conservatoire , 273-74, 282-83
Aeolian harp, 36, 105, 106
Alexander I, 5, 53,213,214
Alkan, Charles-Valentin, 93, 97, 128,
141n22, 331; Trois morceaux dans le
genre pathétique, 93
Allanbrook, Wye Jamison, 231
Arne, Thomas Augustine, 159
Auber, Daniel, 110, 157, 251, 276
Auenbrugger, Leopold, 119n2
Augustus III, 192
Baader, Franz von, 28-29
Bach, Carl Philipp Emanuel (C. P. E.),
195-98,196, 197, 201,283
Bach, Johann Sebastian, 74-75, 149, 272,
276,316, 321
Baculard d’Arnaud, François-Thomas-
Marie de, 86-87
• 358
Index
Barbedette, Hippolyte, 29, 271, 277
barcarolle, 231—248; after Chopin, 239-43,
247^18; as genre, 239-43; sorting of
themes by topical element, 243—47; as
topic in Chopin s Barcarolle, 237—39; as
topic in Chopin’s other genres, 232-37
Beethoven, Ludwig van, 260, 277, 278,
283, 287, 316, 321; Fidelio, 67; Sikorski’s
comparison of Chopin to, 61—62, 67—
68, 72, 74; Wellington s Victory, 159
Belleville(-Oury), Anna Caroline de, 275
Bellini, Vincenzo, 156, 252, 333, 354n80;
“L’abbandono,” 153—54; career
and death of, 6; Norma, 153; La
sonnambula, 35, 117
Belotti, Gastone, 312n8
Bennett, Joseph, 288
Berger, Ludwig, 59f
Berlioz, Hector, 110, 112, 117, 281, 321,
323-24, 329, 333, 337; Symphonie
fantastique, 35, 93, 97
Białobłocki, Jan, 273-74
Biblioteka Warszawska, 45, 46
Bisson, Louis-Auguste, 298, 304
Blake, William, 23-24
Boieldieu, François-Adrien, 186nl7, 252
bolero genre, 228n70
Brahms, Johannes, 102n41,326
Britannia (Steibelt), 159, 162, 164
Brodziński, Kazimierz, 32, 190—91, 202—
3, 205-6, 212-13, 227n62, 327
Brzowski, Józef, 279
Bürger, Gottfried August, 71, 83n31
Byron, Lord, 24—25, 84n35, 87
Catherine II, 211, 229ո71
Challoner, Neville, 158, 162
Charpentier, Auguste, 112, 113
Chopin editions, 265
Chopin, Emilia, 4, 82nl8
Chopin, Fryderyk Franciszek: birth of,
45, 81n3, 81nl4; childhood and
education, 3-4, 52-53, 272-74;
death of, 45; dream worlds and
visions of, 15-23, 29—30, 34, 35—40;
feminization and infantilization of,
109—10, 115—17; Gothic morbidity
and, 90-91; hands of, 78, 273-74,
297-98, 297-311, 305-11; Heine’s
description of, 339—41 ; journeys of,
54—57; in Kwiatkowski’s Chopin s
Polonaise, 17,17, 18, 20; letters of,
31, 36-38, 123-28, 251, 326, 329,
349n9; livelihood of, 6; magnetism
of while performing, 29; in Mallorca,
90—91; mass distribution of works of,
344—46; as model for Mickiewicz’s
Jankiel, 7; modernist embrace of, 345;
musical characteristics of, 72—76; as
nightingale, 111-14, 113; as Orpheus,
110, 114—17; in Paris (See exile;
Paris); pianism of, 29, 76-79, 273-74,
309; and piano “schools,” 57—62;
Polish Romantic nationalism and (See
nationalism and nationality, Polish;
Romanticism); political skepticism of,
328—31; political upheavals, impact
of, 1—3, 5—6; portraits of, 301-4;
Sikorski’s “Recollection of Chopin,”
45—80; tuberculosis of, 103, 109—19
(See also tubercular song); works of
(See Index of Works).
