The Norton introduction to literature
"The most trusted guide for helping students read critically and write carefully. The Norton Introduction to Literature presents an engaging, balanced selection of literature to suit any course. Offering a thorough treatment of historical and critical context, the most comprehensive media packa...
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[2017]
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| 245 | 1 | 0 | |a The Norton introduction to literature |c Kelly J. Mays, University of Las Vegas, Nevada |
| 250 | |a Portable twelfth edition | ||
| 264 | 1 | |a New York ; London |b W. W. Norton & Company |c [2017] | |
| 300 | |a xli, 1382, A38 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | |a "The most trusted guide for helping students read critically and write carefully. The Norton Introduction to Literature presents an engaging, balanced selection of literature to suit any course. Offering a thorough treatment of historical and critical context, the most comprehensive media package available, and a rich suite of tools to encourage close reading and thoughtful writing, the Twelfth Edition is unparalleled in its guidance of understanding, analyzing, and writing about literature."... | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Titel: The Norton introduction to literature
Autor: Mays, Kelly J
Jahr: 2017
Contents
Contents Arranged by Topic xix
Preface for Instructors xxxiii
Introduction 1
What Is Literature? 1
What Does Literature Do? 3
JOHN KEATS, On First Looking into Chapman s Homer 4
What Are the Genres of Literature? 5
Why Read Literature? 7
Why Study Literature? 10
FICTION: READING, RESPONDING, WRITING 12
ANONYMOUS, The Elephant in the Village of the Blind 14
READING AND RESPONDING TO FICTION 16
LINDA BREWER, 20/20 17
SAMPLE WRITING: Annotation and Notes on 20/20 18
MARJANE SATRAPI, The Shabbat (from Persepolis) 21
WRITING ABOUT FICTION 32
RAYMOND CARVER, Cathedral 33
SAMPLE WRITING: WESLEY RUPTON, Beading Notes on
Raymond Carver s Cathedral 47
SAMPLE WRITING: WESLEY RUPTON, Response Paper on
Raymond Carver s Cathedral 50
SAMPLE WRITING: BETHANY QUALLS, A Narrator s Blindness in
Raymond Carver s Cathedral 53
UNDERSTANDING THE TEXT 57
1 PLOT 57
JACOB AND WILHELM GRIMM, The Shroud 60
JAMES Baldwin, Sonny s Blues 66
JOYCE carol OATES, Where Are You Going, Where Have
You Been? 94
2 NARRATION AND POINT OF VIEW 110
EDGAR ALLAN ROE, The Cask of Amontillado 115
ERNEST HEMINGWAY, Hills Like White Elephants 122
JAMAICA KINCAID, Girl 127
3 CHARACTER 130
TONI MORRISON, Recitatif 138
AUTHORS ON THEIR WORK: Toni Morrison 155
DAVID FOSTER WALLACE, Good People 156
4 SETTING 164
ITALO CALVINO, from Invisible Cities 166
ANTON CHEKHOV, The Lady with the Dog 171
AMY TAN, A Pair of Tickets 186
JUDITH ORTIZ COFER, Volar 203
SAMPLE WRITING: STEVEN MATV1EW, How Setting Reflects
Emotions in Anton Chekhov s The Lady with the Dog 207
5 SYMBOL AND FIGURATIVE LANGUAGE 213
