Audio culture readings in modern music
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2017
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Ausgabe: | Revised edition |
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Online-Zugang: | Inhaltsverzeichnis |
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264 | 1 | |a New York ; London ; Oxford ; New Delhi ; Sydney |b Bloomsbury Academic |c 2017 | |
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Datensatz im Suchindex
_version_ | 1819610268609544192 |
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adam_text | Contents
Acknowledgments ix
Sources and Permissions x
Introduction to the Revised Edition xiv
Part 1 Theories
I. Music and Its Others: Noise, Sound, Silence 5
Introduction 5
1 “Noise and Politics” Jacques Attali 7
2 “The Art of Noises: Futurist Manifesto” Luigi Russolo 11
3 “The Liberation of Sound” Edgard Varèse 17
4 “The Joys of Noise” Henry Cowell 23
5 “The Future of Music: Credo” John Cage 27
6 “The Music of the Environment” R. Murray Schafer 31
7 “The Gender of Sound” Anne Carson 43
8 “Queer Sound” Drew Daniel 61
9 “The Quiet of Blackness: Miles Davis and John Coltrane” Kevin Quashie 73
II. Modes of Listening 87
Introduction 87
10 “Visual and Acoustic Space” Marshall McLuhan 89
11 “Acousmatics” Pierre Schaeffer 95
12 “Profound Listening and Environmental Sound Matter” Francisco López 103
13 “Ambient Music” Brian Eno 109
14 “Auralizing the Sonosphere: A Vocabulary for Inner Sound and
Sounding” Pauline Oliveros 113
15 “Perceptual Geography: Third Ear Music and Structure Borne
Sound” Maryanne Amacher 117
16 “Hearing Essay” Evelyn Glennie 125
17 “The Aural Walk” Iain Chambers 129
18 “Ubiquitous Listening” Annahid Kassabian 135
19 “Forensic Listening” Lawrence Abu Hamdan 149
20 “Organizing the Silence” Ultra-red 155
Contents
vi
III. Music in the Age of Electronic Reproduction 169
Introduction 169
21 “The Prospects of Recording” Glenn Gould 173
22 “The Studio as Compositional Tool” Brian Eno 185
23 “Bettered by the Borrower: The Ethics of Musical Debt” John Oswald 189
24 “Plunderphonia” Chris Cutler 197
25 “Operating System for the Redesign of Sonic Reality” Kodwo Eshun 217
26 “Six File-Sharing Epiphanies” Kenneth Goldsmith 221
27 “Cultivating Activist Lives in Sound” Tara Rodgers 225
Part 2 Practices
IV. The Open Work 239
Introduction 239
28 “Poetics of the Open Work” Umberto Eco 241
29 “Composition as Process: Indeterminacy” John Cage 251
30 “Every Sound You Can Imagine: On Graphic Scores” Christoph Cox 263
31 “Transformations and Developments of a Radical Aesthetic” Earle Brown 267
32 “The Game Pieces” John Zorn 275
33 “Introduction to Catalog of Works” Anthony Braxton 281
34 “Notes on Conduction” Lawrence “Butch” Morris 285
V. Experimental Musics 293
Introduction 293
35 “Towards (a Definition of) Experimental Music” Michael Nyman 295
36 “Introduction to Themes Variations” John Cage 309
37 “Generating and Organizing Variety in the Arts” Brian Eno 315
38 “Scratch Music Draft Constitution” Cornelius Cardew 325
39 “The Generation Game: Experimental Music
and Digital Culture” David Toop 331
40 “The New Discipline” Jennifer Walshe 341
41 “Re-Invent: Experimental Music in China” Yan Jun 345
VI. Improvised Musics 355
Introduction 355
42 “Change of the Century” Ornette Coleman 357
43 “Notes (8 Pieces): Creative Music” Wadada Leo Smith 359
44 “Free Improvisation” Derek Bailey 367
45 “Little Bangs: A Nihilist Theory of Improvisation” Frederic Rzewski 379
Contents vii
46 “Improvised Music After 1950: Afrological and Eurological
Perspectives” George E. Lewis 385
47 “Improvisation: Terms and Conditions” Vijaylyer 399
48 “Going Fragile” Mattin 403
49 “27 Questions For a Start... And Some Answers to
Begin With” Trio Sowari et al 407
VII. Minimalisms 417
Introduction 417
50 “Thankless Attempts at a Definition of Minimalism” Kyle Gann 419
51 “Basic Concepts of Minimal Music” Wim Mertem 425
52 “Music as a Gradual Process” Steve Reich 431
53 “Conversation with Richard Kostelanetz” La Monte Young
and Marian Zazeela 435