Chopin, Fryderyk Franciszek, concerts
and performances of: in France,
84n34, 105-6, 252, 277-82; salons
as preferred venue, 281; at Sand’s
Nohant salon, 252-53, 281-82, 309;
Sikorski on, 76—79; smaller vs. larger
works, 76—77, 84n34; in Poland,
52-53, 55-56, 124, 129, 171
Chopin, Justyna, 82nl6
Chopin, Mikołaj (Nicolas), 2-3, 45,
S2nl6, 149
Chorley, Henry, 105, 288—90
chromaticism, 75
Cinti-Damoreau, Laure, 117, 156
Classicist aesthetic, 339, 353n75
Clemenţi, Muzio, 59—60, 274, 277, 286;
Introduction to the Art of Playing on the
Piano Forte, 283
Clésinger, Auguste, 298, 305—9, 312n8
Clésinger, Solange (Dudevant), 91, 113,
116, 161, 309
Coleridge, Samuel Taylor, 23, 28
Congress of Vienna (1814^1815), 3, 61, 213
Conrad, Joseph, 324, 325, 333—36
Conservatoire de Musique, Paris, 5
Corelli, Arcangelo, 183
Cramer, Johann Baptist, 59
Custine, Astolphe de, 160, 281, 291
Czapek (Čapek), Leopold Eustachius, 54,
83n22
Czartoryski family, 5, 17, 17, 20, 52, 284,
312n8, 329, 347
359 ·
INDEX
Dąbrowski,Jan Henryk, 2, 7, İl
Dąbrowski Mazurka (“Poland Has Not
Yet Perished”), 4, 7, 175
dance: fandango, 150, 228n70;
intertextuality and, 148; minuet
compared to the polonaise, 187-91,
188, 195-96, 196, 198, 200, 201, 206;
Polish nationalism and, 4. See also
mazurka and polonaise
Dante Alighieri, 169
Delacroix, Eugène, 6, 31, 111-12,113 y
120n28, 135, 169, 250, 297-98, 326,
338
Dies irae, 92-93, 97-99, 102n43
Dohier, Theodor, 134
Donizetti, Gaetano, 6; Lucia di
Lammermoor, 36, 104
dreams and dreamscapes: 15-40; Byron’s
“The Dream,” 24-25; philosophers,
artists, and charlatans around
Chopin, 29-34; in Romantic literary
genres, 23-25
Dubois, Camille O’Meara, 283
Dumas, Alexandre fils, La dame aux
camélias y 117-19
Dumas, Alexandre père, 118
Dussek, Jan Ladislav (Jan Václav Dusík),
60, 162, /65, 271, 293n48
Dworzaczek, Ferdynand, 253-54
Eigeldinger, Jean-Jacques, 135, 218, 233,
258
Elsner, Józef, 3, 56, 77f, 149, 316, 327;
Chopin and, 54, 272; on Chopin’s
potential, 148; Hoffmann and,
226nl7; Król Łokietek, 4, 35, 40nl 1,
185; Kurpiński and, 171; patriotism
and, 323; on polonaises, 204-5;
Romanticism and, 32; sacred texts and
patriotic songs, 4; Sikorski and, 46
Ernemann, Maurycy, 54, 83n22
exile: Conrad comparison, 333-36; Heine
case, 336-44; Jews of Poland, 20th-
century reception of Chopin, and,
344-48; Milosz on moral torment,
transformation, and, 315-17; Polish
history, memory, and, 317-24;
Słowacki comparison, 325-33; young
Romantics and, 33. See also Paris
fandango y 150, 228n70
fantasies as narrative, 158-67
Fauré, Gabriel, 243; Barcarolle No. 7 in D
Minor, 247^-8
Faust (Goethe), 114-15
Feldtenstein, C. J. von, 187, 203
Fétis, François-Joseph, 277, 288; Méthode des
méthodes de piano (with Moscheies), 286
Field, John, 16, 59-60, 69-70, 109, 255,
274, 290, 354n80
Filtsch, Carl, 57, 83n26, 116, 121n39
Fink, Gottfried Wilhelm, 16, 17, 21
Fontana, Julian, 5, 54, 82n21, 143n43,
250, 254, 260-61, 329
Fournier, Elisa, 252-53, 281-82
Franchomme, Auguste, 153
Friedrich, Caspar David, Der Traum des
Musikers y 29, 30
Frühromantik philosophers, 26-29, 31-34
Garrick, David, 83n25
Gavarni, Paul, 112,113
genres: barcarolle as topic in Chopin’s
other genres, 232-37, 243; dreams
and, 15; improvisation and, 258-60,
263; interwoven, 148; lyrical genres,
Chopin’s preference for, 109; Polish
national spirit and, 319; Sikorski’s
survey of, 68-71; topics and, 231-37.