NATHANIEL HAWTHORNE, The Birtll-Mark 219
EDWIDGE DANTICAT, A Wall of Fire Rising 234
6 THEME 249
AESOP, The Two Crabs 249
STEPHEN CRANE, The Open Boat 254
YASUNARI KAWABATA, The Grasshopper and the Bell
Cricket 275
READING MORE FICTION 279
TONI CADE BAMBARA, The Lesson 279
AUTHORS ON THEIR WORK: Toni Cade Bambara 286
KATE CHOPIN, The Story of an Hour 287
LOUISE ERDRICH, Love Medicine 289
WILLIAM FAULKNER, A Rose for Emily 308
CHARLOTTE PERKINS OILMAN, The Yellow Wallpaper 316
JAMES JOYCE, Araby 330
FRANZ KAFKA, A Hunger Artist 336
JHUMPA LAHIRI, Interpreter of Maladies 344
GABRIEL GARCIA MARQUEZ, A Very Old Man with Enormous
Wings: A Tale for Children 362
HERMAN MELVILLE, Bartleby, the Scrivener: A Story of
Wall Street 368
ALICE MUNRO, Boys and Girls 400
FLANNERY OCONNOR, A Good Man Is Hard to Find 412
TILLIE OLSEN, I Stand Here Ironing 426
DAVID SEDARIS, Jesus Shaves 433
JOHN UPDIKE, A P 437
AUTHORS ON THEIR WORK: John Updike 443
EUDORA WELTY, Why I Live at the P.O. 444
JUNOT DIAZ, Wildwood 455
POETRY: READING, RESPONDING, WRITING 476
DEFINING POETRY 477
LYDIA DAVIS, Head, Heart 478
AUTHORS ON THEIR CRAFT: Billy Collins 480
POETIC SUBGENRES AND KINDS 481
EDWIN ARLINGTON ROBINSON, Richard Cory 482
THOMAS HARDY, The Ruined Maid 483
WILLIAM WORDSWORTH, [J wandered lonely as
a cloud] 485
FRANK OHARA, Poem [Lana Turner has collapsed] 486
PHILLIS WHEATLEY, On Being Brought from Africa
to America 487
EMILY DICKINSON, [The Sky is low—the Clouds are mean] 488
billy COLLINS, Divorce 488
BRUCE SPRINGSTEEN, Nebraska 489
ROBERT HAYDEN, A Letter from Phillis Wheatley 490
RESPONDING TO POETRY 492
APHRA BEHN, On Her Loving Two Equally 493
WRITING ABOUT POETRY 501
SAMPLE WRITING: Response Paper on Names in
On Her Loving Two Equally 502
SAMPLE WRITING: Multiplying by Dividing in Aphra Behn s
On Her Loving Two Equally 505
UNDERSTANDING THE TEXT 509
7 SPEAKER: WHOSE VOICE DO WE HEAR? 509
NARRATIVE POEMS AND THEIR SPEAKERS 509
X. J. KENNEDY, In a Prominent Bar in Secaucus One Day 509
SPEAKERS IN THE DRAMATIC MONOLOGUE 511
ROBERT BROWNING, Soliloquy of the Spanish Cloister 511
THE LYRIC AND ITS SPEAKER 514
MARGARET ATWOOD, Death of a Young Son by Drowning 515
AUTHORS ON THEIR CRAFT: Billy Collins and Sharon Olds 516
WILLIAM WORDSWORTH, She Dwelt among the Untrodden
Ways 517
DOROTHY PARKER, A Certain Lady 518
POEMS FOR FURTHER STUDY 519
WALT WHITMAN, [/ celebrate myself, and sing myself] 519
LANGSTON HUGHES, Ballad of the Landlord 519
E. E. CUMMINGS, [next to of course god america i] 520
GWENDOLYN BROOKS, We Real Cool 521
LUCILLE CLIFTON, cream of wheat 521
ELIZABETH BISHOP, Exchanging Hats 522
8 SITUATION AND SETTING: WHAT HAPPENS?
WHERE? WHEN? 524
SITUATION 525
RITA DOVE, Daystar 525
LINDA PASTAN, To a Daughter Leaving Home 526
THE CARPE DIEM POEM 527
JOHN DONNE, The Flea 527
ANDREW MARVELL, To His Coy Mistress 528
SETTING 530
MATTHEW ARNOLD, Dover Beach 530
THE OCCASIONAL POEM 532
MARTIN ESPADA, Litany at the Tomb of Frederick Douglass 532
