Post-soul satire black identity after Civil Rights

"From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expr...

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Weitere Verfasser: Maus, Derek C. (HerausgeberIn), Donahue, James J. 1974- (HerausgeberIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Jackson University Press of Mississippi [2014]
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520 |a "From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expression for a generation of writers, comedians, cartoonists, musicians, filmmakers, and visual/conceptual artists, satire enables collective questioning of many of the fundamental presumptions about black identity in the wake of the civil rights movement. Whether taking place in popular and controversial television shows, in a provocative series of short internet films, in prize-winning novels and plays, in comic strips, or in conceptual hip hop albums, this satirical impulse has found a receptive audience both within and outside the black community. Such works have been variously called "post-black," "post-soul," and examples of a "New Black Aesthetic." Whatever the label, this collection bears witness to a noteworthy shift regarding the ways in which African American satirists feel constrained by conventional obligations when treating issues of racial identity, historical memory, and material representation of blackness. Among the artists examined in this collection are Paul Beatty, Dave Chappelle, Trey Ellis, Percival Everett, Donald Glover (a.k.a. Childish Gambino), Spike Lee, Aaron McGruder, Lynn Nottage, ZZ Packer, Suzan Lori-Parks, Mickalene Thomas, Touré, Kara Walker, and George C. Wolfe. The essays intentionally seek out interconnections among various forms of artistic expression. Contributors look at the ways in which contemporary African American satire engages in a broad ranging critique that exposes fraudulent, outdated, absurd, or otherwise damaging mindsets and behaviors both within and outside the African American community"-- 
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Datensatz im Suchindex

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spelling Post-soul satire black identity after Civil Rights edited by Derek C. Maus and James J. Donahue
Jackson University Press of Mississippi [2014]
© 2014
1 online resource (341 pages)
txt rdacontent
c rdamedia
cr rdacarrier
Description based on print version record
"From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expression for a generation of writers, comedians, cartoonists, musicians, filmmakers, and visual/conceptual artists, satire enables collective questioning of many of the fundamental presumptions about black identity in the wake of the civil rights movement. Whether taking place in popular and controversial television shows, in a provocative series of short internet films, in prize-winning novels and plays, in comic strips, or in conceptual hip hop albums, this satirical impulse has found a receptive audience both within and outside the black community. Such works have been variously called "post-black," "post-soul," and examples of a "New Black Aesthetic." Whatever the label, this collection bears witness to a noteworthy shift regarding the ways in which African American satirists feel constrained by conventional obligations when treating issues of racial identity, historical memory, and material representation of blackness. Among the artists examined in this collection are Paul Beatty, Dave Chappelle, Trey Ellis, Percival Everett, Donald Glover (a.k.a. Childish Gambino), Spike Lee, Aaron McGruder, Lynn Nottage, ZZ Packer, Suzan Lori-Parks, Mickalene Thomas, Touré, Kara Walker, and George C. Wolfe. The essays intentionally seek out interconnections among various forms of artistic expression. Contributors look at the ways in which contemporary African American satire engages in a broad ranging critique that exposes fraudulent, outdated, absurd, or otherwise damaging mindsets and behaviors both within and outside the African American community"--
Schwarze. USA
African Americans in mass media
African Americans Race identity
Satire, American History and criticism
African Americans in literature
African Americans in motion pictures
African Americans in popular culture
African Americans Intellectual life
Identität (DE-588)4026482-8 gnd rswk-swf
Schwarze Motiv (DE-588)4116434-9 gnd rswk-swf
Massenmedien (DE-588)4037877-9 gnd rswk-swf
Satire (DE-588)4051752-4 gnd rswk-swf
USA (DE-588)4078704-7 gnd rswk-swf
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2\p DE-604
Maus, Derek C. (DE-588)1014948401 edt
Donahue, James J. 1974- (DE-588)1069193046 edt
Erscheint auch als Druck-Ausgabe Post-soul satire : black identity after Civil Rights
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spellingShingle Post-soul satire black identity after Civil Rights
Schwarze. USA
African Americans in mass media
African Americans Race identity
Satire, American History and criticism
African Americans in literature
African Americans in motion pictures
African Americans in popular culture
African Americans Intellectual life
Identität (DE-588)4026482-8 gnd
Schwarze Motiv (DE-588)4116434-9 gnd
Massenmedien (DE-588)4037877-9 gnd
Satire (DE-588)4051752-4 gnd
subject_GND (DE-588)4026482-8
(DE-588)4116434-9
(DE-588)4037877-9
(DE-588)4051752-4
(DE-588)4078704-7
(DE-588)4143413-4
title Post-soul satire black identity after Civil Rights
title_auth Post-soul satire black identity after Civil Rights
title_exact_search Post-soul satire black identity after Civil Rights
title_full Post-soul satire black identity after Civil Rights edited by Derek C. Maus and James J. Donahue
title_fullStr Post-soul satire black identity after Civil Rights edited by Derek C. Maus and James J. Donahue
title_full_unstemmed Post-soul satire black identity after Civil Rights edited by Derek C. Maus and James J. Donahue
title_short Post-soul satire
title_sort post soul satire black identity after civil rights
title_sub black identity after Civil Rights
topic Schwarze. USA
African Americans in mass media
African Americans Race identity
Satire, American History and criticism
African Americans in literature
African Americans in motion pictures
African Americans in popular culture
African Americans Intellectual life
Identität (DE-588)4026482-8 gnd
Schwarze Motiv (DE-588)4116434-9 gnd
Massenmedien (DE-588)4037877-9 gnd
Satire (DE-588)4051752-4 gnd
topic_facet Schwarze. USA
African Americans in mass media
African Americans Race identity
Satire, American History and criticism
African Americans in literature
African Americans in motion pictures
African Americans in popular culture
African Americans Intellectual life
Identität
Schwarze Motiv
Massenmedien
Satire
USA
Aufsatzsammlung
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AT donahuejamesj postsoulsatireblackidentityaftercivilrights