See also specific genres
“German” pianism, 135-36
Gładkowska, Konstancja, 157
Gluck, Christoph Willibald, 117, 186nl8
Goethe, Johann Wolfgang von, 337, 338,
340, 341, Faust y 114-15
Gołębiowski, Łukasz, 193-94, 205
Gothic, 23-24, 85-100
Grabowiecki, Józef, 195, 198, 199,199
Graefle, Albert, 305, 310
Gretsch, Emilie von, 279
Grisar, Albert, 251
Grzymała, Wojciech, 5, 31, 113, 125, 250,
264
Gutmann, Adolf, 154
Guzików, Michał Józef, 7
Habsburg Empire, 350nl3
HaCohen, Ruth, 130, 134, 143n44
Halévy, Fromental, 128, 153; La juive,
130-31,131
Halle, Charles, 254
Handel, George Frideric, 183
Hardenberg, Friedrich von. See Novalis
harmony, 74-75, 182, 234-35, 261-62
• 360
Index
Haydn, Joseph, 62, 184, 199, 283
Heine, Heinrich, 6, 129, 324, 331, 332,
336-44; Romanzero, 341, 343
Herz, Henri (Heinrich), 271, 284
Herz, Leo, 134, 331
Hiller, Ferdinand, 128, 271, 284, 324
Hoffmann, E. T. A., 31, 193, 203, 213,
226nl7; Gothic and, 88; Nutcracker,
24; oneiric topoi in works of, 27; in
Poland, 32; review of Beethoven’s
Fifth Symphony, 32, 47; Sand and, 34
Hôtel Lambert, 17, 7 7, 20, 329
Hummel, Johann Nepomuk, 59, 251,
274, 275, 316
Idealism, 26-29, 33, 47. See also
Romanticism
improvisation: Chopin as composer and,
256-64; Chopin as improviser, 250—
54; Chopin as performer and, 254—56;
contemporary vs. modern practices,
249; dreamy memories and, 16, 21;
on Polish songs in Warsaw concerts,
55; recapturing art of, 264-67
Iwaszkiewicz, Jarosław, 327, 351n32
Janin, Jules, 89
Jawurek (Javûrek), Józef, 54, 83n22
Jełowicki, Aleksander, 16—17, 21
Jews and anti-Judaism: anti-Semitism
vs. anti-Judaism, 142n24; Chopin’s
personal relationships with Jews,
128; conceptual and aesthetic
consequences of Chopin’s attitudes,
128-39; in letters of Chopin, 123—28;
Mickiewicz’s Jankiel character from
Pan Tadeusz, 7-12, 347; noise libel and,
130—36; Slowacki’s philo-Semitism,
331; ugliness and, 136-39; urban Jews
and Polish nationalism, 347-4:8
July Monarchy (France), 1
Kahlert, August, 276-77
Kalkbrenner, Friedrich (Frédéric), 5, 56,
59-60, 124, 149, 271, 275, 277, 286,
287, 288, 290; Méthode pour apprendre
le pianoforte, 284
Kant, Immanuel, 26
Karpeles, Gustav, 332
Kirnberger, Johann Philipp, 194-95, 198,
200, 201, 202, 203
Kleczyński, Jan, 22, 283-84, 288, 289,
294n50, 325
Koczalski, Raoul, 255—56
Kontski, Antoine de (Antoni Kątski), 275,