AUTHORS ON THEIR WORK: Martin Espada 533
ONE POEM, MULTIPLE SITUATIONS AND SETTINGS 534
LI-YOUNG LEE, Persimmons 534
ONE SITUATION AND SETTING, MULTIPLE POEMS 537
CHRISTOPHER MARLOWE, The Passionate Shepherd to His
Love 537
SIR WALTER RALEIGH, The Nymph s Reply
to the Shepherd 538
ANTHONY HECHT, The Dover Bitch 539
POEMS FOR FURTHER STUDY 540
NATASHA TRETHEWEY, Pilgrimage 540
KELLY CHERRY, Alzheimer s 541
JUDITH ORTIZ COPER, The Latin Deli: An Ars Poetica 542
ADRIENNE SU, Escape from the Old Country 543
9 THEME AND TONE 546
TONE 546
W. D. SNODGRASS, Leaving the Motel 547
THEME 548
MAXINE KUMIN, Woodchucks 549
ADRIENNE RICH, Aunt Jennifer s Tigers 550
AUTHORS ON THEIR WORK: Adrienne Rich 551
THEME AND CONFLICT 552
ADRIENNE SU, On Writing 553
AUTHORS ON THEIR WORK: Adrienne Su 554
POEMS FOR FURTHER STUDY 554
WILLIAM BLAKE, London 554
PAUL LAURENCE DUNBAR, Sympathy 555
W. H. AUDEN, [Stop all the clocks, cut off the telephone] 556
SHARON OLDS, Last Night 556
KAY RYAN, Repulsive Theory 557
SIMON J. ORTIZ, My Father s Song 558
ROBERT HAYDEN, Those Winter Sundays 559
MARTfN ESPADA, Of the Threads That Connect the Stars 560
SAMPLE WRITING: STEPHEN BORDLAND, Response
Paper on W. H. Auden s Stop all the clocks, cut off the
telephone 562
10 LANGUAGE: WORD CHOICE AND ORDER 566
PRECISION AND AMBIGUITY 566
SARAH CLEGHORN, [The golf links lie so near the mill] 566
MARTHA COLLINS, Lies 567
DENOTATION AND CONNOTATION 567
WALTER DE LA MARE, Slint Cunning Hands 568
THEODORE ROETHKE, My Papa s Waltz 569
WORD ORDER AND PLACEMENT 570
SHARON OLDS, Sex without Love 572
POEMS FOR FURTHER STUDY 573
GERARD MANLEY HOPKINS, Pied Beauty 573
WILLIAM CARLOS WILLIAMS, The Red Wheelbarrow 574
This Is Just to Say 574
KAY RYAN, Blandeur 574
A. E. STALLINGS, Shoulda, Woidda, Coulda 575
11 PICTURING: VISUAL IMAGERY AND FIGURES OF SPEECH 577
RICHARD WILBUR, The Beautiful Changes 578
LYNN POWELL, Kind of Blue 579
METAPHOR 580
William SHAKESPEARE, [That time of year thou mayst
in me behold] 580
LINDA PASTAN, Marks 582
PERSONIFICATION 582
Emily Dickinson, [Because I could not stop for
Death—] 583
SIMILE AND ANALOGY 583
ROBERT BURNS, A Red, Red Rose 584
TODD BOSS, My Love for You Is So Embarrassingly 585
ALLUSION 585
AMIT MAJMUDAR, Dothead 586
PATRICIA LOCKWOOD, What Is the Zoo for What 587
POEMS FOR FURTHER STUDY 589
WILLIAM SHAKESPEARE, [Shall I compare thee to a
summer s day?] 589
ANONYMOUS, The Twenty-Third Psalm 589
JOHN DONNE, [Batter my heard, three-personed God] 590
RANDALL JARRELL, The Death of the Ball Turret Gunner 590
12 SYMBOL 592
THE INVENTED SYMBOL 593
JAMES DICKEY, The Leap 593
THE TRADITIONAL SYMBOL 595
EDMUND WALLER, Song 596
DOROTHY PARKER, One Perfect Rose 597
THE SYMBOLIC POEM 598
WILLIAM BLAKE, The Sick Rose 598
POEMS FOR FURTHER STUDY 599
JOHN KEATS, Ode to a Nightingale 599
ROBERT FROST, The Road Not Taken 602
HOWARD NEMEROV, The Vacuum 603
ADRIENNE RICH, Diving into the Wreck 603
ROO BORSON, After a Death 606
BRIAN TURNER, Jundee Ameriki 606
