Screens and veils Maghrebi women's cinema
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington
Indiana University Press
2011
|
| Schriftenreihe: | New directions in national cinemas
|
| Schlagworte: | |
| Online-Zugang: | DE-255 DE-Y3 |
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MARC
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| 100 | 1 | |a Martin, Florence |d 1959- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Screens and veils |b Maghrebi women's cinema |c Florence Martin |
| 264 | 1 | |a Bloomington |b Indiana University Press |c 2011 | |
| 300 | |a x, 271 p | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a New directions in national cinemas | |
| 500 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda | |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Motion pictures |z Africa, North |x History |y 20th century | |
| 650 | 4 | |a Motion pictures |z Africa, North |x History |y 21st century | |
| 650 | 4 | |a Women motion picture producers and directors |z Africa, North | |
| 650 | 4 | |a Motion pictures |x Social aspects |z Africa, North | |
| 650 | 4 | |a Women in motion pictures | |
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Datensatz im Suchindex
| _version_ | 1819299650528608256 |
|---|---|
| any_adam_object | |
| author | Martin, Florence 1959- |
| author_facet | Martin, Florence 1959- |
| author_role | aut |
| author_sort | Martin, Florence 1959- |
| author_variant | f m fm |
| building | Verbundindex |
| bvnumber | BV044151614 |
| collection | ZDB-30-PAD |
| contents | Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda |
| ctrlnum | (ZDB-30-PAD)EBC670320 (ZDB-89-EBL)EBL670320 (OCoLC)756501586 (DE-599)BVBBV044151614 |
| dewey-full | 791.430961 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430961 |
| dewey-search | 791.430961 |
| dewey-sort | 3791.430961 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Electronic eBook |
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| id | DE-604.BV044151614 |
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| indexdate | 2024-12-24T05:48:59Z |
| institution | BVB |
| isbn | 9780253005656 |
| language | English |
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| oclc_num | 756501586 |
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| physical | x, 271 p |
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| publishDate | 2011 |
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| publisher | Indiana University Press |
| record_format | marc |
| series2 | New directions in national cinemas |
| spelling | Martin, Florence 1959- Verfasser aut Screens and veils Maghrebi women's cinema Florence Martin Bloomington Indiana University Press 2011 x, 271 p txt rdacontent c rdamedia cr rdacarrier New directions in national cinemas Includes bibliographical references and index Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda Geschichte 1900-2000 Film Geschichte Gesellschaft Motion pictures Africa, North History 20th century Motion pictures Africa, North History 21st century Women motion picture producers and directors Africa, North Motion pictures Social aspects Africa, North Women in motion pictures Frauenfilm (DE-588)4125060-6 gnd rswk-swf Maghreb (DE-588)4036963-8 gnd rswk-swf Maghreb (DE-588)4036963-8 g Frauenfilm (DE-588)4125060-6 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-253-35668-0 Erscheint auch als Druck-Ausgabe, Paperback 978-0-253-22341-8 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Martin, Florence 1959- Screens and veils Maghrebi women's cinema Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda Film Geschichte Gesellschaft Motion pictures Africa, North History 20th century Motion pictures Africa, North History 21st century Women motion picture producers and directors Africa, North Motion pictures Social aspects Africa, North Women in motion pictures Frauenfilm (DE-588)4125060-6 gnd |
| subject_GND | (DE-588)4125060-6 (DE-588)4036963-8 |
| title | Screens and veils Maghrebi women's cinema |
| title_auth | Screens and veils Maghrebi women's cinema |
| title_exact_search | Screens and veils Maghrebi women's cinema |
| title_full | Screens and veils Maghrebi women's cinema Florence Martin |
| title_fullStr | Screens and veils Maghrebi women's cinema Florence Martin |
| title_full_unstemmed | Screens and veils Maghrebi women's cinema Florence Martin |
| title_short | Screens and veils |
| title_sort | screens and veils maghrebi women s cinema |
| title_sub | Maghrebi women's cinema |
| topic | Film Geschichte Gesellschaft Motion pictures Africa, North History 20th century Motion pictures Africa, North History 21st century Women motion picture producers and directors Africa, North Motion pictures Social aspects Africa, North Women in motion pictures Frauenfilm (DE-588)4125060-6 gnd |
| topic_facet | Film Geschichte Gesellschaft Motion pictures Africa, North History 20th century Motion pictures Africa, North History 21st century Women motion picture producers and directors Africa, North Motion pictures Social aspects Africa, North Women in motion pictures Frauenfilm Maghreb |
| work_keys_str_mv | AT martinflorence screensandveilsmaghrebiwomenscinema |