287
Koreff, David, 31
Korzeniowski, Apollo, 333
Kościuszko Polonaise, 4, 174, 176, 177,
180,229n74
Kotzwara, Franz, Battle of Prague, 158,
162, 163
Kozłowski, Józef, 209-11,210, 215, 218,
227n69
krakowiak, 75, 151
Kramer, Lawrence, 137—39
Krasiński, Zygmunt, 33, 89, 92, 318,
351n33
Kratzer, Walenty, 29
kujawiak, 73, 83n32, 151
Kurpiński, Karol, 3, 171-72, 218, 219;
Chwila snu okropnego (A Moment of
a Frightful Dream), 35-36, 37—38;
“Dumanie nad mogiłą Wandy ”
(Musings at the Tomb of Wanda), 172;
Jadwiga, the Polish Queen, 4; on melodic
reminiscence, 160; “On Musical
Expression and Mimesis,” 172—73,
182—85; “On the Historical Songs of
the Polish People,” 172, 173-81; on
polonaises, 211-12, 213-14, 227n70;
sacred texts and patriotic songs, 4;
“Warszawianka,” 229n83; “Witaj
Królu” (Welcome King), 214-15, 216-
17; Zabobon, czyli Krakowiacy i Górale
albo Nowe Krakowiaki (Superstition, or
Cracovians and Highlanders, or New
Cracovians), 83n23; Zbigniew, 184,
186nl8
Kwiatkowski, Teofil, 40n 11 ; Chopin at the
Piano, 19, 20; Chopin s Polonaise—Ball
at the Hôtel Lambert, 17, 17—20
Laënnec, René, 103—9
Lamartine, Alphonse de, 89—92, 100, 114,
273; “Les Préludes,” 89-92
Laments of the Wounded, 162—67
Latouche, Henri de, 89, 114, 161
Lauth-Sand, Aurore, 298, 307
Lehman, Henri, 298, 303
Lenz, Wilhelm von, 132, 255, 257,
352n47
Léo, Auguste, 125, 140n6
Le Sueur, Jean-François, Ossian ou les
bardes, 35
Linde, Ludwika, 53, 82nl8
• 361
INDEX
Linde, Samuel Bogumił, 3, 82nl8
Liszt, Franz, 5, 113, 116, 127, 271, 281,
284, 323-24, 326, 329, 333; F Chopin
(with Sayn-Wittgenstein), 47, 316;
Heine and, 337-39; on noblemen,
206; pianism compared to Chopin,
279; on Polish melancholy, 319-20;
on polonaises, 194; reviews by, 89,
105, 280
London, 56, 127, 279, 291, 322
Łowicz, Joanna Grudzińska, Duchess of,
52, 82nl6
Lutosławski, Witold, 311
lyricism, 67-68, 103, 109-10, 152, 222
Macpherson, James, 35
magnetism, doctrine of, 27-28, 29-31, 33
Mahler, Gustav, 345
majufes, 124—25. See also
“Ma Yofis.”
Malczewski, Antoni, Mana, 79-80, 84n35
Malfatti, Johann Baptist, 277
Mallefille, Felicien, 84n34, 113
Mallorca, 89-91
Marmontel, Antoine, 284, 290
Marpurg, Wilhelm, 200, 202
“La Marseillaise,” 160, 162, 186nl4
Marx, Karl, 337
Mathias, Georges, 84n34, 282, 285-86, 287
“Ma Yofis” (Sabbath song), 352n52. See
also majufes.