AUTHORS ON THEIR WORK: Brian Turner 607
13 THE SOUNDS OF POETRY 609
RHYME 609
ONOMATOPOEIA, ALLITERATION, ASSONANCE,
AND CONSONANCE 611
ALEXANDER POPE, from The Rape of the Lock 612
SOUND POEMS 613
HELEN chasin, The Word Plum 613
KENNETH FEARING, Dirge 614
ALEXANDER POPE, Sound and Sense 615
POETIC METER 618
SAMUEL TAYLOR COLERIDGE, Metrical Feet 620
ANONYMOUS, [There was a young girl from St. Paul] 623
ALFRED, lord Tennyson, from The Charge of the Light
Brigade 623
JANE TAYLOR, The Star 624
ANNE BRADSTREET, To My Dear and Loving Husband 625
JESSIE POPE, The Call 626
Wilfred OWEN, Dulce et Decorum Est 627
POEMS FOR FURTHER STUDY 628
WILLIAM SHAKESPEARE, [Like as the waves make
towards the pebbled shoreJ 628
GERARD MANLEY HOPKINS, Spring and Fall 628
WALT WHITMAN, Beat! Beat! Drums! 629
KEVIN YOUNG, Ode to Pork 630
14 INTERNAL STRUCTURE 633
DIVIDING POEMS INTO PARTS 633
PAT MORA, Sonrisas 633
INTERNAL VERSUS EXTERNAL OR FORMAL PARTS 635
GALWAY KINNELL, Blackberry Eating 635
LYRICS AS INTERNAL DRAMAS 636
SEAMUS HEANEY, Punishment 636
SAMUEL TAYLOR COLERIDGE, Frost at Midnight 639
SHARON OLDS, The Victims 641
MAKING ARGUMENTS ABOUT STRUCTURE 642
POEMS WITHOUT PARTS 642
WALT whitman, I Hear America Singing 643
POEMS FOR FURTHER STUDY 644
WILLIAM SHAKESPEARE, [Th expense of spirit in a waste
of shame] 644
PERCY BYSSHE SHELLEY, Ode to the West Wind 645
PHILIP LARKIN, Church Going 647
AUTHORS ON THEIR WORK: Philip Larkin 649
SAMPLE WRITING: LINDSAY GIBSON, Philip Larkin s
Church Going 651
15 EXTERNAL FORM 655
STANZAS 655
TRADITIONAL STANZA FORMS 656
RICHARD WILBUR, Terza Rima 657
TRADITIONAL VERSE FORMS 658
FIXED FORMS OR FORM-BASED SUBGENRES 659
TRADITIONAL FORMS: POEMS FOR FURTHER STUDY 659
DYLAN THOMAS, Do Not Go Gentle into That
Good Night 659
NATASHA TRETHEWEY, Myth 660
ELIZABETH BISHOP, Sestina 661
CIARA SHUTTLEWORTH, Sestina 662
E. E. CUMMINGS, [l(a] 663
[Buffalo Bill s] 663
CONCRETE POETRY 664
GEORGE HERBERT, Easter Wings 664
THE SONNET: AN ALBUM 666
HENRY CONSTABLE, [My lady s presence makes the
roses red] 668
WILLIAM SHAKESPEARE, [My mistress eyes are nothing like
the sun] 669
[Not marble, nor the gilded monuments] 669
[Let me not to the marriage of true minds] 670
JOHN MILTON, [When I consider how my light is spent] 670
WILLIAM WORDSWORTH, Nuns Fret Not 671
ELIZABETH BARRETT BROWNING, How Do I Love Thee? 672
CHRISTINA ROSSETTI, In an Artist s Studio 672
EDNA ST. VINCENT MILLAY, [What lips my lips have kissed, and
where, and why] 673
[Women have loved before as I love now] 673
[i, heing horn a woman and distressed] 674
[f will put Chaos into fourteen lines] 674
ROBERT FROST, Range-Finding 675
Design 675
GWENDOLYN BROOKS, First Fight. Then Fiddle. 676
GWEN HARWOOD, In the Park 676
BILLY COLLINS, Sonnet 677
HARRYETTE MULLEN, Dim Lady 677
SAMPLE WRITING: MELISSA MAKOLIN, Out-Sonneting Shake-
speare: An Examination of Edna St. Vincent Millay s Use of
the Sonnet Form 679
READING MORE POETRY 685
