Prog rock in Europe overview of a persistent musical style
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| Format: | Tagungsbericht Buch |
| Sprache: | English |
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Dijon
Éditions universitaires de Dijon
2016
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| Schriftenreihe: | Collection "Sociétés"
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Datensatz im Suchindex
| _version_ | 1819723621871910912 |
|---|---|
| adam_text | J
Prog Rock in Europe
Overview of a persistent musical style
Directed by
Philippe Gonin
In collaboration with
Chris Atton, Sarah Hill, Allan F Moore, Justin Williams
Foreword by Allan F Moore
Editions Universitaires de Dijon
collection Societh
Dijon, 2016
Work published with the support ofCentre Georges Chewier of Uititmite tie Bourne • Fmhe-Come
TABLE OF CONTENTS
U
Allan F Moore
Foreword
Behind the Iron Curtain
Leonardo Masi
Poetry in Progressive Rock :The case of CZESLAW NIEMEN
Kalina Zahova
Progressive Rock behind the Iron Curtain - Why Not?
Alexandra Grabarchuk
Close to the edge : Soviet Progressive rock and genre formation
Continental Western Europe
Eduardo G Saluena
New technologies, experimentation and fusion processes
in Spanish progressive rock of the Transition era: northwest area
Jacopo Conti
The Italianness of Italian prog
Franco Fabbri
Progressive rock in Italy in the 1960s-1970s:
communities, styles, relations with other genres/scenes
248 Table of contents
Jacopo Costa
Rock In Opposition: a case of methodological intermixing 97
Prog from UK
Nick Braae
Queens Classical Music References, 1973-76;
or, was Queen a progressive rock band? 117
Robert Sivy
Interwoven Patterns and Mutual Misunderstandings:
Binding R D Laing s Psychology with Gentle Giant s Knots 131
Nolan Stolz
Progressive Rock Elements in Black Sabbath s Music
from 1972 to 1980 143
Chris Anderton
Fire in Harmony:
the 1980s UK British progressive rock revival , 151
Perception, transmission
Philippe Gonin, Philippe Lalitte
Experimentation and new listening experience:
The case of A Saucerful of Secrets 167
Emerson Ferreira Gomes, Luis Paulo de Carvalho Piassi
Stars, education and progressive rock:
the use of the progressive rock songs in science education 183
Nicolas Farrugia, Amit Avron, Hamish Allan, Daniel Miillensiefen
Does it sound like progressive rock?
A perceptual approach to define a complex genre 197
Laurent Pottier
Progressive Rock at the Age of Analog Synthesizers 213
Contributors 231
Abstracts 237
T
HIS BOOK PRESENTS THE PROCEEDINGS OF THE FIRST INTERNATIONAL
CONFERENCE ON PROGRESSIVE ROCK IN ITS TNANY MANIFESTATIONS, AT THE
UNIVERSITY OF BURGUNDY, DIJON - FRANCE, IN DECEMBER 2014, A CONFERENCE,
WHICH WAS THE FIRST VISIBLE OUTCOME OF THE PROGECT NETWORK.
IN HIS PRESENTATION OF THE CONFERENCE, ALLAN E MOORE SUGGESTED THAT WE
MIGHT ADDRESS FIVE THEMES. THESE FIVE THEMES ARE THE ONES WE CAN FIND
ON THE WEBSITE THE PROGECT (HTTP://ROCK-PROGRESSIF.U-BOURGOGNE.FR/)
.