mazurka: Dąbrowski Mazurka, 4, 7, 175;
nostalgia and, 20-21; rhythm in, 75;
Sikorski on, 68-69; as vernacular
dance form, 150, 151
melody, 72-74, 111-12, 133-34, 152,
154-55, 157, 160-61, 195-98, 236,
277, 280, 283
memory: barcarolle and, 234; dream,
nostalgia, and, 16-17, 20—23, 25; exile
and, 320; melancholy polonaises and,
203; scherzos and, 234; Sikorski on,
54, 77f
Mendelssohn, Felix, 128, 271, 324;
Venetian Gondola Songs, 240
Mesmer, Franz Anton, 27-29
messianism, Polish political, 47
Meyerbeer, Giacomo, 128, 130, 153, 154,
160, 252, 331, 353n69
Mickiewicz, Adam, 5, 71, 322, 329;
The Books and the Pilgrimage of the
Polish Nation, 116, 224-25; Dziady
(Forefathers’ Eve), 92, 93, 116, 325,
327, 328, 330-31, 351n33; exile and,
318; Gothic and, 89, 100; Jankiel’s
“Concert of Concerts,” 7—12, 268nl6;
Konrad Wallenrod, 81 nil, 326, 334;
in Kwiatkowski’s Chopin’s Polonaise,
17, 18, 20; lectures of, 34; Pan
Tadeusz, 7-12, 190, 215, 325-28, 334,
347; Romanticism and, 4, 32, 33;
“Romantyczność” (Romanticism),
81nl3; Słowacki and, 325-26, 327,
334-35; “To a Polish Mother,” 116-17
Mikuli, Karol (Carl), 255, 278-79, 285,
309, 354n91
Miłosz, Czesław, 315-17, 320, 346, 349n7
mimesis, 158-59, 182-85
minuet compared to the polonaise,
187-91, 188, 195-96, 196, 198, 200,
201,206
Mochnacki, Maurycy, 32-33, 274, 327
Montgeroult, Hélène de, 293n48,
295n74; Cours complet pour
l’enseignement du forte-piano, 283
Moscheles, Ignaz, 59-60, 128, 135, 271,
274, 286-87, 331; Méthode des méthodes
de piano (with Fétis), 286; Studies for
the Piano Forte, 286—87
Mozart, Wolfgang Amadeus, 28, 59-60,
62, 199, 283, 316, 321, 338, 340, 341;
Don Giovanni, 150, 153, 207—8; Nozze
di Figaro, 150, 231
Mysłakowski, Piotr, Fryderyk Chopin: The
Origins (with Sikorski), 81n3, 82nl4
Nabokov, Vladimir, 320, 335
Napoleon Bonaparte, 1, 2
nationalism and nationality, Polish:
aristocratic idealism and, 329; Conrad
and. 333; dance and, 4; exile and,
318, 319; Galicia and, 350nl3; heroic
polonaise, 208-11, 210, 221-25;
Jewish music and, 134; Kurpinski’s
“On the Historical Songs of the
Polish People,” 172, 173—81; modern,
344, 346-47; as nascent, 322; opera,
Romanticism, and, 3—5; polonaise as
historical consciousness of Poland,
203; Sikorski on, 61; urban Jews and,
347—48. See also exile
Naturphilosophie, 26, 29, 33, 36
Nicholas I, 5, 213, 214-15, 320
• 362
Index
Niemcewicz, Julian, Historical Chants, 4,
40nl 1
Nietzsche, Friedrich, 342
nightingale image, 110—14,113
Nirenberg, David, 128, 130, 134, 142n24
nocturne, 15, 69-70, 154, 232-34
Nodier, Charles, 24, 88
noise libel, 130-36
Norblin, Jean Pierre, 188, 189
nostalgia, 16-17, 20—23, 245-46
Novalis (Friedrich von Hardenberg), 26,
27, 28, 93
November Uprising (1830—31), 1, 5, 32,
46, 157, 214, 229n83, 322, 323
Nowakowski, Józef, 278
obertas, 73, 83n32
Offenbach, Jacques, 232
Ogiński, Prince Michał Kleofas, 193, 203,
209, 211-13, 214
Okołow, Jerzy, 52, 82nl6
Onslow, George, 61, 83n28
opera: improvisation on arias, 251;
operatic narrative as inspiration for
Chopin, 152-57; ornamentation and
embellishment, 155-56, 157; in Paris,
6; piano-vocal scores of, 153; Polish
national, rise of, 3—4. See also specific
operas
ornamentation: Chopin on Sontag and,