JULIA ALVAREZ, Poetry Makes Nothing Happen ? 685
ANONYMOUS, Sir Patrick Spens 686
W. H. AUDEN, In Memory of W. B. Yeats 687
Musee des Beaux Arts 689
BASHo, [A village without hells—] 690
[This road—] 690
WILLIAM BLAKE, The Lamb 690
The Tyger 691
Chimney Sweeper 692
ROBERT BROWNING, My Last Duchess 692
SAMUEL TAYLOR COLERIDGE, Kubla Khan 694
BILLY COLLINS, Introduction to Poetry 695
COUNTEE CULLEN, Yet Do 1 Marvel 696
E. E. CUMMINGS, [in Just-] 696
EMILY DICKINSON, [7 dwell in Possibility—] 697
[J stepped from Plank to Plank] 698
[AI) Life had stood—a Loaded Gun—] 698
[A narrow Fellow in the Grass] 699
[Tell all the truth hut tell it slant—] 699
[Wild Nights—Wild Nights!] 700
JOHN DONNE, The Canonization 700
[Death, he not proud] 702
Song 702
A Valediction: Forbidding Mourning 703
PAUL LAURENCE DUNBAR, We Wear the Mask 704
T. S. ELIOT, The Love Song of]. Alfred Prufrock 705
ROBERT FROST, Home Burial 709
Stopping by Woods on a Snowy Evening 712
ANGELINA GRIMKE, Tenehris 713
SEAMUS HEANEY, Digging 713
GERARD MANLEY HOPKINS, God s Grandeur 714
The Windhover 715
LANGSTON HUGHES, Harlem 715
I, Too 716
ben JONSON, On My First Son 716
JOHN KEATS, Ode on a Grecian Urn 717
To Autumn 718
ETHERIDGE KNIGHT, [Eastern guard tower] 720
[The falling snow flakes] 720
[Making jazz swing in] 720
Hard Rock Returns to Prison from the Hospital
for the Criminal Insane 720
CLAUDE MCKAY, The Harlem Dancer 721
The White House 722
PAT MORA, Elena 722
Gentle Communion 723
LINDA PASTAN, love poem 724
MARGE PIERCY, Barbie Doll 724
SYLVIA PLATH, Daddy 725
Lady Lazarus 727
EDGAR ALLAN POE, The Raven 730
EZRA POUND, In a Station of the Metro 733
The River-Merchant s Wife: A Letter 733
DUDLEY RANDALL, Ballad of Birmingham 734
ADRIENNE RICH, At a Bach Concert 735
History 736
PERCY BYSSHE SHELLEY, Ozymandias 737
WALLACE STEVENS, Anecdote of the far 737
The Emperor of Ice-Cream 738
ALFRED, LORD TENNYSON, Tears, Idle Tears 739
Ulysses 739
DEREK WALCOTT, A Far Cry from Africa 741
WALT WHITMAN, Facing West from California s Shores 742
A Noiseless Patient Spider 743
richard wilbur, Love Calls Us to the Things of This
World 743
WILLIAM CARLOS WILLIAMS, The Dance 744
WILLIAM WORDSWORTH, [The world is too much with us] 745
|A slumber did my spirit seal] 745
w. b. yeats, All Things Can Tempt Me 745
Easter 1916 746
The Lake Isle of Innisfree 748
Leda and the Swan 749
The Second Coming 749
BIOGRAPHICAL SKETCHES: POETS 751
DRAMA: READING, RESPONDING, WRITING 768
READING DRAMA 768
susan glaspell, Trifles 771
RESPONDING TO DRAMA 784
SAMPLE WRITING: Annotation o/Trifles 784
SAMPLE WRITING: Reading Notes 788
WRITING ABOUT DRAMA 792
SAMPLE WRITING: JESSICA ZEZULKA, Trifles Plot Response
Paper 794
SAMPLE WRITING: STEPHANIE ORTEGA, A journey of
Sisterhood 796
UNDERSTANDING THE TEXT 800
16 ELEMENTS OF DRAMA 800
HENRIK IBSEN, A Doll House 812
AUGUST WILSON, Fences 873
AUTHORS ON THEIR WORK: August Wilson 935
READING MORE DRAMA 936
LORRAINE HANSBERRY, A Raisin in the Sun 936