54 “LYssophobia: On Four Violins” Tony Conrad 449
55 “Rap, Minimalism and Structures of Time in Late Twentieth-Century
Culture” Susan McClary 455
56 “Draw a Straight Line and Follow It: Minimalism in Contemporary
Electronic Dance Music” Philip Sherburne 465
VIII. DJ Culture 479
Introduction 479
57 “Production-Reproduction: Potentialities of the
Phonograph” László Moholy-Nagy 481
58 “Détournement as Negation and Prelude” Situationist International 485
59 “The Invisible Generation” William S. Burroughs 489
60 “Algorithms: Erasures and the Art of Memory” Paul D. Miller 497
61 “Replicant: On Dub” David Toop 505
62 “Post-Rock” Simon Reynolds 509
63 “A Few Notes on Production and Playback” Marina Rosenfeld 513
IX. Electronic Music and Electrònica 519
Introduction 519
64 “Introductory Remarks to a Program of Works Produced at the
Columbia-Princeton Electronic Music Center” Jacques Barzun 521
65 “Electronic and Instrumental Music” Karlheinz Stockhausen 525
66 “Stockhausen vs the Technocrats” Karlheinz Stockhausen et al 537
67 “The Mysterious Power of the Infinitesimal” Eliane Radigue 543
Contents
viii
68 “The Aesthetics of Failure: ‘Post-Digital’ Tendencies in Contemporary
Computer Music” Kim Cascone 547
69 “Laptop Intimacy and Platform Politics” Holly Herndon 555
Chronology 561
Selected Discography 573
Selected Bibliography 583
Glossary 605
Notes to Quotations 615
Index 621
|
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author2 | Cox, Christoph 1965- Warner, Daniel 1954- |
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edition | Revised edition |
era | Geschichte 1900-2000 Geschichte 1950-2004 gnd Geschichte 1900-2006 gnd Geschichte 1950-2017 gnd |
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genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV044299156 |
illustrated | Not Illustrated |
indexdate | 2024-12-24T05:56:34Z |
institution | BVB |
isbn | 9781501318368 9781501318351 |
language | English |
lccn | 017005304 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029703082 |
oclc_num | 999196263 |
open_access_boolean | |
owner | DE-B170 DE-12 DE-11 |
owner_facet | DE-B170 DE-12 DE-11 |
physical | xviii, 646 Seiten |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Bloomsbury Academic |
record_format | marc |
spellingShingle | Audio culture readings in modern music Musik Music 20th century History and criticism Music 21st century History and criticism Musikhören (DE-588)4075127-2 gnd Neue Musik (DE-588)4428235-7 gnd Musik (DE-588)4040802-4 gnd Komposition Musik (DE-588)4133320-2 gnd Experimentelle Musik (DE-588)4153365-3 gnd Elektronische Musik (DE-588)4014355-7 gnd |
subject_GND | (DE-588)4075127-2 (DE-588)4428235-7 (DE-588)4040802-4 (DE-588)4133320-2 (DE-588)4153365-3 (DE-588)4014355-7 (DE-588)4143413-4 |
title | Audio culture readings in modern music |
title_auth | Audio culture readings in modern music |
title_exact_search | Audio culture readings in modern music |
title_full | Audio culture readings in modern music edited by Christoph Cox and Daniel Warner |
title_fullStr | Audio culture readings in modern music edited by Christoph Cox and Daniel Warner |
title_full_unstemmed | Audio culture readings in modern music edited by Christoph Cox and Daniel Warner |
title_short | Audio culture |
title_sort | audio culture readings in modern music |
title_sub | readings in modern music |
topic | Musik Music 20th century History and criticism Music 21st century History and criticism Musikhören (DE-588)4075127-2 gnd Neue Musik (DE-588)4428235-7 gnd Musik (DE-588)4040802-4 gnd Komposition Musik (DE-588)4133320-2 gnd Experimentelle Musik (DE-588)4153365-3 gnd Elektronische Musik (DE-588)4014355-7 gnd |
topic_facet | Musik Music 20th century History and criticism Music 21st century History and criticism Musikhören Neue Musik Komposition Musik Experimentelle Musik Elektronische Musik Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029703082&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT coxchristoph audioculturereadingsinmodernmusic AT warnerdaniel audioculturereadingsinmodernmusic |