276; Chopin’s pianism and, 274, 290;
improvisation and, 249, 255—57;
operatic, 155-56, 157
Orpheus image, 110, 114-17
Paderewski, Ignacy Jan, 319, 344
Paer, Fernando, 186nl8, 277
Paganini, Nicoló, 273, 276, 277
Paris: Chopin’s arrival in, 5—6, 56-57,
271; as European capital of music,
5; French school of pianism, 276,
282-87; improvisation renounced in,
251—52; pianists active in, 271; Polish
Romantics in, 34
pas de bourree, 192
patriotism. See nationalism and
nationality, Polish
pedal, use of, 79
Philipp, Isidor, 282
pianism and pianistic contexts and
influences: anti-Judaism and, 133-34;
Chopin as unicum, 290-91; “Cult
of Chopin,” 147; fantasies as story
and, 158-67; Liszt compared to
Chopin, 279; operatic narrative and
vocalism, 152-57; performances
in France and, 277-82; sensitivity
and elegance vs. noisiness, 132—36;
Sikorski on, 57-62, 76-79; “Sketch for
a Method” (Chopin), 287-90, 307-9;
touch, articulation, and pedagogy
in the French school, 276, 282-87;
vernacular dance genres and, 149-52;
in Warsaw, 272—77. See also Chopin,
hands of
piano, popular ascendance of, 345
Piast (the Wheelwright), 50, 81nl2
Piłsudski, Józef, 325, 332, 347
Pleyel, Camille, 105, 126, 127, 260, 282
Pleyel, Marie, 271
Pleyel piano, 105, 109
Poland: Chopin’s “theoretical” Poland,
346; as crucified Christ, in Mickiewicz,
116-17, 224-25, 330-31; exile and
shadow of history of, 317—24; Galicia
and the Habsburg Empire, 350nl3;
historical overview of, 1—3, 317-18;
nationalism and romanticism in,
3—5, 32—34 (See aho nationalism and
nationality, Polish; Romanticism);
as puppet state, 213; as Romantic
aspiration, 321. See also exile; Warsaw
Polanski, Roman, 347
polonaise (dance form): C. P. E. Bach
polonaise, 195—98, 197; choreography
of, 192—94; cultural associations
of, 150-52, 202-8; German, 203;
Grabowiecki polonaise, 198,
198-99; heroic, 208-11, 210, 218,
221-25; historical overview, 191-92;
Kościuszko Polonaise, 4, 174, 176,
177, 180, 229n74; Kozlowski’s “Grom
Pobedï razdavaisya!”(Thunder of
Victory, Resound!), 209-11, 210;
Kurpiński’s “Witaj Królu” (Welcome
King), 214-15, 216-17; melancholy,
203, 211-13, 222-24, 229n74; musical
characteristics of the Polish ballroom
polonaise, 194—202; Norblin’s Dancing
the Polonaise, 188, 189; Oginski’s
Polonaise in F Minor, 213, 214;
Polonaise of May the Third, 4, 7,
9, 174; pre-history outside Poland,
319; Russian model, 214-15, 218; as
• 363
INDEX
vernacular, 150. See also Index of Works
of Fryderyk Chopin
Poniatowski March, 4
popular, middlebrow roots: accessibility
of Chopin’s music, 147^18, 167-69;
dance, 149-52; opera, 152-57; story
in piano fantasies, 158-67
portato, 283, 285, 287, 288
Proust, Marcel, 20
Przybylski, Ryszard, 36
Purcell, Henry, 160
Radcliffe, Ann, 87, 88-89, 96, 100
Radziwiłł, Prince Antoni, 54
Raimondi, Pietro, 183
ranz des vaches t 160-61
Ratner, Leonard, 231
Reichardt, Johann Friedrich, 193, 195,
198, 201,202
Rembieliński, Aleksander, 54, 82n20, 273-74
Revolutions of 1830, 1, 5, 7, 16, 117, 214
rhythm, 73, 75-76, 155
roman noir and roman frénétique, 88-89
Romanticism: Conrad and, 333-34, 335;
dream and, 21 ; dreams in Romantic
literary genres, 23-25; Friihromantik
philosophers and magnetism, 26-29;
the Gothic, 23-24, 85-100; Heine