JANE MARTIN, Two Monologues from Talking With . . . 1013
ARTHUR MILLER, Death of a Salesman 1018
AUTHORS ON THEIR WORK: Arthur Miller 1100
WILLIAM SHAKESPEARE, Hamlet 1101
SOPHOCLES, Antigone 1211
WRITING ABOUT LITERATURE 1248
17 BASIC MOVES: PARAPHRASE, SUMMARY, AND
DESCRIPTION 1250
18 THE LITERATURE ESSAY 1255
19 THE WRITING PROCESS 1279
20 THE LITERATURE RESEARCH ESSAY 1295
21 QUOTATION, CITATION, AND DOCUMENTATION 1308
22 SAMPLE RESEARCH ESSAY
SARAH ROBERTS, Only a Girl ? Gendered Initiation in
Alice Munro s Boys and Girls 1340
CRITICAL APPROACHES 1352
GLOSSARY Al
Permissions Acknowledgments A16
Index of Authors A26
Index of Titles and First Lines A30
Index of Literary Terms A36
|
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| dewey-sort | 3808 |
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| discipline | Anglistik / Amerikanistik Literaturwissenschaft |
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| format | Book |
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| genre | (DE-588)4151278-9 Einführung gnd-content |
| genre_facet | Einführung |
| id | DE-604.BV044024289 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T05:40:25Z |
| institution | BVB |
| isbn | 9780393938937 |
| language | English |
| lccn | 016016295 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029431731 |
| oclc_num | 976016562 |
| open_access_boolean | |
| owner | DE-384 |
| owner_facet | DE-384 |
| physical | xli, 1382, A38 Seiten Illustrationen |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | W. W. Norton & Company |
| record_format | marc |
| spellingShingle | The Norton introduction to literature Literatur Literature Collections Englisch (DE-588)4014777-0 gnd Anthologie (DE-588)4002214-6 gnd Literatur (DE-588)4035964-5 gnd Literaturwissenschaft (DE-588)4036034-9 gnd |
| subject_GND | (DE-588)4014777-0 (DE-588)4002214-6 (DE-588)4035964-5 (DE-588)4036034-9 (DE-588)4151278-9 |
| title | The Norton introduction to literature |
| title_auth | The Norton introduction to literature |
| title_exact_search | The Norton introduction to literature |
| title_full | The Norton introduction to literature Kelly J. Mays, University of Las Vegas, Nevada |
| title_fullStr | The Norton introduction to literature Kelly J. Mays, University of Las Vegas, Nevada |
| title_full_unstemmed | The Norton introduction to literature Kelly J. Mays, University of Las Vegas, Nevada |
| title_short | The Norton introduction to literature |
| title_sort | the norton introduction to literature |
| topic | Literatur Literature Collections Englisch (DE-588)4014777-0 gnd Anthologie (DE-588)4002214-6 gnd Literatur (DE-588)4035964-5 gnd Literaturwissenschaft (DE-588)4036034-9 gnd |
| topic_facet | Literatur Literature Collections Englisch Anthologie Literaturwissenschaft Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029431731&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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