AT THE DIJON CONFERENCE, CONTRIBUTORS ADDRESSED SOME OF THESE THEMES
IN A RANGE OF DIFFERENT WAYS, AND PHILIPPE GONIN HAS GATHERED TOGETHER
WRITTEN VERSIONS OF MANY OF THE PAPERS DELIVERED INTO FOUR SECTIONS. THE
FIRST ADDRESSES PROGRESSIVE ROCK IN EASTERN EUROPE, A PRESENCE WHICH
MIGHT SEEM TO OUTSIDERS TO BE SOMEWHAT UNLIKELY. THE SECOND ADDRESSES
FOUR CASE STUDIES FROM WESTERN EUROPE, FOCUSING ON ISSUES IN SPANISH AND
ITALIAN PROG. THE 1.1K IS ADDRESSED IN THE THIRD SECTION, EXTENDING
BEYOND
THE CANONIC PERIOD AND QUESTIONING ISSUES OF THE DEFINITION OF PROG
BANDS
WITHIN THE 1970S. THE FOURTH SECTION ADDRESSES SOME INITIAL QUESTIONS OF
SOCIAL USE AND IMPACT.
PHILIPPE GONIN DIRECTED THESE PROCEEDINGS AND WAS HELPED IN THE EDITING
PROCESS BY CHRIS ATTON, SARAH HILL, ALLAN E MOORE AND JUSTIN WILLIAMS.
PARTICIPATED IN THIS WORK : HAMISH
ALLAN,
CHRIS
ANDERTON,
AMIT
AVRON,
NICK
BRAAE,
JACOPO
CONTI,
JACOPO
COSTA,
ALLAN E MOORE, FRANCO
FABBRI,
NICOLAS
FARRUGIA,
EMERSON
FERREIRA GOMES,
EDUARDO G.
SALUERA,
PHILIPPE
GONIN,
ALEXANDRA
GRABARCHUK,
PHILIPPE LAURRE, LEONARDO
MASI,
DANIEL
MULLENSIEFEN,
LUIS PAULO DE CARVALHO
PIASSI,
LAURENT
POTTIER,
ROBERT SIVY, NOLAN
STOLZ,
KALINA
ZAHOVA.
COUVERTURE : STORM
). SIX
ON M
GE.
PHOTO BY RICCARDO PIOLI.
1110
9 782364 411753
ISBN 978-2-36441-175-3
ISSN 1628-5409
CODE SODIS F 399719
20 *
B
DITIONSRNI-VERSIMIRES DE
DIJON
|
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| spellingShingle | Prog rock in Europe overview of a persistent musical style Progressive Rock (DE-588)4275757-5 gnd Internationaler Vergleich (DE-588)4120509-1 gnd Musikalischer Stil (DE-588)4170806-4 gnd Soziale Funktion (DE-588)4289518-2 gnd |
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| title | Prog rock in Europe overview of a persistent musical style |
| title_auth | Prog rock in Europe overview of a persistent musical style |
| title_exact_search | Prog rock in Europe overview of a persistent musical style |
| title_full | Prog rock in Europe overview of a persistent musical style directed by Philippe Gonin ; in collaboration with Chris Atton, Sarah Hill, Allan F. Moore, Justin Williams ; foreword by Allan F. Moore |
| title_fullStr | Prog rock in Europe overview of a persistent musical style directed by Philippe Gonin ; in collaboration with Chris Atton, Sarah Hill, Allan F. Moore, Justin Williams ; foreword by Allan F. Moore |
| title_full_unstemmed | Prog rock in Europe overview of a persistent musical style directed by Philippe Gonin ; in collaboration with Chris Atton, Sarah Hill, Allan F. Moore, Justin Williams ; foreword by Allan F. Moore |
| title_short | Prog rock in Europe |
| title_sort | prog rock in europe overview of a persistent musical style |
| title_sub | overview of a persistent musical style |
| topic | Progressive Rock (DE-588)4275757-5 gnd Internationaler Vergleich (DE-588)4120509-1 gnd Musikalischer Stil (DE-588)4170806-4 gnd Soziale Funktion (DE-588)4289518-2 gnd |
| topic_facet | Progressive Rock Internationaler Vergleich Musikalischer Stil Soziale Funktion Europa Konferenzschrift 2014 2014 Dijon Dijon |
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