and, 337; Idealism, 26-29, 33, 47;
longing concept, 16, 21; in Paris, 34;
Poland as Romantic aspiration, 321 ;
Polish nationalism and, 4-5; Sikorski
on Chopin and, 47; Słowacki and, 326
Rossini, Gioacchino, 160, 251, 316; Gazza
ladra, 153; Guillaume Tell, 157, 161
Rousseau, Jean-Jacques, 25, 128
rubato, 255, 264, 275, 283-84, 285-86,
289-90
Rubinstein, Arthur, 94, 321-22, 344, 347
Rudzińska, Anna, 40nl 1
Said, Edward, 322, 323
Salieri, Antonio, 186nl8
Sand, Christiane, 298
Sand, George (Aurore Dupin, baronne
Dudevant), 1, 56, 260, 325, 337, 338;
on Chopin’s dreams, 39; decorative
fan (Gavarni and Sand), 112,113;
description of Chopin at work by, 261 ;
Dumas fils and père, correspondence
with, 118; Gothic and, 88-89; Heine
on, 324; Histoire de ma vie, 112; Histoire
d’unrêveur, 34; onjews, 127, 141nl8;
in Kwiatkowski’s Chopini Polonaise,
17; letters to, 125; Lucrezia Floriani,
118; magnetism and, 31; in Mallorca,
90-91; memoir, 92; Mickiewicz and,
34; name of, 114; nightingale and
Orpheus images, 110-17; Nohant
estáte of, 6, 111, 112, 125, 252,
281-82, 309; salon of, 252-53; Les
sept cordes de la lyre {The Seven Strings
of the Lyre), 114-16; social connections
through, 6; Winter in Majorca, 111
Sand-Dudevant, Maurice (Maurice
Dudevant), US, 297-300,306, 307-9,
311
Sarmatism, 188-90, 193, 203, 204, 206
Sayn-Wittgenstein, Carolyne zu, F. Chopin
(with Liszt), 47, 316
Scheffer, Ary, 298, 302
Schelling, Friedrich Wilhelm Joseph, 26,
28, 32-33, 47
Schenker, Heinrich, 345, 354n91
scherzo, 21, 65, 66, 71, 77, 232, 234-35,
265
Schiller, Friedrich von, 88
Schlegel, Friedrich, 26, 27, 28
Schlesinger, Maurice, 6, 126, 127
Schubert, Franz, 102n41; Erlkönig, Í02n42
Schubert, Gotthilf Heinrich von, Die
Symbolik des Traumes, 28
Schumann, Clara, 127
Schumann, Robert, 93, 105, 127,
276, 319, 320; Carnaval, 110; on
dreamscapes, 16, 21, 36; reviews by,
106, 137, 144n54, 218
Shakespeare, William, 86, 100
Sikorski, Andrzej, Fryderyk Chopin: The
Origins (with Mysłakowski), 81n3,
82nl4
Sikorski, Józef, 15, 22-23, 39-40, 46;
“Recollection of Chopin,” 45-80,
Skarbek, Fryderyk, 45, 81n3
Skarbek family, 52, 82nl6
Słowacki, Juliusz, 33, 89, 318, 324, 325-
33, 343, 351n33, 351n38
Sontag, Henriette, 156, 276
Sowiński, Wojciech Albert, 132
Stanhope, Philip Dormer, 187
Stefani, Jan, 4; Cud mniemany, czyli
Krakowiacy i Górale (The Supposed
Miracle, or Cracovians and
Highlanders), 83n23
• 364
Index
Steibelt, Daniel, Britannia, 159, 162, 164;
Journée d’Ulm, 162, 165
Strauss, Johann, 354n80
Strauss, Richard, 345
stretto, 94—96
Stuttgart Diary, 38, 170n22
Sue, Eugène, 89, 93
“Świat srogi świat przewrotny” (A
World That’s Harsh, a World That’s
Perfidious) from Cud mniemany,
czyli Krakowiacy i Górale (The
Supposed Miracle, or Cracovians and
Highlanders) (Ştefani); 55, 83n23, 251
syncopations, 200, 209, 227n35, 242
Szpilman, Władysław, 347
Szymanowska, Maria, 274—75
Tchaikovsky, Pyotr Ilyich, Barcarolle
‘June,” No. 6, 247
Thalberg, Sigismond, 5, 271, 280, 281, 288,
295n74; Barcarolle in A Minor, 240
Tieck, Ludwig, 26, 27
topical gestures, musical, 150, 159,
169n8, 231-39
Tosi, Pier Francesco, 283
Touch. See Chopin, hands of; also Chopin,
concerts and performances of and
pianism and pianistic contexts and
influences.
Towiański, Andrzej, 331
tubercular song: Chopin as nightingale
and, 110—14; Chopin as Orpheus and,
110, 114—17; Chopin’s lyricism and
feminization, 109-10; Dumas’ La dame
aux camélias and Chopin’s life as opera
in the making, 117—19; Laënnec’s
work, 103—9
Tymowski, Kantorbery, “Elegy on the
Death of Tadeusz Kościuszko,” 175—
80, 177-80
Ulrych, Leon, 55, 83n24
una corda pedal, 21, 36, 41nl8
ungherese (“Hungarian Dance”), 150
Varnhagen von Ense, Karl August, 281
Verdi, Giuseppe, La traviata, 104, 117
Viardot, Pauline, 6, 117, 307, 311
Virgil, 114
Voigt, Henriette, 115
Voltaire (François-Marie Arouet), 128-29
“W mieście dziwne obyczaje” (Strânge
Customs in the City) from Zabobon,
czyli Krakowiacy i Górale albo Nowe
Krakowiaki (Superstition, or
Cracovians and Highlanders, or New
Cracovians) (Kurpiński) 55, 83n23,
251
Wackenroder, Wilhelm Heinrich, 26
Wagner, Richard, 143n33
Walpole, Horace, 85—86, 100
Warsaw: Chopin’s 1830 concerts in,
55—56; under Napoleon, 2—3;
National Theater, 29, 171, 229n83;
November Uprising (1830-31), 1, 5,
32, 46, 157, 214, 229n83, 322, 323;
pianistic environment in, 272-77;
Romanticism and, 32
Warsaw Conservatory, 3, 46, 160, 171,
272,279
Warsaw Lýceum, 3, 46, 52, 82nl8
Weber, Carl Maria von, 118, 316
Wertheim, Juliusz Edward, 344
Wilno (Vilnius), 32
Witwicki, Stefan, 5, 33, 65, 83n29, 254
Wodzińska, Maria, 298, 301, 327
Wójcicki, Kazimierz Władysław, 45, 124, 193
Wolicki, Konstanty, 52, 82nl6
Woyciechowski, Tytus, 31, 54, 82nl9, 156,
251, 275, 276, 284, 317, 326, 328,
349n9
Woykowski, Antoni, 16
Würfel, Wilhelm (Václav Vilém Würfel),
149; Grande fantaisie lugubre, 162—65,
166, 272
Zaleski, Józef Bohdan, 5, 160, 253
Zimmerman, Pierre, Encyclopédie du
pianiste compositeur, 284—85, 286
“Żydek” (Little Jew) label, 124, 129, 134,
139
Zygmunt I, 228n70
Żywny, Wojciech (Adalbert) (Vojtêch
Živný), 52, 82nl5, 169n5, 272
• 365
|
| any_adam_object | 1 |
| author2 | Bellman, Jonathan D. 1957- Goldberg, Halina 1961- |
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| author_facet | Bellman, Jonathan D. 1957- Goldberg, Halina 1961- |
| building | Verbundindex |
| bvnumber | BV044319393 |
| classification_rvk | LP 63570 |
| ctrlnum | (OCoLC)1005928782 (DE-599)BVBBV044319393 |
| discipline | Musikwissenschaft |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV044319393 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T05:57:09Z |
| institution | BVB |
| isbn | 9780691177755 9780691177762 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029722894 |
| oclc_num | 1005928782 |
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| owner_facet | DE-11 DE-12 DE-19 DE-BY-UBM DE-739 |
| physical | 384 Seiten Illustrationen |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Princeton University Press |
| record_format | marc |
| spellingShingle | Chopin and his world Chopin, Frédéric 1810-1849 (DE-588)118520539 gnd |
| subject_GND | (DE-588)118520539 (DE-588)4143413-4 |
| title | Chopin and his world |
| title_auth | Chopin and his world |
| title_exact_search | Chopin and his world |
| title_full | Chopin and his world edited by Jonathan D. Bellman and Halina Goldberg |
| title_fullStr | Chopin and his world edited by Jonathan D. Bellman and Halina Goldberg |
| title_full_unstemmed | Chopin and his world edited by Jonathan D. Bellman and Halina Goldberg |
| title_short | Chopin and his world |
| title_sort | chopin and his world |
| topic | Chopin, Frédéric 1810-1849 (DE-588)118520539 gnd |
| topic_facet | Chopin, Frédéric 1810-1849 Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029722894&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029722894&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bellmanjonathand chopinandhisworld AT goldberghalina chopinandhisworld |